LD Systems LAX3USB 3-Channel USB Mixer with Phantom Power The LAX 3 USB by LD Systems is the ultracompact interface for hard disc recording on home computers with a sampling rate of 44.1 kHz. It simply connects to the USB 2.0 port of the computer, which also supplies it with power. A power adapter with […]
LD Systems LAX3USB 3-Channel USB Mixer with Phantom Power
The LAX 3 USB by LD Systems is the ultracompact interface for hard disc recording on home computers with a sampling rate of 44.1 kHz. It simply connects to the USB 2.0 port of the computer, which also supplies it with power. A power adapter with USB-A connector and a USB cable are included as an alternative power supply. The LAX 3 USB is compatible with all Windows and Apple operating systems from Windows XP and Mac OS X 10.5 upward.
The electronically balanced microphone channel with 20-volt phantom power and a maximum amplification of 50 dB has a combo socket and can also be used used as a mono line in channel. The line input L/R of the stereo channel 2/3 uses RCA sockets. Keyboards or drum machines, for example, can be connected here. The bass and treble of the microphone channel can be boosted or cut by up to 15 dB. Additional sliders set the position of the microphone channel in the stereo spectrum and the balance of the stereo channel. In addition, the LAX 3 USB has in- and outputs for an external sound source or recording device; the input can be switched to the master output and/or headphone/monitor output. The mix volume is controlled by two master controls separately for the master output and the headphone/monitor output.
For a perfect start in the world of digital home recording, we recommend the Open Source software Audacity, which is available as a free download.
Compatible with:
Windows XP / Vista / Windows 7 / Windows 8
Mac OS X 10.5 or higher
Specifications:
Type: live
Number of channels: 3
Mono channels:
Mono mic/line input channels: 1
Mono mic/line input channels: XLR, 6.3 mm combo socket
Mono mic input type: electronically balanced
Frequency response mono mic input: 10 Hz to 100 kHz(0, -3dB)
Amplification range mono mic input: 0dB – 50dB
THD mono mic input: 0,01%
Impedance mono mic input: 2,600 ohms
Mono line input type: electronically balanced
Frequency response mono line input: 10 Hz to 100 kHz(0, -3dB)
Amplification range mono line input: 0dB – 50dB
THD mono line input: 0,01%
Impedance mono line input: 10,000 ohms
Mono channel equalizer treble: +/- 15 dB 12,000 Hz
Mono channel equalizer bass: +/- 15 dB 80 Hz
Control elements mono mic and line input channels: Gain, Channel Volume, Pan, 2 Band-EQ (High,Low)
Phantom power: +20V
Stereo channels:
Stereo line input channels: 1
Stereo line input channels: RCA or USB (switchable)
Stereo line input type: electronically balanced
Frequency response stereo line input: 10 Hz to 100 kHz(0, -3dB)
Amplification range stereo line input: -35 to +15dB
THD stereo line input: 0,01%
Impedance stereo line input: 10,000 ohms
Stereo channel equalizer treble: +/- 15 dB 12,000 Hz
Stereo channel equalizer bass: +/- 15 dB 80 Hz
Control elements stereo line input channels: Channel Volume, Balance, 2 Band-EQ (High,Low), Line In/USB switchable
Main Section:
Stereo tape output channel: 1
Stereo tape output channels: RCA
Stereo tape output channel: 1
Stereo tape output channels: RCA
Unbalanced stereo main outputs: 1
Unbalanced stereo main outputs: 3.5 mm stereo jack
Impedance unbalanced stereo main outputs: 120 ohms
Max. level unbalanced stereo main outputs: +17dBu
Headphone output: 1
Headphone output connections: 3.5 mm stereo jack
Control elements main section: Master volume, CD/tape to phones, headphone volume, CD/tape to main
Indicators: Power, Master Clip, Mono channel peak
Power supply: Power adapter 5V DC , 500mA; alternatively by USB (USB cable included)
Width: 98 mm
Depth: 136 mm
Height: 34 mm
Weight
0.50 kg
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LD Systems LAX3USB 3-Channel USB Mixer with Phantom Power
The LAX 3 USB by LD Systems is the ultracompact interface for hard disc recording on home computers with a sampling rate of 44.1 kHz. It simply connects to the USB 2.0 port of the computer, which also supplies it with power. A power adapter with USB-A connector and a USB cable are included as an alternative power supply. The LAX 3 USB is compatible with all Windows and Apple operating systems from Windows XP and Mac OS X 10.5 upward.
The electronically balanced microphone channel with 20-volt phantom power and a maximum amplification of 50 dB has a combo socket and can also be used used as a mono line in channel. The line input L/R of the stereo channel 2/3 uses RCA sockets. Keyboards or drum machines, for example, can be connected here. The bass and treble of the microphone channel can be boosted or cut by up to 15 dB. Additional sliders set the position of the microphone channel in the stereo spectrum and the balance of the stereo channel. In addition, the LAX 3 USB has in- and outputs for an external sound source or recording device; the input can be switched to the master output and/or headphone/monitor output. The mix volume is controlled by two master controls separately for the master output and the headphone/monitor output.
For a perfect start in the world of digital home recording, we recommend the Open Source software Audacity, which is available as a free download.
