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- 10-channel mixer with 4 microphone channels
- 4 stereo line inputs
- Effective 3-band EQ
- 2 stereo channels with 2-band EQ
- Sliding adjustable compressor
- Master, Monitor and headphone outputs
- Securely fastening external power supply
VIBZ 10 C
The VIBZ 10 is a versatile mixer with four balanced microphone inputs featuring high quality preamplifiers, a low-cut filter and switchable phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 has very precise 3-band EQs with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 is the perfect choice for small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 on microphone stands are available as accessories.
Mono Mic and Line Input Channels
4
Mono Mic input connectors
6.3 mm TRS , XLR
Channel Insert Connectors
6.3 mm TRS
Mono Mic Input Type
electronically balanced
Mono Mic Input Frequency Range
10 - 45000 Hz
Amplification Range mono Mic Input
- 50 dB
Mono Mic Input Input THD-N
0.0058%
Mono Mic Input Impedance
4k Ohm(s)
Mono Mic Input S/N Ratio
113 dB
Mono Line Input Type
electronically balanced
Mono Line Input Frequency Range
10 - 45000 Hz
Amplification Range mono Line Input
- 50 dB
Mono Line Input Input THD-N
0.0045 %
Mono Line Input Impedance
21k Ohm(s)
Mono Line Input S/N Ratio
116 dB
Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz
Mono Channel Equalizer Mid
+/- 15 dB @ 2500 Hz
Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz
Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX (DFX) Post , Channel Volume , Compressor , Gain , Low Cut (75 Hz) , pan
Phantom power
48 V DC switchable
Stereo Line Input Channels
4
Stereo Line Input Connectors
6.3 mm TRS
Stereo Line Input Type
electronically balanced , unbalanced
Stereo Line Input Frequency Range
10 - 45000 Hz
Amplification Range stereo Line Input
- 50 dB
Stereo Line Input Input THD-N
0.0045 %
Stereo Line Input Impedance
3,7k Ohm(s)
Stereo Line Input S/N Ratio
116 dB
Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz
Stereo channel equalizer mids
+/- 15 dB @ 2500 Hz
Stereo channel equalizer bass
+/- 15 dB @ 80 Hz
Controls Stereo Line Input Channels
2-band EQ (High,Low) , 3-band EQ (High, Mid, Low) , AUX Post , Balance , Channel Volume , Gain , Low Cut
AUX / Effects Send Channels
1
AUX / Effects Send Connectors
6.3 mm stereo jack unbalanced
Stereo AUX Return Channels
1 x stereo
Stereo AUX Return Connectors
6.3 mm TRS
Stereo Tape Out Channel
1 x stereo
Stereo Tape Out Connectors
2 x RCA (Cinch)
Stereo Tape In Channel
1 x stereo
Stereo Tape In Connenctors
2 x RCA (Cinch)
Unbalanced stereo Main Outputs
1
Unbalanced stereo Main Output Connections
6.3 mm TRS
Unbalanced Stereo Main Out Impedance
120 Ohm(s)
Max. Unbalanced Stereo Main Out Level
20 dBu
Stereo Control Room Out
1
Stereo Control Room Out Connectors
6.3 mm TRS
Headphones outputs
6.3 mm TRS
Digital Effects Processor
no
Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , Master Volume , Phantom Power , Phones / Control Room Volume , Stereo Return Volume
Indicators
Phantom Power , Power
Operating voltage
18 V AC - 1 A, External PSU
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Soundcraft EFX
(EFX8, EFX12)
The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.
The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.
The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone
Key Features: - 8+2 channel frame sizes
- Built-in 24 bit Lexicon digital effects processor
- 32 FX settings
- Tap Tempo and FX setting store function
- 1 FX send on each channel
- 1 configurable auxiliary bus
- XLR-type and ¼” metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 3-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations. | Low-cost high-performance mixers
Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Other Features:
- Frame sizes 8+2
- 2 configurable auxiliary buses
- XLR-type and Ό� metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 2-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs and mix output
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
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| Low-cost high-performance mixers
Key Features
- 6 Mono & 2 Stereo Input Channels
- 6x GB30 Microphone Preamplifiers
- Recording and Live Sound Audio Console
- Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications.
The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc.
The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more.
6 Mono and 2 Stereo Channels
The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections
Comprehensive Controls
The comprehensive layout is designed to attract users who require a straight-forward mixing environment
GB30 Microphone Preamplifiers
All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality
Compact and Professional
The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs |
6x Mono
2x Stereo |
Mic/Line Inputs |
6x Line Mono: 1/4" TRS Phone
2x Line Stereo: L/R 1/4" TRS Phone
6x Microphone: 3-pin XLR |
Stereo Line Inputs |
2x Stereo: L/R 1/4" TRS Phone |
In-Line Inputs/Returns |
No |
AUX Sends |
2x Aux Sends |
AUX Returns |
No dedicated returns |
Inserts |
1/4" TRS Phone - Mono Inputs, Main Stereo Output |
BUS (Group) Outputs |
Stereo Output Only |
2 Trk Master I/O |
Mix L/R: Stereo Paired L/R RCA Phono |
ALT I/O |
No |
Monitor Outputs |
Monitor: L/R Stereo Paired 1/4" TRS Phone |
EQ Section |
Mono Inputs +/- 15 dB
Lo: 80 Hz
Mid: 150 Hz - 3.5 kHz (swept)
Hi: 12 kHz
Q: 1.5
Stereo Inputs +/-15 dB
Lo: 80 Hz
Mid: 720 Hz
Hi: 12 kHz |
Solo/Mute |
All Input Channels |
Channel Level Control |
100 mm Faders |
Trim/Gain Control |
Rotary Potentiometers |
Phantom Power |
+48 V Phantom |
Metering |
10-Segment L/R Peak LEDs
+48 V Phantom Power LED
PFL Active LED
Power Indicator LED |
Frequency Response |
20 Hz to 20 kHz +/-1.5 dB |
Dynamic Range |
Not specified by manufacturer |
Signal-to-Noise Ratio |
Noise (22 Hz - 22 kHz measurement bandwidth)
Mic EIN @ max gain, 150 ohms source impedance -127 dBu
Mix @ max, faders to down |
Total Harmonic Distortion (THD) |
Mic sensitivity 30 dB, +14 dBu @ mix output: |
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SOUNDCRAFT-SPIRIT
LX-7 32 II
Soundcraft Spirit LX-7 32 II, livemixer 32 mono-, 2stereoinputs, 2 st.-returns, 4 subgroups, 3 master, 6aux., built-in-powersupply, 4 band EQ with 2 param. mids
Dimensions: 16.51H x 50.29D x 105.9W
Weight: 25.45kgs |
MIC/LINE Input Channels The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. The +48V phantom power for condenser microphones can be switched in groups of six. The Line Input and Channel Insert are implemented as jack sockets. The Gain can be controlled in the range 0-60 dB. The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively. With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case: 2 (FX) are assiged to the two effects devices; 2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section; 2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section. MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal. Each channel offers a Signal Present and Peak LED for level control. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic. All potentiometers and faders are high-quality components from ALPS. Stereo MIC/LINE Input Channels The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals. Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips. MASTER In the Master Section, too, the CMS3 mixers are lavishly equipped. The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation. The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control. The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music. A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp. DIGITAL USB 2.0 AUDIO INTERFACE The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu. For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD. PC MIDI Interface The CMS3 also offers a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch. Professional Effects, OLED Display and Processing Menus The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable. Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology. The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments. Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menus For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus. Innovative Solution for Protection and Transportation Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort. For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER). Accessories For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available. Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units. |
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