LD Systems VIBZ 24 DC 24 channel Mixing Console with DFX and Compressor

638.35 incl. GR VAT

Only 1 left in stock (can be backordered)

EAN: 4049521206511
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User´s manual 24-channel mixer with 16 mono and 4 stereo channels Balanced mic and line inputs 3-band EQ with semi-parametric mids 4 aux sends, 2 pre or post fader switchable 8 mono channels with inserts and compressor Channel routing, mute and PFL switches 48V phantom power 4 subgroups with individual outputs 24-bit digital effects and […]

 

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User´s manual
  • 24-channel mixer with 16 mono and 4 stereo channels
  • Balanced mic and line inputs
  • 3-band EQ with semi-parametric mids
  • 4 aux sends, 2 pre or post fader switchable
  • 8 mono channels with inserts and compressor
  • Channel routing, mute and PFL switches
  • 48V phantom power
  • 4 subgroups with individual outputs
  • 24-bit digital effects and global 7-band graphic EQ
  • Balanced and unbalanced main outputs
  • Control room and headphone outputs
  • 10 Hz – 45 kHz frequency response
  • integrates 16 bit/48 kHz USB audio interface
  • 3-band EQ with semi-parametric midrange regulating on mono channels
  • 4-band EQ on stereo channels

The flagship of the VIBZ Series of mixing desks, the VIBZ 24 DC is designed for superb audio in home studio and live applications. It sports 16 mono channels with 3-band EQ and semi-parametric midrange, 4 stereo channels with 4-band EQ, 4 subgroups, 24-bit digital effects with 100 presets and smooth 65 mm audio taper faders.

All channels feature high-quality preamps with gain control, 4 aux sends, mute, PFL and routing switches plus signal and clip LEDs. Two sends are switchable pre or post fader to enable monitoring or effects use. The mono channels\’ XLR mic and TRS line inputs are electronically balanced with channels 1 – 8 providing convenient one-knob control of the built-in compressor and individual insert points for outboard processing.

The master section offers balanced and unbalanced main mix and individual group outputs with precision metering, control room and headphone outputs with level controls and a global 7-band graphic EQ. The VIBZ 24 DC integrates a multi-voltage power supply for 100 – 240 V AC operation.

Product type
Mixers


Type
Home-Recording , Live


Channels
24


microphone


Mono Mic and Line Input Channels
16


Mono Mic input connectors
6.3 mm TRS , XLR


Mono Mic Input Type
electronically balanced


Mono Mic Input Frequency Range
10 – 45000 Hz


Amplification Range mono Mic Input
0 – 50 dB


Mono Mic Input Input THD-N
0.0058%


Mono Mic Input Impedance
4000 Ohm(s)


Mono Mic Input S/N Ratio
113 dB


Mono Line Input Type
electronically balanced


Mono Line Input Frequency Range
10 – 45000 Hz


Amplification Range mono Line Input
0 – 50 dB


Mono Line Input Input THD-N
0.0045 %


Mono Line Input Impedance
21000 Ohm(s)


Mono Line Input S/N Ratio
116 dB


Mono Channel Equalizer High
+/-15 dB @ 12.000 Hz


Mono Channel Equalizer Mid
200 – 8000


Mono Channel Equalizer Low
+/-15 dB @ 80 Hz


Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX Send 1-2 pre (AUX2 pre/post switchable) , AUX Send 3-4 (post) , Bal , Channel Fader , Fader Routing switch (Group 1/2, Group 3/4, Main L+R) , Gain , LINE/USB -switch (Channel 21 – 24) , PFL / Solo Switch


Phantom power
48 V DC switchable


Mono Inserts
8


Mono Inserts Connectors
6.3mm jack


Stereo Channels:


Stereo Line Input Channels
4


Stereo Line Input Connectors
6.3 mm TRS


Stereo Line Input Type
electronically balanced , unbalanced


Stereo Line Input Frequency Range
10 – 45000 Hz


Amplification Range stereo Line Input
0 – 50 dB


Stereo Line Input Input THD-N
0.0045 %


Stereo Line Input Impedance
37000 Ohm(s)


