Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of […]
Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.
The microphone channels are switchable to line level and are equipped with high qualitypreamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.
The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.
It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.
Item Number: LDVIBZ8DC
Product Type: mixer
Type: live
Number of Channels: 8
Mono Mic/Line Input Channels: 4
Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
Mono Mic Input Type: electronically balanced
Frequency Response Mono Mic Input: 10 – 45,000 Hz
Amplification Range Mono Mic Input: 0 – +50 dB
Channel Insert: 2
Insert: 6.3 mm stereo jack (TIP= send / RING= return)
Channel Crosstalk: 62 dB
THD Mono Mic Input: 0.0058 %
Impedance Mono Mic Input: 4 kOhm
S/N Ratio Mono Mic Input: 113 dB
Mono Line Input Type: electronically balanced
Amplification Range Mono Line Input: 0 – +50 dB
THD Mono Line Input: 0.0045 %
Impedance Mono Line Input: 21 kOhm
S/N Ratio Mono Line Input: 116 dB
Frequency Response Mono Line Input: 10 – 45,000 Hz
Mono Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
Mono Channel Equalizer Bass: +/- 15 dB 80 Hz
Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
Phantom Power: +48 V DC switchable
Low Cut: 95 Hz
Compressor: yes
Stereo Line Input Channels: 3
Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
Stereo Line Input Type: unbalanced
Frequency Response Stereo Line Input: 10 – 45,000 Hz
Amplification Range Mono Line Input: 0 – +50 dB
Channel Crosstalk: 62 dB
THD Stereo Line Input: 0.0045 %
Impedance Stereo Line Input: 3.7 kOhm
S/N Ratio Stereo Line Input: 116 dB
Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.
The microphone channels are switchable to line level and are equipped with high qualitypreamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.
The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.
It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.
Item Number: LDVIBZ8DC
Product Type: mixer
Type: live
Number of Channels: 8
Mono Mic/Line Input Channels: 4
Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
Mono Mic Input Type: electronically balanced
Frequency Response Mono Mic Input: 10 - 45,000 Hz
Amplification Range Mono Mic Input: 0 - +50 dB
Channel Insert: 2
Insert: 6.3 mm stereo jack (TIP= send / RING= return)
Channel Crosstalk: 62 dB
THD Mono Mic Input: 0.0058 %
Impedance Mono Mic Input: 4 kOhm
S/N Ratio Mono Mic Input: 113 dB
Mono Line Input Type: electronically balanced
Amplification Range Mono Line Input: 0 - +50 dB
THD Mono Line Input: 0.0045 %
Impedance Mono Line Input: 21 kOhm
S/N Ratio Mono Line Input: 116 dB
Frequency Response Mono Line Input: 10 - 45,000 Hz
Mono Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
Mono Channel Equalizer Bass: +/- 15 dB 80 Hz
Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
Phantom Power: +48 V DC switchable
Low Cut: 95 Hz
Compressor: yes
Stereo Line Input Channels: 3
Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
Stereo Line Input Type: unbalanced
Frequency Response Stereo Line Input: 10 - 45,000 Hz
Amplification Range Mono Line Input: 0 - +50 dB
Channel Crosstalk: 62 dB
THD Stereo Line Input: 0.0045 %
Impedance Stereo Line Input: 3.7 kOhm
S/N Ratio Stereo Line Input: 116 dB
Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.
Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.
LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.
LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.
In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.
LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.
Applications:
* Gigging Bands
* Small installations
* Small venues
* Theatres
* Houses of Worship
* Live and studio recording
* 100mm faders
* +48V phantom power
* 16, 24 or 32 channel frame sizes
* Up to 40 inputs (including stereo inputs and returns)
* 18dB/octave high-pass filter
* 6 aux sends, 4 of them pre/post switchable
* Group and mix inserts
* 12-segment LED metering
* Integral PSU
Live 4-Bus Mixing Console
32 Input Channels (24 mono)
XLR Mic: 24 mono channels + 4 stereo channels
Frequency Response: 20Hz – 20kHz
Weight: 39.70 lbs (18.1kg)
Dimensions (H x W x D): 6.38" x 39.92" x 20.98" (162mm x 1014mm x 533mm)
4 Stereo Line Inputs
24 Inserts
Large Illuminated Mute Switches
Stereo inserts
4 Groups with inserts
3-Band EQ with sweepable mids
6 Aux sends
Dual DSP with 100 digital multi-effects
2 Stereo aux return
USB I/O (from aux sends or main mix)
Input gain trim on each channel
24 dB Low cut filter at 75Hz
100mm faders
PFL switches
AFL switches
Phantom power switch (+ 48V)
Mono Out & LPF with sub-woofer containing variable frequency control
2 x 12-segment LED level meter for Main L/R, PFL/AFL. Group 1–4
Talkback mic input
Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 32 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 32kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.
Low-cost high-performance mixers
Key Features
6 Mono & 2 Stereo Input Channels
6x GB30 Microphone Preamplifiers
Recording and Live Sound Audio Console
Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications.
The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc.
The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more.
6 Mono and 2 Stereo Channels
The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections
Comprehensive Controls
The comprehensive layout is designed to attract users who require a straight-forward mixing environment
GB30 Microphone Preamplifiers
All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality
Compact and Professional
The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs
6x Mono
2x Stereo
Mic/Line Inputs
6x Line Mono: 1/4" TRS Phone
2x Line Stereo: L/R 1/4" TRS Phone
6x Microphone: 3-pin XLR
10-Segment L/R Peak LEDs
+48 V Phantom Power LED
PFL Active LED
Power Indicator LED
Frequency Response
20 Hz to 20 kHz +/-1.5 dB
Dynamic Range
Not specified by manufacturer
Signal-to-Noise Ratio
Noise (22 Hz - 22 kHz measurement bandwidth)
Mic EIN @ max gain, 150 ohms source impedance -127 dBu
Mix @ max, faders to down
Total Harmonic Distortion (THD)
Mic sensitivity 30 dB, +14 dBu @ mix output:
The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.
This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.
Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.
As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.
For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.
On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.
Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.
The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers.
Technical Specifications
Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
High pass filter (Mono input).. 100Hz, 18dB per octave
EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
LF.. 80Hz, +/-15dB, 2nd order shelving
EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
Lo-Mid.. 450Hz, +/-15dB, Q=0.8
LF.. 80Hz, +/-15dB, 2nd order shelving
Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
+ Meterpod with 3 VU meters (L/R/C)
Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
(indicates monitor source level)
Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
Power consumption.. Less than 150W
Operating conditions Temperature range.. -10ºC to +30ºC
Relative humidity.. 0% to 80%
Features
* 19” Rackmountable console
* 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
* 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
* Rotatable connector pod for top or rear cable entry
* 8 (GB2R-16) or 10 (GB2R-12.2) busses
* 2 full feature stereo inputs (GB2R-12.2 version)
* GB30 Mic preamp and precision EQ on inputs
* Switchable +48V phantom power on every mic input
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