LD Systems VIBZ 8 DC – 8 channel Mixing Console with DFX and Compressor

242.00 incl. GR VAT

Only 1 left in stock (can be backordered)

EAN: 4049521195198
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Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of […]

 

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Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.

The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.

The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.

It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.

  • Item Number: LDVIBZ8DC
  • Product Type: mixer
  • Type: live
  • Number of Channels: 8
  • Mono Mic/Line Input Channels: 4
  • Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
  • Mono Mic Input Type: electronically balanced
  • Frequency Response Mono Mic Input: 10 – 45,000 Hz
  • Amplification Range Mono Mic Input: 0 – +50 dB
  • Channel Insert: 2
  • Insert: 6.3 mm stereo jack (TIP= send / RING= return)
  • Channel Crosstalk: 62 dB
  • THD Mono Mic Input: 0.0058 %
  • Impedance Mono Mic Input: 4 kOhm
  • S/N Ratio Mono Mic Input: 113 dB
  • Mono Line Input Type: electronically balanced
  • Amplification Range Mono Line Input: 0 – +50 dB
  • THD Mono Line Input: 0.0045 %
  • Impedance Mono Line Input: 21 kOhm
  • S/N Ratio Mono Line Input: 116 dB
  • Frequency Response Mono Line Input: 10 – 45,000 Hz
  • Mono Channel Equalizer Treble:    +/- 15 dB 12,000 Hz
  • Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
  • Mono Channel Equalizer Bass:    +/- 15 dB 80 Hz
  • Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
  • Phantom Power: +48 V DC switchable
  • Low Cut: 95 Hz
  • Compressor: yes
  • Stereo Line Input Channels: 3
  • Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
  • Stereo Line Input Type: unbalanced
  • Frequency Response Stereo Line Input: 10 – 45,000 Hz
  • Amplification Range Mono Line Input: 0 – +50 dB
  • Channel Crosstalk: 62 dB
  • THD Stereo Line Input: 0.0045 %
  • Impedance Stereo Line Input: 3.7 kOhm
  • S/N Ratio Stereo Line Input: 116 dB
  • Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
  • Stereo Channel Equalizer Mids: +/- 15 dB 2,500 Hz (channel 3/4 + 5/6)
  • Stereo Channel Equalizer Bass: +/- 15 dB 80 Hz
  • Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6
  • Main Section:
  • AUX/Effect Send Channels:    1
  • AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced
  • Stereo AUX Return Channels: 1 x stereo
  • Stereo AUX Return Connections: 2 x 6.3 mm stereo jack
  • Stereo Tape Output Channel: 1 x stereo
  • Stereo Tape Output Connections: 2 x RCA (Cinch)
  • Stereo Tape Input Channel: 1 x stereo
  • Stereo Tape Input Connections: 2 x RCA (Cinch)
  • Unbalanced Stereo Main Outputs: 1
  • Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced
  • Impedance Unbalanced Stereo Main Outputs: 120 Ohm
  • Max. Level Unbalanced Stereo Main Outputs: +20 dBV
  • Stereo Control Room Outputs: 1
  • Stereo Control Room Output Connections: 6.3 mm stereo jack
  • Headphone Output: 1
  • Headphone Output Connections: 6.3 mm stereo jack
  • Minimum Headphone Impedance: 30 Ohm
  • Digital Effects Processor: Yes, 24-bit AD/DA Resolution
  • No. of Presets: 100
  • Footswitch Connection DFX Mute: 6.3 mm stereo jack
  • Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room)
  • Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak
  • Power Supply: 18 V AC – 1 A, External PSU
  • Width: 265 mm
  • Height: 77 mm
  • Depth: 350 mm
Weight 2.30 kg

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Quick Comparison

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NameLD Systems VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor removeSOUNDCRAFT LX7 24CH MKII MIXING DESK removeSOUNDCRAFT GB2 24CH 24MONO+ 2STEREO MIXING CONSOLE removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT EPM 12 Mixing Desk 12 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT GB2 16 16-Channel Multi-Purpose Mixing Console remove
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Description
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Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.

The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.

The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.

It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.

