LD Systems PPA 2 Phono RIAA Preamplifier and Equalizer

30.00 incl. GR VAT

Only 5 left in stock (can be backordered)

EAN: 4049521179440
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User’s manual   Ultra compact phono preamplifier and equalizer Proper RIAA equalization RCA inputs and outputs 6.3 mm stereo headphone output connector Sturdy metal housing 12 V AC/DC adapter included The LD Systems PPA 2 is a very compact analogue phono preamplifier, which equalises the extremely low output signal of conventional turntables to RIAA standards. […]

 

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User’s manual

 

  • Ultra compact phono preamplifier and equalizer
  • Proper RIAA equalization
  • RCA inputs and outputs
  • 6.3 mm stereo headphone output connector
  • Sturdy metal housing
  • 12 V AC/DC adapter included

The LD Systems PPA 2 is a very compact analogue phono preamplifier, which equalises the extremely low output signal of conventional turntables to RIAA standards. It allows you to connect to devices without any phono input, such as mixers, PA power amplifiers or sound cards. The phono inputs are designed as RCA jacks, just like the line outputs; the PPA 2 also has a screw terminal for the ground conductor of the turntable and a 6.3 mm stereo jack for connecting a headset. The THD factor of the preamplifier is below 0.05% and the channel separation is -75 dB. The LD Systems PPA 2 uses a 12 V AC adapter; a bright LED indicates the power supply on the top of the sturdy metal chassis.

Product type

Other Studio and Recording Equipment


Type

Stereo Input / Stereo Output


Frequency response

RIAA Curve Hz


Signal-to-noise ratio

70 dB


THD

Weight 0.30 kg

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Quick Comparison

LD Systems PPA 2 Phono RIAA Preamplifier and Equalizer removeOMNITRONIC LH-045 1-channel microphone preamplifier removePRESONUS HP-60 Headphone Amplifier 6 Channels removeGOLDEN AGE PRE73 MK3 Microphone preamp removeGOLDEN AGE PRE73 MK2 + FC3 Microphone preamp and condenser microphone bundle removeBEHRINGER MIC100 TUBE ULTRAGAIN VACUUM TUBE PREAMPLIFIER w-LIMIT remove
NameLD Systems PPA 2 Phono RIAA Preamplifier and Equalizer removeOMNITRONIC LH-045 1-channel microphone preamplifier removePRESONUS HP-60 Headphone Amplifier 6 Channels removeGOLDEN AGE PRE73 MK3 Microphone preamp removeGOLDEN AGE PRE73 MK2 + FC3 Microphone preamp and condenser microphone bundle removeBEHRINGER MIC100 TUBE ULTRAGAIN VACUUM TUBE PREAMPLIFIER w-LIMIT remove
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SKULDPPA2LH-045APA2018-00893PRE-73 MK3PRE-73 MK2 FC-3E005632
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Description
ContentUser's manual  
  • Ultra compact phono preamplifier and equalizer
  • Proper RIAA equalization
  • RCA inputs and outputs
  • 6.3 mm stereo headphone output connector
  • Sturdy metal housing
  • 12 V AC/DC adapter included
The LD Systems PPA 2 is a very compact analogue phono preamplifier, which equalises the extremely low output signal of conventional turntables to RIAA standards. It allows you to connect to devices without any phono input, such as mixers, PA power amplifiers or sound cards. The phono inputs are designed as RCA jacks, just like the line outputs; the PPA 2 also has a screw terminal for the ground conductor of the turntable and a 6.3 mm stereo jack for connecting a headset. The THD factor of the preamplifier is below 0.05% and the channel separation is -75 dB. The LD Systems PPA 2 uses a 12 V AC adapter; a bright LED indicates the power supply on the top of the sturdy metal chassis. Product type Other Studio and Recording Equipment
Type Stereo Input / Stereo Output
Frequency response RIAA Curve Hz
Signal-to-noise ratio 70 dB
THD
  • 1 microphone, XLR (bal.) or 6.3 mm jack (unbal.)
  • Gain control, 10 steps (6-50 dB)
  • Phantom power can be switched on
  • Clip LED
  • 1 line output, XLR (bal.) or 6.3 mm (unbal.)
  • Operation via supplied power unit
Power supply:12 V DC, 150 mA
Input impedance:10 kohms bal./unbal.
Max. input level:+4 dB bal./+10 dB unbal.
Gain:50 dB XLR/44 dB jack
T.H.D.:0.01 %
Frequency range:25 Hz - 16 kHz
S/N ratio:>75 dB
Dimensions:143 x 93 x 45 mm
Weight:350 g

The PreSonus HP60 is the most flexible and advanced headphone amplifier system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent,
loud and clear headphone amplifiers, the HP60 features dual stereo inputs as well as external input, for each
channel allowing you to mix between three stereo audio streams (mix A, mix B, and external input). Stereo output is also available on each channel to send line level headphone channel mixes to additional headphone amplifiers or monitor systems. Each channel features headphone level, mix control between A and B inputs, external input volume, mute and mono. The HP60 also features talkback via external XLR microphone input. Common set up of the HP60 in a recording session is to send the main control room mix to input A. Send the click track to input B. Send the each band member direct recording input to each channelʼs external input (more me). This will allow each band member to create a mix between the main mix, the click track and themselves. The HP60 is the ultimate headphone amplification system delivering loud and clear headphone mixes for real-world recording situations.

