TASCAM DR-44WL Portable Handheld Digital Recorder with Wi-Fi

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Groundbreaking Four-Track Recorder with Stereo Mics, XLR Mic Inputs and Wi-Fi EM Editors Choice 2015TASCAM’s DR-44WL is the latest recording innovation from TASCAM. It starts with high-quality stereo condenser microphones, updated with a new XY pattern and high-performance mic components. Two locking XLR inputs feed TASCAM’s latest microphone preamp design, with the lowest noise level […]

 

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Groundbreaking Four-Track Recorder with Stereo Mics, XLR Mic Inputs and Wi-Fi

EM Editors Choice 2015TASCAM’s DR-44WL is the latest recording innovation from TASCAM. It starts with high-quality stereo condenser microphones, updated with a new XY pattern and high-performance mic components. Two locking XLR inputs feed TASCAM’s latest microphone preamp design, with the lowest noise level and richest sound available in a portable recorder.

The DR-44WL revolutionizes handheld recorders with its new Wi-Fi feature. A free app for iOS or Android devices provides control, file transfer, and audio streaming to your smartphone. Start recording while on-stage or from anywhere in the room, while setting trim levels and check meters to make sure the transport is running. At the end of a performance, transfer recordings to your phone and instantly upload them to SoundCloud, Facebook, even email directly to fans.

With rugged construction, great sound quality, and TASCAM’s famed ease of use, the DR-44WL is the ultimate portable recorder for anyone from beginning musicians to experienced professionals.

 

Allowing you to record 4 tracks of audio simultaneously while providing Wi-Fi enabled transport control and file sharing, the DR-44WL Portable Audio Recorder with Wi-Fi from Tascam features a built-in XY stereo microphone and dual combo XLR inputs, and is capable of tracking in up to 24-bit/96 kHz resolution. Thanks to its built-in Wi-Fi, which requires no external network, you can control all transport functions via a free iOS and Android app. Additionally, you can use the built-in Wi-Fi to stream playback to your mobile device, as well as transfer files directly to your smart device or computer, for quick upload to social media.

The recorder features Dual-Level recording, which records duplicate tracks at a lower volume, to create a lower-level safety track. It also supports Dual-Format recording, which tracks simultaneously as WAV and MP3 files, so you have access to smaller file sizes for sharing while maintaining the higher-quality WAV as a master track. The DR-44WL records to SD cards, but includes a microSD card adapter for additional recording options. Also included are a windscreen, a mic grip, a shoe mount adapter, a 4GB microSD card, an AC adapter, 4 AA batteries, a USB cable, and a carrying case.

High-Quality Condenser Microphones

A pair of studio-quality condenser microphones top the DR-44WL, arranged in a true XY pattern for detailed imaging and phase coherence. The mic capsules are built to withstand up to 132 dB SPL – as loud as a jet airplane – without distorting. Record concerts and rehearsals with the confidence that your recording won’t be distorted.
In addition to the great-sounding new capsules, a shockmounting system has been developed for lower handling noise and rumble. The capsules are suspended in a rubber mount that avoids low frequency noises when handheld, mounted on a camera, or used on a tripod

Dual-Level Recording Feature Helps Prevent Overload

If levels get so high that your track is distorted, that recording can’t be saved with any kind of mastering. The DR-44WL includes a limiter to keep levels under control, but an even more effective system is the Dual-Level Recording feature. Dual-Level Recording is a function that solves this problem by simultaneously recording two stereo files at different levels. If your recording is distorted, you have a lower level “safety track” that won’t be distorted. Note, when the Dual-Level recording function is enabled, a maximum of two stereo tracks can be recorded simultaneously

XLR Combo Jacks

The XLR/TRS external input jacks accept either microphone or line level sources. Balanced or unbalanced signals can be plugged in, at either +4 or -10 levels, using the locking XLR connector or the 1/4″ jack. The DR-44WL supplies 48V Phantom Power for condenser microphones that require it. Both the internal mics and external inputs are used during 4-channel recording, for live recording

