LD Systems VIBZ 10 C – 10 channel Mixing Console with Compressor

260.39 incl. GR VAT

Available on backorder

EAN: 4049521195228
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10-channel mixer with 4 microphone channels 4 stereo line inputs Effective 3-band EQ 2 stereo channels with 2-band EQ Sliding adjustable compressor Master, Monitor and headphone outputs Securely fastening external power supply VIBZ 10 C The VIBZ 10 is a versatile mixer with four balanced microphone inputs featuring high quality preamplifiers, a low-cut filter and […]

 

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  • 10-channel mixer with 4 microphone channels
  • 4 stereo line inputs
  • Effective 3-band EQ
  • 2 stereo channels with 2-band EQ
  • Sliding adjustable compressor
  • Master, Monitor and headphone outputs
  • Securely fastening external power supply
VIBZ 10 C
The VIBZ 10 is a versatile mixer with four balanced microphone inputs featuring high quality preamplifiers, a low-cut filter and switchable phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 has very precise 3-band EQs with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 is the perfect choice for small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 on microphone stands are available as accessories.
Product type
Mixers

Type
Live

Channels
10

Mono Channels:


Mono Mic and Line Input Channels
4

Mono Mic input connectors
6.3 mm TRS , XLR

Channel Inserts
2

Channel Insert Connectors
6.3 mm TRS

Mono Mic Input Type
electronically balanced

Mono Mic Input Frequency Range
10 – 45000 Hz

Amplification Range mono Mic Input
– 50 dB

Mono Mic Input Input THD-N
0.0058%

Mono Mic Input Impedance
4k Ohm(s)

Mono Mic Input S/N Ratio
113 dB

Mono Line Input Type
electronically balanced

Mono Line Input Frequency Range
10 – 45000 Hz

Amplification Range mono Line Input
– 50 dB

Mono Line Input Input THD-N
0.0045 %

Mono Line Input Impedance
21k Ohm(s)

Mono Line Input S/N Ratio
116 dB

Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz

Mono Channel Equalizer Mid
+/- 15 dB @ 2500 Hz

Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz

Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX (DFX) Post , Channel Volume , Compressor , Gain , Low Cut (75 Hz) , pan

Phantom power
48 V DC switchable

Stereo Channels:


Stereo Line Input Channels
4

Stereo Line Input Connectors
6.3 mm TRS

Stereo Line Input Type
electronically balanced , unbalanced

Stereo Line Input Frequency Range
10 – 45000 Hz

Amplification Range stereo Line Input
– 50 dB

Stereo Line Input Input THD-N
0.0045 %

Stereo Line Input Impedance
3,7k Ohm(s)

Stereo Line Input S/N Ratio
116 dB

Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz

Stereo channel equalizer mids
+/- 15 dB @ 2500 Hz

Stereo channel equalizer bass
+/- 15 dB @ 80 Hz

Controls Stereo Line Input Channels
2-band EQ (High,Low) , 3-band EQ (High, Mid, Low) , AUX Post , Balance , Channel Volume , Gain , Low Cut

Main Section:


AUX / Effects Send Channels
1

AUX / Effects Send Connectors
6.3 mm stereo jack unbalanced

Stereo AUX Return Channels
1 x stereo

Stereo AUX Return Connectors
6.3 mm TRS

Stereo Tape Out Channel
1 x stereo

Stereo Tape Out Connectors
2 x RCA (Cinch)

Stereo Tape In Channel
1 x stereo

Stereo Tape In Connenctors
2 x RCA (Cinch)

Unbalanced stereo Main Outputs
1

Unbalanced stereo Main Output Connections
6.3 mm TRS

Unbalanced Stereo Main Out Impedance
120 Ohm(s)

Max. Unbalanced Stereo Main Out Level
20 dBu

Stereo Control Room Out
1

Stereo Control Room Out Connectors
6.3 mm TRS

Headphones ouput
1

Headphones outputs
6.3 mm TRS

Digital Effects Processor
no

Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , Master Volume , Phantom Power , Phones / Control Room Volume , Stereo Return Volume

