LD Systems VIBZ 8 DC – 8 channel Mixing Console with DFX and Compressor

242.00 incl. GR VAT

Only 1 left in stock (can be backordered)

EAN: 4049521195198
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Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of […]

 

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Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.

The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.

The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.

It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.

  • Item Number: LDVIBZ8DC
  • Product Type: mixer
  • Type: live
  • Number of Channels: 8
  • Mono Mic/Line Input Channels: 4
  • Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
  • Mono Mic Input Type: electronically balanced
  • Frequency Response Mono Mic Input: 10 – 45,000 Hz
  • Amplification Range Mono Mic Input: 0 – +50 dB
  • Channel Insert: 2
  • Insert: 6.3 mm stereo jack (TIP= send / RING= return)
  • Channel Crosstalk: 62 dB
  • THD Mono Mic Input: 0.0058 %
  • Impedance Mono Mic Input: 4 kOhm
  • S/N Ratio Mono Mic Input: 113 dB
  • Mono Line Input Type: electronically balanced
  • Amplification Range Mono Line Input: 0 – +50 dB
  • THD Mono Line Input: 0.0045 %
  • Impedance Mono Line Input: 21 kOhm
  • S/N Ratio Mono Line Input: 116 dB
  • Frequency Response Mono Line Input: 10 – 45,000 Hz
  • Mono Channel Equalizer Treble:    +/- 15 dB 12,000 Hz
  • Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
  • Mono Channel Equalizer Bass:    +/- 15 dB 80 Hz
  • Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
  • Phantom Power: +48 V DC switchable
  • Low Cut: 95 Hz
  • Compressor: yes
  • Stereo Line Input Channels: 3
  • Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
  • Stereo Line Input Type: unbalanced
  • Frequency Response Stereo Line Input: 10 – 45,000 Hz
  • Amplification Range Mono Line Input: 0 – +50 dB
  • Channel Crosstalk: 62 dB
  • THD Stereo Line Input: 0.0045 %
  • Impedance Stereo Line Input: 3.7 kOhm
  • S/N Ratio Stereo Line Input: 116 dB
  • Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
  • Stereo Channel Equalizer Mids: +/- 15 dB 2,500 Hz (channel 3/4 + 5/6)
  • Stereo Channel Equalizer Bass: +/- 15 dB 80 Hz
  • Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6
  • Main Section:
  • AUX/Effect Send Channels:    1
  • AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced
  • Stereo AUX Return Channels: 1 x stereo
  • Stereo AUX Return Connections: 2 x 6.3 mm stereo jack
  • Stereo Tape Output Channel: 1 x stereo
  • Stereo Tape Output Connections: 2 x RCA (Cinch)
  • Stereo Tape Input Channel: 1 x stereo
  • Stereo Tape Input Connections: 2 x RCA (Cinch)
  • Unbalanced Stereo Main Outputs: 1
  • Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced
  • Impedance Unbalanced Stereo Main Outputs: 120 Ohm
  • Max. Level Unbalanced Stereo Main Outputs: +20 dBV
  • Stereo Control Room Outputs: 1
  • Stereo Control Room Output Connections: 6.3 mm stereo jack
  • Headphone Output: 1
  • Headphone Output Connections: 6.3 mm stereo jack
  • Minimum Headphone Impedance: 30 Ohm
  • Digital Effects Processor: Yes, 24-bit AD/DA Resolution
  • No. of Presets: 100
  • Footswitch Connection DFX Mute: 6.3 mm stereo jack
  • Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room)
  • Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak
  • Power Supply: 18 V AC – 1 A, External PSU
  • Width: 265 mm
  • Height: 77 mm
  • Depth: 350 mm
Weight 2.30 kg

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Description
Content

Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.

The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.

The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.

It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.