Microphone Preamp and A/D Conversion

A programmable gain amplifier (PGA) is used to adjust the level of the audio inputs. In many devices, the audio codec level is adjusted to control levels. In the DR-44WL, the mic gain circuit is independent from the A/D converter for low noise performance as well as programmable gain (manual, automatic, or controlled over Wi-Fi.)
The CIRRUS LOGIC CS42L52 is used in the DR-44WL. The A/D – D/A chip features both great audio performance and low power use for longer battery life. The built-in mics and the external inputs both pass through this low-noise audio input circuit

4-Track Recording Mode

The DR-44WL can record both the internal microphones and the external inputs simultaneously for a 4-track recording. Use the microphones to capture the sound in the room while recording a board mix from the PA mixer. Other 4-channel applications include drum set recording, surround recording, and film production

Remote Wi-Fi Control

The DR-44WL creates its own Wi-Fi network with your iOS or Android phone, and a free app called DR Control controls remote operation without touching the unit. The app allows recording to be started and stopped, and can be used to check and adjust input levels. Any of the recording controls on the DR-44WL can be controlled over Wi-Fi.
Wi-Fi transmission range is about 65 feet (20m) – well beyond the reach of infrared remotes – so the recorder can be placed wherever the recording sounds best. Audio from the DR-44WL can also be streamed over Wi-Fi to check the recording. Plug headphones into your smartphone and listen to a near-realtime feed from the recorder

Simple Wi-Fi Connections Without a Router

The DR-44WL connects with smartphones and other Wi-Fi devices directly. There is no need for a Wi-Fi router network or other external equipment. Wi-Fi connections can be established simply by inputting the information shown in the app. Connection status can be checked with an LED on the unit as well as the app screen. Even if the Wi-Fi connection is interrupted, recording will not stop

Remote Control Using the Free DR Control App

The free DR Control app allows your iOS or Android phone to control the recorder from anywhere in the room. Start recording on-stage or from the back of the room, while placing the DR-44WL wherever the microphones sound best. Remote start also eliminates handling noise from pressing a button or moving the recorder.
In addition to recording, playback and other transport controls, DR Control can adjust the input levels, switch on the low-cut filter, change the mix, and more. A power-conservation mode is included to minimize battery consumption from Wi-Fi use

Wireless Streaming to Monitor the Recorder

With DR Control, audio from the DR-44WL can be broadcast via Wi-Fi to your smartphone for streaming playback. Even when the DR-44WL is in a place that is out of reach, this capability allows you to check audio from the headphone jack. Ensure that you’re getting the sound you want without leaving your seat

Transfer Recordings to Your Smartphone or PC

In addition to remote control, the DR-44WL allows you to wirelessly transfer recordings to your smartphone or laptop. Upload recordings to SoundCloud through the app, then publish that link to Facebook, Twitter, and other social media. Or simply email the file to friends

Dual-Format Recording Function

Dual-Format Recording simultaneously records WAV and MP3 files to the card. This allows you to have instant access to the MP3 file for online sharing, while retaining the uncompressed WAV file master recording for later use

Wirelessly Transfer Files to Your Computer

A free app for Mac and Windows called File Transfer allows you to move selected recordings from the DR-44WL to your computer over Wi-Fi

Peak Reduction and Limiter

These functions automatically adjust the recording level in response to the input level. The peak reduction function automatically lowers the level if an input overload is detected, optimizing the recorded sound. The limiter reduces excessive input levels without changing the input level setting

Automatic Track Creation by Time

The DR-44WL can automatically create a new file and continue recording without interruption when a set amount of time has elapsed. This function can be used when recording for long periods of time. For example, when set to 5 minutes, a new file will be created automatically every 5 minutes when recording. These files can be combined later in your audio editing software for seamless playback. Manual file increment is also possible by pressing the Record button during recording

Automatic Track Creation by Level

The DR-44WL can create a new track every time a level threshold is passed. This can split a concert recording into tracks, and can be useful when digitizing another recording like a cassette, DAT, or vinyl record

