LD Systems VIBZ 12 DC – 12 channel Mixing Console with DFX and Compressor

349.68 incl. GR VAT

Only 1 left in stock (can be backordered)

EAN: 4049521195242
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User´s manual IF Design Award 2016 certificate Reddot Award 2016 certificate 12 channel Mixing Console with DFX and Compressor 12-channel mixer with 6 microphone channels 4 stereo line inputs Effective 3-band EQ 2 stereo channels with 2-band EQ Sliding adjustable compressor Digital Effects Section with 100 Presets Master, Monitor, Groups and headphone outputs Built in […]

 

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pdfUser´s manual
pdfIF Design Award 2016 certificate
pdfReddot Award 2016 certificate

12 channel Mixing Console with DFX and Compressor

  • 12-channel mixer with 6 microphone channels
  • 4 stereo line inputs
  • Effective 3-band EQ
  • 2 stereo channels with 2-band EQ
  • Sliding adjustable compressor
  • Digital Effects Section with 100 Presets
  • Master, Monitor, Groups and headphone outputs
  • Built in power supply
VIBZ 12 DC
The VIBZ 12 is a versatile mixer with six balanced microphone inputs featuring high quality preamplifiers, a low-cut filter, an effective 3-band EQ with conveniently selected mids and switchable phantom power. Four microphone channels can be processed separately using the built-in compressor for an effective control of dynamics; two more can alternatively be used as a stereo line channels. The other stereo channels are equipped with 2-band EQs. The master section of the mixer includes two effects loops, balanced XLR outputs, group and monitor outputs and a headphone jack. The VIBZ 12 also has RCA connectors for recording and playback devices and a digital Digital Effects Section with 100 presets. With key features such as the PFL function or the Mute buttons and its natural, transparent sound, the VIBZ 12 is the perfect choice for live performances, installations and demanding home recording applications.
Product type
Mixers

Type
Live

Channels
12

Mono Channels:


Mono Mic and Line Input Channels
4

Mono Mic input connectors
6.3 mm TRS , XLR

Mono Mic Input Type
electronically balanced

Mono Mic Input Frequency Range
10 – 45000 Hz

Amplification Range mono Mic Input
– 50 dB

Mono Mic Input Input THD-N
0.0058%

Mono Mic Input Impedance
4k Ohm(s)

Mono Mic Input S/N Ratio
113 dB

Mono Line Input Type
electronically balanced

Mono Line Input Frequency Range
10 – 45000 Hz

Amplification Range mono Line Input
– 50 dB

Mono Line Input Input THD-N
0.0045 %

Mono Line Input Impedance
21k Ohm(s)

Mono Line Input S/N Ratio
116 dB

Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz

Mono Channel Equalizer Mid
+/- 15 dB @ 2,500 Hz

Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz

Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX 1 umschaltbar Pre/Post , AUX 2 (DFX) Post , Compressor , DFX/AUX 1 , Gain , Low Cut (75 Hz) , PFL

Phantom power
48 V DC switchable

Stereo Channels:


Stereo Line Input Channels
4

Stereo Line Input Connectors
6.3 mm TRS , RCA

Stereo Line Input Type
electronically balanced , unbalanced

Stereo Line Input Frequency Range
10 – 45000 Hz

Amplification Range stereo Line Input
– 50 dB

Stereo Line Input Input THD-N
0.0045 %

Stereo Line Input Impedance
3,7k Ohm(s)

Stereo Line Input S/N Ratio
116 dB

Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz

Stereo channel equalizer mids
+/- 15 dB @ 2500 Hz

Stereo channel equalizer bass
+/- 15 dB @ 80 Hz

Controls Stereo Line Input Channels
2-band EQ (High,Low) , 3-band EQ (High, Mid, Low) , AUX 1 umschaltbar Pre/Post , AUX 2 (DFX) Post , Balance , Channel Volume , DFX/AUX 1 , Gain , Low Cut

Main Section:


AUX / Effects Send Channels
2

AUX / Effects Send Connectors
6.3 mm TRS

Stereo AUX Return Channels
1 x stereo

Stereo AUX Return Connectors
6.3 mm TRS

Stereo Tape Out Channel
1 x stereo

Stereo Tape Out Connectors
2 x RCA (Cinch)

