LD Systems U505 BPHH 2 Wireless Microphone System with 2 x Bodypack and 2 x Headset beige

• True diversity UHF wireless system
• Shock-mounted dynamic and condenser microphone capsules
• Automatic channel scan
• Easy one-touch infrared frequency syncing
• Pilot tone squelch circuit prevents noise
• Switchable RF transmitter output (2, 10 or 30 mW)
• Rugged enclosures
• High-contrast OLED display

The U500® Series vocal sets were developed in Germany to bring you affordable professional technology and sound quality. The radio systems for vocals and speech deliver impressive performance and high reliability, which will certainly exceed your expectations. We have designed the range specifically for professional users to ensure that your performance is an impressive and emotional experience.

Selectable transmit power up to 30 mW provides the U500® vocal sets with a free-field range of over 100 metres. They are available in three frequency bands: 584 - 608 MHz and 655 - 679 MHz, where 12 systems can be operated simultaneously, and 823 - 832 MHz + 863 - 865 MHz, where six systems can be operated at the same time. The True Diversity UHF wireless systems are equipped with an automatic scan facility to find the best free frequency, and convenient one-touch infrared synchronisation of transmitter and receiver to facilitate easy set up.

High-contrast OLED displays provide an excellent overview of functions, with indicators for group, channel, radio frequency, and signal strength and battery status. You can even enter individual usernames. In addition to the squelch function, the transmitter’s silent pilot tone ensures fail-safe operation. It protects against interference and mutes the receiver if signals without this tone are present. The U500®’s efficient technology and high-quality components provide clear, distortion-free transmission without latency or artefacts. Low power consumption means that the transmitter can run for up to 10 hours with 2 x AA batteries.

The U500® Series vocal sets are available with hand-held transmitters, headsets, lavalier microphones and single or double receivers. The hand-held transmitters feature interchangeable microphone capsules to suit singing or speaking.

Overview of frequency ranges of vocal sets:

• U505 // 584 - 608 MHz // 12 systems can be used simultaneously
• U506 // 655 - 679 MHz // 12 systems can be used simultaneously
• U508 // 823 - 832 MHz + 863 - 865 MHz // six systems can be used simultaneously
• U506 UK (Channel 38) // 606 – 614 MHz // six systems can be used simultaneously
• U518 // 1785 – 1800 MHz // four systems can be used simultaneousl

High-quality permanently polarized condenser headmic with omni-directional pick-up pattern

Headset vocal condenser microphone for wired or wireless applications.

The Audix HT2P is a professional head-worn microphone designed for use in performances, aerobics instruction, presentations and more. The HT2P features a frequency response of 50Hz to 15kHz, reproducing audio frequencies associated with vocals with pristine fidelity while eliminating noise at low frequency ranges. The HT2P features a hyper-cardioid polar pattern. The hyper-cardioid pattern provides excellent off-axis signal rejection, minimizing noise due to audio monitors, ambiance, other musicians and more. The headset itself is lightweight and padded for extra comfort, the capsule is completely resistant to moisture

Shure WCM16 Headworn Condenser Microphone

The Shure Model WCM16 headworn electret condenser microphone is intended for wireless use by
performers, lecturers, and others who require the highest quality voice pickup with maximum mobility.
Its wide frequency response, low RF susceptibility and reliable operation at temperature and humidity
extremes make the WCM16 suitable for virtually any vocal application. When used with the Shure bodypack
transmitters, the performance of the WCM16 closely resembles the finest conventional vocal microphones.

 Miniaturized active circuitry included in the cartridge assembly provides equalization that tailors the low-frequency
response to resemble the warmproximity effect of larger vocal microphones. Because of this low-end response, it
is not necessary to position the microphone directly in front of the mouth, thus avoiding much popping and breath
noise, even without the supplied foam pop screen.

 The microphone's hypercardioid unidirectional pickup pattern provides maximum isolation from ambient noise and
from adjacent sound sources such as musical instruments, loudspeakers and other performers. This permits higher
gain-before-feedback without loss or masking of vocals.