Automatic Mark Function

Marks can be added to files when high levels or peaks are detected. When set to a level, marks can be added automatically at the points when songs end. When set to peak detection and used together with the peak reduction function, these marks will identify the points where peaks were detected – making it easy when using audio editing software on a computer. You can also add markers manually while recording

File Divide

This function can divide files where marks are added. When used together with the automatic marking function, long recordings can automatically be divided into files with individual songs. Files can also be divided manually

MTR Mode

MTR mode allows separate multitrack recording to four tracks. Record using the built-in mics to capture song ideas anywhere. Then plug into the external inputs to add amp simulator and keyboard overdubs. Use the mic inputs with +48V phantom power to bring in condenser mics for vocal recording. When you’re finished recording your song, use the built-in mixer and reverb to mix, then record your mix as a stereo file

Internal Reverb Effect

A stereo reverb effect can be added from the internal mixer. Presets for halls, rooms and other standard environments can be utilized to suit the user and type of music. This effect can be applied during recording and playback to give your recordings a sense of space
Speed change (VSA) function for adjusting the speed from 0.5 to 2.0 times (in 0.1 increments)
A-B Loop playback function for music rehearsal
Automatic division function that divides files at marks (manual division also possible)
M-S decoding function for utilizing M-S microphones
Built-in monaural speaker with 0.3W output
128×128 pixel oversized graphic LCD with backlight
USB 2.0 high-speed file transfer to a computer
Stereo mini headphone line output / headphone output connector
Aluminum side panels and genuine brass mic guards for durability
Carrying strap connection
Tripod attachment screw-hole
4GB microSD card and SD card adapter are included
Recording Media
Recording Media SD cards: 64 MB to 2 GB
SDHC cards: 4 to 32 GB
SDXC cards: 48 to 128 GB
Recording Format
WAV/BWF Sampling Frequency: 44.1, 48, 96 kHz
Quantization Bit Rate: 16- or 24-bit
MP3 Sampling Frequency: 44.1, 48 kHz
Recording Bit Rate: 32, 64, 96, 128, 192, 256, 320 kbps
Playback Bit Rate: 32 to 320 kbps
Channel
Channels 4CH Mode:
Mono up to 4 files
Stereo up to 2 files
Stereo (1 file) and mono (up to 2 files)MTR Mode:
Mono up to 4 files
Analog Input
Mic/Line Inputs XLR-3-31, phantom power compatible
1/4″ (6.3 mm) TRS standard jack, phantom power compatible
Input Impedance 2.2 kOhms or more
Nominal Input Level Mic: -17.3 dBu +/-2 dB
Line: 4 dBu
Maximum Input Level Mic: -1.3 dBu +/-2 dB
Line: +20 dBu
Analog Audio Outputs
Connector 1/8″ (3.5 mm) stereo mini jack
Nominal Output Level -14 dBV (10 kOhm load)
Maximum Output Level Line Output: +2 dBV (10 kOhm load)
Headphone Output: 20 mW + 20 mW (32 ohm load)
USB
Connector Micro-B type, 4-pin
Format USB 2.0 High-Speed mass storage class
Wi-Fi
Compliance IEEE 802.11b/g/n (2.4 GHz only)
Communication Mode Simple access point (Limited AP)
Security WPA2-PSK (WPS 2.0-supported)
Attachment
Attachment Tripod Attachment Screw Hole: 1/4″ (6.3 mm) tripod attachment screw hole
Power Supply
Power Supply 4x AA batteries (alkaline or NiMH),
USB bus power from a computer
Dedicated AC adapter (GPE053B supplied with the unit)
Power Consumption 2.5 W (maximum)
Battery Life Alkaline Batteries:
Recording: About 16 hours (When MIC input is selected, phantom power is not used, WAV, 44.1 kHz/16-bit)Ni-MH Batteries:
Recording: 12 hours, approximate (When MIC input is selected, phantom power is not used, WAV, 44.1 kHz/16-bit)
Audio Performance
Frequency Response 20 Hz to 20 kHz +1/-3 dB (Fs 44.1 kHz, EXT IN to LINE OUT, JEITA)
20 Hz to 22 kHz +1/-3 dB (Fs 48 kHz, EXT IN to LINE OUT, JEITA)
20 Hz to 40 kHz +1/-3 dB (Fs 96 kHz, EXT IN to LINE OUT, JEITA)
Distortion 0.05% or less (Fs 44.1/48/96 kHz, EXT IN to LINE OUT, JEITA)
Signal to Noise Ratio 92 dB or more (Fs 44.1/48/96 kHz, EXT IN to LINE OUT, JEITA)
Computer Requirements
Windows Windows XP, Windows Vista, Windows 7, Windows 8, Windows 8.1
Mac OS 10.2 to 10.9
Dimensions & Weight
Dimensions 6.3 x 3.1 x 1.7″ / 160.0 x 78.7 x 43.2 mm
Weight 12.2 oz (346 g) including batteries
8.8 oz (251 g) without batteries
Weight 1.00 kg

