SOUND DEVICES MixPre-3 Digital recorder/Usb interface

966.00 incl. GR VAT

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Frequency Response10Hz to 40kHz +/- 0.5dB re 1kHz @ 96kHz sample rate THD + Noise0.005% max (@1kHz, 22-22kHz BW, gain=20dB, -10dBu in) ADC32 bit precision; 120dB dynamic range min (A-weighted, gain=10dB, fader=0dB) Equivalent Input Noise-130dBV (-128dBu) max (A-weighting, gain=76dB, 150 ohm source impedance) Inputs Mic: XLR active-balanced; 4k input Z Line: XLR active-balanced; 4k input […]

 

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Frequency Response10Hz to 40kHz +/- 0.5dB re 1kHz @ 96kHz sample rate THD + Noise0.005% max (@1kHz, 22-22kHz BW, gain=20dB, -10dBu in) ADC32 bit precision; 120dB dynamic range min (A-weighted, gain=10dB, fader=0dB) Equivalent Input Noise-130dBV (-128dBu) max (A-weighting, gain=76dB, 150 ohm source impedance) Inputs

  • Mic: XLR active-balanced; 4k input Z
  • Line: XLR active-balanced; 4k input Z
  • Aux/Mic in: 3.5mm TRS, 2-channel unbalanced; 100k input Z
  • USB Audio: 2 channels
  • All inputs fully RF-filtered and overload protected.

Gain

  • Mic input: +6dB to +76dB
  • Line input: -20dB to +30dB
  • Fader: -inf to +20dB
  • Headphone: -inf to +20dB
  • Total, Mic-to-recording (max): +96dB
  • Aux In (Mic): Gain = +10dB to +40dB
  • Aux In (Line): Gain = -10dB to +20dB
  • Total Aux Gain including Fader (Mic-to-recording): +60dB

Maximum Input Level

  • Mic XLR: +14dBu (limiters on or off)
  • Line XLR: +40dBu (limiters on or off)
  • Aux In (Mic): -10dBu
  • Aux In (Line): +10dBu

Low Cut Filters40Hz to 160Hz (adjustable), 18 dB/oct. First stage analog, subsequent stages digital. Microphone Powering

  • Mic XLRs: 48V via 6.8k resistors, 10mA each
  • Mic 3.5mm: 3V @ 3k source Z

LimitersLimiter at all gain stages, range > 40dB. First stage analog, subsequent stages digital. DAC feeding Stereo Out, Headphone Out32 bit precision; 115dB dynamic range (A-weighted) Stereo Out3.5mm TRS stereo unbalanced, 500 ohm output Z, +7.8dBu max output level Headphones Out3.5mm TRS stereo unbalanced, for use with any impedance headphones USB

  • Audio Interface (USB-C): 5-in/2-out; 44.1 to 96 kHz; 16/24-bit; Class-compliant USB 2.0 high speed or ASIO (supplied)
  • Mass Storage (USB-C): USB 2.0 high speed
  • Keyboard (USB-A): Text entry and control

Maximum Record Tracks 5 Tracks: Stereo mix + 3 ISOs Sampling Frequency

  • 44.1 kHz
  • 48 kHz
  • 96 kHz

Bit Depth16, 24 Recording Storage

  • Type: SD, SDXC, SDHC Card
  • Max Storage Size: 512 GB (SDXC)
  • Card format: FAT32 (32GB or less) or exFAT (>32GB)

File TypeWAV (Broadcast Wave File Format) with embedded timecode stamp and metadata Timecode Modes

  • Time of Day (file stamped w/current ToD)
  • LTC Input (file stamped w/incoming LTC on Aux 3.5mm)
  • HDMI TC (file stamped w/incoming TC from HDMI & sample clock slaved from HDMI sample clock. Only works on specific cameras that support HDMI TC.

Timecode Frame Rates:

  • Auto-detects (fps): 23.98 (same as 23.976)
  • 24
  • 25
  • 29.97
  • 29.97DF
  • 30

Remote Control

  • Bluetooth Smart: Wireless control using Wingman app
  • HDMI: Auto-record start/stop trigger from cameras that output record flag over HDMI
  • Timecode: Auto-record start/stop trigger via Aux In timecode

Touch Screen320x240; 1.6-inch, color, sunlight-viewable IPS LCD Power

  • AA Batteries: 4x AA sled (included); 8x AA sled (optional accessory). NiMH recommended
  • From computer: Bus-powered via USB-C port; use MX-USBY cable (included), connects one USB-C to two USB-A ports
  • AC Adapter: MX-Charge (not included) Power supply wall adapter w/ USB-C connector; 15W; has 4 adapter plugs for US, UK, AU & Europe
  • L-Mount: Optional sled for 2x (hot-swappable) Sony L-type Li-ion batteries

Environmental

  • Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
  • Storage: -40°C to 85°C

Dimensions and Weight

  • Dimensions: 144 mm x 110 mm x 36 mm (H x W x D); 5.68” x 4.35” x 1.40”
  • Weight: .48 kg; 16.8 oz. (unpackaged, without batteries)

Specifications are subject to change without prior notice.

