Content | The Sontronics STC-10 is a cardioid pencil condenser microphone that is based on the companyʼs STC-1.
While the STC-1 accepts alternate capsules with different polar patterns from Sontronics, the company makes no mention of compatibility with the STC-10. This leads us to believe that the capsule is not interchangeable, which likely allows the microphone to be priced lower than its predecessor.
The STC-10 features switches for a pad (-10 dB) and low-cut filter (at 75 Hz) on its front.
According to Sontronics, the STC-10 is designed to sound similar to the STC-1, at a lower cost. The company does not go into specifics, but some examples of areas they were able to cut costs were in accessories and expandability. The STC-10 ships with a mic clip and windscreen, though a shockmount and padded case are available for purchase separately.
Specifications
Pickup Patterns Pads & Filters
Cardioid (11 mV/Pa; 30 Hz - 20,000 Hz)
Pad: -10 dB (Via Switch)
Filter: Low cut at 75 Hz (Via Switch)
Capsule Dimensions Impedance SPL/Noise
Diameter n/a
200 Ohms (Low) Max SPL: 130 dB
Self-noise: 18.0 dB(A)
Weight Length Max Diameter Interface(s)
n/a n/a n/a
3-pin XLR male (1)
Power Specifications
Requires phantom power
Phantom voltage: 48v |
Transformerless Power/Output Module ? The SE 300 B is used with all AKG Blue Line capsules and operates from 9 ? 52 V phantom power. The 3-position switch allows selection of linear response, -10 dB preattenuation and 12-dB-per-octave 75 Hz low-cut filter. A stand adapter is included.
Specifications
Polar pattern: hypercardioid/directional
Frequency range: 20?20,000 Hz
Sensitivity: 25 mV/Pa (-32 dBV)
Max. SPL for 1 % THD: 124/134 dB
Equivalent noise level: 17 dB-A
Signal/noise ratio (A weighted): 77 dB
Preattenuation pad: -10 dB, switchable Bass cut filter: 12 dB/octave at 75 Hz
Electrical impedance: 200 Ohms
Recommended load impedance: >1,000 Ohms
Power requirement: 9 to 52 V phantom power to DIN 45 596
Current consumption: | The e 945 is a fully professional super-cardioid vocal microphone which cuts
through the mix and offers a smooth, natural sound. Its warm tonal response
is matched with rugged construction and excellent feedback rejection.
Features
Rugged metal body
Advanced shock-mount design
Consistent on-/off-axis response
Hum compensating coil
Made in Germany
Delivery includes a pouch and a microphone clamp
Delivery Includes
1 e 945
MZQ 800 microphone clamp
Pouch
Technical Data
Pick-up pattern Super-cardioid
Frequency response (microphone) 40.....18000Hz
Sensitivity in free field, no load (1kHz)
2,0mV/Pa bei 1 kHz = -54dB (0 dB = 1V/Pa) = -74 dB (0 dB = 1V/ubar)
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 47 x 186 mm
Weight 330 g | AKG C411L Ultralight Condenser Microphone
- Ultra-light vibration pickup
- Condenser transducer in sealed enclosure
- Cable with lockable miniature XLR connector
Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 L: With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.
Frequency range |
10 to 18,000 Hz |
Max. SPL |
100 dB (for 1% THD) |
Impedance |
200 ohms unbalanced |
Recommended load impedance |
>=1000 ohms |
Supply voltage |
9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitter |
Current consumption |
approx. 2.2 mA |
Connector |
C 411 L: 3-pin mini XLR |
Cable |
C 411 L: 1.5 m (5 ft.) |
Finish |
matte black |
Dimensions |
27 x 14 x 9.5 mm / 1.1 x 0.5 x 0.3 in. |
Net weight |
C 411 L: 18 g / 0.7 oz. |
Shipping weight |
C 411 L: 150 g / 5.5 oz. |
|
Cardioid Condenser with 10dB Attenuator and 3 Position Low-Cut Filter
One of the world's great studio microphones, the SM81 provides precise, detailed sound reproduction, is excellent for studio recording, and is rugged enough for live sound reinforcement.
- A standard for acoustic instruments, including guitar and cymbals
- Selectable, low-frequency response -- either flat, 6dB/octave roll-off, or 18 dB/octave roll-off
- Built-in, switchable 10 dB attenuator for use in high SPL situations
- Phantom power only
- Windscreen included
- Low noise and high output clipping
- Cardioid condenser
- Frequency response: 20 to 20,000 Hz
|
The ME 66 is a shot gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.
Pick-up pattern : super-cardioid/lobar
Sensitivity in free field, no load (1kHz) : 50 mV/Pa +- 2,5 dB
Nominal impedance : 200 Ohm (K6)
Min. terminating impedance : 1000 Ohm ( K6)
Equivalent noise level : 10 dB
Dimensions : d 22,5 x 221 mm
Weight : 65 g
|
Reviews
There are no reviews yet.