LD SYSTEMS 7 Piece Drum-Mic-Set Set consisting of: 1 x bass drum dynamic microphone 4 x tom/snare drum dynamic microphones 2 x overhead condenser microphones All microphones will be supplied with microphone clips in a hard case. Top cost/performance ratio! Product: Bass-Drum (1x) Overhead (2x) Tom Tom/Snare (4x) Type: Dynamic Back Electret Cond. […]
All microphones will be supplied with microphone clips in a hard case. Top cost/performance ratio!
Product:
Bass-Drum (1x)
Overhead (2x)
Tom Tom/Snare (4x)
Type:
Dynamic
Back Electret Cond.
Dynamic
Polar Pattern:
Supercardioid
Supercardioid
Supercardioid
Frequency response:
50 - 16000 Hz
40 - 18000 Hz
80 - 12000 Hz
Sensitivity:
-55 dbV/Pa (1.78mV/Pa)
-41 dBV/Pa (8.91 mV/Pa)
-51 dbV/Pa (2.82mV/Pa)
Rated impedance:
200 Ω
200 Ω
200 Ω
Min. Load impedance:
/
1000 Ω
/
Max. SPL:
147 dB
137 dB (THD ≤ 1% 1000 Hz)
150 dB
Signal to Noise Ratio:
/
74 dB
/
Dynamic Range:
/
112 dB
/
Power Supply:
/
9-48 V Phantom
/
Current consumption:
/
2 mA
/
Connector:
3 pin XLR gold-plated
3 pin XLR gold-plated
3 pin XLR gold-plated
Dimension:
ø 46 x 100 mm
ø 21 x 200 mm
ø 46 x 100 mm
Weight:
260 g
150 g
240 g
Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence.
The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
Neodymium magnet for high signal-to-noise ratio output
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
Professional-quality reproduction for drum, percussion, and instrument amplifier miking
Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
Pneumatic shock-mount system cuts down handling noise
Extremely durable under the heaviest use
Frequency response: 40 to 15,000 Hz
Frequency Range
40 Hz to 15 kHz
Impedance
150 Ohms
Load Impedance
310 Ohms
Sensitivity
56 dBV/Pa (Open Circuit Voltage, 1 kHz)
Color
Gray
Mounting
5/8"-27 Female, Mic Clip (Included)
Construction Material
Steel, Steel Wire Grille
Dimensions
ø: 1.26 x L: 6.18" / ø: 32 x L: 157 mm
Weight
10.02 oz / 284 g
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
Extended frequency response
Low self noise
Exceptional reproduction of low-frequency sounds
Can withstand high sound pressure levels (SPL)
High output level
No crossover distortion
Uniform polar response
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
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Wind / percussion instrument clip microphone 
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