SOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo

305.00 incl. GR VAT

EAN: N/A
Installments calculation
CompareAdd to wishlist Submit Better Price
Availability: Available in 1-3 d. Available in 1-3 d. SKU: SPIRIT EPM6 Category:
Low-cost high-performance mixers Key Features 6 Mono & 2 Stereo Input Channels 6x GB30 Microphone Preamplifiers Recording and Live Sound Audio Console Compact Mobile Enclosure The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and […]

 

Read more

Low-cost high-performance mixers

Key Features

  • 6 Mono & 2 Stereo Input Channels
  • 6x GB30 Microphone Preamplifiers
  • Recording and Live Sound Audio Console
  • Compact Mobile Enclosure

The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications.

The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4″ phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\’s large FOH consoles. The stereo inputs provide L/R 1/4″ phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc.

The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more.

6 Mono and 2 Stereo Channels

The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4″ phone connections

Comprehensive Controls

The comprehensive layout is designed to attract users who require a straight-forward mixing environment

GB30 Microphone Preamplifiers

All 12 mono inputs feature Soundcraft\’s GB30 microphone preamps for quiet, clean large-format FOH console quality

Compact and Professional

The EPM Series consoles pack a professional feature set in a compact, mobile enclosure

Total # Of Inputs 6x Mono
2x Stereo
Mic/Line Inputs 6x Line Mono: 1/4″ TRS Phone
2x Line Stereo: L/R 1/4″ TRS Phone
6x Microphone: 3-pin XLR
Stereo Line Inputs 2x Stereo: L/R 1/4″ TRS Phone
In-Line Inputs/Returns No
AUX Sends 2x Aux Sends
AUX Returns No dedicated returns
Inserts 1/4″ TRS Phone – Mono Inputs, Main Stereo Output
BUS (Group) Outputs Stereo Output Only
2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O No
Monitor Outputs Monitor: L/R Stereo Paired 1/4″ TRS Phone
EQ Section Mono Inputs +/- 15 dB
Lo: 80 Hz
Mid: 150 Hz – 3.5 kHz (swept)
Hi: 12 kHz
Q: 1.5
Stereo Inputs +/-15 dB
Lo: 80 Hz
Mid: 720 Hz
Hi: 12 kHz
Solo/Mute All Input Channels
Channel Level Control 100 mm Faders
Trim/Gain Control Rotary Potentiometers
Phantom Power +48 V Phantom
Metering 10-Segment L/R Peak LEDs
+48 V Phantom Power LED
PFL Active LED
Power Indicator LED
Frequency Response 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range Not specified by manufacturer
Signal-to-Noise Ratio Noise (22 Hz – 22 kHz measurement bandwidth)
Mic EIN @ max gain, 150 ohms source impedance -127 dBu
Mix @ max, faders to down
Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:
Weight 5.20 kg

Reviews

There are no reviews yet.

Be the first to review “SOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo”

Your email address will not be published. Required fields are marked *

Quick Comparison

SOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT EPM 12 Mixing Desk 12 mono(mic-line-insert)/ 2 stereo removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT GB2R 12 channel rackmount MIXING CONSOLE removeSOUNDCRAFT LX7 16CH MKII MIXING DESK remove
NameSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT EPM 12 Mixing Desk 12 mono(mic-line-insert)/ 2 stereo removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT GB2R 12 channel rackmount MIXING CONSOLE removeSOUNDCRAFT LX7 16CH MKII MIXING DESK remove
Image
SKUSPIRIT EPM6149.049SPIRIT-EPM12E003071GB2R 12CHSPIRIT LX7 16CH MKII
Rating
Price 305.00 incl. GR VAT 953.99 incl. GR VAT 391.88 incl. GR VAT 2,760.00 incl. GR VAT 1,456.00 incl. GR VAT 1,621.99 incl. GR VAT
Stock

