TASCAM DP-03 Digital Recording Workstation

	TASCAM DP-03 Digital Recording Workstation remove	TASCAM HS-P8 Portable Professional Recorder remove	FOCUSRITE LIQUID MIX HD Plugin for Pro Tools HD remove	TASCAM RC-HS2OPD Remote Control for HS-8 remove	TASCAM HD-R1 Professional CF-Card Recorder: Rackmounted remove	KORG TMR-50 PW Digital metronome, tuner and recorder remove
Name	TASCAM DP-03 Digital Recording Workstation remove	TASCAM HS-P8 Portable Professional Recorder remove	FOCUSRITE LIQUID MIX HD Plugin for Pro Tools HD remove	TASCAM RC-HS2OPD Remote Control for HS-8 remove	TASCAM HD-R1 Professional CF-Card Recorder: Rackmounted remove	KORG TMR-50 PW Digital metronome, tuner and recorder remove
Image
SKU	TA/EM/000429	HS-8	LIQUID MIX HD	RC-HS2OPD	HD-R1	TMR-50-PW
Rating
Price	€291.39 €279.00 incl. GR VAT	€4,947.60 €4,938.82 incl. GR VAT	€403.00 €282.00 incl. GR VAT	€2,083.19 €2,020.70 incl. GR VAT	€1,252.15 €1,225.89 incl. GR VAT	€85.57 €51.35 incl. GR VAT
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Description
Content	* 8-track Digital Portastudio with CD Burner * Records to SD/SDHC Card media * Import audio tracks from CD * Built-in stereo condenser microphone * Two XLR microphone inputs with phantom power * 1/4" stereo line inputs * Switchable instrument-level input for guitar/bass direct recording * Multi-band mastering effects * 2-band EQ per track * Internal reverb processor with dedicated send per track * Chromatic Tuner and Metronome * Track editing, autopunch and bounce features * Optional RC-3F footswitch offers three switches for punch-in and transport operation * Compact and lightweight * Dimensions: 11.4" W x 2.1" H x 8.2" D * Weight: 4lbs
General
Recording media		CompactFlash (CF) card
File system		FAT32
Recording format		BWF (Monophonic, Polyphonic)
Number of channels		8 channels (44.1/48/88.2/96 kHz) 8 channels + stereo mix (44.1/48 kHz) 4 channels (176.4/192 kHz)
Quantization bit rate		16/24 bit
Sampling frequency		44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up)
Reference clock		Internal, Word In, Video In, Digital In (AES 1-8 IN, AES A-BIN, ADAT 1-8 IN)
Type of timecode frame		23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF
Limiter		Attack time: 3 ms Release time: 300 ms Threshold: –5 dBFS Ratio: 32:1

Analogue audio inputs and outputs
The error for nominal and maximum levels is ±1dB for all input and output jacks except the PHONES jack.
ANALOG INPUT (1-8)		D-sub 25-pin
Input impedance		10 kOhm
Nominal input level		When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms)
Maximum input level (selectable)		+15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
ANALOG INPUT (L/A, R/B)		XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance		10 kOhm
Nominal input level		When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms)
Maximum input level (selectable)		+15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
ANALOG OUTPUT (1-8)		D-sub, 25-pin
Output impedance		100 Ohm
Nominal output level		When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms)
Maximum output level (selectable)		+15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
ANALOG OUTPUT (A/B)		XLR-3-32 (1: GND, 2: HOT, 3: COLD)
Output impedance		100 Ohm
Nominal output level		When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms)
Maximum output level (selectable)		+15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
PHONES connector		6.3-mm standard stereo jack
Maximum output power		45 mW + 45 mW or more (THD+N 0.1 % or less, into 32 Ohm)

