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Our best-selling Sontronics STC-2 employs a one-inch, gold-sputtered capsule and is ideally suited to recording vocals, spoken word and acoustic instruments. The evenly balanced frequency response delivers a defined low-end and a very detailed, open top-end, accurately capturing your subject in all its colours.
The STC-2 has a very smooth high-frequency roll-off, ensuring a natural presence, while its low-cut filter and -10dB pad switches will help you get the best from your recording, making this microphone a truly flexible all-round tool for your studio.
A 'spider' suspension mount is provided, which helps to isolate the sensitive microphone from any transient noise travelling through the mic stand. The Sontronics STC-2 and its shockmount are supplied in smart aluminium flightcase. Choose from brush silver or sleek black with gold lettering.
| Manufacturer | Sontronics | | Model | STC2 | | Weight | 0.61lbs (0.278kg) | | Connectivity | Output
| | Frequency Response | 50 Hz ~ 16 kHz | | Included Accessories | Aluminium Flightcase, Elastic Suspension Shockmount | | Microphone Type | Condenser | | Microphone Polar Pattern | Cardioid |
| Behringer C-2 2 Matched Studio Condenser Microphones
2 Matched Studio Condenser Microphones
- 2 matched condenser microphones for stereo studio recording and live applications
- Ideal as main and support microphones for studio and live applications
- Cardioid pickup pattern for effective feedback elimination
- Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
- Switchable low-frequency roll-off and input attenuation
- Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Sound That Astounds
Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity.
Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response.
Excellent Source Isolation
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
You Are Covered
We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world.
As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program. |
The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!
The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.
This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad & 80 Hz LF roll off switches for varied recording situations.
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Applications
Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…
Specifications
Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance: |
- One-inch large-diaphragm, true condenser cardioid transducer
- Rugged all-metal body
- Roadworthy construction
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary AKG sound quality
- Designed and engineered by AKG in Vienna, Austria
- Comes with spider-type shock mount and aluminium carrying case
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG΄s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.
Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case. |
| Type |
1" Large Diaphragm True Condenser |
| Polar pattern |
cardioid |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
18 mV/Pa (-35 dBV) |
| Max. SPL |
135 dB/155 dB (0/-20 dB) for 0.5% THD |
| Equivalent noise level |
16 dB-A (IEC 60268-4) |
| Signal/noise ratio (A-weighted) |
78 dB |
| Preattenuation pad |
0 dB, -20 dB |
| Bass filter |
12 dB/octave at 300 Hz |
| Impedance |
=1000 ohms |
| Current consumption |
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- Polar pattern: Cardioid
- Switchable -10dB PAD
- Frequency response: 20 - 20,000 Hz
- Max. SPL: 140/150 dB (THD = 0.5%)
- Electrical impedance: 200 Ohm
- Requires phantom power
- Diameter: 53 mm
- Length: 162 mm
- Net weight: 320 g
- Colour: Black
- Incl. shock mount
- Highly affordable AKG large-diaphragm microphone technology
- Cardioid polar pattern for multiplicity of vocal and instrument applications
The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost.
Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B\'s SPL capability by a true 10 dB. Loud sound sources are therefore no problem.
An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
| Polar pattern |
cardioid |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
25 mV/Pa (-32 dBV) |
| Max. SPL |
140/150 dB (k=0,5%) |
| Equivalent noise level (CCIR 468-3) |
25 dB |
| Equivalent noise level |
14 dB-A |
| Signal/noise ratio (A-weighted) |
80 dB |
| Preattenuation pad |
10 dB, switchable |
| Bass filter |
6 dB/octave below 500 Hz |
| Impedance |
200 ohms |
| Recommended load impedance |
>1000 ohms |
| Supply voltage |
9 to 52 V phantom power to DIN 45596 |
| Current consumption |
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| Connector |
3-pin XLR |
| Finish |
silver gray |
| Net weight |
320 g / 11.3 oz. |
| Shipping weight |
950 g / 2.1 lbs. |
| Patent(s) |
Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488) |
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| Variable large diaphragm microphone | | Pressure-gradient transducer with double membrane capsule | | The studio microphone classic | | Three directional characteristics: omni, cardioid, figure-8 | | Switchable low frequency roll-off | | Switchable 10 dB pre-attenuation | |
Ideal as main and as support microphone in the most differing recording situations
| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Omnidirectional, cardioid, figure-8 plus | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 20/28/22 mV/Pa1) | | Rated impedance | 200 ohms | | Rated load impedance | 1 kohms | | Equivalent noise level, CCIR2) | 26/23/25 dB1) | | Equivalent noise level, A-weighted2) | 15/12/14 dB-A1) | | Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) | 68/71/69 dB1) | | Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) | 79/82/80 dB1) | | Maximum SPL for THD 0.5%3) | 117 dB (cardioid) | | Maximum SPL for THD 0.5% with preattenuation3) | 127 dB | | Maximum output voltage | 390 mV | | Dynamic range of the microphone amplifier (A-weighted) | 105 dB | | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | | Current consumption (P48, IEC 61938) | 0.8 mA | | Matching connectors | XLR3F | | Weight | 500 g | | Diameter | 56 mm | | Length | 200 mm |
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