Features:

Extra lightweight, adjustable headband stays secure and virtually disappears while being worn
Response comparable to finest conventional vocal microphones
Hypercardioid polar pattern provides maximum isolation from vocalist's own instrument and those of other performers
Uniform polar pattern at all frequencies for maximum gain before feedback
High input clipping level eliminates overload distortion
Cable terminates as 4-pin mini connector
Supplied acoustic foam pop screen
Reliable at temperature and humidity extremes

Specifications:

Frequency Response
50 to 18,000 Hz
Polar Pattern
Hypercardioid, uniform with frequency
Output Impedance
1200 ohms
Output Level (close-talked at 1,000 Hz)
Open Circuit Voltage -55.0 dbV (1.8 mV) at 0.6 m
1 Pascal=94 db SPL
Maximum Sound Pressure Level
150 dB at 1% THD
Dynamic Range
121 dB
Output Noise
29 dB equivalent SPL, A-weighted
Signal-to-Noise Ratio
65 dB at 94 dB SPL
Polarity
Microphone: Positive sound pressure on diaphragm produces positive voltage on pins 3 and 4 with respect to pin 1 (ground) of microphone output connector
Receiver-- 1/4" Phone Jack Output: Positive sound pressure on diaphragm produces positive voltage on tip of receiver 1/4" output connector
Receiver-- XLR Output: Positive sound pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 of the XLR output connector
Current Drain
0.35 mA
Recommended Operating Voltage
+5 Vdc (positive on pin 2, negative on pin 1)
Environmental Conditions
Operating Temperatures: -18 to 60 degrees C (0 to 140 degrees F)
Storage Temperatures: -29 to 66 degrees C (-20 to 150 degrees F)
Humidity: 0 to 95%
Cable
1.5m (5 ft), small-diameter, shielded, with 4-pin mini connector
Case Finish (Microphone and Headband)
Matte black enamel
Net Weight
36 g (1.27 oz)

• Excellent feedback rejection
• Microphone includes a detachable cap as integral wind/popshield
• Individually adjustable to all head sizes
• Neckband design keeps the microphone clear from shirt-collar or clothing
• Twist-proof microphone boom (Ø 2.0 mm), can be attached to the left or right side
• Microphone boom is adjustable in length and angle
• Flexible gooseneck section
• Connection cable can easily be interchanged
• All metal parts coated in a physical vapour deposition process
• Can also be used with the omni-directional HSP 2 boom microphone

• Boom microphone
• Neckband
• Connection cable
• Plastic transport case, foam-lined with cut-outs
• Operating instructions

• Pick-up pattern  cardioid
• Frequency response  40...20 000 Hz
• Nominal impedance  (@ 1 kHz) 1000 Ohm
• Min. terminating impedance  4700 Ohm
• Sensitivity in free field, no load (1kHz)  4 mV/Pa
• Maximum sound pressure level (passiv)  150 dB
• Equivalent noise level  37 dB(A)
• Current consumption  ca. 250 µA
• Operating voltage (stand alone)  4,5-15 V
• Cable length  1,6 m
• Diameter  microphone head 8,4 mm
• Diameter  boomarm 2,4 mm
• Weight  9,2 g (without cable)

Features:

    Smallest, lightest, most comfortable microphone of its kind
    User-friendly for new and experienced users alike
    Excellent for singing and spoken word applications
    Extremely popular in houses of worship, theater and broadcast settings
    Almost invisible against many skin tones
    Rugged, bendable boom assures a custom fit for every wearer
    Hands-free, wireless-enabled microphone allows total freedom of movement
    Exclusive snap-on cables in 1mm or 2mm diameter for field replacement or compatibility with various wireless systems
    Highly resistant to sweat and moisture
    High quality voice pickup - more consistent than any lavalier
    Excellent rejection of surrounding noise
    Reduces feedback in meeting rooms or houses of worship an average of 12dB compared to an omni lavalier
    Omnidirectional microphone is virtually immune to wind and breath pops, even without a windscreen