Indicators
Phantom Power , Power

Operating voltage
18 V AC – 1 A, External PSU

Width
265 mm

Height
78 mm

Depth
352 mm

Weight
2,3 kg

Weight 2.30 kg

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Quick Comparison

LD Systems VIBZ 10 C - 10 channel Mixing Console with Compressor removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT GB4 LIVE 32MONO + 2STEREO MIXING CONSOLE removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo removeSOUNDCRAFT GB2 24CH 24MONO+ 2STEREO MIXING CONSOLE removeSOUNDCRAFT LX7 24CH MKII MIXING DESK remove
NameLD Systems VIBZ 10 C - 10 channel Mixing Console with Compressor removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT GB4 LIVE 32MONO + 2STEREO MIXING CONSOLE removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo removeSOUNDCRAFT GB2 24CH 24MONO+ 2STEREO MIXING CONSOLE removeSOUNDCRAFT LX7 24CH MKII MIXING DESK remove
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SKULDVIBZ10C149.049GB4 32CHSPIRIT EFX8GB2 24CHSPIRIT LX7 24CH MKII
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Description
Content
  • 10-channel mixer with 4 microphone channels
  • 4 stereo line inputs
  • Effective 3-band EQ
  • 2 stereo channels with 2-band EQ
  • Sliding adjustable compressor
  • Master, Monitor and headphone outputs
  • Securely fastening external power supply
VIBZ 10 C
The VIBZ 10 is a versatile mixer with four balanced microphone inputs featuring high quality preamplifiers, a low-cut filter and switchable phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 has very precise 3-band EQs with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 is the perfect choice for small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 on microphone stands are available as accessories.
Product type
Mixers

Type
Live

Channels
10

Mono Channels:


Mono Mic and Line Input Channels
4

Mono Mic input connectors
6.3 mm TRS , XLR

Channel Inserts
2

Channel Insert Connectors
6.3 mm TRS

Mono Mic Input Type
electronically balanced

Mono Mic Input Frequency Range
10 - 45000 Hz

Amplification Range mono Mic Input
- 50 dB

Mono Mic Input Input THD-N
0.0058%

Mono Mic Input Impedance
4k Ohm(s)

Mono Mic Input S/N Ratio
113 dB

Mono Line Input Type
electronically balanced

Mono Line Input Frequency Range
10 - 45000 Hz

Amplification Range mono Line Input
- 50 dB

Mono Line Input Input THD-N
0.0045 %

Mono Line Input Impedance
21k Ohm(s)

Mono Line Input S/N Ratio
116 dB

Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz

Mono Channel Equalizer Mid
+/- 15 dB @ 2500 Hz

Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz

Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX (DFX) Post , Channel Volume , Compressor , Gain , Low Cut (75 Hz) , pan

Phantom power
48 V DC switchable

Stereo Channels:


Stereo Line Input Channels
4

Stereo Line Input Connectors
6.3 mm TRS

Stereo Line Input Type
electronically balanced , unbalanced

Stereo Line Input Frequency Range
10 - 45000 Hz

Amplification Range stereo Line Input
- 50 dB

Stereo Line Input Input THD-N
0.0045 %

Stereo Line Input Impedance
3,7k Ohm(s)

Stereo Line Input S/N Ratio
116 dB

Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz

Stereo channel equalizer mids
+/- 15 dB @ 2500 Hz

Stereo channel equalizer bass
+/- 15 dB @ 80 Hz

Controls Stereo Line Input Channels
2-band EQ (High,Low) , 3-band EQ (High, Mid, Low) , AUX Post , Balance , Channel Volume , Gain , Low Cut

Main Section:


AUX / Effects Send Channels
1

AUX / Effects Send Connectors
6.3 mm stereo jack unbalanced

Stereo AUX Return Channels
1 x stereo

Stereo AUX Return Connectors
6.3 mm TRS

Stereo Tape Out Channel
1 x stereo

Stereo Tape Out Connectors
2 x RCA (Cinch)

Stereo Tape In Channel
1 x stereo

Stereo Tape In Connenctors
2 x RCA (Cinch)

Unbalanced stereo Main Outputs
1

Unbalanced stereo Main Output Connections
6.3 mm TRS

Unbalanced Stereo Main Out Impedance
120 Ohm(s)

Max. Unbalanced Stereo Main Out Level
20 dBu

Stereo Control Room Out
1

Stereo Control Room Out Connectors
6.3 mm TRS

Headphones ouput
1

Headphones outputs
6.3 mm TRS

Digital Effects Processor
no

Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , Master Volume , Phantom Power , Phones / Control Room Volume , Stereo Return Volume

Indicators
Phantom Power , Power

Operating voltage
18 V AC - 1 A, External PSU

Width
265 mm

Height
78 mm

Depth
352 mm

Weight
2,3 kg

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

  • Eight-Fader Control Surface Extension for MCU Pro
  • Proprietary Mackie communication protocol for seamless software integration by DAW makers
  • 100mm touch-sensitive optical Penny + Giles motorized faders
  • Multi-function V-Pots for fast control of panning, effects levels and more
  • Channel mute, solo, pan, send level and record arm functions
  • Full meter display with track names and parameters
  • Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 32 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 32kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

    Soundcraft EFX



    (EFX8, EFX12)

    The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.

