TASCAM LA-40MKIII 4ch Balanced/Unbalanced Line CONVERTER

399.00 incl. GR VAT

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: TA/EM/000001 Category:
The Tascam LA-40 MKIII has been primarily designed to provide matching capabilities between professional equipment and semi-professional or consumer equipment. It consists of four RCA inputs and outputs (–10 dBV, unbalanced) as well as four XLR inputs and outputs (+4 dBu/–20 dBu, balanced) which enable the user to connect for instance four tracks of a […]

 

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The Tascam LA-40 MKIII has been primarily designed to provide matching capabilities between professional equipment and semi-professional or consumer equipment. It consists of four RCA inputs and outputs (–10 dBV, unbalanced) as well as four XLR inputs and outputs (+4 dBu/–20 dBu, balanced) which enable the user to connect for instance four tracks of a multitrack recorder (ins and outs) to a balanced mixer ensuring optimum level and impedance matching. Also, a switch matrix allows channels to be linked, utilizing the converter as a distribution amplifier for splitting signals to multiple recorders, or for multizone sound routing applications.

Switches on the bottom panel allow to select a nominal level of +4 dBu or –20 dBu for each channel and ±12 dB trim pots on the front panel make perfect level matching easy. LEDs on the front panel indicate signal presence for each channel. The LA-40 MKIII has also ground lift switches for each channel and a combined master switch to avoid ground loops.
Main Features

    * 4 channels with unbalanced RCA inputs and balanced XLR outputs
    * 4 channels with balanced XLR inputs and unbalanced RCA outputs
    * XLR nominal level selectable between +4 dBu and –20 dBu
    * Trim pots for each channel on front panel (±12 dB)
    * Signal LED for each channel

    * Ground lift switches for each channel and master switch
    * Distribution amplifier functionality: One mono input signal can be routed to all four output channels, or one stereo input signal can be routed to two channels each (RCA to XLR and XLR to RCA)
    * Internal power supply, no AC adapter needed
    * 1 U rack-mountable chassis

Specifications
Inputs and outputs (unbalanced to balanced)
Inputs         4 RCA jacks (unbalanced)
  Input impedance         23 kOhm (when all INPUT LINK switches are OFF)
5.7 kOhm (when all INPUT LINK switches are ON)
  Nominal input level         –10 dBV, ±1 dB
  Maximum input level         +4.8 dBV
  Indicator detection level         –36 dBV or more (OUTPUT LEVEL switch set to +4 dB or –20 dB)
Outputs         4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
  Output impedance         94 Ohm
  Nominal load impedance         10 kOhm
  Minimum load impedance         600 Ohm
  Nominal output level         +4 dBu, ±1 dB (OUTPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (OUTPUT LEVEL switch set to –20 dB)
  Maximum output level         +23 dBu
Inputs and Outputs (balanced to unbalanced)
Inputs         4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
  Input impedance         54 kOhm (when all INPUT LINK switches are OFF)
13.5 kOhm (when all INPUT LINK switches are ON)
  Nominal input level         +4 dBu, ±1 dB (INPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (INPUT LEVEL switch set to –20 dB)
  Maximum input level         +30 dBu (INPUT LEVEL switch set to +4 dB)
+8 dBu (INPUT LEVEL switch set to –20 dB)
  Indicator detection level         –22 dBV or more (INPUT LEVEL switch set to +4 dB)
–46 dBV or more (INPUT LEVEL switch set to –20 dB)
Outputs         4 RCA jacks (unbalanced)
  Output impedance         200 Ohm
  Nominal load impedance         10 kOhm
  Minimum load impedance         1 kOhm
  Nominal output level         –10 dBV, ±1 dB
  Maximum output level         +18 dBV
Audio performance
TRIM range         ±12 dB
S/N ratio (at nominal levels)         90 dB(A) (20 kHz LPF)
87 dB(A) (20 Hz HPF and 20 kHz LPF)
Total harmonic distortion
(1 kHz, at nominal levels)         0.005 % or less
Frequency response (at nominal levels)         20 Hz – 100 kHz, ±3 dB
Crosstalk
(1 kHz, nominal levels, 600 Ohm load)         –90 dB
Other specifications
Power requirements         100–240 V AC, 50/60 Hz
Power consumption         6 W
Dimensions (W x H x D)         483 mm x 44 mm x 280 mm
Weight         3 kg

