Drum microphone kit includes 4 drum microphones to cover all you need in performance and recording applications. Drum microphone kit includes 4 drum microphones to cover all you need in performance and recording applications. Includes 1 PGA52 kick drum microphone, 2 PGA56 drum microphones, 1 PGA57 instrument microphone, 2 drum mounts, and 4 XLR cables. […]
Drum microphone kit includes 4 drum microphones to cover all you need in performance and recording applications.
Drum microphone kit includes 4 drum microphones to cover all you need in performance and recording applications. Includes 1 PGA52 kick drum microphone, 2 PGA56 drum microphones, 1 PGA57 instrument microphone, 2 drum mounts, and 4 XLR cables.
Main Features
1 PGA52 kick drum microphone
2 PGA56 drum microphones
1 PGA57 instrument microphone
2 Drum mounts
4 XLR-XLR cables
1 carrying case
Weight:
4014 g
Height x Width x Depth:
330.2 × 579.12 × 116.84 mm
PGADRUMKIT4 Specifications
Weight:
4014 g
Height x Width x Depth:
330.2 × 579.12 × 116.84 mm
Number of included products:
4
PGA52 Specifications
Weight:
454 g
Height x Width x Depth:
108.0 × 67.0 × 67.0 mm
Frequency Response:
50 Hz – 12 kHz
Frequency Response:
Tailored
Sensitivity:
-55.00 dBV/Pa – 1.75 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
PGA57 Specifications
Weight:
280 g
Frequency Response:
70 Hz – 15 kHz
Frequency Response:
Tailored
Sensitivity:
-56.50 dBV/Pa – 1.50 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
PGA56 Specifications
Weight:
287 g
Frequency Response:
50 Hz – 15 kHz
Frequency Response:
Tailored
Sensitivity:
-57.00 dBV/Pa – 1.45 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
Weight
4.00 kg
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Drum microphone kit includes 4 drum microphones to cover all you need in performance and recording applications.
Drum microphone kit includes 4 drum microphones to cover all you need in performance and recording applications. Includes 1 PGA52 kick drum microphone, 2 PGA56 drum microphones, 1 PGA57 instrument microphone, 2 drum mounts, and 4 XLR cables.
Main Features
1 PGA52 kick drum microphone
2 PGA56 drum microphones
1 PGA57 instrument microphone
2 Drum mounts
4 XLR-XLR cables
1 carrying case
Weight:
4014 g
Height x Width x Depth:
330.2 × 579.12 × 116.84 mm
PGADRUMKIT4 Specifications
Weight:
4014 g
Height x Width x Depth:
330.2 × 579.12 × 116.84 mm
Number of included products:
4
PGA52 Specifications
Weight:
454 g
Height x Width x Depth:
108.0 × 67.0 × 67.0 mm
Frequency Response:
50 Hz – 12 kHz
Frequency Response:
Tailored
Sensitivity:
-55.00 dBV/Pa – 1.75 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
PGA57 Specifications
Weight:
280 g
Frequency Response:
70 Hz – 15 kHz
Frequency Response:
Tailored
Sensitivity:
-56.50 dBV/Pa – 1.50 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
PGA56 Specifications
Weight:
287 g
Frequency Response:
50 Hz – 15 kHz
Frequency Response:
Tailored
Sensitivity:
-57.00 dBV/Pa – 1.45 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.
Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.
Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
Compact design reduces stage clutters
Hardened steel mesh grille resists wear and abuse
Neodymium magnet for high signal-to-noise ratio output
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Frequency response: 50 to 16,000 Hz
The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments.
Features
Rugged reinforced glass-fibre body
Low sensitivity to impact and handling noise
Very high sound pressure handling capability
Low distortion microphone
Hum compensating coil
Easy to position due to compact design
Integral stand mount
Delivery Includes
1 e 604
1 drum clip
1 pouch
Technical Data
Frequency Response 40.....18000 Hz
Sensitivity in free field, no load (1kHz) 1,8 mV/Pa
Min. terminating impedance 1000 Ohm
Dimensions d 33 x 59 mm
Weight w/o cable 60 g
The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
Professional-quality reproduction for drum, percussion, and instrument amplifier miking
Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
Pneumatic shock-mount system cuts down handling noise
Complete With Stereo Bar, Windshield's and Cradle'
The C 414 B-XL II/ST is especially useful for stereo recordings taken from the far field with the inclusion of useful and often valuable room acoustics. The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.
Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.
The kit comes complete in an all-metal 'Soundtool' Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens, an H50 stereo bar and an individually-measured chart showing the response curve of the microphone. See www.dv247.com Alternative Products and Related Products on this page for your options.
The C 414B-XLII has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments.
Whats the difference between the C 414B-XLII and the C 414 B XLS? The main difference between the two current C414 models lies in their frequency responses. The C 414B-XLII has a series of presence rises between 2.5 KHz and 9 KHz. This will make any recording with this microphone brighter or more sibilant than the original sound. This upper mid range boost is quite helpful on vocals and certain instruments such as classical acoustic guitars using nylon or natural strings. The C 414B XLS, see www.dv247.com Alternative Products on this page, has a very flat response that will not color the original sound which is important especially in instrumental recordings. It more suited for general use.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid wide cardioid, hyper cardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6, -12 and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414B-XLII has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6 dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414B-XLII has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems.
Features:
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
Supplied with Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens and an H50 stereo bar
High sound pressure level capability, 140 - 158dB, and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Specifications:
Type: 1" large diaphragm pressure gradient microphone
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