SHURE PGADRUMKIT6 Set of 6 microphones for drums

525.00 incl. GR VAT

In stock

EAN: N/A
Installments calculation
CompareAdd to wishlist Submit Better Price
Availability: Available in 1-3 d. Available in 1-3 d. SKU: PGADRUMKIT6 Category:
Drum microphone kit includes 4 drum microphones to cover all you need in performance and recording applications. Includes 1 PGA52 kick drum microphone, 2 PGA56 drum microphones, 3 PGA instrument microphones, 2 drum mounts, and 6 XLR cables. Main Features 1 PGA52 kick drum microphone 2 PGA56 drum microphones 1 PGA57 instrument microphone 2 PGA81 […]

 

Read more

Drum microphone kit includes 4 drum microphones to cover all you need in performance and recording applications. Includes 1 PGA52 kick drum microphone, 2 PGA56 drum microphones, 3 PGA instrument microphones, 2 drum mounts, and 6 XLR cables.

Main Features

  • 1 PGA52 kick drum microphone
  • 2 PGA56 drum microphones
  • 1 PGA57 instrument microphone
  • 2 PGA81 instrument microphones
  • 2 Drum mounts
  • 6 XLR-XLR cables
  • 1 carrying case

Weight:
5054 g

Height x Width x Depth:
330.2 × 579.12 × 116.84 mm

PGADRUMKIT6 Specifications

Weight:
5054 g

Height x Width x Depth:
330.2 × 579.12 × 116.84 mm

Number of included products:
6

PGA52 Specifications

Weight:
454 g

Height x Width x Depth:
108.0 × 67.0 × 67.0 mm

Frequency Response:
50 Hz – 12 kHz

Frequency Response:
Tailored

Sensitivity:
-55.00 dBV/Pa – 1.75 mV/Pa

Transducer Type:
Dynamic

Polar Pattern:
Cardioid

Switchable low cut:
No

Connectors:
3 Pin XLR

Attenuator:
No

Interchangeable Capsule:
No

Main Functionality:
Performance

Headphone Output:
No

Cartridge:
Fixed

PGA57 Specifications

Weight:
280 g

Frequency Response:
70 Hz – 15 kHz

Frequency Response:
Tailored

Sensitivity:
-56.50 dBV/Pa – 1.50 mV/Pa

Transducer Type:
Dynamic

Polar Pattern:
Cardioid

Switchable low cut:
No

Connectors:
3 Pin XLR

Attenuator:
No

Interchangeable Capsule:
No

Main Functionality:
Performance

Headphone Output:
No

Cartridge:
Fixed

PGA81 Specifications

Weight:
186 g

Frequency Response:
40 Hz – 18 kHz

Frequency Response:
Flat

Sensitivity:
-48.50 dBV/Pa – 3.80 mV/Pa

Equivalent Selfnoise:
20 dB(A)

Sound Pressure:
129.5 dB SPL

Transducer Type:
Condenser

Polar Pattern:
Cardioid

Switchable low cut:
No

Connectors:
3 Pin XLR

Attenuator:
No

Interchangeable Capsule:
No

Main Functionality:
Performance

Headphone Output:
No

Requires Phantom Power:
48 VDC

Cartridge:
Fixed

PGA56 Specifications

Weight:
287 g

Frequency Response:
50 Hz – 15 kHz

Frequency Response:
Tailored

Sensitivity:
-57.00 dBV/Pa – 1.45 mV/Pa

Transducer Type:
Dynamic

Polar Pattern:
Cardioid

Switchable low cut:
No

Connectors:
3 Pin XLR

Attenuator:
No

Interchangeable Capsule:
No

Main Functionality:
Performance

Headphone Output:
No

Cartridge:
Fixed

Weight 5.00 kg

Reviews

There are no reviews yet.

