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The Sontronics ARIA will give you stunning, beautiful results on every recording, thanks to its silky-smooth characteristics, its accurate response and our trademark Sontronics high-frequency roll-off.
Housed inside the chromed grille is a large, 1.07-inch, edge-terminated capsule that captures all the detail and subtleties of any male or female vocal (sung or spoken) while the hand-selected European 12AX7/ECC83 tube lends a character that you'd expect to find in a classic vintage valve mic.
For that extra level of control, the accompanying SPS-2 power supply unit boasts pad (0, -10dB) and filter (linear, 75Hz) switches as well as a tube-ready LED, letting you know when the mic is warmed up and at its best to record. Inside the unit is a pro-quality, medical-grade electricity filter to ensure that the power supply is pure and interference-free.
During the 12 months of ARIA's development, it has been beta-tested by top artists and musicians including producer/writer Paul Epworth (Adele, Florence & The Machine, Paul McCartney), singer/songwriter PJ Harvey, and also several engineers at Abbey Road Studios, all of whom now admit they can't live without their ARIAs! These and other users have all told us that ARIA's sound and quality is easily matched to mics (both modern and vintage) that cost ten times more.
The result is a go-to microphone that's a must-have if you're serious about achieving the best results from vocals but that will also give beautiful results on piano, acoustic guitar, cello and other instruments as well as voiceover and broadcast.
Sontronics ARIA really will take your breath away!
The ARIA microphone is supplied in its own velvet-lined wooden box, which comes in an aluminium flightcase together with its elastic spider-style shockmount, a ring mount and the SPS-2 power supply, connecting cable and power lead.
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- Polar pattern: Cardioid
- Switchable -10dB PAD
- Frequency response: 20 - 20,000 Hz
- Max. SPL: 140/150 dB (THD = 0.5%)
- Electrical impedance: 200 Ohm
- Requires phantom power
- Diameter: 53 mm
- Length: 162 mm
- Net weight: 320 g
- Colour: Black
- Incl. shock mount
- Highly affordable AKG large-diaphragm microphone technology
- Cardioid polar pattern for multiplicity of vocal and instrument applications
The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost.
Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B\'s SPL capability by a true 10 dB. Loud sound sources are therefore no problem.
An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
Polar pattern |
cardioid |
Frequency range |
20 to 20,000 Hz |
Sensitivity |
25 mV/Pa (-32 dBV) |
Max. SPL |
140/150 dB (k=0,5%) |
Equivalent noise level (CCIR 468-3) |
25 dB |
Equivalent noise level |
14 dB-A |
Signal/noise ratio (A-weighted) |
80 dB |
Preattenuation pad |
10 dB, switchable |
Bass filter |
6 dB/octave below 500 Hz |
Impedance |
200 ohms |
Recommended load impedance |
>1000 ohms |
Supply voltage |
9 to 52 V phantom power to DIN 45596 |
Current consumption |
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Connector |
3-pin XLR |
Finish |
silver gray |
Net weight |
320 g / 11.3 oz. |
Shipping weight |
950 g / 2.1 lbs. |
Patent(s) |
Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488) |
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Large diaphragm cardioid microphone | Pressure gradient transducer with with one-diaphragm capsule | Transformerless circuitry | Extremely low noise: 7 dB-A | Includes swivel mount | Straightforward handling for homerecording and professional studios |
High-quality professional equipment for limited budgets
Acoustical operating principle | Pressure gradient transducer | Directional pattern | Cardioid | Frequency range | 20 Hz ... 20 kHz | Sensitivity at 1 kHz into 1 kohm | 23 mV/Pa | Rated impedance | 50 ohms | Rated load impedance | 1 kohms | Equivalent noise level, CCIR1) | 17.5 dB | Equivalent noise level, A-weighted1) | 7 dB-A | Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) | 76.5 dB | Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) | 87 dB | Maximum SPL for THD 0.5%2) | 138 dB | Maximum output voltage | 13 dBu | Dynamic range of the microphone amplifier (A-weighted) | 131 dB | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | Current consumption (P48, IEC 61938) | 3 mA | Matching connector | XLR3F | Weight | approx. 450 g | Diameter | 60 mm | Length | 132 mm |
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| Behringer C-3 Dual-Diaphragm Studio Condenser Microphone
Introducing the Professional Condenser Microphone C-3 from BEHRINGER
Our latest dual-diaphragm condenser microphone C-3 is ideal for high-quality studio recording and live applications.
The selectable omnidirectional, cardioid, and figure-eight pickup patterns offer ultimate versatility needed to professionally record vocals and acoustic instruments. The C-3 holds a pressure-gradient transducer with a shock-mounted dual-diaphragm capsule. Its ultra-high sound resolution and flat frequency response rival those of microphones with much higher price tags. It also includes an LED that indicates phantom power operation and a gold-plated XLR output connector to ensure highest signal integrity. The C-3 comes with extensive accessories such as swivel stand and transport case.
The C-3 represents state-of-the-art technology at a price that is simply unheard of. |
Acoustical operating principle | Pressure gradient transducer | Directional pattern | Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each | Frequency range | 20 Hz ... 20 kHz | Sensitivity at 1 kHz into 1 kohm | 34/47/62 mV/Pa* | Rated impedance | 50 ohms | Rated load impedance | 1000 ohms | Equivalent SPL CCIR 468-3 | 28/25/23 dB* | Equivalent SPL DIN/IEC 651 | 16/13/11 dB-A* | S/N ratio CCIR 468-3 | 66/69/71 dB* | S/N ratio DIN/IEC 651 | 78/81/83 dB* | Typical SPL (tube characteristic) | K | Maximum output voltage | 18 dBu | Dynamic range of the microphone amplifier cardioid DIN/IEC 651 for | 101 (121) dB | Powering | Power supply N 149 | Matching connectors | Microphone DIN 8F, Power supply XLR 3F | Weight | 730 g | Diameter | 70 mm | Length | 201 mm |
* Omnidirectional / cardioid / figure-8
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NT1000 - ?Pure Performance? Ultra Versatile 1? Studio Condenser Microphone.
With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the
R?DE NT1000 exhibits exceptional performance when recording both vocals
and instruments in the studio.
Voiced for ?application versatility?, the NT1000 has been hailed by many as the
ultimate drum over-head and grand piano mic selection. The NT1000 is also
equally at home as a first call vocal mic. With its Australian made 1? HF-2 capsule
incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range,
and 140 dBA SPL capabilities and a 20 Hz ? 20 kHz frequency response.
Built of a heavy-duty cast metal satin nickel body, the NT1000 incorporates a
high-strength, heat-treated mesh head, and comes supplied in a zip pouch with a
stand mount.
SPECIFICATIONS:
Acoustic principle:
Externally polarised 1? (25mm) pressure-gradient condenser
Directional pattern: Cardioid
Frequency range: 20Hz - 20kHz
Output impedance: 100?
Signal noise ratio din iec 651:
> 88dB (A-weighted, per IEC268-15)
Equvalent noise:
6dB SPL (A-weighted per IEC268-15) +/-1dB
Maximum spl:
> 140dB SPL (@ 1kHz, 1% THD into 1k( load)
Sensitivity:
-36dB re 1V/Pa (16mV @ 94dB SPL) +/-1dB
Dynamic range din iec 651: > 134dB (A-weighted, per IEC268-15)
Power supply voltage: P48 (35V - 53V)
Current consumption: 6mA
Weight without battery: 682 gm
Weight with battery: 882 gm
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