| Content | Because the D1012C is a small diaphragm cardioid condenser microphone with a wide frequency range, it can be used for a variety of studio and live applications such as micing acoustic guitars, percussion instruments, and choirs. It can also be used as an overhead microphone for drums.
Thanks to the option of 9V battery power, it also can be used as a microphone for reporters.
The D1012C features a high quality zinc die-cast housing, low self noise, a three-stage sensitivity pad, a battery status LED and a high-pass filter.
Product type
Frequency response
35 - 20.000 Hz
Nominal impedance
200 Ohm(s)
Max. SPL (1% THD @ 1kHz)
142 dB
Phantom power requierements
(Battery) 9 V, 24 - 48 V
Microphone input
XLR (3-pin)
Accessories (included)
3/8" to 5/8" adapter, Bag, Foam windscreen, Microphone clamp
Features
battery status LED, on/off switch, subsonic filter
| The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-
condenser microphone design.Intended for recording acoustic instruments,
drum overheads, cymbals and live performances, the compact externally
polarized mic employs a .5? capsule, an active J-FET impedance converter
with bipolar output buffer.
Finished in durable satin nickel, the NT5 is intended for either single or stereo
X/Y mic set-ups. The NT5 matched pairs comesupplied in a custom carry case
with windshields and mounts.
SPECIFICATIONS:
Acoustic principle: Externally polarised single diaphragm
Directional pattern: Cardioid
Frequency range: 20Hz - 20kHz
Output impedance: 100?
Signal noise ratio din iec 651: 78dB
Equvalent noise: Maximum spl: 143 dB @ 1% THD into 1k_
Sensitivity:
-38 dB re 1v/Pa ± 2 dB equivalent to 12mV/Pa where 1 Pa = 94dBSPL
Power supply voltage: P48 Supply (38V?52V), P24 Supply (20V-26V)
Current consumption: 4 mA, 2 mA,
Weight: 100g |
Cardioid Condenser with 10dB Attenuator and 3 Position Low-Cut Filter
One of the world's great studio microphones, the SM81 provides precise, detailed sound reproduction, is excellent for studio recording, and is rugged enough for live sound reinforcement.
- A standard for acoustic instruments, including guitar and cymbals
- Selectable, low-frequency response -- either flat, 6dB/octave roll-off, or 18 dB/octave roll-off
- Built-in, switchable 10 dB attenuator for use in high SPL situations
- Phantom power only
- Windscreen included
- Low noise and high output clipping
- Cardioid condenser
- Frequency response: 20 to 20,000 Hz
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Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 PP: For hardwire applications, with standard XLR connector for phantom powering. |
The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.
The VP88 uses a mid-side (M-S) configuration. One microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image seperation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Switches on the top of the microphone control output mode, stereo imaging, low-frequency rolloff settings, and battery on/off.
The VP88 can operate on phantom power or an internal 6V battery. The VP88 is supplied with a multi-connector "Y-splitter" cable, foam windscreen, swivel stand adapter, 6-volt battery, and zippered carrying/storage bag. Optional accessories include an isolation mount, a 7.6 m (25 ft) microphone extension cable, a phantom power supply, and a 4.3 m (14 ft) microphone stand.
- Time-coherent, Mid-Side (M-S) design for optimal stereo imaging
- Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available
- Mono compatibility ideal for broadcast applications
- 40 to 20,000 Hz frequency response
- Low noise and distortion
- Wide dynamic range
- Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise and stand vibration
- Operates on phantom power or a 6V camera battery
- LED power indicator
- Internal shock mount for reduced stand vibration and handling noise
- Built-in "pop" screen
- Includes windscreen, swivel adapter, and Y-cable
|
8 Wide frequency response range
High sensitivity, Low distortion
High input withstand S.P.L.
Rugged brass case, Light weight
Shock mount adapters, stereo mounting bracket and wind screens as standard
PREMLIMINARY INFORMATION.
The MC10ST is a stereo microphone set including a pair of cardioid electret condenser microphones,
shock mount adapters, stereo mounting bracket and wind screens. The MC10ST can be used in a
wide range of applications, from studio and home recording to field or location sound aquisition.
Wide frequency response range
High sensitivity
Low distortion
High input withstand S.P.L.
Rugged brass case
Light weight
Shock mount adapters, stereo mounting bracket and wind screens as standard
Dedicated carry case as standard
SPECIFICATIONS:
Type: Back Electret Condenser Microphone
Polar Pattern: Cardioid
Frequency Response: 40Hz to 20kHz +/-10dB
Sensitivity: -40dBV/pa (10mv/pa)
Rated Impedance: 200ohm
Equivalent Noise Level: 22dB (A weighted IEC/DIN 651)
Maximum SPL: 134dB (THD |
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