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- 10-channel mixer with 4 microphone channels
- 4 stereo line inputs
- Effective 3-band EQ
- 2 stereo channels with 2-band EQ
- Sliding adjustable compressor
- Master, Monitor and headphone outputs
- Securely fastening external power supply
VIBZ 10 C
The VIBZ 10 is a versatile mixer with four balanced microphone inputs featuring high quality preamplifiers, a low-cut filter and switchable phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 has very precise 3-band EQs with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 is the perfect choice for small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 on microphone stands are available as accessories.
Mono Mic and Line Input Channels
4
Mono Mic input connectors
6.3 mm TRS , XLR
Channel Insert Connectors
6.3 mm TRS
Mono Mic Input Type
electronically balanced
Mono Mic Input Frequency Range
10 - 45000 Hz
Amplification Range mono Mic Input
- 50 dB
Mono Mic Input Input THD-N
0.0058%
Mono Mic Input Impedance
4k Ohm(s)
Mono Mic Input S/N Ratio
113 dB
Mono Line Input Type
electronically balanced
Mono Line Input Frequency Range
10 - 45000 Hz
Amplification Range mono Line Input
- 50 dB
Mono Line Input Input THD-N
0.0045 %
Mono Line Input Impedance
21k Ohm(s)
Mono Line Input S/N Ratio
116 dB
Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz
Mono Channel Equalizer Mid
+/- 15 dB @ 2500 Hz
Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz
Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX (DFX) Post , Channel Volume , Compressor , Gain , Low Cut (75 Hz) , pan
Phantom power
48 V DC switchable
Stereo Line Input Channels
4
Stereo Line Input Connectors
6.3 mm TRS
Stereo Line Input Type
electronically balanced , unbalanced
Stereo Line Input Frequency Range
10 - 45000 Hz
Amplification Range stereo Line Input
- 50 dB
Stereo Line Input Input THD-N
0.0045 %
Stereo Line Input Impedance
3,7k Ohm(s)
Stereo Line Input S/N Ratio
116 dB
Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz
Stereo channel equalizer mids
+/- 15 dB @ 2500 Hz
Stereo channel equalizer bass
+/- 15 dB @ 80 Hz
Controls Stereo Line Input Channels
2-band EQ (High,Low) , 3-band EQ (High, Mid, Low) , AUX Post , Balance , Channel Volume , Gain , Low Cut
AUX / Effects Send Channels
1
AUX / Effects Send Connectors
6.3 mm stereo jack unbalanced
Stereo AUX Return Channels
1 x stereo
Stereo AUX Return Connectors
6.3 mm TRS
Stereo Tape Out Channel
1 x stereo
Stereo Tape Out Connectors
2 x RCA (Cinch)
Stereo Tape In Channel
1 x stereo
Stereo Tape In Connenctors
2 x RCA (Cinch)
Unbalanced stereo Main Outputs
1
Unbalanced stereo Main Output Connections
6.3 mm TRS
Unbalanced Stereo Main Out Impedance
120 Ohm(s)
Max. Unbalanced Stereo Main Out Level
20 dBu
Stereo Control Room Out
1
Stereo Control Room Out Connectors
6.3 mm TRS
Headphones outputs
6.3 mm TRS
Digital Effects Processor
no
Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , Master Volume , Phantom Power , Phones / Control Room Volume , Stereo Return Volume
Indicators
Phantom Power , Power
Operating voltage
18 V AC - 1 A, External PSU
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Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 16 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 22kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a. | Low-cost high-performance mixers
Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Other Features:
- Frame sizes 12+2
- 2 configurable auxiliary buses
- XLR-type and Ό� metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 2-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs and mix output
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
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| Low-cost high-performance mixers
Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Other Features:
- Frame sizes 8+2
- 2 configurable auxiliary buses
- XLR-type and Ό� metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 2-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs and mix output
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
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| Low-cost high-performance mixers
Key Features
- 6 Mono & 2 Stereo Input Channels
- 6x GB30 Microphone Preamplifiers
- Recording and Live Sound Audio Console
- Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications.
The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc.
The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more.
6 Mono and 2 Stereo Channels
The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections
Comprehensive Controls
The comprehensive layout is designed to attract users who require a straight-forward mixing environment
GB30 Microphone Preamplifiers
All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality
Compact and Professional
The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs |
6x Mono
2x Stereo |
Mic/Line Inputs |
6x Line Mono: 1/4" TRS Phone
2x Line Stereo: L/R 1/4" TRS Phone
6x Microphone: 3-pin XLR |
Stereo Line Inputs |
2x Stereo: L/R 1/4" TRS Phone |
In-Line Inputs/Returns |
No |
AUX Sends |
2x Aux Sends |
AUX Returns |
No dedicated returns |
Inserts |
1/4" TRS Phone - Mono Inputs, Main Stereo Output |
BUS (Group) Outputs |
Stereo Output Only |
2 Trk Master I/O |
Mix L/R: Stereo Paired L/R RCA Phono |
ALT I/O |
No |
Monitor Outputs |
Monitor: L/R Stereo Paired 1/4" TRS Phone |
EQ Section |
Mono Inputs +/- 15 dB
Lo: 80 Hz
Mid: 150 Hz - 3.5 kHz (swept)
Hi: 12 kHz
Q: 1.5
Stereo Inputs +/-15 dB
Lo: 80 Hz
Mid: 720 Hz
Hi: 12 kHz |
Solo/Mute |
All Input Channels |
Channel Level Control |
100 mm Faders |
Trim/Gain Control |
Rotary Potentiometers |
Phantom Power |
+48 V Phantom |
Metering |
10-Segment L/R Peak LEDs
+48 V Phantom Power LED
PFL Active LED
Power Indicator LED |
Frequency Response |
20 Hz to 20 kHz +/-1.5 dB |
Dynamic Range |
Not specified by manufacturer |
Signal-to-Noise Ratio |
Noise (22 Hz - 22 kHz measurement bandwidth)
Mic EIN @ max gain, 150 ohms source impedance -127 dBu
Mix @ max, faders to down |
Total Harmonic Distortion (THD) |
Mic sensitivity 30 dB, +14 dBu @ mix output: |
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The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.
Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.
LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.
LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.
In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.
LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.
Applications:
* Gigging Bands
* Small installations
* Small venues
* Theatres
* Houses of Worship
* Live and studio recording
* 100mm faders
* +48V phantom power
* 16, 24 or 32 channel frame sizes
* Up to 40 inputs (including stereo inputs and returns)
* 18dB/octave high-pass filter
* 6 aux sends, 4 of them pre/post switchable
* Group and mix inserts
* 12-segment LED metering
* Integral PSU
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