Compatible with:
Windows XP / Vista / Windows 7 / Windows 8
Mac OS X 10.5 or higher
Specifications:
Type: live
Number of channels: 3
Mono channels:
Mono mic/line input channels: 1
Mono mic/line input channels: XLR, 6.3 mm combo socket
Mono mic input type: electronically balanced
Frequency response mono mic input: 10 Hz to 100 kHz(0, -3dB)
Amplification range mono mic input: 0dB - 50dB
THD mono mic input: 0,01%
Impedance mono mic input: 2,600 ohms
Mono line input type: electronically balanced
Frequency response mono line input: 10 Hz to 100 kHz(0, -3dB)
Amplification range mono line input: 0dB - 50dB
THD mono line input: 0,01%
Impedance mono line input: 10,000 ohms
Mono channel equalizer treble: +/- 15 dB 12,000 Hz
Mono channel equalizer bass: +/- 15 dB 80 Hz
Control elements mono mic and line input channels: Gain, Channel Volume, Pan, 2 Band-EQ (High,Low)
Phantom power: +20V
Stereo channels:
Stereo line input channels: 1
Stereo line input channels: RCA or USB (switchable)
Stereo line input type: electronically balanced
Frequency response stereo line input: 10 Hz to 100 kHz(0, -3dB)
Amplification range stereo line input: -35 to +15dB
THD stereo line input: 0,01%
Impedance stereo line input: 10,000 ohms
Stereo channel equalizer treble: +/- 15 dB 12,000 Hz
Stereo channel equalizer bass: +/- 15 dB 80 Hz
Control elements stereo line input channels: Channel Volume, Balance, 2 Band-EQ (High,Low), Line In/USB switchable
Main Section:
Stereo tape output channel: 1
Stereo tape output channels: RCA
Stereo tape output channel: 1
Stereo tape output channels: RCA
Unbalanced stereo main outputs: 1
Unbalanced stereo main outputs: 3.5 mm stereo jack
Impedance unbalanced stereo main outputs: 120 ohms
Max. level unbalanced stereo main outputs: +17dBu
Headphone output: 1
Headphone output connections: 3.5 mm stereo jack
Control elements main section: Master volume, CD/tape to phones, headphone volume, CD/tape to main
Indicators: Power, Master Clip, Mono channel peak
Power supply: Power adapter 5V DC , 500mA; alternatively by USB (USB cable included)
Width: 98 mm
Depth: 136 mm
Height: 34 mm
The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.
This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.
Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.
As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.
For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.
On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.
Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.
The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers.
Technical Specifications
Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
High pass filter (Mono input).. 100Hz, 18dB per octave
EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
LF.. 80Hz, +/-15dB, 2nd order shelving
EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
Lo-Mid.. 450Hz, +/-15dB, Q=0.8
LF.. 80Hz, +/-15dB, 2nd order shelving
Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
+ Meterpod with 3 VU meters (L/R/C)
Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
(indicates monitor source level)
Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
Power consumption.. Less than 150W
Operating conditions Temperature range.. -10ºC to +30ºC
Relative humidity.. 0% to 80%
Features
* 19” Rackmountable console
* 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
* 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
* Rotatable connector pod for top or rear cable entry
* 8 (GB2R-16) or 10 (GB2R-12.2) busses
* 2 full feature stereo inputs (GB2R-12.2 version)
* GB30 Mic preamp and precision EQ on inputs
* Switchable +48V phantom power on every mic input
* 100Hz Hi-pass filter
* Direct outputs on every channel
* 100mm faders
* Stereo Mix Output and separate Mono Sum output
* Record output
* Internal Universal switched mode PSU
Soundcraft FX16ii - rebirth of a classic
The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.
The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.
Soundcraft FX16ii main features include:
26 inputs
16 mono microphone channels
4 stereo returns
4-bus architecture, with sub-group routable to mix
Built-in 24 bit Lexicon digital effects processor
32 FX settings
Tap Tempo
3 FX parameter adjust rotaries
User FX settings store function
Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
Inserts on all mono channels
Inserts on stereo mix output
Classic Soundcraft 3-band EQ with swept mid-band
Stereo 18dB/octave 100Hz high-pass filter
Dual global +48V phantom power split channels 1-8 and 9-16
Channel Mute control
10-segment tri-coloured metering
Two sub-group outputs
Separate mono sum output
Integral universal power supply
Low-cost high-performance mixers
Key Features
6 Mono & 2 Stereo Input Channels
6x GB30 Microphone Preamplifiers
Recording and Live Sound Audio Console
Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications.
The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc.
The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more.
6 Mono and 2 Stereo Channels
The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections
Comprehensive Controls
The comprehensive layout is designed to attract users who require a straight-forward mixing environment
GB30 Microphone Preamplifiers
All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality
Compact and Professional
The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs
6x Mono
2x Stereo
Mic/Line Inputs
6x Line Mono: 1/4" TRS Phone
2x Line Stereo: L/R 1/4" TRS Phone
6x Microphone: 3-pin XLR
10-Segment L/R Peak LEDs
+48 V Phantom Power LED
PFL Active LED
Power Indicator LED
Frequency Response
20 Hz to 20 kHz +/-1.5 dB
Dynamic Range
Not specified by manufacturer
Signal-to-Noise Ratio
Noise (22 Hz - 22 kHz measurement bandwidth)
Mic EIN @ max gain, 150 ohms source impedance -127 dBu
Mix @ max, faders to down
Total Harmonic Distortion (THD)
Mic sensitivity 30 dB, +14 dBu @ mix output:
Low-cost high-performance mixers
Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Other Features:
Frame sizes 8+2
2 configurable auxiliary buses
XLR-type and Ό� metal jack connector sockets
RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs
2-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs and mix output
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12,000 Hz
12,000 Hz
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