Weight 3.00 kg

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Quick Comparison

TASCAM LA-40MKIII 4ch Balanced/Unbalanced Line CONVERTER removeTASCAM DP-006 Digital Pocketstudio removeDenon DNRP-WRC Wired Remote for DN-F450/650R removeKORG TMR-50 BK Digital metronome, tuner and recorder removeTASCAM RC-HS2OPD Remote Control for HS-8 removeAPOGEE X-FIREWIRE-400 EXPANSION CARD remove
NameTASCAM LA-40MKIII 4ch Balanced/Unbalanced Line CONVERTER removeTASCAM DP-006 Digital Pocketstudio removeDenon DNRP-WRC Wired Remote for DN-F450/650R removeKORG TMR-50 BK Digital metronome, tuner and recorder removeTASCAM RC-HS2OPD Remote Control for HS-8 removeAPOGEE X-FIREWIRE-400 EXPANSION CARD remove
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SKUTA/EM/000001TAEM000561134.037TMR-50-BKRC-HS2OPDX-FIREWIRE-4
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Description
Content

The Tascam LA-40 MKIII has been primarily designed to provide matching capabilities between professional equipment and semi-professional or consumer equipment. It consists of four RCA inputs and outputs (–10 dBV, unbalanced) as well as four XLR inputs and outputs (+4 dBu/–20 dBu, balanced) which enable the user to connect for instance four tracks of a multitrack recorder (ins and outs) to a balanced mixer ensuring optimum level and impedance matching. Also, a switch matrix allows channels to be linked, utilizing the converter as a distribution amplifier for splitting signals to multiple recorders, or for multizone sound routing applications.

Switches on the bottom panel allow to select a nominal level of +4 dBu or –20 dBu for each channel and ±12 dB trim pots on the front panel make perfect level matching easy. LEDs on the front panel indicate signal presence for each channel. The LA-40 MKIII has also ground lift switches for each channel and a combined master switch to avoid ground loops.
Main Features

    * 4 channels with unbalanced RCA inputs and balanced XLR outputs
    * 4 channels with balanced XLR inputs and unbalanced RCA outputs
    * XLR nominal level selectable between +4 dBu and –20 dBu
    * Trim pots for each channel on front panel (±12 dB)
    * Signal LED for each channel

    * Ground lift switches for each channel and master switch
    * Distribution amplifier functionality: One mono input signal can be routed to all four output channels, or one stereo input signal can be routed to two channels each (RCA to XLR and XLR to RCA)
    * Internal power supply, no AC adapter needed
    * 1 U rack-mountable chassis

Specifications
Inputs and outputs (unbalanced to balanced)
Inputs         4 RCA jacks (unbalanced)
  Input impedance         23 kOhm (when all INPUT LINK switches are OFF)
5.7 kOhm (when all INPUT LINK switches are ON)
  Nominal input level         –10 dBV, ±1 dB
  Maximum input level         +4.8 dBV
  Indicator detection level         –36 dBV or more (OUTPUT LEVEL switch set to +4 dB or –20 dB)
Outputs         4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
  Output impedance         94 Ohm
  Nominal load impedance         10 kOhm
  Minimum load impedance         600 Ohm
  Nominal output level         +4 dBu, ±1 dB (OUTPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (OUTPUT LEVEL switch set to –20 dB)
  Maximum output level         +23 dBu
Inputs and Outputs (balanced to unbalanced)
Inputs         4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
  Input impedance         54 kOhm (when all INPUT LINK switches are OFF)
13.5 kOhm (when all INPUT LINK switches are ON)
  Nominal input level         +4 dBu, ±1 dB (INPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (INPUT LEVEL switch set to –20 dB)
  Maximum input level         +30 dBu (INPUT LEVEL switch set to +4 dB)
+8 dBu (INPUT LEVEL switch set to –20 dB)
  Indicator detection level         –22 dBV or more (INPUT LEVEL switch set to +4 dB)
–46 dBV or more (INPUT LEVEL switch set to –20 dB)
Outputs         4 RCA jacks (unbalanced)
  Output impedance         200 Ohm
  Nominal load impedance         10 kOhm
  Minimum load impedance         1 kOhm
  Nominal output level         –10 dBV, ±1 dB
  Maximum output level         +18 dBV
Audio performance
TRIM range         ±12 dB
S/N ratio (at nominal levels)         90 dB(A) (20 kHz LPF)
87 dB(A) (20 Hz HPF and 20 kHz LPF)
Total harmonic distortion
(1 kHz, at nominal levels)         0.005 % or less
Frequency response (at nominal levels)         20 Hz – 100 kHz, ±3 dB
Crosstalk
(1 kHz, nominal levels, 600 Ohm load)         –90 dB
Other specifications
Power requirements         100–240 V AC, 50/60 Hz
Power consumption         6 W
Dimensions (W x H x D)         483 mm x 44 mm x 280 mm
Weight         3 kg

