LD Systems VIBZ 6 D – 6 channel Mixing Console with DFX

184.75 incl. GR VAT

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User´s manual IF Design Award 2016 certificate Reddot Award 2016 certificate Data Sheet 39 KB 6 channel Mixing Console with DFX 6-channel mixer with 16 digital effects 2 microphone channels with 3-band EQ 2 mono-compatible stereo line channels with 2-band EQ Master, Monitor and headphone outputs Securely fastening external power supply The VIBZ 6 D […]

 

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pdfUser´s manual
pdf
IF Design Award 2016 certificate
pdf
Reddot Award 2016 certificate Data Sheet 39 KB

6 channel Mixing Console with DFX

6-channel mixer with 16 digital effects

2 microphone channels with 3-band EQ

2 mono-compatible stereo line channels with 2-band EQ

Master, Monitor and headphone outputs

Securely fastening external power supply

The VIBZ 6 D is a compact 6-channel mixer which is perfectly suited to entertainers, small bands, home recording and installations. It features two balanced microphone inputs with high quality preamps, phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop.

The master section of the VIBZ 6 D is equipped with adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly.

A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories.

Product type
Mixers

Type
Live

Channels
6

Mono Channels:


Mono Mic and Line Input Channels
2

Mono Mic input connectors
6.3 mm TRS , XLR

Mono Mic Input Type
electronically balanced

Mono Mic Input Frequency Range
10 Hz

Amplification Range mono Mic Input
– 50 dB

Mono Mic Input Input THD-N
0.0058%

Mono Mic Input Impedance
4k Ohm(s)

Mono Line Input Type
electronically balanced

Mono Line Input Frequency Range
10 Hz

Amplification Range mono Line Input
– 50 dB

Mono Line Input Input THD-N
0.0045 %

Mono Line Input Impedance
21k Ohm(s)

Mono Line Input S/N Ratio
116 dB

Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz

Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz

Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX (DFX) Post , Channel Volume , Gain , pan

Phantom power
48 V DC switchable

Stereo Channels:


Stereo Line Input Channels
2

Stereo Line Input Connectors
6.3 mm TS

Stereo Line Input Type
unbalanced

Stereo Line Input Frequency Range
10 – 54000 Hz

Stereo Line Input Input THD-N
0.0045 %

Stereo Line Input Impedance
3,7k Ohm(s)

Stereo Line Input S/N Ratio
116 dB

Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz

Stereo channel equalizer bass
+/- 15 dB @ 80 Hz

Controls Stereo Line Input Channels
2-band EQ (High,Low) , AUX (DFX) Post , Balance , Channel Volume

Main Section:


AUX / Effects Send Channels
1

AUX / Effects Send Connectors
6.3 mm stereo jack unbalanced

Stereo AUX Return Channels
1 x stereo

Stereo AUX Return Connectors
2 x 6.3 mm TRS

Stereo Tape Out Channel
1 x stereo

Stereo Tape Out Connectors
2 x RCA (Cinch)

Stereo Tape In Channel
1 x stereo

Stereo Tape In Connenctors
2 x RCA (Cinch)

Unbalanced stereo Main Outputs
1

Unbalanced stereo Main Output Connections
6.3 mm TRS

Unbalanced Stereo Main Out Impedance
120 Ohm(s)

Max. Unbalanced Stereo Main Out Level
+20 dBu

Stereo Control Room Out
1

Stereo Control Room Out Connectors
6.3 mm stereo jack unbalanced

Headphones ouput
1

Headphones outputs
6.3 mm TRS

Digital Effects Processor
Yes, 24-bit AD/DA Resolution

Number of Presets
16

Footswitch Connector DFX Mute
6.3 mm TRS

Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , DFX Mute Schalter , DFX Presets , DFX To Main Volume , Master Volume , Phantom Power , Phones / Control Room Volume , Stereo Return Volume

Indicators
4-segment Level Meter , Channel Peak , DFX Peak / Mute , Phantom Power , Power