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Description
ContentGroundbreaking Four-Track Recorder with Stereo Mics, XLR Mic Inputs and Wi-Fi EM Editors Choice 2015TASCAM's DR-44WL is the latest recording innovation from TASCAM. It starts with high-quality stereo condenser microphones, updated with a new XY pattern and high-performance mic components. Two locking XLR inputs feed TASCAM's latest microphone preamp design, with the lowest noise level and richest sound available in a portable recorder. The DR-44WL revolutionizes handheld recorders with its new Wi-Fi feature. A free app for iOS or Android devices provides control, file transfer, and audio streaming to your smartphone. Start recording while on-stage or from anywhere in the room, while setting trim levels and check meters to make sure the transport is running. At the end of a performance, transfer recordings to your phone and instantly upload them to SoundCloud, Facebook, even email directly to fans. With rugged construction, great sound quality, and TASCAM's famed ease of use, the DR-44WL is the ultimate portable recorder for anyone from beginning musicians to experienced professionals.  
Allowing you to record 4 tracks of audio simultaneously while providing Wi-Fi enabled transport control and file sharing, the DR-44WL Portable Audio Recorder with Wi-Fi from Tascam features a built-in XY stereo microphone and dual combo XLR inputs, and is capable of tracking in up to 24-bit/96 kHz resolution. Thanks to its built-in Wi-Fi, which requires no external network, you can control all transport functions via a free iOS and Android app. Additionally, you can use the built-in Wi-Fi to stream playback to your mobile device, as well as transfer files directly to your smart device or computer, for quick upload to social media. The recorder features Dual-Level recording, which records duplicate tracks at a lower volume, to create a lower-level safety track. It also supports Dual-Format recording, which tracks simultaneously as WAV and MP3 files, so you have access to smaller file sizes for sharing while maintaining the higher-quality WAV as a master track. The DR-44WL records to SD cards, but includes a microSD card adapter for additional recording options. Also included are a windscreen, a mic grip, a shoe mount adapter, a 4GB microSD card, an AC adapter, 4 AA batteries, a USB cable, and a carrying case.

High-Quality Condenser Microphones

A pair of studio-quality condenser microphones top the DR-44WL, arranged in a true XY pattern for detailed imaging and phase coherence. The mic capsules are built to withstand up to 132 dB SPL - as loud as a jet airplane - without distorting. Record concerts and rehearsals with the confidence that your recording won't be distorted. In addition to the great-sounding new capsules, a shockmounting system has been developed for lower handling noise and rumble. The capsules are suspended in a rubber mount that avoids low frequency noises when handheld, mounted on a camera, or used on a tripod

Dual-Level Recording Feature Helps Prevent Overload

If levels get so high that your track is distorted, that recording can't be saved with any kind of mastering. The DR-44WL includes a limiter to keep levels under control, but an even more effective system is the Dual-Level Recording feature. Dual-Level Recording is a function that solves this problem by simultaneously recording two stereo files at different levels. If your recording is distorted, you have a lower level "safety track" that won't be distorted. Note, when the Dual-Level recording function is enabled, a maximum of two stereo tracks can be recorded simultaneously

