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Drum microphone kit includes 4 drum microphones to cover all you need in performance and recording applications. Includes 1 PGA52 kick drum microphone, 2 PGA56 drum microphones, 3 PGA instrument microphones, 2 drum mounts, and 6 XLR cables.
Main Features
- 1 PGA52 kick drum microphone
- 2 PGA56 drum microphones
- 1 PGA57 instrument microphone
- 2 PGA81 instrument microphones
- 2 Drum mounts
- 6 XLR-XLR cables
- 1 carrying case
Weight:
5054 g
Height x Width x Depth:
330.2 × 579.12 × 116.84 mm
PGADRUMKIT6 Specifications
Weight:
5054 g
Height x Width x Depth:
330.2 × 579.12 × 116.84 mm
Number of included products:
6
PGA52 Specifications
Weight:
454 g
Height x Width x Depth:
108.0 × 67.0 × 67.0 mm
Frequency Response:
50 Hz – 12 kHz
Frequency Response:
Tailored
Sensitivity:
-55.00 dBV/Pa – 1.75 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
PGA57 Specifications
Weight:
280 g
Frequency Response:
70 Hz – 15 kHz
Frequency Response:
Tailored
Sensitivity:
-56.50 dBV/Pa – 1.50 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
PGA81 Specifications
Weight:
186 g
Frequency Response:
40 Hz – 18 kHz
Frequency Response:
Flat
Sensitivity:
-48.50 dBV/Pa – 3.80 mV/Pa
Equivalent Selfnoise:
20 dB(A)
Sound Pressure:
129.5 dB SPL
Transducer Type:
Condenser
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Requires Phantom Power:
48 VDC
Cartridge:
Fixed
PGA56 Specifications
Weight:
287 g
Frequency Response:
50 Hz – 15 kHz
Frequency Response:
Tailored
Sensitivity:
-57.00 dBV/Pa – 1.45 mV/Pa
Transducer Type:
Dynamic
Polar Pattern:
Cardioid
Switchable low cut:
No
Connectors:
3 Pin XLR
Attenuator:
No
Interchangeable Capsule:
No
Main Functionality:
Performance
Headphone Output:
No
Cartridge:
Fixed
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The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.
Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual
Technical Data
Pick-up pattern supercardioid
Frequency response 40...18000 Hz
Sensitivity in free field, no load (1kHz) 2,2 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 55 x 34 x 134 mm
Weight 140 g
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The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.
Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage
Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
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The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.
Frequency Response : 20.....16000 Hz
Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 60 x 153 mm
Weight : w/o cable 550 g
| The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording |
A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
- Mew A98D flexible drum mount
- SPL handling to 160dB
- frequency response of 20 to 20,000Hz and included preamplifier
- shock mount and windscreen
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