Frequency Response10Hz to 40kHz +/- 0.5dB re 1kHz @ 96kHz sample rate THD + Noise0.005% max (@1kHz, 22-22kHz BW, gain=20dB, -10dBu in) ADC32 bit precision; 120dB dynamic range min (A-weighted, gain=10dB, fader=0dB) Equivalent Input Noise-130dBV (-128dBu) max (A-weighting, gain=76dB, 150 ohm source impedance) Inputs
Mic: XLR active-balanced; 4k input Z
Line: XLR active-balanced; 4k input Z
Aux/Mic in: 3.5mm TRS, 2-channel unbalanced; 100k input Z
USB Audio: 2 channels
All inputs fully RF-filtered and overload protected.
Gain
Mic input: +6dB to +76dB
Line input: -20dB to +30dB
Fader: -inf to +20dB
Headphone: -inf to +20dB
Total, Mic-to-recording (max): +96dB
Aux In (Mic): Gain = +10dB to +40dB
Aux In (Line): Gain = -10dB to +20dB
Total Aux Gain including Fader (Mic-to-recording): +60dB
Maximum Input Level
Mic XLR: +14dBu (limiters on or off)
Line XLR: +40dBu (limiters on or off)
Aux In (Mic): -10dBu
Aux In (Line): +10dBu
Low Cut Filters40Hz to 160Hz (adjustable), 18 dB/oct. First stage analog, subsequent stages digital. Microphone Powering
Mic XLRs: 48V via 6.8k resistors, 10mA each
Mic 3.5mm: 3V @ 3k source Z
LimitersLimiter at all gain stages, range > 40dB. First stage analog, subsequent stages digital. DAC feeding Stereo Out, Headphone Out32 bit precision; 115dB dynamic range (A-weighted) Stereo Out3.5mm TRS stereo unbalanced, 500 ohm output Z, +7.8dBu max output level Headphones Out3.5mm TRS stereo unbalanced, for use with any impedance headphones USB
Audio Interface (USB-C): 5-in/2-out; 44.1 to 96 kHz; 16/24-bit; Class-compliant USB 2.0 high speed or ASIO (supplied)
Mass Storage (USB-C): USB 2.0 high speed
Keyboard (USB-A): Text entry and control
Maximum Record Tracks 5 Tracks: Stereo mix + 3 ISOs Sampling Frequency
44.1 kHz
48 kHz
96 kHz
Bit Depth16, 24 Recording Storage
Type: SD, SDXC, SDHC Card
Max Storage Size: 512 GB (SDXC)
Card format: FAT32 (32GB or less) or exFAT (>32GB)
File TypeWAV (Broadcast Wave File Format) with embedded timecode stamp and metadata Timecode Modes
Time of Day (file stamped w/current ToD)
LTC Input (file stamped w/incoming LTC on Aux 3.5mm)
HDMI TC (file stamped w/incoming TC from HDMI & sample clock slaved from HDMI sample clock. Only works on specific cameras that support HDMI TC.
Timecode Frame Rates:
Auto-detects (fps): 23.98 (same as 23.976)
24
25
29.97
29.97DF
30
Remote Control
Bluetooth Smart: Wireless control using Wingman app
HDMI: Auto-record start/stop trigger from cameras that output record flag over HDMI
Timecode: Auto-record start/stop trigger via Aux In timecode
Touch Screen320x240; 1.6-inch, color, sunlight-viewable IPS LCD Power
AA Batteries: 4x AA sled (included); 8x AA sled (optional accessory). NiMH recommended
From computer: Bus-powered via USB-C port; use MX-USBY cable (included), connects one USB-C to two USB-A ports
AC Adapter: MX-Charge (not included) Power supply wall adapter w/ USB-C connector; 15W; has 4 adapter plugs for US, UK, AU & Europe
L-Mount: Optional sled for 2x (hot-swappable) Sony L-type Li-ion batteries
Environmental
Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
Storage: -40°C to 85°C
Dimensions and Weight
Dimensions: 144 mm x 110 mm x 36 mm (H x W x D); 5.68” x 4.35” x 1.40”
Weight: .48 kg; 16.8 oz. (unpackaged, without batteries)
Specifications are subject to change without prior notice.