Stereo Line Input S/N Ratio
116 dB


Stereo channel equalizer treble
+/-15 dB @ 12.000 Hz


Stereo channel equalizer hi-mids
+/-15 dB @ 2.500 Hz


Stereo channel equalizer low-mids
+/-15 dB @ 2.500 Hz


Stereo channel equalizer bass
+/-15 dB @ 80 Hz


Controls Stereo Line Input Channels
4-band EQ (High, High-Mid, Low-Mid, Low) , AUX 1 – 2 switchable Pre/Post , AUX/DFX Send 1 – 4 , Balance , Channel Volume , EQ on/off , Gain , GROUP to Main -switch , LINE/USB -switch


Main Section:


AUX / Effects Send Channels
4


AUX / Effects Send Connectors
6.3 mm TS


Stereo AUX Return Channels
1


Group Out
4


Group Out Connectors
4 x 6,3mm TRS


Balanced Stereo Main Out
1


Balanced Stereo Main Out Connectors
XLR


Unbalanced stereo Main Outputs
1


Unbalanced stereo Main Output Connections
2 x 6.3 mm TS


Main-Insert Inputs
1


Main-Insert Input Ports
2 x 6.3 mm TRS asymmetrically


DFX Out Outputs
1


DFX Out Output Ports
6.3 mm TRS


USB In/Out In-/Outputs
1


USB In/Out Ports
USB-B


Max. Unbalanced Stereo Main Out Level
22 dBu


Stereo Control Room Out
1


Stereo Control Room Out Connectors
2x 6.3 mm TRS


Headphones ouput
1


Headphones outputs
6.3 mm TRS


Digital Effects Processor
yes


Number of Presets
100


DMX output
1


Footswitch Connector DFX Mute
6.3 mm TS


Main section controls
7-band graphic EQ , AUX/DFX Send 1 – 4 , DFX Mute , DFX Presets , DFX to Aux , DFX to Main , EQ on/off , GROUP to Main -switch , Main Mix Fader , mains switch , Phantom Power , Phones/CTRL Fader , TK In To Main/To CTRL


Indicators
DFX Peak , DFX to Main , PFL indicator , Phantom Power , Power , Signal