Digital audio inputs and outputs
DIGITAL IN/OUT (AES/EBU)		D-sub, 25-pin
Minimum input voltage		2 Vpp
Maximum input voltage		7 Vpp
Output voltage		2–5 Vpp
Format		AES3-2003/IEC 60958-4 (AES/EBU)
DIGITAL I/O (ADAT)		ADAT optical
Format		ADAT
DIGITAL INPUT A-B		XLR-3-31
Input voltage		2–7 Vpp at 110 Ohm
Format		AES3-2003 (AES/EBU)
DIGITAL OUTPUT L-R		XLR-3-32
Output voltage		2–5 Vpp at 110 Ohm
Format		AES3-2003 (AES/EBU)

Other inputs and outputs
RS-422		D-sub, 9-pin
RS-232C		D-sub, 9-pin
PARALLEL		D-sub, 25-pin
CASCADE IN		BNC
Input voltage		TTL equivalent (5 V)
Input impedance		75 Ohm ±10 % Allowable frequency deviation of external synchronization: ± 100 ppm
CASCADE OUT		BNC
Output voltage		TTL equivalent (5 V)
Output impedance		75 Ohm ±10 %
Sampling frequency		44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up)
TIME CODE IN		BNC
Input voltage		0.5–5 Vpp
Input impedance		20 kOhm
TIME CODE OUT		BNC
Output voltage		2–5 Vpp
Output impedance		600 Ohm ±10
WORD/VIDEO IN		BNC
Input voltage		TTL equivalent (5 V)
Input impedance		75 Ohm ±10 % Allowable frequency deviation of external synchronization: ± 100 ppm
WORD/VIDEO THRU/OUT		BNC OUT/THRU switch included (OUT is for WORD OUT only)
Output voltage		TTL equivalent (5 V)
Output impedance		75 Ohm ±10 %
Sampling frequency (when using WORD)		44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up)
ETHERNET		RJ45
Keyboard		Mini-DIN (PS/2)
USB		USB A-type, 4-pin
Protocol		USB2.0 HIGH SPEED (480 Mbit/s)

Audio performance (analogue input to analogue outp
Frequency response
20 Hz - 20 kHz		±0,5 dB (all sampling rates)
at 40 kHz		+0,5 dB/–2 dB (Fs = 88.2/96 kHz)
at 80 kHz		+0,5 dB/–5 dB (Fs = 176.4/192 kHz)
Distortion		≤0.005% (Reference level: –20 dB, input level: +23 dBu, 1 kHz, AES-17LPF)
S/N ratio		≥100 dB(A) (22 kHz LPF)

Power requirements and other specifications
Power requirements		100–240 V AC, 50–60 Hz
Power consumption		26 W
Dimensions (W x H x D)		483 mm x 88 mm x 288 mm
Weight		4.8 kg
Operating temperature range		5–35 °C

Liquid Mix HDLiquid Mix HD | TDM Plugin for Pro Tools HD

Key Features
Variety of Classic Emulations
40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
Dynamic Convolution Technology
The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations.
Ultra-Low Latency for Recording
With the ultra-low latency of Liquid Mix HD (just 12 samples), it can now be used for recording and live sound applications
Optimised for Pro Tools HD
Over one hundred simultaneous mono instances can be run at 44.1/48kHz on an HD3 system.
Full Control Surface Mapping
Pro Tools TDM format ensures full control mapping on all major Pro Tools control surfaces, including ICON and VENUE.
Unique Hybrid Super EQ
Create your own totally unique 7-band super EQ, built out of separate classic EQ bands.
Compressor 'Free' Mode
Vintage compressors with limited controls can now be set to provide fully variable Attack, Release and Ratio.
Automation and Full Recall
Perfect integration with Pro Tools HD allows for automation of parameters and full recall within your session.

Main Features

    * Colour TFT touch screen interface
    * 20 illuminated flash start keys

    * Up to 100 tracks available for flash start through touch screen
    * Transport and Online buttons recessed to prevent accidental operation
    * 100-mm fader with fader start capability and 0-dB lock
    * Monitor speaker and headphones output for monitoring
    * CAT6 connection to HS-2 and HS-8

The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.

Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).

To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).

And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.

    * 1U Rack-mount Solid-State Recorder
    * Compact Flash Card
    * USB host interface for USB Flash Cards
    * Audio data formats: PCM (16/24 bit), MP3
    * Sampling rates supported: 44.1, 48, 88.2, 96kHz
    * Mic/Line XLR (with 20dB pad) balanced I/O
    * Phantom Power (rear panel switch and front LED indicator)
    * Euroblock terminal (Input and Output)
    * Unbalanced RCA (Input and Output)
    * Front panel rotary input level controls
    * RS-232 interface for control

    * RJ45 100Mbit/s Ethernet interface for file transfer and control
    * 25-pin parallel remote control interface
    * 16 Direct Play via D=SUb25 pin parallel interface
    * Power on play (front panel selectable)
    * S/PDIF Digital In/Out (Coaxial and Optical)
    * Headphone Jack w/level control
    * Input through and Auto Fade function
    * Input monitoring / mixing of live stereo input along with playback
    * Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...

Tuner + Metronome + Recorder - All in One Unit! The TMR-50 - Your Ideal Practice Partner Highlights:

• Tuner, metronome, and recorder can be used simultaneously or independently.
• Internal mic and speaker make it easy to record and play back your performance
• Loop Play function lets you repeat a desired region of a recorded track
• High-quality linear PCM recording/playback
• Record up to 100 tracks (approximately total 20 minutes)
• USB port lets you transfer recorded data and song files between the TMR-50 and your computer
• Newly designed highly responsive LCD needle-type meter
• Wide detection range from C1 to C8
• The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
• The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
• Calibration supports a range of concert pitches
• Marks indicate pure major and minor third intervals
• Wide tempo range of 30--252 beats per minute
• 15 rhythm variations let you practice with a broad range of musical styles
• Easy tempo settings with two types of tempo step patterns plus a tap tempo function
• Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
• Your choice of body color: black or pearl white
• Convenient key layout, and newly designed stand and battery cover
• Memory Backup and Auto Power Off

Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing. Specifications Recording format: PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit Available recording time: Maximum approx. 20 minutes (Internal Memory size is 120 MB) Total number of tracks: Up to 100 tracks Tuning: 12 note equal temperament Detection range: C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave. Reference tone: C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave. Tuning Mode: Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO) Calibration range: A4 = 410 ~ 480 Hz (1 Hz steps) Detection accuracy: +/- 1 cent Sound precision: +/-1 cent Tempo range: Quarter Note = 30 to 252 BPM Tempo setting: 3 Types:       Pendulum Step Full Step Tap Tempo Beat range: Total 10 beats: "0 to 9" as "Quarter-note" Rhythm Rhythm pattern: Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats Tempo accuracy: ±0.3% Terminals: Input (f6.3mm, Mono-Standard Jack type) Headphones (f3.5mm, Stereo-mini Jack type) USB (mini-Type B) Internal Speaker: Dynamic Speaker (f28 mm) Power (Battery): AAA battery (3.0 V) x 2 Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride Battery Life: Recorder ... Approximately 16/13/11 hours (Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per recording.) Tuner ... Approximately 24/22/20 hours (Backlight: off/soft/auto, A4 continuous input, using alkaline batteries) Metronome ... Approximately 18/16/14 hours (Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries) Dimensions (W x D x H): 111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches Weight: 119 g / 4.19 oz (Including battery) Included items: AAA battery (3.0 V) x 2 for verifying proper operation USB Cable Options: Contact Mic = CM-100L Computer Requirements Windows: A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port Macintosh: Mac OS X 10.5 or laterWeight2.00 kg4.80 kg1.00 kg1.00 kg4.00 kg0.30 kgDimensionsN/AN/AN/AN/AN/AN/AAdditional information

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