    The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

    The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.

    The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone

    Key Features:
    • 8+2 channel frame sizes
    • Built-in 24 bit Lexicon digital effects processor
    • 32 FX settings
    • Tap Tempo and FX setting store function
    • 1 FX send on each channel
    • 1 configurable auxiliary bus
    • XLR-type and ¼” metal jack connector sockets
    • RCA phono stereo playback inputs and record outputs
    • 3-band EQ with a swept mid on mono inputs
    • 3-band EQ on stereo inputs
    • TRS insert sockets and inserts on all mono inputs
    • Ten-segment LED output metering
    • Intuitive and comprehensive solo system
    • Headphone output
    • Easily rack mountable
    The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.

    The Soundcraft GB-2 (2-bus) 24 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.

    However the Soundcraft GB-2 24 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.

    Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

    The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.

    The Soundcraft GB-2 (2-bus) 24 Channel Console Main Features Include:

    • 24 channel frame size
    • 12 busses
    • 2 full feature stereo channels
    • 2 stereo returns (on stereo channels)
    • 6 Aux sends
    • 4 sub groups (paired)
    • 6x2 output matrix
    • GB30 mic preamp and precision equalisation circuitry
    • Direct outputs on every channel
    • Talkback facility
    • 100mm faders
    • Switchable 48V phantom powering on every channel
    • 100Hz high pass filter
    • 12-segment LED metering
    • Record output
    • Width: 1013mm (39.88“)
    • Weight: 25kg (55.1lbs)

    The LX7 combines the essential Soundcraft live mixer qualities
    with basic recording-oriented features, in a compact frame that's
    light enough for one person to carry yet easy to configure and use.
    This makes it especially suitable for multi-purpose use in venues
    such as small halls and community centres, while its direct channel
    outputs make the LX7 an ideal choice for bands who need a live desk
    that can double up in the studio.

    Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
    32 or 40 inputs - with no less than 7 separate bus outputs including
    mix, 4 groups and a dedicated mono bus for centre speaker clusters,
    side or rear fills. The output count rises to 29 with the inclusion of direct
    outs on the first 16 mono inputs and six auxiliary busses.

    LX7's balanced mic inputs all use patented Ultramic preamps,
    providing 60dB of gain range and 22dBu of headroom. Each input
    also includes 4 band EQ with two swept mid frequency controls.
    In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
    allow effective audio control in difficult venues whilst the six auxiliary sends
    are pre-post switchable in pairs from each channel, providing a maximum of
    4 pre-fader and six post-fader. This makes LX7 equally applicable
    for foldback - heavy performance or in situations where more effects are required.

    LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
    for keyboards or stereo recording devices - as well as two FX returns. All four
    groups are routable to mix and include 12 segment bargraph metering for
    accurate monitoring and inserts. Six auxiliary masters on rotary controls also
    included AFL soloing.

    In the master section there is talkback provision to all pre-fade auxiliaries and
    the mix. Global phantom power and a two track return for pre-show music are
    also present. A "two-track" to mix switch allows the engineer to play CD's over
    the main PA whilst back-stage set-up is going on, with one press of a button.
    The mix is also routable to the separate mono bus if mono PAs are required.

    LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
    professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

    Applications:

        * Gigging Bands
        * Small installations
        * Small venues
        * Theatres
        * Houses of Worship
        * Live and studio recording

     
        * 100mm faders
        * +48V phantom power
        * 16, 24 or 32 channel frame sizes
        * Up to 40 inputs (including stereo inputs and returns)
        * 18dB/octave high-pass filter
        * 6 aux sends, 4 of them pre/post switchable
        * Group and mix inserts
        * 12-segment LED metering
        * Integral PSU

    Weight2.30 kg20.00 kg32.00 kg3.00 kg33.00 kg21.80 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 2.30 kg
    Weight 20.00 kg
    Weight 32.00 kg
    Weight 3.00 kg
    Weight 33.00 kg
    Weight 21.80 kg