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he Sontronics SATURN has been developed with the help of top producers, artists and educators from around the world to set a new standard in flexible microphone performance and high-grade audio reproduction.
The retro-styled SATURN, whose design is inspired by the classic vocal mics of the 1940s and 50s, is the ideal all-round studio microphone. It will provide you with perfectly detailed, refined results, no matter what you place in front of it.
While SATURN was originally designed with vocals in mind, its choice of polar patterns plus filter and pad controls lend it a great versatility and it gives fantastic results on vocals, speech, guitars, brass, woodwind, strings, piano, drums…
the list goes on!
The five polar patterns – omnidirectional, subcardioid, cardioid, hypercardioid and figure-of-eight – combine with the variable attenuation (-10/-20dB) and high-pass filter (75/125Hz) to let you create exactly the results you want. The only limit with SATURN is your own creativity!
Model: 1099
Bar Code: 5060173280321
Part Number: SATURN
Brand: Sontronics
Polar Pattern: Multiple (5 Patterns)
Mic Type: Condenser
Frequency Response (Hz): 20-20,000
Sensitivity (mV/Pa): -32
Impedence (Ohm): 200
Maximum SPL (dB): 130
Power Requirements: 48V Phantom Power
Connection: XLR 3-Pin
Application: Studio Recording
Pad Attenuation (dB): -10/-20
High-Pass Filter (Hz): 75/125
Included Accessories: Shockmount, Flight Case
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Acoustical operating principle | Pressure gradient transducer | Directional pattern | Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each | Frequency range | 20 Hz ... 20 kHz | Sensitivity at 1 kHz into 1 kohm | 34/47/62 mV/Pa* | Rated impedance | 50 ohms | Rated load impedance | 1000 ohms | Equivalent SPL CCIR 468-3 | 28/25/23 dB* | Equivalent SPL DIN/IEC 651 | 16/13/11 dB-A* | S/N ratio CCIR 468-3 | 66/69/71 dB* | S/N ratio DIN/IEC 651 | 78/81/83 dB* | Typical SPL (tube characteristic) | K | Maximum output voltage | 18 dBu | Dynamic range of the microphone amplifier cardioid DIN/IEC 651 for | 101 (121) dB | Powering | Power supply N 149 | Matching connectors | Microphone DIN 8F, Power supply XLR 3F | Weight | 730 g | Diameter | 70 mm | Length | 201 mm |
* Omnidirectional / cardioid / figure-8
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NT2000 - ?Explore, Control, Create?? Seamlessly Variable Dual 1? Condenser Microphone.
The world's first large diaphragm condenser studio microphone with seamlessly variable Polar
Patterns, Filter and Pad located conveniently on the microphone body. The NT2000?s state of
the art surface-mount electronics combined with the new Australian designed and manufactured
HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB
with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.
SPECIFICATIONS:
Acoustic principle:
Externally polarised 25 mm (1?) dual diaphragm condenser
Directional pattern: Multipattern
Frequency range: 20Hz - 20KHz
Output impedance: 200 ohms
Signal noise ratio din iec 651: 87 dB (1kHz rel 1Pa)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum
Sensitivity:
-36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: Phantom P48
Weight without battery: 831 gm
Weight with battery: 2.6 kg
| Behringer C-1 Studio Condenser Microphone
Behringer C-1 Studio Condenser Microphone
The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
- Professional large-diaphragm condenser microphone for unsurpassed audio quality
- Ideal as main and support microphone for studio and live applications
- Exceptionally flat frequency response and ultra-high sound resolution
- Cardioid pickup pattern for outstanding sound source separation and feedback rejection
- Ultra low-noise transformerless FET input circuitry
- LED indicates phantom power operation
- Gold-plated 3-pin XLR output connector for perfect signal transmission
- Ultra-rugged construction with die-cast body
- Swivel stand mount and carrying case included
Operating Principle |
Pressure Gradient |
Capsule |
Condenser |
Diaphragm |
0.63" / 16.0 mm |
Polar Pattern |
Cardioid |
Performance
Frequency Range |
40 Hz to 20 kHz |
Maximum SPL |
136 dB SPL |
Impedance |
100 Ohms |
Load Impedance |
1000 Ohms |
Sensitivity |
-33 dB |
THD |
1% |
Connectivity
Output Connectors (Analog) |
1 x XLR 3-Pin |
Power
Operating Voltage |
36 to 52 V |
Operating Current Consumption |
2.5 µA |
Physical
0.93 lb / 0.42 kg
Dimensions |
ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm |
Weight |
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| Behringer C-3 Dual-Diaphragm Studio Condenser Microphone
Introducing the Professional Condenser Microphone C-3 from BEHRINGER
Our latest dual-diaphragm condenser microphone C-3 is ideal for high-quality studio recording and live applications.
The selectable omnidirectional, cardioid, and figure-eight pickup patterns offer ultimate versatility needed to professionally record vocals and acoustic instruments. The C-3 holds a pressure-gradient transducer with a shock-mounted dual-diaphragm capsule. Its ultra-high sound resolution and flat frequency response rival those of microphones with much higher price tags. It also includes an LED that indicates phantom power operation and a gold-plated XLR output connector to ensure highest signal integrity. The C-3 comes with extensive accessories such as swivel stand and transport case.
The C-3 represents state-of-the-art technology at a price that is simply unheard of. | Live sound
Podcasting
Home recording
Vocals
Musical instruments |
Perception 120 |
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- General-purpose cardioid recording microphone
- Extended frequency response
- Roadworthy construction
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.
Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type |
2/3\" Diaphragm True Condenser |
Polar pattern |
cardioid |
Frequency range |
20 to 20,000 Hz |
Sensitivity |
22 mV/Pa (-33 dBV) |
Max. SPL |
130/150 dB (0/-20 dB) for 0.5% THD |
Equivalent noise level |
22 dB-A (IEC 60268-4) |
Signal/noise ratio (A-weighted) |
72 dB |
Preattenuation pad |
0 dB, -20 dB |
Bass filter |
12 dB/octave at 300 Hz |
Impedance |
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Recommended load impedance |
>= 1,000 ohms |
Powering |
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Power requirement |
48 V phantom power to DIN/IEC |
Connector |
3-pin XLR |
Finish |
metallic blue |
Dimensions |
53 dia. x 165 mm (2.1 dia. x 6.5 in.) |
Net weight |
525 g (18.5 oz.) |
Shipping weight |
955 g (33.7 oz.) |
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