Available on backorder

Available on backorder

Available on backorder

Available on backorder

Available on backorder

AvailabilityAvailable on backorderAvailable on backorderAvailable on backorderAvailable on backorderAvailable on backorder
Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
ContentLow-cost high-performance mixers Key Features
  • 6 Mono & 2 Stereo Input Channels
  • 6x GB30 Microphone Preamplifiers
  • Recording and Live Sound Audio Console
  • Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs 6x Mono 2x Stereo
Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
In-Line Inputs/Returns No
AUX Sends 2x Aux Sends
AUX Returns No dedicated returns
Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
BUS (Group) Outputs Stereo Output Only
2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O No
Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
Solo/Mute All Input Channels
Channel Level Control 100 mm Faders
Trim/Gain Control Rotary Potentiometers
Phantom Power +48 V Phantom
Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range Not specified by manufacturer
Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

  • Eight-Fader Control Surface Extension for MCU Pro
  • Proprietary Mackie communication protocol for seamless software integration by DAW makers
  • 100mm touch-sensitive optical Penny + Giles motorized faders
  • Multi-function V-Pots for fast control of panning, effects levels and more
  • Channel mute, solo, pan, send level and record arm functions
  • Full meter display with track names and parameters
  • Low-cost high-performance mixers Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers. The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types. A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors. Other Features:
    • Frame sizes 12+2
    • 2 configurable auxiliary buses
    • XLR-type and Ό� metal jack connector sockets
    • RCA phono stereo playback inputs and record outputs
    • 3-band EQ with a swept mid on mono inputs
    • 2-band EQ on stereo inputs
    • TRS insert sockets and inserts on all mono inputs and mix output
    • Ten-segment LED output metering
    • Intuitive and comprehensive solo system
    • Headphone output
    • Easily rack mountable

    MIC/LINE Input Channels
    The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
    The +48V phantom power for condenser microphones can be switched in groups of six.
    The Line Input and Channel Insert are implemented as jack sockets.
    The Gain can be controlled in the range 0-60 dB.
    The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
    Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
    With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
    2 (FX) are assiged to the two effects devices;
    2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
    2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
    MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
    Each channel offers a Signal Present and Peak LED for level control.
    The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
    All potentiometers and faders are high-quality components from ALPS.
    Stereo MIC/LINE Input Channels
    The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
    Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
    The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
    Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
    Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
    MASTER
    In the Master Section, too, the CMS3 mixers are lavishly equipped.
    The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
    The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
    The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
    The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
    The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
    A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
    DIGITAL USB 2.0 AUDIO INTERFACE  
    The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
    For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
    PC MIDI Interface
    The CMS3 also offers a fully-featured PC MIDI interface.
    The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
    Professional Effects, OLED Display and Processing Menus
    The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
    Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
    The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
    Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
    Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
    The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
    Processing Menus
    For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
    Innovative Solution for Protection and Transportation
    Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
    For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
    Accessories
    For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
    Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

    The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.

    This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.

    Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.

    As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.

    For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.

    On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.

    Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.

    The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers.

