STAGG DM-5010-H Dynamic microphone for kick drum

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Dynamic microphone for kick drum – Polar Pattern: Cardioid (unidirectional) – Output Impedance: 250 Ohm – Sensitivity: 1.2 mV/Pa; -58 dB (1V/Pa @ 1 Khz) – Freq. Response: 20 Hz to 10 Khz – Net Weight: 490 g / 17.2 oz – Shock-mounted cartridge in diecast metal case w/ universal 3/8″ & 5/8″ thread swivel […]

 

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Dynamic microphone for kick drum – Polar Pattern: Cardioid (unidirectional) – Output Impedance: 250 Ohm – Sensitivity: 1.2 mV/Pa; -58 dB (1V/Pa @ 1 Khz) – Freq. Response: 20 Hz to 10 Khz – Net Weight: 490 g / 17.2 oz – Shock-mounted cartridge in diecast metal case w/ universal 3/8″ & 5/8″ thread swivel mount and 3-pin XLRM connector – ROHS Compliant – Colour: Black.

Weight 1.00 kg

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Quick Comparison

STAGG DM-5010-H Dynamic microphone for kick drum removeShure DMK57-52 - Drum Mic Kit removeSENNHEISER E-602 II Dynamic Microphone for Strings, Kick Drum removeAKG C 451B B/ST Matched Pair removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz remove
NameSTAGG DM-5010-H Dynamic microphone for kick drum removeShure DMK57-52 - Drum Mic Kit removeSENNHEISER E-602 II Dynamic Microphone for Strings, Kick Drum removeAKG C 451B B/ST Matched Pair removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz remove
Imagebeyerdynamaic m 88 tg dynamic hyperdioid microphone
SKUH10ST00002DMK57-52H10SE00118C 451B STEREO PAIRM-88 TGKSM137/SL
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Price 59.00 incl. GR VAT 627.00 incl. GR VAT 148.00 incl. GR VAT 917.03 incl. GR VAT 419.99 incl. GR VAT 396.80 incl. GR VAT
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Description
  • Legendary, universal all purpose microphone classic
  • Perfectly suitable for stage and studio
  • Unbelievably rich sound
  • Made in germany
Content

Dynamic microphone for kick drum - Polar Pattern: Cardioid (unidirectional) - Output Impedance: 250 Ohm - Sensitivity: 1.2 mV/Pa; -58 dB (1V/Pa @ 1 Khz) - Freq. Response: 20 Hz to 10 Khz - Net Weight: 490 g / 17.2 oz - Shock-mounted cartridge in diecast metal case w/ universal 3/8" & 5/8" thread swivel mount and 3-pin XLRM connector - ROHS Compliant - Colour: Black.

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.

  • The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.

  • Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.

  • A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
  • The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.


    Frequency Response : 20.....16000 Hz
    Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
    Min. terminating impedance : 1000 Ohm
    Dimensions : d 60 x 153 mm
    Weight : w/o cable 550 g

    Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.

    The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.

    The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

    Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

    The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).

    Features:

    • Identical acoustics of the legendary CK 1.
    • Rugged construction.
    • Ruler-flat on-axis frequency response.
    • Precise, nearly frequency independent cardioid.
    • Extremely accurate signal transfer.
    • Transformerless output stage for minimum distortion at low frequencies.
    • Protected against electrostatic and magnetic interference.
    • Selectable 10-dB and 20-dB preattenuation pads.
    • Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
    • Operates on phantom power to DIN/IEC between 12 V and 48 V.
    • Complete with SA 40 stand adapter and W 90 windscreen.
    • Each microphone comes with its own individual frequency response plot.

    Specifications:

    • Polar pattern: Cardioid
    • Frequency range: 20 to 20,000 Hz
    • Sensitivity: 9 mV/Pa (-41 dBV)
    • Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
    • Equivalent noise level (CCIR 468-3): 29 dB
    • Equivalent noise level: 18 dB-A
    • Signal/noise ratio (A-weighted): 76 dB
    • Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
    • Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
    • Impedance: 1000 ohms
    • Supply voltage: 9 to 52 V phantom power to DIN 45596
    • Current consumption:

    Technical Data

    Transducer Type: Dynamic
    Polar Pattern: Hypercardioid
    Microphone Frequency Response: 30 - 20.000 Hz
    Connection Type: XLR 3-pin

    Made in Germany

    Like all members of the M series, the M 88 TG is handcrafted in Germany. The materials and the precise craftsmanship that go into the microphone ultimately create a world-class product, a level of quality that turns an ordinary microphone purchase into a long-term investment.

     
    Perfect for heavy bass Sources
    The M 88 TG excels on the kick drum, saxophone and percussions, the result of a balanced sound profile and deep bass tones. It is a must-have for every microphone collection. And why shouldn’t it be when you consider its features? It is both insensitive to high sound pressure levels and feedback resistant thanks to its nearly perfect hypercardioid!  
    Flexible tool iN The studio

    The M 88 TG excels in the studio with the help of its multifaceted flexibility. No matter whether the job involves vocals, horns, guitar amplifiers or drums – the microphone is the perfect choice for the widest range of sources. It is all the result of its exceptionally broad frequency response and rich sound.

    The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

    Features

    • A highly consistent cardioid polar pattern
    • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
    • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
    • Premium electronic components, including gold-plated internal and external connectors
    • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
    • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
    • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
    • Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

    Performance Characteristics

    • Extended frequency response
    • Low self noise
    • Exceptional reproduction of low-frequency sounds
    • Can withstand high sound pressure levels (SPL)
    • High output level
    • No crossover distortion
    • Uniform polar response
    • Superior common mode rejection and suppression of radio frequency interference

    APPLICATIONS

    Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

    • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
    • Wind instruments -- brass and woodwind
    • Low frequency instruments -- such as double bass, electric bass, kick drum
    • Overhead miking -- drums or percussion
    • Ensembles -- choral or orchestral
    • Room ambiance pick-up -- guitar amplifier or drums

    Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

    Suggested Applications

    Acoustic Guitar
    Acoustic Bass
    Cymbals
    Brass/Woodwinds
    Orchestra
    Ensemble Vocals
    Piano
    Strings
    Room Ambience
    Live Recording

    Weight1.00 kg2.00 kg0.55 kg2.00 kg0.600 kg0.50 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 1.00 kg
    Weight 2.00 kg
    Weight 0.55 kg
    Weight 2.00 kg
    Weight 0.600 kg
    Weight 0.50 kg