Weight
1.00 kg
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Frequency Response10Hz to 40kHz +/- 0.5dB re 1kHz @ 96kHz sample rate THD + Noise0.005% max (@1kHz, 22-22kHz BW, gain=20dB, -10dBu in) ADC32 bit precision; 120dB dynamic range min (A-weighted, gain=10dB, fader=0dB) Equivalent Input Noise-130dBV (-128dBu) max (A-weighting, gain=76dB, 150 ohm source impedance) Inputs
Mic: XLR active-balanced; 4k input Z
Line: XLR active-balanced; 4k input Z
Aux/Mic in: 3.5mm TRS, 2-channel unbalanced; 100k input Z
USB Audio: 2 channels
All inputs fully RF-filtered and overload protected.
Gain
Mic input: +6dB to +76dB
Line input: -20dB to +30dB
Fader: -inf to +20dB
Headphone: -inf to +20dB
Total, Mic-to-recording (max): +96dB
Aux In (Mic): Gain = +10dB to +40dB
Aux In (Line): Gain = -10dB to +20dB
Total Aux Gain including Fader (Mic-to-recording): +60dB
Maximum Input Level
Mic XLR: +14dBu (limiters on or off)
Line XLR: +40dBu (limiters on or off)
Aux In (Mic): -10dBu
Aux In (Line): +10dBu
Low Cut Filters40Hz to 160Hz (adjustable), 18 dB/oct. First stage analog, subsequent stages digital. Microphone Powering
Mic XLRs: 48V via 6.8k resistors, 10mA each
Mic 3.5mm: 3V @ 3k source Z
LimitersLimiter at all gain stages, range > 40dB. First stage analog, subsequent stages digital. DAC feeding Stereo Out, Headphone Out32 bit precision; 115dB dynamic range (A-weighted) Stereo Out3.5mm TRS stereo unbalanced, 500 ohm output Z, +7.8dBu max output level Headphones Out3.5mm TRS stereo unbalanced, for use with any impedance headphones USB
Audio Interface (USB-C): 5-in/2-out; 44.1 to 96 kHz; 16/24-bit; Class-compliant USB 2.0 high speed or ASIO (supplied)
Mass Storage (USB-C): USB 2.0 high speed
Keyboard (USB-A): Text entry and control
Maximum Record Tracks 5 Tracks: Stereo mix + 3 ISOs Sampling Frequency
44.1 kHz
48 kHz
96 kHz
Bit Depth16, 24 Recording Storage
Type: SD, SDXC, SDHC Card
Max Storage Size: 512 GB (SDXC)
Card format: FAT32 (32GB or less) or exFAT (>32GB)
File TypeWAV (Broadcast Wave File Format) with embedded timecode stamp and metadata Timecode Modes
Time of Day (file stamped w/current ToD)
LTC Input (file stamped w/incoming LTC on Aux 3.5mm)
HDMI TC (file stamped w/incoming TC from HDMI & sample clock slaved from HDMI sample clock. Only works on specific cameras that support HDMI TC.
Timecode Frame Rates:
Auto-detects (fps): 23.98 (same as 23.976)
24
25
29.97
29.97DF
30
Remote Control
Bluetooth Smart: Wireless control using Wingman app
HDMI: Auto-record start/stop trigger from cameras that output record flag over HDMI
Timecode: Auto-record start/stop trigger via Aux In timecode
Touch Screen320x240; 1.6-inch, color, sunlight-viewable IPS LCD Power
AA Batteries: 4x AA sled (included); 8x AA sled (optional accessory). NiMH recommended
From computer: Bus-powered via USB-C port; use MX-USBY cable (included), connects one USB-C to two USB-A ports
AC Adapter: MX-Charge (not included) Power supply wall adapter w/ USB-C connector; 15W; has 4 adapter plugs for US, UK, AU & Europe
L-Mount: Optional sled for 2x (hot-swappable) Sony L-type Li-ion batteries
Environmental
Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
Storage: -40°C to 85°C
Dimensions and Weight
Dimensions: 144 mm x 110 mm x 36 mm (H x W x D); 5.68” x 4.35” x 1.40”
Weight: .48 kg; 16.8 oz. (unpackaged, without batteries)
Specifications are subject to change without prior notice.
The KORE 64™ ROM option represents a complete expansion and reimagining of the PC3 and PC3K's sonic potential (not for the PC3LE). Pushing the limits of V.A.S.T. synthesis for both realistic and experimental electronic sounds, KORE 64™ adds over 300 new programs, including stunning new Synths, Electric Guitars, Horns, Drums and Percussion. With KORE 64™ installed, the PC3/K built-in program library now totals over 1400 presets!
New Setups:
50 new setups featuring the KORE 64™ sounds.
