User´s Manual LD Systems FX 300 2-Channel Pedal with 16 Digital Effects Microphone input for dynamic and condenser microphones 16 digital effect presets in 16-bit quality Low-noise instrument input with high input impedance for acoustic guitars, bass guitars or other instruments Separate FX sends for both channels, additional FX loop for the instrument input HPF […]
LD Systems FX 300
2-Channel Pedal with 16 Digital Effects
Microphone input for dynamic and condenser microphones
16 digital effect presets in 16-bit quality
Low-noise instrument input with high input impedance for acoustic guitars, bass guitars or other instruments
Separate FX sends for both channels, additional FX loop for the instrument input
HPF and +48 V phantom power for microphone input
Signal/peak LEDs for both channels and clip LED for the effects
FX MUTE pedal for muting effects
MUTE ALL pedal for muting outputs
Balanced and unbalanced output
Operated on 9 V battery or optional power supply (LDFX300PS)
For a singer-songwriter performing on stage or giving a concert in a living room, sound is everything.
LD Systems FX 300 will blow you away right from the moment you start your show, even if you\’ve had little to no time to carry out a soundcheck. This small yet handy device not only serves as an effect pedal for altering the sound of your voice and instrument but is also an easy-to-use two-channel mixer. Its best feature by far are the pedals that let you control the mute functions with your feet or hand. And if you\’ve got something to say, you can simply mute all effects with the FX MUTE pedal so your voice can be heard loud and clear without any reverb or delay and everyone in the room can understand your message. To prevent the signal of your microphone or instrument from reaching the outputs, all you need to do is tap the MUTE ALL pedal – a lifesaver during breaks or when wrapping up your set.
The FX 300 is outfitted with 16 digital effects presets in 16-bit quality, two inputs with a separate gain setting and a balanced and unbalanced output. The +48 V phantom power provided at the microphone input allows condenser microphones to be used in addition to dynamic microphones. The high-impedance, low-noise instrument input is not only great for acoustic or bass guitars but also for all other instruments. Plenty of headroom ensures you no longer have to worry about distorted signals. And with a 9 V battery that lasts up to five hours, LD Systems FX 300 has got you covered even if there\’s no outlet in sight.
Product type
Artist Pedal
Type
Home-Recording , Live
Channels
2
Microphone channels
Microphone channels
1
Mic inputs
XLR/6.3 mm jack
Frequency Response Microphone Channel
50 – 20000 Hz
Amplification range Microphone channel XLR input
42 dB
Mono Mic Input Input THD-N
Weight
0.70 kg
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User´s Manual
LD Systems FX 300
2-Channel Pedal with 16 Digital Effects
Microphone input for dynamic and condenser microphones
16 digital effect presets in 16-bit quality
Low-noise instrument input with high input impedance for acoustic guitars, bass guitars or other instruments
Separate FX sends for both channels, additional FX loop for the instrument input
HPF and +48 V phantom power for microphone input
Signal/peak LEDs for both channels and clip LED for the effects
FX MUTE pedal for muting effects
MUTE ALL pedal for muting outputs
Balanced and unbalanced output
Operated on 9 V battery or optional power supply (LDFX300PS)
For a singer-songwriter performing on stage or giving a concert in a living room, sound is everything.
LD Systems FX 300 will blow you away right from the moment you start your show, even if you\'ve had little to no time to carry out a soundcheck. This small yet handy device not only serves as an effect pedal for altering the sound of your voice and instrument but is also an easy-to-use two-channel mixer. Its best feature by far are the pedals that let you control the mute functions with your feet or hand. And if you\'ve got something to say, you can simply mute all effects with the FX MUTE pedal so your voice can be heard loud and clear without any reverb or delay and everyone in the room can understand your message. To prevent the signal of your microphone or instrument from reaching the outputs, all you need to do is tap the MUTE ALL pedal - a lifesaver during breaks or when wrapping up your set.