Operating voltage
100 V AC – 240 V AC, 50 – 60 Hz


Width
712 mm


Height
80 mm


Depth
425 mm


Weight
9,442 kg


Weight 9.50 kg

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LD Systems VIBZ 24 DC 24 channel Mixing Console with DFX and Compressor removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT EFX-12 Mixing Desk 12CH mono & 2CH stereo removeSOUNDCRAFT GB2R 16-Channel Rackmount MIXING CONSOLE removeSOUNDCRAFT GB2R 12 channel rackmount MIXING CONSOLE removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo remove
NameLD Systems VIBZ 24 DC 24 channel Mixing Console with DFX and Compressor removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT EFX-12 Mixing Desk 12CH mono & 2CH stereo removeSOUNDCRAFT GB2R 16-Channel Rackmount MIXING CONSOLE removeSOUNDCRAFT GB2R 12 channel rackmount MIXING CONSOLE removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo remove
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Description
ContentUser´s manual
  • 24-channel mixer with 16 mono and 4 stereo channels
  • Balanced mic and line inputs
  • 3-band EQ with semi-parametric mids
  • 4 aux sends, 2 pre or post fader switchable
  • 8 mono channels with inserts and compressor
  • Channel routing, mute and PFL switches
  • 48V phantom power
  • 4 subgroups with individual outputs
  • 24-bit digital effects and global 7-band graphic EQ
  • Balanced and unbalanced main outputs
  • Control room and headphone outputs
  • 10 Hz – 45 kHz frequency response
  • integrates 16 bit/48 kHz USB audio interface
  • 3-band EQ with semi-parametric midrange regulating on mono channels
  • 4-band EQ on stereo channels
The flagship of the VIBZ Series of mixing desks, the VIBZ 24 DC is designed for superb audio in home studio and live applications. It sports 16 mono channels with 3-band EQ and semi-parametric midrange, 4 stereo channels with 4-band EQ, 4 subgroups, 24-bit digital effects with 100 presets and smooth 65 mm audio taper faders. All channels feature high-quality preamps with gain control, 4 aux sends, mute, PFL and routing switches plus signal and clip LEDs. Two sends are switchable pre or post fader to enable monitoring or effects use. The mono channels\' XLR mic and TRS line inputs are electronically balanced with channels 1 – 8 providing convenient one-knob control of the built-in compressor and individual insert points for outboard processing. The master section offers balanced and unbalanced main mix and individual group outputs with precision metering, control room and headphone outputs with level controls and a global 7-band graphic EQ. The VIBZ 24 DC integrates a multi-voltage power supply for 100 – 240 V AC operation. Product type Mixers
Type Home-Recording , Live
Channels 24
microphone
Mono Mic and Line Input Channels 16
Mono Mic input connectors 6.3 mm TRS , XLR
Mono Mic Input Type electronically balanced
Mono Mic Input Frequency Range 10 - 45000 Hz
Amplification Range mono Mic Input 0 - 50 dB
Mono Mic Input Input THD-N 0.0058%
Mono Mic Input Impedance 4000 Ohm(s)
Mono Mic Input S/N Ratio 113 dB
Mono Line Input Type electronically balanced
Mono Line Input Frequency Range 10 - 45000 Hz
Amplification Range mono Line Input 0 - 50 dB
Mono Line Input Input THD-N 0.0045 %
Mono Line Input Impedance 21000 Ohm(s)
Mono Line Input S/N Ratio 116 dB
Mono Channel Equalizer High +/-15 dB @ 12.000 Hz
Mono Channel Equalizer Mid 200 - 8000
Mono Channel Equalizer Low +/-15 dB @ 80 Hz
Controls Mono Mic and Line Input Channels 3-band EQ (High, Mid, Low) , AUX Send 1-2 pre (AUX2 pre/post switchable) , AUX Send 3-4 (post) , Bal , Channel Fader , Fader Routing switch (Group 1/2, Group 3/4, Main L+R) , Gain , LINE/USB -switch (Channel 21 - 24) , PFL / Solo Switch
Phantom power 48 V DC switchable
Mono Inserts 8
Mono Inserts Connectors 6.3mm jack
Stereo Channels:
Stereo Line Input Channels 4
Stereo Line Input Connectors 6.3 mm TRS
Stereo Line Input Type electronically balanced , unbalanced
Stereo Line Input Frequency Range 10 - 45000 Hz
Amplification Range stereo Line Input 0 - 50 dB
Stereo Line Input Input THD-N 0.0045 %
Stereo Line Input Impedance 37000 Ohm(s)
Stereo Line Input S/N Ratio 116 dB
Stereo channel equalizer treble +/-15 dB @ 12.000 Hz
Stereo channel equalizer hi-mids +/-15 dB @ 2.500 Hz
Stereo channel equalizer low-mids +/-15 dB @ 2.500 Hz
Stereo channel equalizer bass +/-15 dB @ 80 Hz
Controls Stereo Line Input Channels 4-band EQ (High, High-Mid, Low-Mid, Low) , AUX 1 - 2 switchable Pre/Post , AUX/DFX Send 1 - 4 , Balance , Channel Volume , EQ on/off , Gain , GROUP to Main -switch , LINE/USB -switch
Main Section:
AUX / Effects Send Channels 4
AUX / Effects Send Connectors 6.3 mm TS
Stereo AUX Return Channels 1
Group Out 4
Group Out Connectors 4 x 6,3mm TRS
Balanced Stereo Main Out 1
Balanced Stereo Main Out Connectors XLR
Unbalanced stereo Main Outputs 1
Unbalanced stereo Main Output Connections 2 x 6.3 mm TS
Main-Insert Inputs 1
Main-Insert Input Ports 2 x 6.3 mm TRS asymmetrically
DFX Out Outputs 1
DFX Out Output Ports 6.3 mm TRS
USB In/Out In-/Outputs 1
USB In/Out Ports USB-B
Max. Unbalanced Stereo Main Out Level 22 dBu
Stereo Control Room Out 1
Stereo Control Room Out Connectors 2x 6.3 mm TRS
Headphones ouput 1
Headphones outputs 6.3 mm TRS
Digital Effects Processor yes
Number of Presets 100
DMX output 1
Footswitch Connector DFX Mute 6.3 mm TS
Main section controls 7-band graphic EQ , AUX/DFX Send 1 - 4 , DFX Mute , DFX Presets , DFX to Aux , DFX to Main , EQ on/off , GROUP to Main -switch , Main Mix Fader , mains switch , Phantom Power , Phones/CTRL Fader , TK In To Main/To CTRL
Indicators DFX Peak , DFX to Main , PFL indicator , Phantom Power , Power , Signal
Operating voltage 100 V AC - 240 V AC, 50 - 60 Hz
Width 712 mm
Height 80 mm
Depth 425 mm
Weight 9,442 kg

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

Key Features:
  • 12+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable

16 mono inputs to a stereo mix output. Rackmount version of the GB2.

The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R. This 19 inch rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.

