Drum microphone kit includes 4 drum microphones to cover all you need in performance and recording applications. Includes 1 PGA52 kick drum microphone, 2 PGA56 drum microphones, 3 PGA instrument microphones, 2 drum mounts, and 6 XLR cables.
Main Features
1 PGA52 kick drum microphone
2 PGA56 drum microphones
1 PGA57 instrument microphone
2 PGA81 instrument microphones
2 Drum mounts
6 XLR-XLR cables
1 carrying case
Weight:
5054 g
Height x Width x Depth:
330.2 × 579.12 × 116.84 mm
PGADRUMKIT6 Specifications
Weight:
5054 g
Height x Width x Depth:
330.2 × 579.12 × 116.84 mm
Number of included products:
6
PGA52 Specifications
Weight:
454 g
Height x Width x Depth:
108.0 × 67.0 × 67.0 mm
Frequency Response:
50 Hz – 12 kHz
Frequency Response:
Tailored
Sensitivity:
-55.00 dBV/Pa – 1.75 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
PGA57 Specifications
Weight:
280 g
Frequency Response:
70 Hz – 15 kHz
Frequency Response:
Tailored
Sensitivity:
-56.50 dBV/Pa – 1.50 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
PGA81 Specifications
Weight:
186 g
Frequency Response:
40 Hz – 18 kHz
Frequency Response:
Flat
Sensitivity:
-48.50 dBV/Pa – 3.80 mV/Pa
Equivalent Selfnoise:
20 dB(A)
Sound Pressure:
129.5 dB SPL
Transducer Type:
Condenser
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Requires Phantom Power:
48 VDC
Cartridge:
Fixed
PGA56 Specifications
Weight:
287 g
Frequency Response:
50 Hz – 15 kHz
Frequency Response:
Tailored
Sensitivity:
-57.00 dBV/Pa – 1.45 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
Weight
5.00 kg
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Drum microphone kit includes 4 drum microphones to cover all you need in performance and recording applications. Includes 1 PGA52 kick drum microphone, 2 PGA56 drum microphones, 3 PGA instrument microphones, 2 drum mounts, and 6 XLR cables.
Main Features
1 PGA52 kick drum microphone
2 PGA56 drum microphones
1 PGA57 instrument microphone
2 PGA81 instrument microphones
2 Drum mounts
6 XLR-XLR cables
1 carrying case
Weight:
5054 g
Height x Width x Depth:
330.2 × 579.12 × 116.84 mm
PGADRUMKIT6 Specifications
Weight:
5054 g
Height x Width x Depth:
330.2 × 579.12 × 116.84 mm
Number of included products:
6
PGA52 Specifications
Weight:
454 g
Height x Width x Depth:
108.0 × 67.0 × 67.0 mm
Frequency Response:
50 Hz – 12 kHz
Frequency Response:
Tailored
Sensitivity:
-55.00 dBV/Pa – 1.75 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
PGA57 Specifications
Weight:
280 g
Frequency Response:
70 Hz – 15 kHz
Frequency Response:
Tailored
Sensitivity:
-56.50 dBV/Pa – 1.50 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
PGA81 Specifications
Weight:
186 g
Frequency Response:
40 Hz – 18 kHz
Frequency Response:
Flat
Sensitivity:
-48.50 dBV/Pa – 3.80 mV/Pa
Equivalent Selfnoise:
20 dB(A)
Sound Pressure:
129.5 dB SPL
Transducer Type:
Condenser
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Requires Phantom Power:
48 VDC
Cartridge:
Fixed
PGA56 Specifications
Weight:
287 g
Frequency Response:
50 Hz – 15 kHz
Frequency Response:
Tailored
Sensitivity:
-57.00 dBV/Pa – 1.45 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
Frequency response shaped specifically for kick drums and bass instruments
Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
Studio quality performance, even at extremely high sound pressure levels
Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Neodymium magnet for high signal–to–noise ratio output
Low sensitivity to varying load impedance
Legendary Shure quality and reliability
Type
Dynamic (moving coil)
Frequency Response
20 to 10,000 Hz
Polar Pattern
Supercardioid, rotationally symmetrical about microphone axis
Output Level
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL
The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.
The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.
Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.
A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
Mew A98D flexible drum mount
SPL handling to 160dB
frequency response of 20 to 20,000Hz and included preamplifier
shock mount and windscreen
The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A highly consistent cardioid polar pattern
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
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