Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of […]
Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.
The microphone channels are switchable to line level and are equipped with high qualitypreamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.
The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.
It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.
Item Number: LDVIBZ8DC
Product Type: mixer
Type: live
Number of Channels: 8
Mono Mic/Line Input Channels: 4
Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
Mono Mic Input Type: electronically balanced
Frequency Response Mono Mic Input: 10 – 45,000 Hz
Amplification Range Mono Mic Input: 0 – +50 dB
Channel Insert: 2
Insert: 6.3 mm stereo jack (TIP= send / RING= return)
Channel Crosstalk: 62 dB
THD Mono Mic Input: 0.0058 %
Impedance Mono Mic Input: 4 kOhm
S/N Ratio Mono Mic Input: 113 dB
Mono Line Input Type: electronically balanced
Amplification Range Mono Line Input: 0 – +50 dB
THD Mono Line Input: 0.0045 %
Impedance Mono Line Input: 21 kOhm
S/N Ratio Mono Line Input: 116 dB
Frequency Response Mono Line Input: 10 – 45,000 Hz
Mono Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
Mono Channel Equalizer Bass: +/- 15 dB 80 Hz
Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
Phantom Power: +48 V DC switchable
Low Cut: 95 Hz
Compressor: yes
Stereo Line Input Channels: 3
Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
Stereo Line Input Type: unbalanced
Frequency Response Stereo Line Input: 10 – 45,000 Hz
Amplification Range Mono Line Input: 0 – +50 dB
Channel Crosstalk: 62 dB
THD Stereo Line Input: 0.0045 %
Impedance Stereo Line Input: 3.7 kOhm
S/N Ratio Stereo Line Input: 116 dB
Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.
The microphone channels are switchable to line level and are equipped with high qualitypreamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.
The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.
It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.
Item Number: LDVIBZ8DC
Product Type: mixer
Type: live
Number of Channels: 8
Mono Mic/Line Input Channels: 4
Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
Mono Mic Input Type: electronically balanced
Frequency Response Mono Mic Input: 10 - 45,000 Hz
Amplification Range Mono Mic Input: 0 - +50 dB
Channel Insert: 2
Insert: 6.3 mm stereo jack (TIP= send / RING= return)
Channel Crosstalk: 62 dB
THD Mono Mic Input: 0.0058 %
Impedance Mono Mic Input: 4 kOhm
S/N Ratio Mono Mic Input: 113 dB
Mono Line Input Type: electronically balanced
Amplification Range Mono Line Input: 0 - +50 dB
THD Mono Line Input: 0.0045 %
Impedance Mono Line Input: 21 kOhm
S/N Ratio Mono Line Input: 116 dB
Frequency Response Mono Line Input: 10 - 45,000 Hz
Mono Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
Mono Channel Equalizer Bass: +/- 15 dB 80 Hz
Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
Phantom Power: +48 V DC switchable
Low Cut: 95 Hz
Compressor: yes
Stereo Line Input Channels: 3
Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
Stereo Line Input Type: unbalanced
Frequency Response Stereo Line Input: 10 - 45,000 Hz
Amplification Range Mono Line Input: 0 - +50 dB
Channel Crosstalk: 62 dB
THD Stereo Line Input: 0.0045 %
Impedance Stereo Line Input: 3.7 kOhm
S/N Ratio Stereo Line Input: 116 dB
Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
The Soundcraft GB-2 (2-bus) 32 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.
However the Soundcraft GB-2 32 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.
Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.
The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.
The Soundcraft GB-2 (2-bus) 32 Channel Console Main Features Include:
32 channel frame size
12 busses
2 full feature stereo channels
2 stereo returns (on stereo channels)
6 Aux sends
4 sub groups (paired)
6x2 output matrix
GB30 mic preamp and precision equalisation circuitry
Direct outputs on every channel
Talkback facility
100mm faders
Switchable 48V phantom powering on every channel
100Hz high pass filter
12-segment LED metering
Record output
Width: 1247mm (49.09“)
Weight: 30kg (66.1lbs)
The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.
Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.
Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections
Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.
The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.
Soundcraft GB2 16 main features include:
Frequency Response Mic/Line Input to any output, 20Hz - 20kHz
Low-cost high-performance mixers
Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Other Features:
Frame sizes 8+2
2 configurable auxiliary buses
XLR-type and Ό� metal jack connector sockets
RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs
2-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs and mix output
Ten-segment LED output metering
Intuitive and comprehensive solo system
Headphone output
Easily rack mountable
Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 16 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 22kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.
Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 24 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 27kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.
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