XLR Combo Jacks

The XLR/TRS external input jacks accept either microphone or line level sources. Balanced or unbalanced signals can be plugged in, at either +4 or -10 levels, using the locking XLR connector or the 1/4" jack. The DR-44WL supplies 48V Phantom Power for condenser microphones that require it. Both the internal mics and external inputs are used during 4-channel recording, for live recording

Microphone Preamp and A/D Conversion

A programmable gain amplifier (PGA) is used to adjust the level of the audio inputs. In many devices, the audio codec level is adjusted to control levels. In the DR-44WL, the mic gain circuit is independent from the A/D converter for low noise performance as well as programmable gain (manual, automatic, or controlled over Wi-Fi.) The CIRRUS LOGIC CS42L52 is used in the DR-44WL. The A/D - D/A chip features both great audio performance and low power use for longer battery life. The built-in mics and the external inputs both pass through this low-noise audio input circuit

4-Track Recording Mode

The DR-44WL can record both the internal microphones and the external inputs simultaneously for a 4-track recording. Use the microphones to capture the sound in the room while recording a board mix from the PA mixer. Other 4-channel applications include drum set recording, surround recording, and film production

Remote Wi-Fi Control

The DR-44WL creates its own Wi-Fi network with your iOS or Android phone, and a free app called DR Control controls remote operation without touching the unit. The app allows recording to be started and stopped, and can be used to check and adjust input levels. Any of the recording controls on the DR-44WL can be controlled over Wi-Fi. Wi-Fi transmission range is about 65 feet (20m) - well beyond the reach of infrared remotes - so the recorder can be placed wherever the recording sounds best. Audio from the DR-44WL can also be streamed over Wi-Fi to check the recording. Plug headphones into your smartphone and listen to a near-realtime feed from the recorder

Simple Wi-Fi Connections Without a Router

The DR-44WL connects with smartphones and other Wi-Fi devices directly. There is no need for a Wi-Fi router network or other external equipment. Wi-Fi connections can be established simply by inputting the information shown in the app. Connection status can be checked with an LED on the unit as well as the app screen. Even if the Wi-Fi connection is interrupted, recording will not stop

Remote Control Using the Free DR Control App

The free DR Control app allows your iOS or Android phone to control the recorder from anywhere in the room. Start recording on-stage or from the back of the room, while placing the DR-44WL wherever the microphones sound best. Remote start also eliminates handling noise from pressing a button or moving the recorder. In addition to recording, playback and other transport controls, DR Control can adjust the input levels, switch on the low-cut filter, change the mix, and more. A power-conservation mode is included to minimize battery consumption from Wi-Fi use

Wireless Streaming to Monitor the Recorder

With DR Control, audio from the DR-44WL can be broadcast via Wi-Fi to your smartphone for streaming playback. Even when the DR-44WL is in a place that is out of reach, this capability allows you to check audio from the headphone jack. Ensure that you're getting the sound you want without leaving your seat

Transfer Recordings to Your Smartphone or PC

In addition to remote control, the DR-44WL allows you to wirelessly transfer recordings to your smartphone or laptop. Upload recordings to SoundCloud through the app, then publish that link to Facebook, Twitter, and other social media. Or simply email the file to friends

Dual-Format Recording Function

Dual-Format Recording simultaneously records WAV and MP3 files to the card. This allows you to have instant access to the MP3 file for online sharing, while retaining the uncompressed WAV file master recording for later use

Wirelessly Transfer Files to Your Computer

A free app for Mac and Windows called File Transfer allows you to move selected recordings from the DR-44WL to your computer over Wi-Fi

Peak Reduction and Limiter

These functions automatically adjust the recording level in response to the input level. The peak reduction function automatically lowers the level if an input overload is detected, optimizing the recorded sound. The limiter reduces excessive input levels without changing the input level setting

