STEINBERG UR-22-MKII Recording Pack

Yamaha GO46 FireWire Interface

The GO46 FireWire interface from Yamaha provides a means to stream
high-quality 24-bit/192kHz digital audio and MIDI into a computer. Connect
it to a laptop, and you've got a rugged and portable interface that can go
anywhere you go, hence the name "GO46." This box is the ideal interface
for great-sounding audio on the "GO."

Yamaha GO46 FireWire Audio/MIDI Interface At a Glance
Premium Mic Pres and Inputs
FireWire Connectivity
Flexible Connectivity Including S/PDIF, Insert Points, and MIDI

Premium Mic Pres and Inputs
The GO46 features combo mic/line terminals (for both XLR and phone jack)
 on the front panel. Phantom power is also available and independently
switchable for each input channel. In other words, you can use a condenser
microphone on channel 1 with phantom power switched on to capture the
delicate sounds of a vocal while simultaneously recording an electric/acoustic
guitar plugged into channel 2. These combo inputs are captured at up to 24-bit/
192kHz resolution. This pro-level quality makes the GO46 perfect for any type
of recording, and allows you to capture the full details and nuances of the
original source - from the breathiness of a vocal to the delicate finger slides of
an acoustic guitar performance.

FireWire Connectivity
The FireWire equipped GO46 not only offers the convenience of one plug
connection to a computer, but the GO46 can be powered via bus power
from the FireWire port. Connect the GO46 to the FireWire terminal of a
laptop and you've got and extremely powerful and portable recording studio
that will fit in a backpack. This is also great for using the GO46 in places
where electrical outlets can be scarce, like local clubs.

Flexible Connectivity Including S/PDIF, Insert Points, and MIDI
In order to maximize the flexibility of the GO46, Yamaha included virtually
any kind of connection you might need on location recording gigs. Two
insert points allow for connection to outboard gear like compressors or EQs.
MIDI in/out allows for connection of MIDI sound modules or instruments.
S/PDIF jacks are great for inputting digital signal from another interface or
throughputting the GO46 signal to a digital mixer, separate digital recorder,
or any other digital device.

Yamaha GO46 Features:
FireWire (IEEE1394)
Durable aluminum die cast body
2 x Premium Quality Mic pre amps with XLR/Combo connectors
Phantom Power ( +48V ) switch for each connector
2 x Insert connectors for analog inputs
1 MIDI In/ 1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible
Included Cubase LE, HALion SE, and Groove Agent SE

The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.

• Stereo input and output at 24-bit/96kHz audio quality
• High-end A/D and D/A converters for accurate recording and playback
• Large Input Level knob for easy control while recording
• 1/4" jack with Hi-Z option for recording electric guitar or bass
• Electret condenser mic input
• RCA phono type and optical-digital audio I/O
• Headphone output
• USB powered – no AC adapter required
• SONAR LE for music recording, editing, and publishing on PC
• Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support

• Number of Audio Record/Playback Channels	Record: 1 pair of stereo Play: 1 pair of stereo REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting) REC SOURCE switch = DIGITAL: Recording only
  Signal Processing	PC interface: 24 bits AD/DA Conversion: 24 bits (linear) * ADVANCE DRIVER switch = OFF: 16 bits
  Sampling Frequency	Digital output: 32/44.1/48/96 kHz Digital input: 32/44.1/48/96 kHz AD/DA Conversion: 32/44.1/48/96 kHz * ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
  Nominal Input Level	Line input jacks: -10 to +4 dBu Guiter input jakcs: -30 to -16dBu Mic input jack: -40 to -26 dBu
  Nominal Output Level	Line output jacks: -10 dBu
  Interface	USB Digital input (Optical mini type) * The same jack serves as both the Mic Input jack and digital input connector. Digital output (Optical mini type) * The same jack serves as both the headphones jack and digital output connector. * conforms to IEC60958 consumer format.
  Controllers	ADVANCED DRIVER Switch Guiter/Mic Switch INPUT VOLUME knob PHONES VOLUME Dial SAMPLE RATE Switch 96kHz MODE Switch INPUT MONITOR Switch REC SOURCE Switch
  Connectors	USB Connector (B type) Line Input jacks (L, R) (RCA phono type) Line Output jacks (L, R) (RCA phono type) Guiter/Mic Input jack: （1/4 inch phone type) Mic Input jack (Plug-in powered miniature phone type) Digital Intput connector (Optical mini type) * The same jack serves as both the headphones jack and digital output connector. Headphones jack (Stereo miniature phone type) Digital Output connector (Optical mini type) * The same jack serves as both the Mic Input jack and digital input connector.
  Power Supply	Supplied from the computer
  Current Draw	200 mA
  Accessories	Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM
  Size and Weight
  Width	160 mm 6-5/16 inches
  Depth	58 mm 2-5/16 inches
  Height	28 mm 1-1/8 inches
  Weight	165 g 0 lbs. 6 oz.

  
  
  
  

The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:

* SONAR 8 Producer
* REAC Driver Kit
* Cakewalk Approved Hardware Monitoring Device
* SONAR Templates
* Users Guides

The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.

SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.

With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.

SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.

SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.

Recommended System Requirements:

* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit)
* Processor Speed: Intel Core 2 Duo 2GHz or higher
* RAM: 3 GB for 40 Channel Recording
* Ethernet Port Speed: Gigabit Ethernet/CAT5e Only
* Graphics: 1280 x 960, 24-bit color or higher
* Audio Hard Drive Size: 30 GB
* Audio Hard Disk Type: RAID 0 with (2) SATA drives
* Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R
* Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW
* Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional)
* Other Software: Adobe Acrobat

• Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
• CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
• 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
• Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
• Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
• Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
• CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
• Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
• “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
• Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
• Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
• Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
• Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
• Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
• Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
• Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
• Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
• Expandable — add additional interfaces for more I/O as your needs grow.
• Separate TRS main outs with front panel volume control.
• Stereo 24-bit 96kHz S/PDIF in/out.
• Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
• 100% compatible with all host-based effects processing in today's popular audio programs.
• Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
• Plug-and-play operation with your Mac or PC via FireWire or USB2.
• Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
• Front panel headphone jack with volume control.
• Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
• Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.

Computer Based Recording Packages 

Computer-Based Recording Packages For All Players Of Musical Instruments 

The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.