  • Item Number: LDVIBZ8DC
  • Product Type: mixer
  • Type: live
  • Number of Channels: 8
  • Mono Mic/Line Input Channels: 4
  • Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
  • Mono Mic Input Type: electronically balanced
  • Frequency Response Mono Mic Input: 10 - 45,000 Hz
  • Amplification Range Mono Mic Input: 0 - +50 dB
  • Channel Insert: 2
  • Insert: 6.3 mm stereo jack (TIP= send / RING= return)
  • Channel Crosstalk: 62 dB
  • THD Mono Mic Input: 0.0058 %
  • Impedance Mono Mic Input: 4 kOhm
  • S/N Ratio Mono Mic Input: 113 dB
  • Mono Line Input Type: electronically balanced
  • Amplification Range Mono Line Input: 0 - +50 dB
  • THD Mono Line Input: 0.0045 %
  • Impedance Mono Line Input: 21 kOhm
  • S/N Ratio Mono Line Input: 116 dB
  • Frequency Response Mono Line Input: 10 - 45,000 Hz
  • Mono Channel Equalizer Treble:    +/- 15 dB 12,000 Hz
  • Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
  • Mono Channel Equalizer Bass:    +/- 15 dB 80 Hz
  • Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
  • Phantom Power: +48 V DC switchable
  • Low Cut: 95 Hz
  • Compressor: yes
  • Stereo Line Input Channels: 3
  • Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
  • Stereo Line Input Type: unbalanced
  • Frequency Response Stereo Line Input: 10 - 45,000 Hz
  • Amplification Range Mono Line Input: 0 - +50 dB
  • Channel Crosstalk: 62 dB
  • THD Stereo Line Input: 0.0045 %
  • Impedance Stereo Line Input: 3.7 kOhm
  • S/N Ratio Stereo Line Input: 116 dB
  • Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
  • Stereo Channel Equalizer Mids: +/- 15 dB 2,500 Hz (channel 3/4 + 5/6)
  • Stereo Channel Equalizer Bass: +/- 15 dB 80 Hz
  • Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6
  • Main Section:
  • AUX/Effect Send Channels:    1
  • AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced
  • Stereo AUX Return Channels: 1 x stereo
  • Stereo AUX Return Connections: 2 x 6.3 mm stereo jack
  • Stereo Tape Output Channel: 1 x stereo
  • Stereo Tape Output Connections: 2 x RCA (Cinch)
  • Stereo Tape Input Channel: 1 x stereo
  • Stereo Tape Input Connections: 2 x RCA (Cinch)
  • Unbalanced Stereo Main Outputs: 1
  • Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced
  • Impedance Unbalanced Stereo Main Outputs: 120 Ohm
  • Max. Level Unbalanced Stereo Main Outputs: +20 dBV
  • Stereo Control Room Outputs: 1
  • Stereo Control Room Output Connections: 6.3 mm stereo jack
  • Headphone Output: 1
  • Headphone Output Connections: 6.3 mm stereo jack
  • Minimum Headphone Impedance: 30 Ohm
  • Digital Effects Processor: Yes, 24-bit AD/DA Resolution
  • No. of Presets: 100
  • Footswitch Connection DFX Mute: 6.3 mm stereo jack
  • Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room)
  • Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak
  • Power Supply: 18 V AC - 1 A, External PSU
  • Width: 265 mm
  • Height: 77 mm
  • Depth: 350 mm

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    * 100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

The Soundcraft GB-2 (2-bus) 24 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.

However the Soundcraft GB-2 24 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.

Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.

The Soundcraft GB-2 (2-bus) 24 Channel Console Main Features Include:

  • 24 channel frame size
  • 12 busses
  • 2 full feature stereo channels
  • 2 stereo returns (on stereo channels)
  • 6 Aux sends
  • 4 sub groups (paired)
  • 6x2 output matrix
  • GB30 mic preamp and precision equalisation circuitry
  • Direct outputs on every channel
  • Talkback facility
  • 100mm faders
  • Switchable 48V phantom powering on every channel
  • 100Hz high pass filter
  • 12-segment LED metering
  • Record output
  • Width: 1013mm (39.88“)
  • Weight: 25kg (55.1lbs)
Low-cost high-performance mixers Key Features
  • 6 Mono & 2 Stereo Input Channels
  • 6x GB30 Microphone Preamplifiers
  • Recording and Live Sound Audio Console
  • Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs 6x Mono 2x Stereo
Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
In-Line Inputs/Returns No
AUX Sends 2x Aux Sends
AUX Returns No dedicated returns
Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
BUS (Group) Outputs Stereo Output Only
2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O No
Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
Solo/Mute All Input Channels
Channel Level Control 100 mm Faders
Trim/Gain Control Rotary Potentiometers
Phantom Power +48 V Phantom
Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range Not specified by manufacturer
Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:
Low-cost high-performance mixers Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers. The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types. A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors. Other Features:
  • Frame sizes 12+2
  • 2 configurable auxiliary buses
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 2-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs and mix output
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable

The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.

Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.

Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections

Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.

Soundcraft GB2 16 main features include:

  • Frequency Response Mic/Line Input to any output, 20Hz - 20kHz
Weight2.30 kg21.80 kg33.00 kg5.20 kg5.80 kg32.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.30 kg
Weight 21.80 kg
Weight 33.00 kg
Weight 5.20 kg
Weight 5.80 kg
Weight 32.00 kg