  • Item Number: LDVIBZ8DC
  • Product Type: mixer
  • Type: live
  • Number of Channels: 8
  • Mono Mic/Line Input Channels: 4
  • Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
  • Mono Mic Input Type: electronically balanced
  • Frequency Response Mono Mic Input: 10 - 45,000 Hz
  • Amplification Range Mono Mic Input: 0 - +50 dB
  • Channel Insert: 2
  • Insert: 6.3 mm stereo jack (TIP= send / RING= return)
  • Channel Crosstalk: 62 dB
  • THD Mono Mic Input: 0.0058 %
  • Impedance Mono Mic Input: 4 kOhm
  • S/N Ratio Mono Mic Input: 113 dB
  • Mono Line Input Type: electronically balanced
  • Amplification Range Mono Line Input: 0 - +50 dB
  • THD Mono Line Input: 0.0045 %
  • Impedance Mono Line Input: 21 kOhm
  • S/N Ratio Mono Line Input: 116 dB
  • Frequency Response Mono Line Input: 10 - 45,000 Hz
  • Mono Channel Equalizer Treble:    +/- 15 dB 12,000 Hz
  • Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
  • Mono Channel Equalizer Bass:    +/- 15 dB 80 Hz
  • Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
  • Phantom Power: +48 V DC switchable
  • Low Cut: 95 Hz
  • Compressor: yes
  • Stereo Line Input Channels: 3
  • Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
  • Stereo Line Input Type: unbalanced
  • Frequency Response Stereo Line Input: 10 - 45,000 Hz
  • Amplification Range Mono Line Input: 0 - +50 dB
  • Channel Crosstalk: 62 dB
  • THD Stereo Line Input: 0.0045 %
  • Impedance Stereo Line Input: 3.7 kOhm
  • S/N Ratio Stereo Line Input: 116 dB
  • Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
  • Stereo Channel Equalizer Mids: +/- 15 dB 2,500 Hz (channel 3/4 + 5/6)
  • Stereo Channel Equalizer Bass: +/- 15 dB 80 Hz
  • Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6
  • Main Section:
  • AUX/Effect Send Channels:    1
  • AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced
  • Stereo AUX Return Channels: 1 x stereo
  • Stereo AUX Return Connections: 2 x 6.3 mm stereo jack
  • Stereo Tape Output Channel: 1 x stereo
  • Stereo Tape Output Connections: 2 x RCA (Cinch)
  • Stereo Tape Input Channel: 1 x stereo
  • Stereo Tape Input Connections: 2 x RCA (Cinch)
  • Unbalanced Stereo Main Outputs: 1
  • Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced
  • Impedance Unbalanced Stereo Main Outputs: 120 Ohm
  • Max. Level Unbalanced Stereo Main Outputs: +20 dBV
  • Stereo Control Room Outputs: 1
  • Stereo Control Room Output Connections: 6.3 mm stereo jack
  • Headphone Output: 1
  • Headphone Output Connections: 6.3 mm stereo jack
  • Minimum Headphone Impedance: 30 Ohm
  • Digital Effects Processor: Yes, 24-bit AD/DA Resolution
  • No. of Presets: 100
  • Footswitch Connection DFX Mute: 6.3 mm stereo jack
  • Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room)
  • Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak
  • Power Supply: 18 V AC - 1 A, External PSU
  • Width: 265 mm
  • Height: 77 mm
  • Depth: 350 mm

Live 4-Bus Mixing Console 
 32 Input Channels (24 mono)
 XLR Mic: 24 mono channels + 4 stereo channels
 Frequency Response: 20Hz – 20kHz
 Weight: 39.70 lbs (18.1kg)
 Dimensions (H x W x D): 6.38" x 39.92" x 20.98" (162mm x 1014mm x 533mm)
 4 Stereo Line Inputs
 24 Inserts
 Large Illuminated Mute Switches
 Stereo inserts
 4 Groups with inserts
 3-Band EQ with sweepable mids
 6 Aux sends
 Dual DSP with 100 digital multi-effects
 2 Stereo aux return
 USB I/O (from aux sends or main mix)
 Input gain trim on each channel
 24 dB Low cut filter at 75Hz
 100mm faders
 PFL switches
 AFL switches
 Phantom power switch (+ 48V)
 Mono Out & LPF with sub-woofer containing variable frequency control
 2 x 12-segment LED level meter for Main L/R, PFL/AFL. Group 1–4
 Talkback mic input

 

The Soundcraft GB-2 (2-bus) 24 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.

However the Soundcraft GB-2 24 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.

Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.