6-track Portable Multi-track Recorder CD-Quality Recording (44.1kHz/16-bit) Easy, Intuitive User interface Built-in High-quality Stereo Condenser Microphone Two Mic/Line inputs Compact size and ultra light weight (360g/0.79lb without batteries) Dedicated Level and Pan/Balance controls per track Recording media: SD/SDHC card up to 32GB (2GB SD card included) Recording: 2 tracks simultaneous Playback: 6 tracks simultaneously Power: Four AA batteries or optional AC adapter (PS-P520), optional external battery pack(BP-6AA) Graphic LCD (128 x 64 dots) Chromatic Tuner/Metronome USB 2.0 Connection for Wav File import/export (Stereo and Mono) Undo/Redo (includes Undo history) Tripod socket hole Auto punch in/out Footswitch input Dedicated stereo mix-down track  

The DNRP-WRC provides two button record control and visual status indication of a connected Denon® DN-F450R/F650R recorder.

The mouse sized unit, once connecte to the recorder using its integral 5 metre lead, can be placed in a convenient location on a board/ meeting room table to allow the recording of conferences and discussions. Visual indication of recorder status is provided by high brightness red and green indicators located around the RECORD button, which show STOP, PLAY, PLAY PAUSE, PLAY F.FWD, PLAY F.REV, CARD ERROR, RECORD and RECORD PAUSE. The two button control allows the recorder to be placed into record mode, create a new record mark and stop the recording process.

The DNRP-WRC is primarily for the simple control of audio recording in areas where conversations, discussions or conferences are taking place. The unit allows the DNF450R/F650R recorder to be placed out of sight to prevent media tampering or access to all the recorder controls.

  • Simple unobtrusive controller for the recording of audio in board/meeting rooms
  • Easy connection to Denon DN-F450R/F650R recorder serial (RS232) port
  • Provides bright visual indication of STOP, PLAY, PLAY PAUSE, PLAY F.FWD, PLAY F.REV, CARD ERROR, RECORD and RECORD PAUSE
  • RECORD and STOP buttons allow simple control without the need to access the recorder
  • Ergonomic visually pleasing design with internal weight to prevent table slip
  • Ultra low power consumption, no need for additional power adaptor
  • Fully sealed label provides protection against drink spills

 

Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner

Highlights:

  • Tuner, metronome, and recorder can be used simultaneously or independently.
  • Internal mic and speaker make it easy to record and play back your performance
  • Loop Play function lets you repeat a desired region of a recorded track
  • High-quality linear PCM recording/playback
  • Record up to 100 tracks (approximately total 20 minutes)
  • USB port lets you transfer recorded data and song files between the TMR-50 and your computer
  • Newly designed highly responsive LCD needle-type meter
  • Wide detection range from C1 to C8
  • The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
  • The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
  • Calibration supports a range of concert pitches
  • Marks indicate pure major and minor third intervals
  • Wide tempo range of 30--252 beats per minute
  • 15 rhythm variations let you practice with a broad range of musical styles
  • Easy tempo settings with two types of tempo step patterns plus a tap tempo function
  • Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
  • Your choice of body color: black or pearl white
  • Convenient key layout, and newly designed stand and battery cover
  • Memory Backup and Auto Power Off

Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.

Specifications

Recording format:

PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit

Available recording time:

Maximum approx. 20 minutes (Internal Memory size is 120 MB)

Total number of tracks:

Up to 100 tracks

Tuning:

12 note equal temperament

Detection range:

C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.