Operating voltage
18 V AC – 1 A, External PSU

Width
209 mm

Height
68 mm

Depth
260 mm

Weight
1,45 kg
Weight 1.45 kg

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SKULDVIBZ6DSPIRIT LX7 32CH MKIISPIRIT LX7 16CH MKIISPIRIT EFX12149.049GB2R 12CH
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Description
ContentpdfUser´s manual pdfIF Design Award 2016 certificate pdfReddot Award 2016 certificate Data Sheet 39 KB

6 channel Mixing Console with DFX

6-channel mixer with 16 digital effects 2 microphone channels with 3-band EQ 2 mono-compatible stereo line channels with 2-band EQ Master, Monitor and headphone outputs Securely fastening external power supply

The VIBZ 6 D is a compact 6-channel mixer which is perfectly suited to entertainers, small bands, home recording and installations. It features two balanced microphone inputs with high quality preamps, phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop.

The master section of the VIBZ 6 D is equipped with adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly.

A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories.

Product type
Mixers

Type
Live

Channels
6

Mono Channels:


Mono Mic and Line Input Channels
2

Mono Mic input connectors
6.3 mm TRS , XLR

Mono Mic Input Type
electronically balanced

Mono Mic Input Frequency Range
10 Hz

Amplification Range mono Mic Input
- 50 dB

Mono Mic Input Input THD-N
0.0058%

Mono Mic Input Impedance
4k Ohm(s)

Mono Line Input Type
electronically balanced

Mono Line Input Frequency Range
10 Hz

Amplification Range mono Line Input
- 50 dB

Mono Line Input Input THD-N
0.0045 %

Mono Line Input Impedance
21k Ohm(s)

Mono Line Input S/N Ratio
116 dB

Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz

Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz

Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX (DFX) Post , Channel Volume , Gain , pan

Phantom power
48 V DC switchable

Stereo Channels:


Stereo Line Input Channels
2

Stereo Line Input Connectors
6.3 mm TS

Stereo Line Input Type
unbalanced

Stereo Line Input Frequency Range
10 - 54000 Hz

Stereo Line Input Input THD-N
0.0045 %

Stereo Line Input Impedance
3,7k Ohm(s)

Stereo Line Input S/N Ratio
116 dB

Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz

Stereo channel equalizer bass
+/- 15 dB @ 80 Hz

Controls Stereo Line Input Channels
2-band EQ (High,Low) , AUX (DFX) Post , Balance , Channel Volume

Main Section:


AUX / Effects Send Channels
1

AUX / Effects Send Connectors
6.3 mm stereo jack unbalanced

Stereo AUX Return Channels
1 x stereo

Stereo AUX Return Connectors
2 x 6.3 mm TRS

Stereo Tape Out Channel
1 x stereo

Stereo Tape Out Connectors
2 x RCA (Cinch)

Stereo Tape In Channel
1 x stereo

Stereo Tape In Connenctors
2 x RCA (Cinch)

Unbalanced stereo Main Outputs
1

Unbalanced stereo Main Output Connections
6.3 mm TRS

Unbalanced Stereo Main Out Impedance
120 Ohm(s)

Max. Unbalanced Stereo Main Out Level
+20 dBu

Stereo Control Room Out
1

Stereo Control Room Out Connectors
6.3 mm stereo jack unbalanced

Headphones ouput
1

Headphones outputs
6.3 mm TRS

Digital Effects Processor
Yes, 24-bit AD/DA Resolution

Number of Presets
16

Footswitch Connector DFX Mute
6.3 mm TRS

Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , DFX Mute Schalter , DFX Presets , DFX To Main Volume , Master Volume , Phantom Power , Phones / Control Room Volume , Stereo Return Volume

Indicators
4-segment Level Meter , Channel Peak , DFX Peak / Mute , Phantom Power , Power