Weight 1.00 kg

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Quick Comparison

SOUND DEVICES MixPre-3 Digital recorder/Usb interface removeFOSTEX UR-2 Professional Digital Recorder removeKORG TMR-50 BK Digital metronome, tuner and recorder removeAPOGEE X-HD EXPANSION CARD FOR CONNECTING Apogee Converters WITH DigiDesign HD removeDIGIDESIGN Pro Tools Custom Keyboard — Mac removeTASCAM PS-PS5 Footswich Recorder Control remove
NameSOUND DEVICES MixPre-3 Digital recorder/Usb interface removeFOSTEX UR-2 Professional Digital Recorder removeKORG TMR-50 BK Digital metronome, tuner and recorder removeAPOGEE X-HD EXPANSION CARD FOR CONNECTING Apogee Converters WITH DigiDesign HD removeDIGIDESIGN Pro Tools Custom Keyboard — Mac removeTASCAM PS-PS5 Footswich Recorder Control remove
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SKUMixPre3UR 2TMR-50-BKX-HDProToolsCustomKeyboardMacPS-PS5
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Description
Content

Frequency Response10Hz to 40kHz +/- 0.5dB re 1kHz @ 96kHz sample rate THD + Noise0.005% max (@1kHz, 22-22kHz BW, gain=20dB, -10dBu in) ADC32 bit precision; 120dB dynamic range min (A-weighted, gain=10dB, fader=0dB) Equivalent Input Noise-130dBV (-128dBu) max (A-weighting, gain=76dB, 150 ohm source impedance) Inputs

  • Mic: XLR active-balanced; 4k input Z
  • Line: XLR active-balanced; 4k input Z
  • Aux/Mic in: 3.5mm TRS, 2-channel unbalanced; 100k input Z
  • USB Audio: 2 channels
  • All inputs fully RF-filtered and overload protected.
Gain
  • Mic input: +6dB to +76dB
  • Line input: -20dB to +30dB
  • Fader: -inf to +20dB
  • Headphone: -inf to +20dB
  • Total, Mic-to-recording (max): +96dB
  • Aux In (Mic): Gain = +10dB to +40dB
  • Aux In (Line): Gain = -10dB to +20dB
  • Total Aux Gain including Fader (Mic-to-recording): +60dB
Maximum Input Level
  • Mic XLR: +14dBu (limiters on or off)
  • Line XLR: +40dBu (limiters on or off)
  • Aux In (Mic): -10dBu
  • Aux In (Line): +10dBu
Low Cut Filters40Hz to 160Hz (adjustable), 18 dB/oct. First stage analog, subsequent stages digital. Microphone Powering
  • Mic XLRs: 48V via 6.8k resistors, 10mA each
  • Mic 3.5mm: 3V @ 3k source Z
LimitersLimiter at all gain stages, range > 40dB. First stage analog, subsequent stages digital. DAC feeding Stereo Out, Headphone Out32 bit precision; 115dB dynamic range (A-weighted) Stereo Out3.5mm TRS stereo unbalanced, 500 ohm output Z, +7.8dBu max output level Headphones Out3.5mm TRS stereo unbalanced, for use with any impedance headphones USB
  • Audio Interface (USB-C): 5-in/2-out; 44.1 to 96 kHz; 16/24-bit; Class-compliant USB 2.0 high speed or ASIO (supplied)
  • Mass Storage (USB-C): USB 2.0 high speed
  • Keyboard (USB-A): Text entry and control
Maximum Record Tracks 5 Tracks: Stereo mix + 3 ISOs Sampling Frequency
  • 44.1 kHz
  • 48 kHz
  • 96 kHz
Bit Depth16, 24 Recording Storage
  • Type: SD, SDXC, SDHC Card
  • Max Storage Size: 512 GB (SDXC)
  • Card format: FAT32 (32GB or less) or exFAT (>32GB)
File TypeWAV (Broadcast Wave File Format) with embedded timecode stamp and metadata Timecode Modes
  • Time of Day (file stamped w/current ToD)
  • LTC Input (file stamped w/incoming LTC on Aux 3.5mm)
  • HDMI TC (file stamped w/incoming TC from HDMI & sample clock slaved from HDMI sample clock. Only works on specific cameras that support HDMI TC.
Timecode Frame Rates:
  • Auto-detects (fps): 23.98 (same as 23.976)
  • 24
  • 25
  • 29.97
  • 29.97DF
  • 30
Remote Control
  • Bluetooth Smart: Wireless control using Wingman app
  • HDMI: Auto-record start/stop trigger from cameras that output record flag over HDMI
  • Timecode: Auto-record start/stop trigger via Aux In timecode
Touch Screen320x240; 1.6-inch, color, sunlight-viewable IPS LCD Power
  • AA Batteries: 4x AA sled (included); 8x AA sled (optional accessory). NiMH recommended
  • From computer: Bus-powered via USB-C port; use MX-USBY cable (included), connects one USB-C to two USB-A ports
  • AC Adapter: MX-Charge (not included) Power supply wall adapter w/ USB-C connector; 15W; has 4 adapter plugs for US, UK, AU & Europe
  • L-Mount: Optional sled for 2x (hot-swappable) Sony L-type Li-ion batteries
Environmental
  • Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
  • Storage: -40°C to 85°C
Dimensions and Weight
  • Dimensions: 144 mm x 110 mm x 36 mm (H x W x D); 5.68” x 4.35” x 1.40”
  • Weight: .48 kg; 16.8 oz. (unpackaged, without batteries)