Stereo Tape In Channel
1 x stereo

Stereo Tape In Connenctors
2 x RCA (Cinch)

Balanced Stereo Main Out
1

Balanced Stereo Main Out Connectors
XLR

Balanced Stereo Main Out Impedance
120 Ohm(s)

Max. Balanced Stereo Main Out Level
23 dBu

Stereo Control Room Out
1

Stereo Control Room Out Connectors
6.3 mm TRS

Headphones ouput
1

Headphones outputs
6.3 mm TRS

Digital Effects Processor
Yes, 24-bit AD/DA Resolution

Number of Presets
100

Footswitch Connector DFX Mute
6.3 mm TRS

Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , AUX 2 Send Volume , CTRL / Phones assignment (Main/Group 1-2) , DFX Mute Schalter , DFX TO AUX Volume , DFX To Main Volume , Group 1-2 assignment to Main MIX , Group 1-2 Volume , Master Volume , PFL , Phantom Power , Power , presets , Stereo Return to AUX Volume , Stereo Return to MAIN Volume , Volume Control CTRL / Phones

Indicators
DFX Peak , DFX TO MAIN , PFL , Phantom Power , Power

Operating voltage
100 V AC – 240 V AC, 50 – 60 Hz

Width
350 mm

Height
98 mm

Depth
440 mm

Weight
4,3 kg
Weight 4.30 kg

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Quick Comparison

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Description
Content

pdfUser´s manual pdfIF Design Award 2016 certificate pdfReddot Award 2016 certificate

12 channel Mixing Console with DFX and Compressor

  • 12-channel mixer with 6 microphone channels
  • 4 stereo line inputs
  • Effective 3-band EQ
  • 2 stereo channels with 2-band EQ
  • Sliding adjustable compressor
  • Digital Effects Section with 100 Presets
  • Master, Monitor, Groups and headphone outputs
  • Built in power supply
VIBZ 12 DC
The VIBZ 12 is a versatile mixer with six balanced microphone inputs featuring high quality preamplifiers, a low-cut filter, an effective 3-band EQ with conveniently selected mids and switchable phantom power. Four microphone channels can be processed separately using the built-in compressor for an effective control of dynamics; two more can alternatively be used as a stereo line channels. The other stereo channels are equipped with 2-band EQs. The master section of the mixer includes two effects loops, balanced XLR outputs, group and monitor outputs and a headphone jack. The VIBZ 12 also has RCA connectors for recording and playback devices and a digital Digital Effects Section with 100 presets. With key features such as the PFL function or the Mute buttons and its natural, transparent sound, the VIBZ 12 is the perfect choice for live performances, installations and demanding home recording applications.
Product type
Mixers

Type
Live

Channels
12

Mono Channels:


Mono Mic and Line Input Channels
4

Mono Mic input connectors
6.3 mm TRS , XLR

Mono Mic Input Type
electronically balanced

Mono Mic Input Frequency Range
10 - 45000 Hz

Amplification Range mono Mic Input
- 50 dB

Mono Mic Input Input THD-N
0.0058%

Mono Mic Input Impedance
4k Ohm(s)

Mono Mic Input S/N Ratio
113 dB

Mono Line Input Type
electronically balanced

Mono Line Input Frequency Range
10 - 45000 Hz

Amplification Range mono Line Input
- 50 dB

Mono Line Input Input THD-N
0.0045 %

Mono Line Input Impedance
21k Ohm(s)

Mono Line Input S/N Ratio
116 dB

Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz

Mono Channel Equalizer Mid
+/- 15 dB @ 2,500 Hz

Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz

Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX 1 umschaltbar Pre/Post , AUX 2 (DFX) Post , Compressor , DFX/AUX 1 , Gain , Low Cut (75 Hz) , PFL

Phantom power
48 V DC switchable

Stereo Channels:


Stereo Line Input Channels
4

Stereo Line Input Connectors
6.3 mm TRS , RCA

Stereo Line Input Type
electronically balanced , unbalanced

Stereo Line Input Frequency Range
10 - 45000 Hz

Amplification Range stereo Line Input
- 50 dB

Stereo Line Input Input THD-N
0.0045 %

Stereo Line Input Impedance
3,7k Ohm(s)

