| Content | PS418D
Pre-Amplifier
The condenser miniature microphones, need phantom power to work. The PS418D is just what they need. It can be powered by phantom power or battery, and switchable low cut filter helps to reduce low band noise.
Features:
• Two options for Power Requirements: phantom or battery.
• Low-cut filter switch.
• Transistor output transformer circuit.
Specification:
Frequency Response: 25-20,000 Hz
Output Impedance: phantom 200Ω; battery 270Ω
Min. Load Impedance : 1000Ω
Power Requirements: phantom 9-52VDC，2mA; battery 1.5V AA/UM3
Low Frequency Filter: 80Hz @ 12dB / oct
Connector: TA3M (input), XLR3M (output)
Dimension(WxHxD): 63X84X22.5mm (2.48"x3.3"x0.89")
Weight: 245 g
Packaging: white box |
Features
- Connects directly to network via Ethernet cable—no soldering or additional cable required
- Integrated user switch controls talk/mute in Local mode and triggers Dante-enabled devices in Remote mode
- Local or remote control of gain, low-cut UniSteep® filter, red/green LED status indicator and phantom power
- Powered by network PoE
- Scalable across Danteʼs 512 bidirectional audio channels
- Touch-sensitive capacitive-type user switch
- UniSteep® filter provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality
- 3-pin XLRF-type input for quick mounting of any gooseneck microphone with an XLRM-type output
- Heavy die-cast case and non-slip silicone foam bottom padsminimize coupling of surface vibration to the microphone
Description
The ATND8677 is a Dante-enabled microphone desk stand for use with any gooseneck microphone with a three-pin XLRM-type output connector. The desk stand is designed for surface-mount applications such as high-quality sound reinforcement, conferencing, distance learning and other demanding sound pickup applications.
The desk stand features a touch-sensitive capacitive-type user switch with integral red/green LED status indicator. In Local mode the user switch mutes and unmutes the microphone. It can be set to toggle between live and muted audio (toggle on/off), to permit live audio only while the switch is pressed (press to talk), or to mute the audio while the switch is pressed (press to mute). In Remote mode the user switch can be used to trigger functions on compatible Dante-enabled devices, such as a video cameraʼs pan/tilt or a roomʼs lighting preset. While in Remote mode the desk standʼs audio output is controlled remotely. An integral 80 Hz low-cut UniSteep® filter provides easy switching from a flat frequency response to a low-end roll-off. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations. A three-position input gain level selector permits trim adjustment to accommodate louder and softer voices. The desk stand provides 12V DC phantom power by default, which can be switched off and on.
The gain, low-cut UniSteep® filter, red/green LED status indicator and phantom power can all be controlled locally or remotely via third-party software.* Recessed buttons on the bottom of the desk stand allow user to configure the desk stand settings locally. Audio, low-cut, gain and phantom power settings can be locked in Local mode by pressing and holding the lock button. This lock will prevent end users from adjusting the settings. Default settings for the stand are as follows: audio toggle on/off (with audio muted at power up), low-cut filter off, +30 dB input gain, phantom power on.
- Frequency response: 20-20,000 Hz
- Low frequency roll-off: 80 Hz, 18 dB/octave
- Input impedance: 1.4 kO
- Maximum input levels: -10 dBu @ +30 dB gain / -20 dBu @ +40 dB gain / -30 dBu @ +50 dB gain
- Signal-to-noise ratio1: 68 dB, 1 kHz at 1 Pa
- Power requirements: PoE IEEE802.3af standard
- Power consumption: 1.5W
- Microphone phantom power: 12V DC
- Switches: Local Mode: Touch-sensitive capacitivetype user switch function: toggle (mute on power up), toggle (talk on power up), momentary on, momentary off; Low-cut filter: flat, roll-off; Gain: +30 dB, +40 dB, +50 dB; Phantom power: 12V DC, off Remote Mode: Low-cut and Gain via third-party software*
- Weight: 770 g (27.2 oz)
- Dimensions: 133.0 mm (5.24“) maximum length, 93.8 mm (3.69“) maximum width, 46.2 mm (1.82“) maximum height
- Input connector: 3-pin XLRF-type
- Output connector: Physical level: standard Ethernet
- Dante network:Connector: single RJ45 | Cable quality: Shielded CAT5 or CAT6 recommended | Transmission speed: 100 Mbps
|
Introducing the ES947LED, the new LED-equipped version of the Engineered Sound ES947 table-mount boundary microphone. The ES947LED features a touch-sensitive capacitive switch and LED status ring.
The cardioid condenser ES947/LED increases usability with a new toggle switch and LED status ring - which displays red when muted and green when switched on. The new LED-equipped version of the highly respected ES947 also features improved sensitivity and sound-to-noise ratio, perfectly suited to todayʼs digital matrix mixers.