Over 200 new drum grooves in multiple styles.
New Dance and Hip Hop setups for triggering and controlling beats in real time.
New Synths:
New samples modeled after the Oberheim SEM, ARP Chroma, TX802, CZ1, and dozens of legacy waveforms from the K series.
Over 100 new synth programs.
Sounds for popular electronic music styles like House, Trance, Dubstep, Drum&Bass, Glitch, Electro Hip Hop, and more.
More real time controls, beat-synced modulations and envelope control transform sounds without hitting the edit button.
Atmospheric and cycling pads voiced for performing, producing, and scoring.
New Guitars:
New samples modeled after the Gibson Les Paul and Fender Stratocaster.
Palm muted and sustained articulations playable in a picked or legato style.
Instant-shredder arpeggiator patterns, whammy bar effects, and realistic feedback emulations.
Preset sounds from Rock, Country, Rock-a-Billy, Metal, Funk, and more.
New Brass/Woodwinds:
New alto sax, tenor sax, baritone sax, trumpet, and trombone samples.
New programs include solo instruments and custom sections with many combinations of the different instruments.
Articulate with pressure on several new programs.
Sections cover styles from Big Band, Soul, Funk, Latin, R&B, Hip Hop, Rock and more.
New Drums
Drums from Yamaha, Ludwig, Pearl, DW, Rogers, and Gretsch recorded as full kits.
Full cymbal arrays recorded with Zildjian, Paiste, and Sabian cymbals.
72 new Drum Kits and 62 percussion instruments and templates.
10 times the samples and 30 times the data of the existing PC3/PC3K Drums.
All drum kits have mixer functioning on the sliders to change the level the kick, snare, toms, hats, and percussion independently.
Unsurpassed realism and playability for sampled drums.
Full complement of Electronic and Processed Drum samples.
Scratches, hits and Industrial Sounds.
Wide variety of traditional and processed Percussion sounds.
Download the full preset Objects List under the Downloads section
User Installable.
Requires: PC3K OS v2.20 or better
PC3 OS v2.20 or better
All specifications subject to change without notice.
* Up to 100 tracks available for flash start through touch screen
* Transport and Online buttons recessed to prevent accidental operation
* 100-mm fader with fader start capability and 0-dB lock
* Monitor speaker and headphones output for monitoring
* CAT6 connection to HS-2 and HS-8
* 8-track Digital Portastudio with CD Burner * Records to SD/SDHC Card media * Import audio tracks from CD * Built-in stereo condenser microphone * Two XLR microphone inputs with phantom power * 1/4" stereo line inputs * Switchable instrument-level input for guitar/bass direct recording * Multi-band mastering effects * 2-band EQ per track * Internal reverb processor with dedicated send per track * Chromatic Tuner and Metronome * Track editing, autopunch and bounce features * Optional RC-3F footswitch offers three switches for punch-in and transport operation * Compact and lightweight * Dimensions: 11.4" W x 2.1" H x 8.2" D * Weight: 4lbs
The D-2012C is a 6U rack mountable Remote Console Unit designed for exclusive use with the D-2008SP Digital Mixing Processor Unit. Assigned to any desired channels inside the D-2008SP by the dedicated software, the D-2012C's 12 motorized faders and 8 rotary encoders can remotely adjust their volumes. Desired preset memories can be recalled using 8 function keys. It is equipped with 1 channel line input (stereo), which allows the audio signal to be transmitted to the D-2008SP via monitor bus. Audio signals inside the D-2008SP can be monitored via monitor bus through headphones connected to a stereo headphone output. The D-2012C can be installed on a desk with the additional use of an optional D-2012AS Console Case.
Specification
* 0 dB = 0.775 V
Power Source
220 - 240 V AC
Power Consumption
18 W
Volume Adjustment
100 mm motorized fader x 12
Rotary encoder x 8
Line Input
1 channel (stereo)
Headphone Output
Stereo 100 mW + 100 mW (32 Ω load)
Monitor Bus
1 stereo input
Connector: RJ45 connector
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable (2 pairs of data lines)
Maximum cable distance: 100 m (109.36 yd) (between D-2012C and D-2008SP)
LAN
Network I/F: 10BASE-T/100BASE-TX (Automatic-Negotiation)
RJ45 connector
Network protocol: TCP/IP
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable
Maximum cable distance: 100 m (109.36 yd) (between D-2008SP and switching hub)
Control
RS-232C: D-sub connector (9 pins) for maintenance use
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