Be the first to review “SHURE PGADRUMKIT6 Set of 6 microphones for drums”

Your email address will not be published. Required fields are marked *

Quick Comparison

SHURE PGADRUMKIT6 Set of 6 microphones for drums removeSHURE PGA52-XLR - Kick Drum Microphone 30Hz to 13kHz removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeShure DMK57-52 - Drum Mic Kit removeSHURE SM-57LCE - Dynamic Instrument Microphone removeAKG C 414-XLII/ST Matched Pair remove
NameSHURE PGADRUMKIT6 Set of 6 microphones for drums removeSHURE PGA52-XLR - Kick Drum Microphone 30Hz to 13kHz removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeShure DMK57-52 - Drum Mic Kit removeSHURE SM-57LCE - Dynamic Instrument Microphone removeAKG C 414-XLII/ST Matched Pair remove
Image
SKUPGADRUMKIT6PGA52-XLRKSM141SLDMK57-52SM-57LCEC 414-XLII ST
Rating
Price525.00 incl. GR VAT 165.12 incl. GR VAT 515.99 incl. GR VAT 627.00 incl. GR VAT 119.95 incl. GR VAT 2,100.00 incl. GR VAT
Stock

In stock

Only 5 left in stock

In stock

Only 1 left in stock (can be backordered)

Only 5 left in stock

Available on backorder

AvailabilityIn stockOnly 5 left in stockIn stockOnly 1 left in stock (can be backordered)Only 5 left in stockAvailable on backorder
Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content

Drum microphone kit includes 4 drum microphones to cover all you need in performance and recording applications. Includes 1 PGA52 kick drum microphone, 2 PGA56 drum microphones, 3 PGA instrument microphones, 2 drum mounts, and 6 XLR cables.

Main Features
  • 1 PGA52 kick drum microphone
  • 2 PGA56 drum microphones
  • 1 PGA57 instrument microphone
  • 2 PGA81 instrument microphones
  • 2 Drum mounts
  • 6 XLR-XLR cables
  • 1 carrying case
Weight: 5054 g Height x Width x Depth: 330.2 × 579.12 × 116.84 mm PGADRUMKIT6 Specifications Weight: 5054 g Height x Width x Depth: 330.2 × 579.12 × 116.84 mm Number of included products: 6 PGA52 Specifications Weight: 454 g Height x Width x Depth: 108.0 × 67.0 × 67.0 mm Frequency Response: 50 Hz – 12 kHz Frequency Response: Tailored Sensitivity: -55.00 dBV/Pa – 1.75 mV/Pa Transducer Type: Dynamic Polar Pattern: Cardioid Switchable low cut: No Connectors: 3 Pin XLR Attenuator: No Interchangeable Capsule: No Main Functionality: Performance Headphone Output: No Cartridge: Fixed PGA57 Specifications Weight: 280 g Frequency Response: 70 Hz – 15 kHz Frequency Response: Tailored Sensitivity: -56.50 dBV/Pa – 1.50 mV/Pa Transducer Type: Dynamic Polar Pattern: Cardioid Switchable low cut: No Connectors: 3 Pin XLR Attenuator: No Interchangeable Capsule: No Main Functionality: Performance Headphone Output: No Cartridge: Fixed PGA81 Specifications Weight: 186 g Frequency Response: 40 Hz – 18 kHz Frequency Response: Flat Sensitivity: -48.50 dBV/Pa – 3.80 mV/Pa Equivalent Selfnoise: 20 dB(A) Sound Pressure: 129.5 dB SPL Transducer Type: Condenser Polar Pattern: Cardioid Switchable low cut: No Connectors: 3 Pin XLR Attenuator: No Interchangeable Capsule: No Main Functionality: Performance Headphone Output: No Requires Phantom Power: 48 VDC Cartridge: Fixed PGA56 Specifications Weight: 287 g Frequency Response: 50 Hz – 15 kHz Frequency Response: Tailored Sensitivity: -57.00 dBV/Pa – 1.45 mV/Pa Transducer Type: Dynamic Polar Pattern: Cardioid Switchable low cut: No Connectors: 3 Pin XLR Attenuator: No Interchangeable Capsule: No Main Functionality: Performance Headphone Output: No Cartridge: Fixed

OVERVIEW

Cardioid dynamic kick drum mic with swivel mount and cable.