The Soundcraft GB-2 (2-bus) 24 Channel Console Main Features Include:

  • 24 channel frame size
  • 12 busses
  • 2 full feature stereo channels
  • 2 stereo returns (on stereo channels)
  • 6 Aux sends
  • 4 sub groups (paired)
  • 6x2 output matrix
  • GB30 mic preamp and precision equalisation circuitry
  • Direct outputs on every channel
  • Talkback facility
  • 100mm faders
  • Switchable 48V phantom powering on every channel
  • 100Hz high pass filter
  • 12-segment LED metering
  • Record output
  • Width: 1013mm (39.88“)
  • Weight: 25kg (55.1lbs)
Key Features:
  • 12+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable

The Soundcraft GB-2 (2-bus) 32 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.

However the Soundcraft GB-2 32 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.

Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.

The Soundcraft GB-2 (2-bus) 32 Channel Console Main Features Include:

  • 32 channel frame size
  • 12 busses
  • 2 full feature stereo channels
  • 2 stereo returns (on stereo channels)
  • 6 Aux sends
  • 4 sub groups (paired)
  • 6x2 output matrix
  • GB30 mic preamp and precision equalisation circuitry
  • Direct outputs on every channel
  • Talkback facility
  • 100mm faders
  • Switchable 48V phantom powering on every channel
  • 100Hz high pass filter
  • 12-segment LED metering
  • Record output
  • Width: 1247mm (49.09“)
  • Weight: 30kg (66.1lbs)

The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.

This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.

Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.

As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.

For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.

On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.

Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.

The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers.

  • Technical Specifications
  • Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
  • THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
  • Noise Measured RMS, 22Hz to 22kHz Bandwidth
  • Mic E.I.N. @ unity gain,150Ω source impedance.. -128dBu
  • Mix Output, 40 inputs routed to mix..
  • Group & Centre Outputs..
  • Aux Outputs (GB2 Groups only)..
  • Matrix Outputs..
  • Crosstalk Input Channel Mute..
  • (@1kHz, typical) Input Fader cut-off..
  • Pan isolation..
  • Mix route isolation..
  • Group route isolation..
  • Adjacent channel crosstalk..
  • Group to Mix..
  • Aux Send pots offness (typical)..
  • Matrix Send pots offness (typical)
  • CMRR Typical @ 1kHz.. 80dB
  • Input & Output Mono & Stereo Mic Inputs.. +15dBu
  • Max Levels Mono & Stereo Line Inputs.. +30dBu
  • Stereo Returns & Insert Returns.. +20dBu
  • Any output.. +20dBu
  • Nominal Operating Level.. 0dBu
  • Headphone Power.. 2 x 250mW into 200Ω
  • Input & Output Mic Inputs.. 2kΩ
  • Impedances Line Inputs and Stereo Returns.. 10kΩ
  • Input channels Insert Return.. 5kΩ with EQ in, otherwise 3kΩ
  • Mix, Group, Aux, Matrix & Direct outputs.. 150Ω
  • Insert sends.. 75Ω
  • Recommended Headphone Impedance.. 100 - 600Ω
  • High pass filter (Mono input).. 100Hz, 18dB per octave
  • EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
  • Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
  • Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
  • LF.. 80Hz, +/-15dB, 2nd order shelving
  • EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
  • Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
  • Lo-Mid.. 450Hz, +/-15dB, Q=0.8
  • LF.. 80Hz, +/-15dB, 2nd order shelving
  • Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
  • Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
  • Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
  • + Meterpod with 3 VU meters (L/R/C)
  • Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
  • (indicates monitor source level)
  • Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
  • Power consumption.. Less than 150W
  • Operating conditions Temperature range.. -10ºC to +30ºC
  • Relative humidity.. 0% to 80%
  • Features
  • * 19” Rackmountable console
  • * 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
  • * 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
  • * Rotatable connector pod for top or rear cable entry
  • * 8 (GB2R-16) or 10 (GB2R-12.2) busses
  • * 2 full feature stereo inputs (GB2R-12.2 version)
  • * GB30 Mic preamp and precision EQ on inputs
  • * Switchable +48V phantom power on every mic input
  • * 100Hz Hi-pass filter
  • * Direct outputs on every channel
  • * 100mm faders
  • * Stereo Mix Output and separate Mono Sum output
  • * Record output
  • * Internal Universal switched mode PSU


Weight2.30 kg18.10 kg33.00 kg3.50 kg37.00 kg5.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.30 kg
Weight 18.10 kg
Weight 33.00 kg
Weight 3.50 kg
Weight 37.00 kg
Weight 5.00 kg