The ES947/LED is available in black and white.
ES947LED Specifications 263 KB
| Gravity MA 3D A POP 1 Traveler 3D Arm with Pop Filter
The Traveler Series' Pop Filter with 3D Arm
Every bit of weight counts when you're travelling by plane or truck from one gig to the next. After all, you can't always rely on the concert venue having the right tool available for you when needed.
The Pop Filter with 3D Arm MA 3D A POP 1 can be taken everywhere you go. It's so light and space-saving, there's absolutely no need for you to worry about weight or storage space.
With this tool you can enhance your voice- and vocal recordings by placing the high-quality pop filter, with double nylon mesh and a large screen diameter of 15.7 cm between you and your microphone. This way you avoid unwanted pop noises and clipping.
Its fastening mechanism is quick and easy to assemble. The large clamping range from 15 to 35 mm lets you mount it on all popular microphone stands, and the three joints' 360° rotation options allow you to install it as you like. Simply loosen, adjust and tighten the wing-screws. Voila - you're all done! Once set, the MA 3D A POP 1 stays locked in place.
Gravity® has once again delivered a small, useful and reliable product for you to round off your collection of stands.
| Product type |
Microphone Accessories |
| Type |
Pop filter |
| Material |
Plastic, Polyamide |
| Color |
Black |
| Joint adjustment |
Wing screw |
| Joint rotation |
360° |
| Joint tilt |
180° |
| Arm length |
400 mm |
| Suitable for mounting on |
Microphone Stands |
| Thread size |
3/8” |
| Screen diameter |
157 mm |
| Setup |
Double nylon screen, plastic frame |
| Suitable for tube diameter |
15 - 35 mm |
| Weight |
0,377 kg |
|
The S-phantom gives you an in the field, on location solution for powering
your condenser microphones that need 48 volt power
FEATURES:
2 Channel 48 Volt phantom power supply
2 Balanced XLR mic inputs
2 Balanced XLR and 1/4? mic outputs
AC adapter included
|
Shure PM4E 6in-6out Personal Monitor Mixer
The P4M is a highly versatile four-channel, two-bus stereo mic/line mixer designed to optimize
use of personal (in-ear) monitors like the Shure PSM 400 in live performance. The P4M features
four balanced mic/line inputs, each with level and panning controls. Corresponding XLR split outputs
allow input signals to pass through the unit unaffected, while providing an independent mix.
Personal Stereo Monitors
When coupled with personal monitors, the P4M allows performers the ability to adjust personal mix
levels onstage - even during a performance - without affecting the front-of-house system. This enables
users to create and maintain consistent monitor mixes, regardless of what the venue can provide for monitors.
The P4M is available individually for use with Shure PSM 600 and PSM 700 Personal Monitor Systems; or
packaged with Shure's PSM 400 Hardwired and Wireless Performance Packs.
Installed Sound Systems
The P4M can also be used as a small "piggyback" mixer in applications such as houses of worship, or courtrooms.
The unit acts as a console bypass when a permanent installation of a large, operator-controlled mixing console may
require just a few microphones for smaller events. This allows the user easy access and control of up to four signals
without having to utilize the larger console. Given its dual-bus output capabilities, the P4M can also serve as a "two zone"
mixer, routing any combination of mic or line-level signals to two different zones.
More Than Four Inputs
The P4M has a pair of 1/4-inch auxiliary inputs that can be used to add channels from other sources. For example
multiple P4M mixers can be linked together to increase the number of inputs. In addition, sources not present in the original
mix - such as a click track for live percussion - may be included via the auxiliary inputs.
Measurement Conditions (unless otherwise specified):
full gain; 1 kHz, one channel activated; >source impedances: Mic 150 ohms, Aux Level 150 ohms; terminations: Line 600 ohms.
Frequency Response (Ref 1 kHz, controls centered)
20 Hz to 20 kHz +/- 2 dB
Input Specifications
Input
1-4 (front panel) Aux In
Gain (Maximum) 43 dB 0 dB
Impedance (at 1 kHz) 5800 ohms 18 kilohm (each)
9100 ohms (1/L mono)
Input Clipping Level +12 dBV +12 dBV
Crosstalk -100 dB -90 dB
Common Mode Rejection > 75 dB > 70 dB
Output Specifications
Output
Split 1-4 Mix Out
Impedance N/A 500 ohm (unbalanced)
1 kilohm (balanced
Output Clipping Level N/A +5 dBV (10 kilohm balanced
load, -30 dBV input ch. 1-4)
Noise (100 Hz to 22 kHz) -110 dBV -100 dBV (all controls CCW)
-62 dBV (all controls CW)
Distortion (THD) at 1 kHz .0005% |
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