The PGA52 is a professional quality kick drum microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.

Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning.

FEATURES
  • Mountable microphone featuring swivel joint with quick-release latch for kick drum
  • Dynamic cartridge (does not require phantom power) with cardioid polar pattern
  • Tailored cartridge design for low-frequency clarity, including on bass amps
  • Includes PGA52, zipper pouch and user guide
  • XLR to XLR mic cable included
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features
  • A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. Suggested Applications Acoustic Guitar Acoustic Bass Cymbals Brass/Woodwinds Orchestra Ensemble Vocals Piano Strings Room Ambience Live Recording

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.

  • The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.

  • Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.

  • A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
  • The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
    • Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
    • Professional-quality reproduction for drum, percussion, and instrument amplifier miking
    • Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
    • Pneumatic shock-mount system cuts down handling noise
    • Extremely durable under the heaviest use
    • Frequency response: 40 to 15,000 Hz
    Frequency Range 40 Hz to 15 kHz
    Impedance 150 Ohms
    Load Impedance 310 Ohms
    Sensitivity 56 dBV/Pa (Open Circuit Voltage, 1 kHz)
    Color Gray
    Mounting 5/8"-27 Female, Mic Clip (Included)
    Construction Material Steel, Steel Wire Grille
    Dimensions ø: 1.26 x L: 6.18" / ø: 32 x L: 157 mm
    Weight 10.02 oz / 284 g
     

    Complete With Stereo Bar, Windshield's and Cradle'

    The C 414 B-XL II/ST is especially useful for stereo recordings taken from the far field with the inclusion of useful and often valuable room acoustics. The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

    Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

    The kit comes complete in an all-metal 'Soundtool' Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens, an H50 stereo bar and an individually-measured chart showing the response curve of the microphone. See www.dv247.com Alternative Products and Related Products on this page for your options.

    The C 414B-XLII has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments.

    Whats the difference between the C 414B-XLII and the C 414 B XLS? The main difference between the two current C414 models lies in their frequency responses. The C 414B-XLII has a series of presence rises between 2.5 KHz and 9 KHz. This will make any recording with this microphone brighter or more sibilant than the original sound. This upper mid range boost is quite helpful on vocals and certain instruments such as classical acoustic guitars using nylon or natural strings. The C 414B XLS, see www.dv247.com Alternative Products on this page, has a very flat response that will not color the original sound which is important especially in instrumental recordings. It more suited for general use.

    The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid wide cardioid, hyper cardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6, -12 and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414B-XLII has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6 dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.

    The C 414B-XLII has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems.

    Features:

    • High sensitivity and extremely low self noise
    • Five switchable polar patterns for placement and application flexibility
    • Two-color LEDs provide quick visual indication of selected polar pattern and output overload
    • Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
    • Supplied with Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens and an H50 stereo bar
    • High sound pressure level capability, 140 - 158dB, and wide dynamic range
    • Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
    • Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
    • All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions

    Specifications:

    • Type: 1" large diaphragm pressure gradient microphone
    • Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
    • Frequency Range: 20 to 20,000 Hz
    • Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
    • Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
    • Preattenuation Pad: -6, -12,-18 dB, switchable
    • Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
    • Impedance: = 2,200 ohms
    • Supply voltage: 48 V phantom power to DIN/IEC
    • Current consumption: Approximately 4.5 mA
    • Dynamic range: 134 dB minimum
    • Environment Temperature range: -10° C to +60° C (14° F to 140° F)
    • Relative humidity: 95% (+20° C/68° F), 85% (+60° C/140° F)
    • Connector: 3-pin XLR to IEC
    • Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)
    • Net weight 300 g (10.6 oz.)

     

    Weight5.00 kg0.80 kg0.50 kg2.00 kg1.00 kg2.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 5.00 kg
    Weight 0.80 kg
    Weight 0.50 kg
    Weight 2.00 kg
    Weight 1.00 kg
    Weight 2.00 kg