Automatic Track Creation by Time

The DR-44WL can automatically create a new file and continue recording without interruption when a set amount of time has elapsed. This function can be used when recording for long periods of time. For example, when set to 5 minutes, a new file will be created automatically every 5 minutes when recording. These files can be combined later in your audio editing software for seamless playback. Manual file increment is also possible by pressing the Record button during recording

Automatic Track Creation by Level

The DR-44WL can create a new track every time a level threshold is passed. This can split a concert recording into tracks, and can be useful when digitizing another recording like a cassette, DAT, or vinyl record

Automatic Mark Function

Marks can be added to files when high levels or peaks are detected. When set to a level, marks can be added automatically at the points when songs end. When set to peak detection and used together with the peak reduction function, these marks will identify the points where peaks were detected - making it easy when using audio editing software on a computer. You can also add markers manually while recording

File Divide

This function can divide files where marks are added. When used together with the automatic marking function, long recordings can automatically be divided into files with individual songs. Files can also be divided manually

MTR Mode

MTR mode allows separate multitrack recording to four tracks. Record using the built-in mics to capture song ideas anywhere. Then plug into the external inputs to add amp simulator and keyboard overdubs. Use the mic inputs with +48V phantom power to bring in condenser mics for vocal recording. When you're finished recording your song, use the built-in mixer and reverb to mix, then record your mix as a stereo file