Operating voltage
18 V AC - 1 A, External PSU

Width
209 mm

Height
68 mm

Depth
260 mm

Weight
1,45 kg

SOUNDCRAFT-SPIRIT
LX-7 32 II

Soundcraft Spirit LX-7 32 II, livemixer 32 mono-, 2stereoinputs, 2 st.-returns, 4 subgroups, 3 master, 6aux., built-in-powersupply, 4 band EQ with 2 param. mids

Dimensions: 16.51H x 50.29D x 105.9W
Weight: 25.45kgs

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    *  100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

Key Features:
  • 12+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

  • Eight-Fader Control Surface Extension for MCU Pro
  • Proprietary Mackie communication protocol for seamless software integration by DAW makers
  • 100mm touch-sensitive optical Penny + Giles motorized faders
  • Multi-function V-Pots for fast control of panning, effects levels and more
  • Channel mute, solo, pan, send level and record arm functions
  • Full meter display with track names and parameters
  • The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.

    This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.

    Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.

    As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.

    For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.

    On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.

    Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.

    The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers.

    • Technical Specifications
    • Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
    • THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
    • Noise Measured RMS, 22Hz to 22kHz Bandwidth
    • Mic E.I.N. @ unity gain,150Ω source impedance.. -128dBu
    • Mix Output, 40 inputs routed to mix..
    • Group & Centre Outputs..
    • Aux Outputs (GB2 Groups only)..
    • Matrix Outputs..
    • Crosstalk Input Channel Mute..
    • (@1kHz, typical) Input Fader cut-off..
    • Pan isolation..
    • Mix route isolation..
    • Group route isolation..
    • Adjacent channel crosstalk..
    • Group to Mix..
    • Aux Send pots offness (typical)..
    • Matrix Send pots offness (typical)
    • CMRR Typical @ 1kHz.. 80dB
    • Input & Output Mono & Stereo Mic Inputs.. +15dBu
    • Max Levels Mono & Stereo Line Inputs.. +30dBu
    • Stereo Returns & Insert Returns.. +20dBu
    • Any output.. +20dBu
    • Nominal Operating Level.. 0dBu
    • Headphone Power.. 2 x 250mW into 200Ω
    • Input & Output Mic Inputs.. 2kΩ
    • Impedances Line Inputs and Stereo Returns.. 10kΩ
    • Input channels Insert Return.. 5kΩ with EQ in, otherwise 3kΩ
    • Mix, Group, Aux, Matrix & Direct outputs.. 150Ω
    • Insert sends.. 75Ω
    • Recommended Headphone Impedance.. 100 - 600Ω
    • High pass filter (Mono input).. 100Hz, 18dB per octave
    • EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
    • Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
    • Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
    • LF.. 80Hz, +/-15dB, 2nd order shelving
    • EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
    • Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
    • Lo-Mid.. 450Hz, +/-15dB, Q=0.8
    • LF.. 80Hz, +/-15dB, 2nd order shelving
    • Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
    • Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
    • Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
    • + Meterpod with 3 VU meters (L/R/C)
    • Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
    • (indicates monitor source level)
    • Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
    • Power consumption.. Less than 150W
    • Operating conditions Temperature range.. -10ºC to +30ºC
    • Relative humidity.. 0% to 80%
    • Features
    • * 19” Rackmountable console
    • * 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
    • * 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
    • * Rotatable connector pod for top or rear cable entry
    • * 8 (GB2R-16) or 10 (GB2R-12.2) busses
    • * 2 full feature stereo inputs (GB2R-12.2 version)
    • * GB30 Mic preamp and precision EQ on inputs
    • * Switchable +48V phantom power on every mic input
    • * 100Hz Hi-pass filter
    • * Direct outputs on every channel
    • * 100mm faders
    • * Stereo Mix Output and separate Mono Sum output
    • * Record output
    • * Internal Universal switched mode PSU


    Weight1.45 kg25.45 kg18.20 kg3.50 kg20.00 kg5.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 1.45 kg
    Weight 25.45 kg
    Weight 18.20 kg
    Weight 3.50 kg
    Weight 20.00 kg
    Weight 5.00 kg