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LD SYSTEMS 7 Piece Drum-Mic-Set
Set consisting of:- 1 x bass drum dynamic microphone
- 4 x tom/snare drum dynamic microphones
- 2 x overhead condenser microphones
All microphones will be supplied with microphone clips in a hard case. Top cost/performance ratio!
| Product: | Bass-Drum (1x) | Overhead (2x) | Tom Tom/Snare (4x) | | Type: | Dynamic | Back Electret Cond. | Dynamic | | Polar Pattern: | Supercardioid | Supercardioid | Supercardioid | | Frequency response: | 50 - 16000 Hz | 40 - 18000 Hz | 80 - 12000 Hz | | Sensitivity: | -55 dbV/Pa (1.78mV/Pa) | -41 dBV/Pa (8.91 mV/Pa) | -51 dbV/Pa (2.82mV/Pa) | | Rated impedance: | 200 Ω | 200 Ω | 200 Ω | | Min. Load impedance: | / | 1000 Ω | / | | Max. SPL: | 147 dB | 137 dB (THD ≤ 1% 1000 Hz) | 150 dB | | Signal to Noise Ratio: | / | 74 dB | / | | Dynamic Range: | / | 112 dB | / | | Power Supply: | / | 9-48 V Phantom | / | | Current consumption: | / | 2 mA | / | | Connector: | 3 pin XLR gold-plated | 3 pin XLR gold-plated | 3 pin XLR gold-plated | | Dimension: | ø 46 x 100 mm | ø 21 x 200 mm | ø 46 x 100 mm | | Weight: | 260 g | 150 g | 240 g |
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Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands. - New volume control knob allows musicians to adjust the volume to fit each musical situation
- New rugged, dynamic cartridge with improved response
- High-impedance, omnidirectional
- Supplied with 1/4 inch connector
- Frequency response: 100 to 5,000 Hz
| Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even at extremely high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Legendary Shure quality and reliability
| Type |
Dynamic (moving coil) |
| Frequency Response |
20 to 10,000 Hz |
| Polar Pattern |
Supercardioid, rotationally symmetrical about microphone axis |
| Output Level |
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL |
| The unidirectional dynamic microphone DAP PL-07 is ideal for live sound reinforcement and clear recording of Brass, Saxophone, Harmonica, Snare, Tom, Congas and Guitar-Bass Amps.
Technical Info
Type: Dynamic, Moving coil.
Freq.Resp.: 40 to 16.500 Hz.
Polar Pattern: Cardioid
Sensitivity (1000Hz): 1,7 mV/Pa*
(*1 Pa = 94 dB SPL)
Max SPL: 137dB
Impedance: 600 Ohm
Power supply: none
Connector: 3p. XLR male-type).
Net. Weight: 245 g
Dimensions: (Ø 32 mm x L 157 mm)
Accessories: 6 mtr balanced cable
with XLR plugs |
Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.
The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.
The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.
Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.
The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).
Features:
- Identical acoustics of the legendary CK 1.
- Rugged construction.
- Ruler-flat on-axis frequency response.
- Precise, nearly frequency independent cardioid.
- Extremely accurate signal transfer.
- Transformerless output stage for minimum distortion at low frequencies.
- Protected against electrostatic and magnetic interference.
- Selectable 10-dB and 20-dB preattenuation pads.
- Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
- Operates on phantom power to DIN/IEC between 12 V and 48 V.
- Complete with SA 40 stand adapter and W 90 windscreen.
- Each microphone comes with its own individual frequency response plot.
Specifications:
- Polar pattern: Cardioid
- Frequency range: 20 to 20,000 Hz
- Sensitivity: 9 mV/Pa (-41 dBV)
- Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
- Equivalent noise level (CCIR 468-3): 29 dB
- Equivalent noise level: 18 dB-A
- Signal/noise ratio (A-weighted): 76 dB
- Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
- Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
- Impedance: 1000 ohms
- Supply voltage: 9 to 52 V phantom power to DIN 45596
- Current consumption:
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The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.
Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual
Technical Data
Pick-up pattern supercardioid
Frequency response 40...18000 Hz
Sensitivity in free field, no load (1kHz) 2,2 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 55 x 34 x 134 mm
Weight 140 g
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