Features:
-Six independent ultra low noise, high output headphone amplifiers (150 mW per channel)
-Two sets of stereo inputs (A and B) with balanced TRS connectors
-Stereo external input point on each channel for "more me” with trim control
-Mix control between inputs A and B
-Talkback with external XLR microphone with control
-Direct stereo line output on each channel

Input A

(2) ¼” TRS balanced 10 Ohms

Input B

(2) ¼” TRS balanced 10 Ohms

External input

TRS stereo unbalanced 10 Ohms

Headphone amplifier output power

150 mW RMS (60 Ohms) per channel

Audio outputs

¼” TRS stereo unbalanced per channel

Master controls

Talk button, Talkback volume, Input A, Input B

Channel controls

Headphone level, Mix A/B control, External input level, Mono, Mute

External talkback

XLR with TS external control jack

Power

IEC 110V-240V internal switching

The PRE-73 MKIII is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The in- and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available.

The circuit used in the PRE-73 MKIII is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres.
The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.

Features  :

  • Vintage Style electronics. No intergrated circuits in the signal path.

  • Maximum gain in MIC mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources.

  • GAIN switch range 20 - 80 dB. GAIN/LINE mode switch, gain is reduced by 30 dB in LINE mode.

  • Selectable two position high frequency AIR boost eq, 3 or 6 dB @ 30 kHz.

  • Selectable 6 dB/octave two frequency high pass filter at around 40 (HP1) and 170 Hz (HP2).

  • Tantalum capacitors in the signal path.

  • Switchable impedance in MIC mode, 1200 or 300 Ohms, will change the tone of most mics. The input impedance in LINE mode is 10 kohm.

  • Switchable phantom power and absolute phase.

  • A high-impedance instrument input for any sound module, electric guitar or bass.

  • A simple but effective 4-step LED output level meter.

  • The output level control makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character and then lower the signal to a suitable level before the output stage.

  • Combo XLR/TRS input jack and separate output XLR and TRS jacks for flexible connections.

  • Insert jack for inserting EQ´s and other units.

  • Selectable 600 ohm output termination.

  • The pcb is prepared for the Carnhill input transformer.

  • External power supply to avoid interaction with the audio circuits and transformers.

  • A solid build quality that will last many years of normal use.

 

The MKIII has the following new features compared to the MKII:

  • Tantalum capacitors in the signal path.

  • Selectable two position high frequency AIR boost eq, 3 or 6 dB @ 30 kHz.

  • Selectable two frequency high pass filter, 6 dB/octave at 40 or 170Hz.

  • The pcb is prepared for the Carnhill input transformer.

  • Revised and less complicated GAIN switch with a separate switch for MIC/LINE selection.

  • All GAIN settings can also be used in LINE mode .

The PRE-73 Mk2 pre-amp and the FC3 condenser microphone in one bundle. The bundle also includes Golden Age P1 Pop Filter, Proel RSM180 mic stand and Proel CHL250 5m cable.

Vacuum Tube Mic Preamp. 12AX7 Vacuum Tube. +48V Phantom Power, 20dB Pad. This premium tube mic/line preamp features an integrated limiter for studio, live and hard disk recording applications. It features a carefully-selected 12AX7 vacuum tube with Behringer's UTC technology for exceptional warmth and lowest noise. Using the MIC100 is a great way to eliminate the "dull" sound of standard digital recorders & sound cards. Also, it perfectly complements studio-grade condenser mics. When used as a high-end DI-box, it ensures outstanding signal integrity. Features also include a phase reverse switch, +48 V phantom power, a 20 dB pad, and balanced I/O. The heart of the Tube Untragain is an extremely low-noise microphone preamp circuitry that uses discrete components and produces a highly trans-parent sound. In combination with Behringer's tube technology, the operational amplifiers 4580 and a sophisticated circuit topology, the Tube Untragain yields excellent noise and distortion properties. The innovative UTC circuitry that has been developed by our engineering team offers an abundance of sound-shaping possibilities. Absolute musicality was Behringer's major goal when we designed the Tube Untragain. The result is a device that, thanks to our tube circuitry, lends an incredible punch to percussion instruments. On the other hand, instruments that are rich in upper harmonics will receive more transparency. The sound will be warm, detailed and brilliant. Technical Description Specifications XLR input Connector: Balanced/unbalanced Type: Transformerless, DC-decoupled input Impedance: Approx. 2 kOhms Maximum input level: +7 dBu / 20 dB with pad 1/4 in. TRS input Connector: Balanced/unbalanced Type: Transformerless, DC-decoupled input Impedance: Approx. 1 MOhms Maximum input level: +16 dBu / 20 dB with pad Audio outputs Connectors: XLR and 1/4 in. TRS connector balanced/unbalanced Type: Transformerless, DC-decoupled output Impedance: Approx. 700 Ohms balanced Approx. 350 Ohms unbalanced Maximum output level: Approx. +26 dBu @ 100 k§? System Frequency Response Mic input:
Weight0.30 kg0.35 kg2.00 kg3.60 kg7.00 kg1.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.30 kg
Weight 0.35 kg
Weight 2.00 kg
Weight 3.60 kg
Weight 7.00 kg
Weight 1.50 kg