    • Technical Specifications
    • Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
    • THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
    • Noise Measured RMS, 22Hz to 22kHz Bandwidth
    • Mic E.I.N. @ unity gain,150Ω source impedance.. -128dBu
    • Mix Output, 40 inputs routed to mix..
    • Group & Centre Outputs..
    • Aux Outputs (GB2 Groups only)..
    • Matrix Outputs..
    • Crosstalk Input Channel Mute..
    • (@1kHz, typical) Input Fader cut-off..
    • Pan isolation..
    • Mix route isolation..
    • Group route isolation..
    • Adjacent channel crosstalk..
    • Group to Mix..
    • Aux Send pots offness (typical)..
    • Matrix Send pots offness (typical)
    • CMRR Typical @ 1kHz.. 80dB
    • Input & Output Mono & Stereo Mic Inputs.. +15dBu
    • Max Levels Mono & Stereo Line Inputs.. +30dBu
    • Stereo Returns & Insert Returns.. +20dBu
    • Any output.. +20dBu
    • Nominal Operating Level.. 0dBu
    • Headphone Power.. 2 x 250mW into 200Ω
    • Input & Output Mic Inputs.. 2kΩ
    • Impedances Line Inputs and Stereo Returns.. 10kΩ
    • Input channels Insert Return.. 5kΩ with EQ in, otherwise 3kΩ
    • Mix, Group, Aux, Matrix & Direct outputs.. 150Ω
    • Insert sends.. 75Ω
    • Recommended Headphone Impedance.. 100 - 600Ω
    • High pass filter (Mono input).. 100Hz, 18dB per octave
    • EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
    • Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
    • Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
    • LF.. 80Hz, +/-15dB, 2nd order shelving
    • EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
    • Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
    • Lo-Mid.. 450Hz, +/-15dB, Q=0.8
    • LF.. 80Hz, +/-15dB, 2nd order shelving
    • Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
    • Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
    • Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
    • + Meterpod with 3 VU meters (L/R/C)
    • Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
    • (indicates monitor source level)
    • Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
    • Power consumption.. Less than 150W
    • Operating conditions Temperature range.. -10ºC to +30ºC
    • Relative humidity.. 0% to 80%
    • Features
    • * 19” Rackmountable console
    • * 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
    • * 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
    • * Rotatable connector pod for top or rear cable entry
    • * 8 (GB2R-16) or 10 (GB2R-12.2) busses
    • * 2 full feature stereo inputs (GB2R-12.2 version)
    • * GB30 Mic preamp and precision EQ on inputs
    • * Switchable +48V phantom power on every mic input
    • * 100Hz Hi-pass filter
    • * Direct outputs on every channel
    • * 100mm faders
    • * Stereo Mix Output and separate Mono Sum output
    • * Record output
    • * Internal Universal switched mode PSU


    The LX7 combines the essential Soundcraft live mixer qualities
    with basic recording-oriented features, in a compact frame that's
    light enough for one person to carry yet easy to configure and use.
    This makes it especially suitable for multi-purpose use in venues
    such as small halls and community centres, while its direct channel
    outputs make the LX7 an ideal choice for bands who need a live desk
    that can double up in the studio.

    Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
    32 or 40 inputs - with no less than 7 separate bus outputs including
    mix, 4 groups and a dedicated mono bus for centre speaker clusters,
    side or rear fills. The output count rises to 29 with the inclusion of direct
    outs on the first 16 mono inputs and six auxiliary busses.

    LX7's balanced mic inputs all use patented Ultramic preamps,
    providing 60dB of gain range and 22dBu of headroom. Each input
    also includes 4 band EQ with two swept mid frequency controls.
    In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
    allow effective audio control in difficult venues whilst the six auxiliary sends
    are pre-post switchable in pairs from each channel, providing a maximum of
    4 pre-fader and six post-fader. This makes LX7 equally applicable
    for foldback - heavy performance or in situations where more effects are required.

    LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
    for keyboards or stereo recording devices - as well as two FX returns. All four
    groups are routable to mix and include 12 segment bargraph metering for
    accurate monitoring and inserts. Six auxiliary masters on rotary controls also
    included AFL soloing.

    In the master section there is talkback provision to all pre-fade auxiliaries and
    the mix. Global phantom power and a two track return for pre-show music are
    also present. A "two-track" to mix switch allows the engineer to play CD's over
    the main PA whilst back-stage set-up is going on, with one press of a button.
    The mix is also routable to the separate mono bus if mono PAs are required.

    LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
    professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

    Applications:

        * Gigging Bands
        * Small installations
        * Small venues
        * Theatres
        * Houses of Worship
        * Live and studio recording

     
        *  100mm faders
        * +48V phantom power
        * 16, 24 or 32 channel frame sizes
        * Up to 40 inputs (including stereo inputs and returns)
        * 18dB/octave high-pass filter
        * 6 aux sends, 4 of them pre/post switchable
        * Group and mix inserts
        * 12-segment LED metering
        * Integral PSU

    Weight5.20 kg20.00 kg5.80 kg12.00 kg5.00 kg18.20 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 5.20 kg
    Weight 20.00 kg
    Weight 5.80 kg
    Weight 12.00 kg
    Weight 5.00 kg
    Weight 18.20 kg