Stereo Line Input S/N Ratio
116 dB

Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz

Stereo channel equalizer mids
+/- 15 dB @ 2500 Hz

Stereo channel equalizer bass
+/- 15 dB @ 80 Hz

Controls Stereo Line Input Channels
2-band EQ (High,Low) , 3-band EQ (High, Mid, Low) , AUX 1 umschaltbar Pre/Post , AUX 2 (DFX) Post , Balance , Channel Volume , DFX/AUX 1 , Gain , Low Cut

Main Section:


AUX / Effects Send Channels
2

AUX / Effects Send Connectors
6.3 mm TRS

Stereo AUX Return Channels
1 x stereo

Stereo AUX Return Connectors
6.3 mm TRS

Stereo Tape Out Channel
1 x stereo

Stereo Tape Out Connectors
2 x RCA (Cinch)

Stereo Tape In Channel
1 x stereo

Stereo Tape In Connenctors
2 x RCA (Cinch)

Balanced Stereo Main Out
1

Balanced Stereo Main Out Connectors
XLR

Balanced Stereo Main Out Impedance
120 Ohm(s)

Max. Balanced Stereo Main Out Level
23 dBu

Stereo Control Room Out
1

Stereo Control Room Out Connectors
6.3 mm TRS

Headphones ouput
1

Headphones outputs
6.3 mm TRS

Digital Effects Processor
Yes, 24-bit AD/DA Resolution

Number of Presets
100

Footswitch Connector DFX Mute
6.3 mm TRS

Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , AUX 2 Send Volume , CTRL / Phones assignment (Main/Group 1-2) , DFX Mute Schalter , DFX TO AUX Volume , DFX To Main Volume , Group 1-2 assignment to Main MIX , Group 1-2 Volume , Master Volume , PFL , Phantom Power , Power , presets , Stereo Return to AUX Volume , Stereo Return to MAIN Volume , Volume Control CTRL / Phones

Indicators
DFX Peak , DFX TO MAIN , PFL , Phantom Power , Power

Operating voltage
100 V AC - 240 V AC, 50 - 60 Hz

Width
350 mm

Height
98 mm

Depth
440 mm

Weight
4,3 kg
Key Features:
  • 12+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable

Soundcraft FX16ii - rebirth of a classic

The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.

The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.

Soundcraft FX16ii main features include:

  • 26 inputs
  • 16 mono microphone channels
  • 4 stereo returns
  • 4-bus architecture, with sub-group routable to mix
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo
  • 3 FX parameter adjust rotaries
  • User FX settings store function
  • Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
  • Inserts on all mono channels
  • Inserts on stereo mix output
  • Classic Soundcraft 3-band EQ with swept mid-band
  • Stereo 18dB/octave 100Hz high-pass filter
  • Dual global +48V phantom power split channels 1-8 and 9-16
  • Channel Mute control
  • 10-segment tri-coloured metering
  • Two sub-group outputs
  • Separate mono sum output
  • Integral universal power supply
Low-cost high-performance mixers Key Features
  • 6 Mono & 2 Stereo Input Channels
  • 6x GB30 Microphone Preamplifiers
  • Recording and Live Sound Audio Console
  • Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs 6x Mono 2x Stereo
Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
In-Line Inputs/Returns No
AUX Sends 2x Aux Sends
AUX Returns No dedicated returns
Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
BUS (Group) Outputs Stereo Output Only
2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O No
Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
Solo/Mute All Input Channels
Channel Level Control 100 mm Faders
Trim/Gain Control Rotary Potentiometers
Phantom Power +48 V Phantom
Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range Not specified by manufacturer
Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

  • Eight-Fader Control Surface Extension for MCU Pro
  • Proprietary Mackie communication protocol for seamless software integration by DAW makers
  • 100mm touch-sensitive optical Penny + Giles motorized faders
  • Multi-function V-Pots for fast control of panning, effects levels and more
  • Channel mute, solo, pan, send level and record arm functions
  • Full meter display with track names and parameters
  • Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 32 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 32kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

    Weight4.30 kg3.50 kg5.00 kg5.20 kg20.00 kg32.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 4.30 kg
    Weight 3.50 kg
    Weight 5.00 kg
    Weight 5.20 kg
    Weight 20.00 kg
    Weight 32.00 kg