Features
19 inch Rackmountable console

16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22

12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)

Rotatable connector pod for top or rear cable entry

8 (GB2R-16) or 10 (GB2R-12.2) busses

2 full feature stereo inputs (GB2R-12.2 version)

GB30 Mic preamp and precision EQ on inputs

Switchable +48V phantom power on every mic input

100Hz Hi-pass filter

Direct outputs on every channel

100mm faders

Stereo Mix Output and separate Mono Sum output

Record output

Internal Universal switched mode PSU

Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.

As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.

For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19 inch rack.

On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19" (485mm) wide.

Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.

The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as you'd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcb's, fitted to the steel chassis front panel with individually-nutted potentiometers.

The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.

This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.

Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.

As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.

For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.

On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.

Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.

The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers.

  • Technical Specifications
  • Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
  • THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
  • Noise Measured RMS, 22Hz to 22kHz Bandwidth
  • Mic E.I.N. @ unity gain,150Ω source impedance.. -128dBu
  • Mix Output, 40 inputs routed to mix..
  • Group & Centre Outputs..
  • Aux Outputs (GB2 Groups only)..
  • Matrix Outputs..
  • Crosstalk Input Channel Mute..
  • (@1kHz, typical) Input Fader cut-off..
  • Pan isolation..
  • Mix route isolation..
  • Group route isolation..
  • Adjacent channel crosstalk..
  • Group to Mix..
  • Aux Send pots offness (typical)..
  • Matrix Send pots offness (typical)
  • CMRR Typical @ 1kHz.. 80dB
  • Input & Output Mono & Stereo Mic Inputs.. +15dBu
  • Max Levels Mono & Stereo Line Inputs.. +30dBu
  • Stereo Returns & Insert Returns.. +20dBu
  • Any output.. +20dBu
  • Nominal Operating Level.. 0dBu
  • Headphone Power.. 2 x 250mW into 200Ω
  • Input & Output Mic Inputs.. 2kΩ
  • Impedances Line Inputs and Stereo Returns.. 10kΩ
  • Input channels Insert Return.. 5kΩ with EQ in, otherwise 3kΩ
  • Mix, Group, Aux, Matrix & Direct outputs.. 150Ω
  • Insert sends.. 75Ω
  • Recommended Headphone Impedance.. 100 - 600Ω
  • High pass filter (Mono input).. 100Hz, 18dB per octave
  • EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
  • Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
  • Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
  • LF.. 80Hz, +/-15dB, 2nd order shelving
  • EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
  • Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
  • Lo-Mid.. 450Hz, +/-15dB, Q=0.8
  • LF.. 80Hz, +/-15dB, 2nd order shelving
  • Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
  • Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
  • Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
  • + Meterpod with 3 VU meters (L/R/C)
  • Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
  • (indicates monitor source level)
  • Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
  • Power consumption.. Less than 150W
  • Operating conditions Temperature range.. -10ºC to +30ºC
  • Relative humidity.. 0% to 80%
  • Features
  • * 19” Rackmountable console
  • * 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
  • * 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
  • * Rotatable connector pod for top or rear cable entry
  • * 8 (GB2R-16) or 10 (GB2R-12.2) busses
  • * 2 full feature stereo inputs (GB2R-12.2 version)
  • * GB30 Mic preamp and precision EQ on inputs
  • * Switchable +48V phantom power on every mic input
  • * 100Hz Hi-pass filter
  • * Direct outputs on every channel
  • * 100mm faders
  • * Stereo Mix Output and separate Mono Sum output
  • * Record output
  • * Internal Universal switched mode PSU


Low-cost high-performance mixers Key Features
  • 6 Mono & 2 Stereo Input Channels
  • 6x GB30 Microphone Preamplifiers
  • Recording and Live Sound Audio Console
  • Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs 6x Mono 2x Stereo
Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
In-Line Inputs/Returns No
AUX Sends 2x Aux Sends
AUX Returns No dedicated returns
Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
BUS (Group) Outputs Stereo Output Only
2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O No
Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
Solo/Mute All Input Channels
Channel Level Control 100 mm Faders
Trim/Gain Control Rotary Potentiometers
Phantom Power +48 V Phantom
Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range Not specified by manufacturer
Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:
Weight9.50 kg12.00 kg3.50 kg5.00 kg5.00 kg5.20 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 9.50 kg
Weight 12.00 kg
Weight 3.50 kg
Weight 5.00 kg
Weight 5.00 kg
Weight 5.20 kg