The FX 300 is outfitted with 16 digital effects presets in 16-bit quality, two inputs with a separate gain setting and a balanced and unbalanced output. The +48 V phantom power provided at the microphone input allows condenser microphones to be used in addition to dynamic microphones. The high-impedance, low-noise instrument input is not only great for acoustic or bass guitars but also for all other instruments. Plenty of headroom ensures you no longer have to worry about distorted signals. And with a 9 V battery that lasts up to five hours, LD Systems FX 300 has got you covered even if there\'s no outlet in sight.
Product type
Artist Pedal
Type
Home-Recording , Live
Channels
2
Microphone channels
Microphone channels
1
Mic inputs
XLR/6.3 mm jack
Frequency Response Microphone Channel
50 - 20000 Hz
Amplification range Microphone channel XLR input
42 dB
Mono Mic Input Input THD-N
The award winning HOG (Harmonic Octave Generator) earned kudos from players and reviewers alike for its ability to exponentially expand a musician's sound palette. Now EHX take the HOG to an even greater level of performance and functionality with the HOG2. It delivers complete control of ten totally polyphonic and glitch free voices ranging from two octaves below to four above the instrument's pitchâ?”all without the need for a special pickup or instrument mods of any kind.
Instant Recall! With the HOG2's myriad sounds, the HOG2 Foot Controller gives you easy access to up to 100 stored presets. Your entire show can be set up at the touch of a button. When recording you have access to complex sound transitions that can give your songs new depth and integrity.
Packed full of Endless Jams, sound-on-sound looping and a full arsenal of legendary Line 6 tones, JM4 Looper sparks inspiration in ways other stompboxes can't. The JM4 Looper features over 100 drum grooves and Endless Jams in over 10 styles performed by top LA and Nashville session players. These tracks aren't rigid and robotic; these are actual recordings laid down by A-list drummers, bass players, and guitarists. The real-world chemistry from the dynamic rhythm section is there for you to explore your creativity in writing songs, trying out solo ideas or just honing your chops between gigs!
With up to 24 minutes or recording time, JM4 Looper lets you layer guitar and bass tracks- and even vocals with the balanced XLR microphone input. Essential for practicing and songwriting, JM4 Looper is the stompbox that lets you create an entire backing band on the fly!
Complete with an exhaustive collection of modern and historic guitar tones, JM4 Looper gives you access to 200+ artist-created presets, 150+ song-based presets, 12 Line 6 amp models and a stunning array of effects for guitar and vocals. There's even room for 36 presets of your own creation.
Features
100+ Endless Jams and drum grooves
24 minutes of looping time
Undo function
200+ artist-created presets
150+ song-based presets
12 Line 6 amp models
7 Smart Control FX for guitar; use up to 3 simultaneously
Independent Mic/Aux input effects: 3-band EQ, Compressor, Delay and Reverb.
