Content | Ui16 packs a complete digital mixing system into a compact, road-rugged stagebox format, with built-in Wi-fi and the ability to be controlled by any connected device via a standard web browser - no Apps, no OS limitations, no constraints on how or where you mix. Tablet/PC/Smartphone Controlled Digital Mixer Integrated Wi-Fi Cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices Use up to 10 control devices (tablets, phones, PCs) simultaneously Legendary Harman Signal Processing from dbx, Digitech, and Lexicon Fully recallable and remote-controlled mic preamps 4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels 31-band Graphic EQ, Noise Gate and Compressor on all outputs Real-Time Frequency Analyser (RTA) on inputs and outputs 3 dedicated Lexicon FX effects processors: Reverb, Delay and Chorus Subgroups, Mute Groups, View Groups, and more mixer controls Show/Snapshot recall with channel safes and security lockout 2-channel USB audio playback and recording |
19-inch Digital Production Console for Professionals in the Studio or On the Road
Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.
When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.
Outline Mixing capability | Mixing channels | 48 | GROUP | 8 | AUX | 8 | MAIN | Stereo | Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | On-board processors | 4x SPX multi effectors | I/O | Mic inputs | 16 | Phantom power | +48V DC; ON/OFF per channel | Line inputs | 4x Omni in | AD converter | 24-bit; 128-time over sampling | Line outputs | 12x Omni output | DA converter | 24-bit; 128-time over sampling | Digital I/O | 2x 2tr in/out | Expansion slots | 2x Mini-YGDAI (16-in/16-out) | Control and others | To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O | General specifications Internal processing | 32bit, Accumulator: 58bit | Sampling frequency rate | Internal | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz | External | 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) | Signal delay | Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz) | Total harmonic distortion | Less than 0.05% (20Hz-40kHz) | Frequency response | 0, +0.5, -1.5dB 20Hz-40kHz | Dynamic range | DA: 110dB; AD+DA: 106dB | Hum & noise level | Equivalent input noise | -128dBu | Residual output noise | -86dBu | Crosstalk | -80dB | Power requirements | AC100V, 120V, 220-240V 50/60 Hz | Power consumption | 135W | Dimensions | W | 436mm; 17-3/16in | H | 200mm; 7-7/8in | D | 585mm; 23-1/16in | Net weight | 20kg; 44.1lbs | Accessories | Owner's Manual, Studio Manager Installation Guide, AC power cord | |
The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.
Technical Specifications
Internal processing | 32bit (Accumulator=58bit) | Sampling frequency rate | Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%) | Signal delay | Less than 2.5ms (INPUT to OMNI OUT @48kHz) | Total harmonic distortion
Input Gain=Min. | CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz | Frequency response | CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz | Dynamic range
(Maximum level to noise level) | 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT) | Hum & noise level | -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise | Crosstalk(@1kHz) Input Gain=Min | -80dB, Adjacent input channels
-80dB, Input to output | Power requirements | 110V-240V, 50/60Hz | Power consumption | LS9-32: 170W, LS9-16: 95W | Dimensions | LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm | Weight | LS9-32: 19.4kg, LS9-16: 12.0kg |
Analog Input Characteristics
Input terminal
|
Actual load impedance
|
For use with nominal
|
Input level
|
Connector
|
|
GAIN
|
Sensitivity
|
Nominal
|
Max. before clip
|
INPUT 1-n
|
-62dB
+10dB
|
3kohms
|
50-600 ohm Mics & 600ohm Lines
|
-82dBu
|
-62dBu
|
-42dBu
|
XLR3-31 type
|
-10dBu
|
+10dBu
|
+30dBu
|
Analog Output Characteristics
Output terminal
|
Actual source impedance
|
For use with nominal
|
GAIN SW
|
Output level
|
Connector
|
Nominal
|
Max. before clip
|
OMNI OUT 1-n
|
75ohms
|
600ohm Lines
|
+24dB
+18dB
|
+4dBu
-2dBu
|
+24dBu
+18dBu
|
XLR-3-32 type
|
PHONES OUT
|
15ohms
|
8ohm Phones
|
-
|
75mW
|
150mW
|
ST Phone jack
|
40ohm Phones
|
-
|
65mW
|
150mW
|
Digital Output Characteristics
Terminal | Format | Data length | Level | Connector | 2TR IN DIGITAL | COAXIAL | IEC60958 | 24bit | 0.5Vpp/
75ohms | RCA pin jack | 2TR OUT DIGITAL | COAXIAL | IEC60958
(Consumer Use) | 24bit | 0.5Vpp/
75ohms | RCA pin jack |
Control I / O Characteristics
Terminal
|
Format
|
Level
|
Connector
|
NETWORK (Ethernet)
|
100Base-T
|
-
|
RJ45
|
MIDI
|
IN
|
MIDI
|
-
|
DIN-5pin
|
OUT
|
MIDI
|
-
|
DIN-5pin
|
WORD CLOCK
|
IN
|
-
|
TTL/75ohms, Terminated
|
BNC
|
OUT
|
-
|
TTL/75ohms
|
BNC
|
REMOTE
|
-
|
RS422
|
D-sub 9pin(male)
|
LAMP
|
-
|
0V-12V
|
XLR-4-31 type
|
USB HOST
|
USB1.1
|
USB
|
A type USB Connector
| | X AIR XR12
12-Input Digital Mixer for iPad/Android Tablets with 4 Programmable MIDAS Preamps, 8 Line Inputs, Integrated Wifi Module and USB Stereo Recorder
- iPad*/Android* tablet controlled 12-input digital mixer for studio and live application
- 4 award-winning MIDAS-designed, fully programmable mic preamps for audiophile sound quality
- Built-In Tri-Mode Wifi router for direct operation—no need for external routers
- Revolutionary Dugan*-style Auto-Mixing automatically manages microphone gain sharing (future firmware)
- USB connector for file storage or uncompressed stereo WAV recording and playback
- Award-winning X32 effects rack featuring 4 stereo FX slots including high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.
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GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).
At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
- Compact digital mixer with scalable, remote I/O
- Systems from 4 to 44 mics
- Easy to use, quick to access, analogue style interface
- dSNAKE Cat5 digital snake—up to 120m cable length
- 8.4 inch colour touchscreen for graphical view and setup
- 20 faders, 4 layers, 80 channel strips in a freely customizable layout
- 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
- 8 stereo RackFX engines with dedicated ʽshortʼ returns with 4-band PEQ
- Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
- Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
- LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
- 16 DCAs / mute groups
- Built-in Talkback, RTA and Signal Generator
- I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
- MIDI In/Out and Ethernet Network port
- AviomTM Pro16 compliant Monitor port on main AudioRack
- High end 1dB step recallable mic/line preamps
- User definable channel names and colours
- Engineerʼs mono Wedge and stereo IEM strips
- Input, output and insert soft patchbays
- Quick copy, paste and reset of mixes and parameters
- Libraries, Scenes and Show memories with USB transfer
- Get started quickly with Template Shows
- Dimensions: (W x D x H) 730 x 577 x 159mm
- Weight: 16kg
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Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.
- Input channels: 48 mono, 8 stereo.
- Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
- Meter bridge optional.
General specifications
Sampling frequency rate | Internal | 44.1kHz / 48kHz | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | Signal delay | Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. | Crosstalk | -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. | Power requirements | US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz | Power consumption | 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W | Dimensions | W | 648mm (25 5/8in) | H | 299mm (11 3/4in) | D | 667mm (26 1/4in) | Net weight | 24kg (52.9lb) | Others | Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ |
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