Reference tone:

            C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.

Tuning Mode:

            Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)

Calibration range:

A4 = 410 ~ 480 Hz (1 Hz steps)

Detection accuracy:

+/- 1 cent

Sound precision:

+/-1 cent

Tempo range:

Quarter Note = 30 to 252 BPM

Tempo setting:

3 Types:       Pendulum Step

Full Step

Tap Tempo

Beat range:

            Total 10 beats: "0 to 9" as "Quarter-note" Rhythm

Rhythm pattern:

Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats

Tempo accuracy:

±0.3%

Terminals:

            Input (f6.3mm, Mono-Standard Jack type)

            Headphones (f3.5mm, Stereo-mini Jack type)           

            USB (mini-Type B)      

Internal Speaker:

            Dynamic Speaker (f28 mm)                                                             

Power (Battery):

AAA battery (3.0 V) x 2

Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride

Battery Life:

Recorder ... Approximately 16/13/11 hours

(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per

recording.)

Tuner ... Approximately 24/22/20 hours

(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)

Metronome ... Approximately 18/16/14 hours

(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)

Dimensions (W x D x H):

111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches

Weight:

119 g / 4.19 oz (Including battery)

Included items:

AAA battery (3.0 V) x 2 for verifying proper operation

USB Cable

Options:

            Contact Mic = CM-100L

Computer Requirements

Windows:

A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port

Macintosh:

            Mac OS X 10.5 or later

 

Main Features

    * Colour TFT touch screen interface
    * 20 illuminated flash start keys

    * Up to 100 tracks available for flash start through touch screen
    * Transport and Online buttons recessed to prevent accidental operation
    * 100-mm fader with fader start capability and 0-dB lock
    * Monitor speaker and headphones output for monitoring
    * CAT6 connection to HS-2 and HS-8


Power and Options...
The Apogee X-Series FireWire Card gives you the power and convenience of a
direct connection to any FireWire equipped computer. The X-FireWire Card uses
an expansion slot in the ROSETTA 800 to give users of Logic, Nuendo and other
popular software the option of amazing sounding Apogee conversion. Using Apple?s
Core Audio FireWire driver for Macintosh and ASIO drivers for Windows, your
hardware options for your DAW are greatly expanded.

eXpandability...
The two ports on the Apogee X-FireWire Card allow you to daisy-chain additional
devices to create an entire system. By extending the bus, the X-FireWire card
allows for daisy-chaining of multiple Apogee systems or compatible peripherals,
and permits the use of multiple FireWire devices by computers with only one port.
The card also passes power through the FireWire ports to allow the powering of
additional devices. (Note: This feature is available for Windows systems only at this time).

Get Connected
With and X-FireWire card installed in an AD-16X, DA-16X, Rosetta 200 or Rosetta 800
you have the power of a professional FireWire connection to your favorite DAW: Logic 7,
Nuendo, Cubase, Cakewalk, Live or virtually any native audio production software.

Low Latency with FireMix
FireMix is a mixer application that allows control and creation of customizable sub-mixes
for low latency performance in the native environment. FireMix features accurate input and
output metering, 16bit fader control, and eight 48bit mix busses with enough DSP headroom
to insure that there are no compromises to the audio quality. FireMix also has customizable
pan control and key modifier user preferences to allow FireMix to operate in the same manner
as your favorite audio application. With FireMix, you will get low latency monitoring, have the
ability to save and recall all of your mixes, group and ungroup master faders all with little to no
impact on your CPU performance.

Features:
* 2, S400 FireWire connectors, allowing convenient chaining of multiple units
* Compatible with Apple's OS X built-in FireWire Core Audio driver
* Supplied with Windows XP WDM/ASIO driver
* Up to 8x8 24bit at 88.2/96k
* Up to 4x4 24-bit channels at 176.4/192KHz
* Fully compliant and compatible with 61883-6 and other relevant 1394 IEEE
  and AES specifications
* Allows low-jitter synchronization to a FireWire audio network and can provide
  a master clock source for a FireWire audio network

Weight3.00 kg2.80 kg2.00 kg0.30 kg1.00 kg2.30 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.00 kg
Weight 2.80 kg
Weight 2.00 kg
Weight 0.30 kg
Weight 1.00 kg
Weight 2.30 kg