Sounds:
Guitar
200+ artist-created presets
150+ song-based presets
36 user-programmable presets
12 Line 6 amp models from Clean to Insane
7 Smart Control FX:
- 1. Chorus/Flanger
- 2. Phaser
- 3. Tremolo
- 4. Delay (with Tap Tempo)
- 5. Tape Echo (with Tap Tempo)
- 6. Sweep Echo (with Tap Tempo)
- 7. Reverb
Save up to 100 CD-quality recorded jams (totaling 24 minutes of recording time) internally
SD card slot for importing and exporting loops and recordings. (Supports up to 2-GB SD card for storage of up to 6.5 hours of recorded jams. SD card sold separately)
Dedicated footswitches for Record/Overdub, Play/Stop, Half Speed and Undo
Ins/Outs
1/4 in. instrument input
1/4 in. aux input
XLR mic input with dedicated trim knob
1/8 in. CD/MP3 input
1/8 in. stereo headphone output
1/4 in. mono guitar output
1/4 in. stereo outputs
Dimensions and Weight in Packaging
Shipping Weight: 8 lbs
Shipping Dimensions: 18 x 9 x 5 in
Voice Τone Τ1
Εξαιρετική ποιότητα ήχου χωρίς παραμορφώσεις
Υψηλής ποιότητας multi-band EQ
Compressor & de-esser
Δυνατότητα σύνδεσης με άλλα μοντέλα Voice Tone
Xαρακτηριστικά:
Αναλογικές εισόδους:
Connectors, balanced: Mic.: XLR
Mic Input Level @ 0 dBFS: -42dBu to +1dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic input SNR: >104 dB
Αντίσταση εισόδου κιθάρας : 1 MOhm
Επίπεδο εισόδου κιθάρας @ 0 dBFS: -7 dBU to 17 dBu
Είσοδος κιθάρας SNR: >115dB
Αναλογικές εξόδους:
Αντίσταση εξόδου Bal./Unbal.: 200/100 Ohm
Output Full Scale: +1 dBu
Δυναμικό εύρος : >104 dB, 20 Hz to 20 kHz
Απόκριση συχνότητας: +0/-0.3 dB, 20 Hz to 20 kHz
Control
USB for firmware and control
Mic Control using TC-Helicon
Space features 12 of Eventide's signature reverb combination effects culled from the H8000FW and Eclipse V4 along with some startling new magic. Space includes 100 presets, including presets crafted by Flood and Alan Moulder (The Killers, Nine Inch Nails, Smashing Pumpkins, My Bloody Valentine, 30 Seconds to Mars, PJ Harvey and Them Crooked Vultures), Justin Meldal-Johnsen (Beck, Nine Inch Nails), Richard Devine (sound designer, synthesist, performer, remixer), Vernon Reid (Living Colour), Amedeo Pace (Blonde Redhead), Alex Somers and Jonsi Birgisson (Jonsi and Alex, Sigur Ros), Amadeo Pace (Blonde Redhead) and John Agnello (Patti Smith, Sonic Youth, Dinosaur Jr., and Kurt Vile). These unique effects, previously available only in Eventide rack processors, are now available in a compact, roadworthy package. Never before has there been a more dazzling collection of reverb algorithms combined with delays, pitch shifting, tremolo, modulation, and spatial effects in such a compact and affordable package. Eventide stompboxes are available at your favorite authorized Eventide dealer.
Features
12 of Eventide's Signature Reverb Combo Algorithms
Room
Plate
Spring
Hall
Reverse
Shimmer
ModEchoVerb
DualVerb
BlackholeTM
MangledVerbTM
TremoloVerb
DynaVerb
Wide variety of spatial effects including basic reverbs, delays and unique combination effects
Studio quality sound
Compatible with any source material - solo instruments, drums, vocals, or complete mixes
Software upgradeable via USB 2.0
MIDI control via USB or MIDI in, out/thru
Instant program change
Real-time control with 10 knobs, MIDI, or Expression Pedal
Tap tempo and MIDI clock sync
100 factory presets, unlimited through MIDI
True analog bypass
Rugged cast metal construction
Reliable metal footswitches for instant preset access
Mono or stereo operation
Guitar or line level inputs and outputs
Programmable HotSwitch
Analog Input/Output
Input impedance
500K ohms
Output Impedance
470 ohms
Recommended Load Impedance
10K ohms or greater
Connectors
Input 1 (mono)
¼ inch mono phone jack
Input 2
¼ inch mono phone jack
Output 1 (mono)
¼ inch mono phone jack
Output 2
¼ inch mono phone jack
Expression Pedal
¼ inch mono phone jack
Aux Switch
¼ inch stereo phone jack
USB
Type B Socket. Use 2.0 cables only.
MIDI In
Five pin DIN (Female)
MIDI Out/Thru
Five pin DIN (Female)
AC Adapter Jack
Power Supply included (see below)
Physical
Power
9 VDC, 1200 mA, Tip hot (+)
Dimensions
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm
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