Specifications are subject to change without prior notice.

Stereo Rack Memory Recorder
The UR-2 is a 1 U rack size stereo audio recorder using SD card and USB storage device that is flexibly adapting to the wide variety of playback requirements.
The UR-2 is a new generation stereo memory recorder from Fostex that uses 2 SD cards (SDHC compatible) and USB storage device as the recording media. The recording/ playback file format is BWF (WAV). Its ample playback functions will adapt to the wide variety of playback requirements. It offers high quality recording of up to 24bit/96kHz (in BWF format). Employing FAT 32 disc format, it is easy to process the file transfer to a PC based DAW.
The analog input and output are balanced XLR/+4dBu and un-balanced RCA/-10dBV, the digital input and output complies to AES/EBU and S/P DIF digital signal. It is flexible to be used in the available audio system. The playback function includes Chain Play and Timer Play, it is suitable for live stage performance and sound installation. In addition to the external control via parallel remote with D-Sub 25pin and RS-232C serial remote, a USB keyboard and 10-key keyboard can trigger the instant playback start, which is very useful at a live event, theater and broadcast environments.
The Mic input located on the front panel offers 48V phantom power, it can be used not only for recording but also for speech to be mixed with playback source. Last but not least, its newly employed organic EL display gives an extremely clear visibility. This combined with DC power operation, it serves for outdoor use very well.

MAIN FEATURES
• 2 sets SD card slots and a USB host connector for alternate recording/playback among the different media.
• Stereo or Mono WAV (BWF) recording to SD card (also SDHC) and USB storage device
• Fs: 44.1/48/88.2/96kHz, Quantization: 16/24bit
• High speed file transfer with PC via USB 2.0 (bi-directional)
• Employing FAT32 format, it allows to directly mount the recorded files to PC.
• It adapts to a wide variety of use environment by offering Chain Play and Memory Play.
• Timer Play and Power ON Play enable automatic playback start for such as chime and repetitive announcement, which are convenient in the installation audio industry.
• The play mode list employs CSV file format so that it is easy to edit by a text editor or spread sheet program software on PC.
• 99 Cue points with locate function. Waveform display under Scrub mode offers easy and visual Cue point setting
• Microphone input with P48V available on the front panel. Not only for recording but for speech to be mixed with playback source.
• Analog I/O with balanced XLR and un-balanced RCA pin jacks, Digital I/O with XLR connectors
• An organic EL display offers high visibility.
• Remote transport control via Foot SW, Parallel remote pot (Dsub 25pin) and RS-232C (D-sub 9pin)
• External USB keyboard can be used not only for file name editing but for transport control such as REC and PLAY.

Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner

Highlights:

  • Tuner, metronome, and recorder can be used simultaneously or independently.
  • Internal mic and speaker make it easy to record and play back your performance
  • Loop Play function lets you repeat a desired region of a recorded track
  • High-quality linear PCM recording/playback
  • Record up to 100 tracks (approximately total 20 minutes)
  • USB port lets you transfer recorded data and song files between the TMR-50 and your computer
  • Newly designed highly responsive LCD needle-type meter
  • Wide detection range from C1 to C8
  • The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
  • The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
  • Calibration supports a range of concert pitches
  • Marks indicate pure major and minor third intervals
  • Wide tempo range of 30--252 beats per minute
  • 15 rhythm variations let you practice with a broad range of musical styles
  • Easy tempo settings with two types of tempo step patterns plus a tap tempo function
  • Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
  • Your choice of body color: black or pearl white
  • Convenient key layout, and newly designed stand and battery cover
  • Memory Backup and Auto Power Off

Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.

Specifications

Recording format:

PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit

Available recording time:

Maximum approx. 20 minutes (Internal Memory size is 120 MB)

Total number of tracks:

Up to 100 tracks

Tuning:

12 note equal temperament

Detection range:

C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.

Reference tone:

            C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.

Tuning Mode:

            Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)

Calibration range:

A4 = 410 ~ 480 Hz (1 Hz steps)

Detection accuracy:

+/- 1 cent

Sound precision:

+/-1 cent

Tempo range:

Quarter Note = 30 to 252 BPM

Tempo setting:

3 Types:       Pendulum Step

Full Step

Tap Tempo

Beat range:

            Total 10 beats: "0 to 9" as "Quarter-note" Rhythm

Rhythm pattern:

Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats

Tempo accuracy:

±0.3%

Terminals:

            Input (f6.3mm, Mono-Standard Jack type)

            Headphones (f3.5mm, Stereo-mini Jack type)           

            USB (mini-Type B)      

Internal Speaker:

            Dynamic Speaker (f28 mm)                                                             

Power (Battery):

AAA battery (3.0 V) x 2

Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride

Battery Life:

Recorder ... Approximately 16/13/11 hours

(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per

recording.)

Tuner ... Approximately 24/22/20 hours

(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)

Metronome ... Approximately 18/16/14 hours

(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)

Dimensions (W x D x H):

111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches

Weight:

119 g / 4.19 oz (Including battery)

Included items:

AAA battery (3.0 V) x 2 for verifying proper operation

USB Cable

Options:

            Contact Mic = CM-100L

Computer Requirements

Windows:

A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port

Macintosh:

            Mac OS X 10.5 or later

 


Apogee makes the direct connection to Pro Tools | HD systems a reality. The Apogee X-HD option card allows for direct connectivity between Pro Tools HD™ systems and Apogee's X-Series or Rosetta 200 converters. The result is an incredibly powerful combination of Digidesign's™Ê¼ Pro Tools software and Apogee's superior conversion and clocking hardware.

Features:
  • Primary HD port for connecting directly to HD Core or Accel cards.
  • Expansion port for daisy-chaining multiple Apogee devices (AD-16X, DA-16X, Rosetta 800 & Rosetta 200)
  • Compatible with the latest versions of ProTools
  • May be used along side similar interfaces (such as Digidesign 96 I/O, 192 I/O, Prism Dream ADA-8)
  • Please note: Not compatible with Pro Tools|HD Native

Work faster in your Pro Tools® environment with direct access to primary transport and editing functions. This affordable Digidesign® Pro Tools Custom Keyboard uses the same symbols and color coding system built into the ICON D-Control™ worksurface and other Digidesign control surfaces while retaining all the conventional alphanumeric labels that appear on standard computer keyboards.

With functionality specific to Mac systems, the keyboard features plug-and-play USB connectivity.

Features

  • Text and icons for main Pro Tools custom key commands, in addition to standard keyboard alphanumeric lettering
  • Based on Apple Mac G5 Pro Keyboard
  • Two USB ports and USB connection cord

System Requirements
  • Digidesign-qualified Mac-based Pro Tools|HD®, Pro Tools LE™, or Pro Tools M-Powered™ system. (Note that some key commands are available only with Pro Tools HD software or with the DV Toolkit™ 2 option for Pro Tools LE.)

For users of just about any TASCAM multitrack, the RC-30P is a wonderful timesaver. Punching in on recordings by hand means you're not ready to play right away. The RC-30P lets you play straight through. While automated punch-ins available on some recorders are also helpful, most punches can be done with the simple and efficient precision of the RC-30P, saving you time.


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