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sE Electronics SPACE takes the patented Multi-Layer Air-Gap technology that made the RF Pro a professional and project studio essential to create a product that is both bigger and better!
While other manufacturers haven't even come close to replicating the design and performance of the RF Pro, we've now set the bar even higher. SPACE or Specialised Portable Acoustic Control Environment, has a larger surface area, designed to offer incredible isolation in any room for professional vocal and instrument recordings. By surrounding more of the microphone, SPACE limits the amount of direct sound reaching walls and, ultimately, reflecting back towards the microphone.
SPACE's design consists of an unprecedented 10 thick layers of sE's patented Multi-Layer Air-Gap technology, and the inclusion of seven new vertical bass pillars deepens the air gaps while adding randomisation of diffusion. SPACE also boasts new mounting hardware, providing a more robust clamp that's fully adjustable and lockable vertically and horizontally with the ability to tilt for instrument recording at any angle. | `Hairy´ cover
Used in conjunction with the MZW 60-1 and MKH-416, this `hairy´ over made from long-haired polyester fleece provides maximum protection against wind noise. |
The RØDE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2 and NTG3 microphones, as well as any third party shotgun microphone up to 325mm (12 ¾”) in length.
Now featuring the Rycote® Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.
The Blimpʼs handle has also been completely redesigned, reducing the product weight significantly, while increasing the ergonomics for handheld use. Housed inside the grip is a heavy-duty Mogami cable which splits via a junction box to a highly-flexible thin cable inside the Blimp, to minimise the transference of vibration to the microphone.
With the lightweight design of the handle and suspension system the new Blimp design is over 25% lighter (550gm without microphone or DeadWombat fitted).
The Blimp attaches to any standard boompole via 3/8' thread attachment at the base. The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boompole to reduce weight.
Type: Basket
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Suits: VideoMic, NTG-1 & NTG-2 |
Universal pop screen for vocal-recording microphones | Antipop filter |
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