Internal Reverb Effect

A stereo reverb effect can be added from the internal mixer. Presets for halls, rooms and other standard environments can be utilized to suit the user and type of music. This effect can be applied during recording and playback to give your recordings a sense of space
Speed change (VSA) function for adjusting the speed from 0.5 to 2.0 times (in 0.1 increments)
A-B Loop playback function for music rehearsal
Automatic division function that divides files at marks (manual division also possible)
M-S decoding function for utilizing M-S microphones
Built-in monaural speaker with 0.3W output
128×128 pixel oversized graphic LCD with backlight
USB 2.0 high-speed file transfer to a computer
Stereo mini headphone line output / headphone output connector
Aluminum side panels and genuine brass mic guards for durability
Carrying strap connection
Tripod attachment screw-hole
4GB microSD card and SD card adapter are included
Recording Media
Recording Media SD cards: 64 MB to 2 GB SDHC cards: 4 to 32 GB SDXC cards: 48 to 128 GB
Recording Format
WAV/BWF Sampling Frequency: 44.1, 48, 96 kHz Quantization Bit Rate: 16- or 24-bit
MP3 Sampling Frequency: 44.1, 48 kHz Recording Bit Rate: 32, 64, 96, 128, 192, 256, 320 kbps Playback Bit Rate: 32 to 320 kbps
Channel
Channels 4CH Mode: Mono up to 4 files Stereo up to 2 files Stereo (1 file) and mono (up to 2 files)MTR Mode: Mono up to 4 files
Analog Input
Mic/Line Inputs XLR-3-31, phantom power compatible 1/4" (6.3 mm) TRS standard jack, phantom power compatible
Input Impedance 2.2 kOhms or more
Nominal Input Level Mic: -17.3 dBu +/-2 dB Line: 4 dBu
Maximum Input Level Mic: -1.3 dBu +/-2 dB Line: +20 dBu
Analog Audio Outputs
Connector 1/8" (3.5 mm) stereo mini jack
Nominal Output Level -14 dBV (10 kOhm load)
Maximum Output Level Line Output: +2 dBV (10 kOhm load) Headphone Output: 20 mW + 20 mW (32 ohm load)
USB
Connector Micro-B type, 4-pin
Format USB 2.0 High-Speed mass storage class
Wi-Fi
Compliance IEEE 802.11b/g/n (2.4 GHz only)
Communication Mode Simple access point (Limited AP)
Security WPA2-PSK (WPS 2.0-supported)
Attachment
Attachment Tripod Attachment Screw Hole: 1/4" (6.3 mm) tripod attachment screw hole
Power Supply
Power Supply 4x AA batteries (alkaline or NiMH), USB bus power from a computer Dedicated AC adapter (GPE053B supplied with the unit)
Power Consumption 2.5 W (maximum)
Battery Life Alkaline Batteries: Recording: About 16 hours (When MIC input is selected, phantom power is not used, WAV, 44.1 kHz/16-bit)Ni-MH Batteries: Recording: 12 hours, approximate (When MIC input is selected, phantom power is not used, WAV, 44.1 kHz/16-bit)
Audio Performance
Frequency Response 20 Hz to 20 kHz +1/-3 dB (Fs 44.1 kHz, EXT IN to LINE OUT, JEITA) 20 Hz to 22 kHz +1/-3 dB (Fs 48 kHz, EXT IN to LINE OUT, JEITA) 20 Hz to 40 kHz +1/-3 dB (Fs 96 kHz, EXT IN to LINE OUT, JEITA)
Distortion 0.05% or less (Fs 44.1/48/96 kHz, EXT IN to LINE OUT, JEITA)
Signal to Noise Ratio 92 dB or more (Fs 44.1/48/96 kHz, EXT IN to LINE OUT, JEITA)
Computer Requirements
Windows Windows XP, Windows Vista, Windows 7, Windows 8, Windows 8.1
Mac OS 10.2 to 10.9
Dimensions & Weight
Dimensions 6.3 x 3.1 x 1.7" / 160.0 x 78.7 x 43.2 mm
Weight 12.2 oz (346 g) including batteries 8.8 oz (251 g) without batteries
Un-beatable Audio Performance Comes Home to Roost - Meet the Korg MR-2000S! Korg captured the world's attention with their MR series of DSD mobile recorders and studio tools. After consulting with top recording and mastering professionals, Korg has now created the Korg MR-2000S Studio Recorder; a 2-track mixdown designed from the ground up to bring that same DSD sonic performance home for use in any studio environment. A DSD and Mastering Recorder Born to Run In keeping with the MR Series studio recorder heritage of portability, the MR-2000S 1- bit recorder adds a number of new features to meet the requirements of the most demanding studio, yet retains a sleek, single rack-space profile. This compact format is also ideal for any live recording rig; or for grabbing that "off-the-board" live recording night after night - as well as shuttling your recordings from venue to studio and back again. So whether you want to capture that once-in-a-lifetime performance with impeccable detail, or need to transfer those priceless recordings from session to session, the MR-2000S high-resolution audio recorder is ready to roll. SPECIFICATIONS: Main Sections Recorder section Number of tracks: 2 tracks, 2 tracks simultaneous playback/2 tracks simultaneous recording Recording formats -PCM audio format: BWF (extension .wav) 44.1 kHz @ 16/24 bit, 48 kHz @ 16/24 bit, 88.2 kHz @ 24 bit, 96 kHz @ 24 bit,176.4 kHz @ 24 bit, 192 kHz @ 24 bit -1-bit audio format: 2.8 MHz @ 1-bit, 5.6 MHz @ 1-bit,DSDIFF format (extension .dff), DSF (extension .dsf),WSD (extension .wsd) -mp3 audio format(playback only): 44.1kHz/32kbps - 320kbps Recording Maximum approximately: 120 hours at 44.1 kHz/16 bit, 14.5 hours at 5.6 MHz/1- bit (for 80 Gbyte hard disk), Maximum continuous recording 6 hours Number: Recognizes a maximum of projects four hundred projects of each format Mark points: 100 points per project *No mark names USB functionality: Connect to computer via USB 2.0, usable as FAT32 USB external drive Project editing: Rename, Delete, Protect General Display: 160 x 104 pixel, LCD with backlight Level meter: -54dBFS – 0dBFS (PC audio); -54dBSACD – +3dBSACD (1-Bit audio); L and R each provide 21/23-step LED + peak LED Power supply: AC100 –240 V Power consumption: 20 W Dimensions/Weight: 18.9“(W) x 8.6“(D) x 1.7“(H):Including protrusions/6.17 lbs Main Specifications Frequency response: 10 Hz ... 20 kHz ± 1 dB@ Fs 44.1 kHz / 48 kHz, 10 Hz ... 40 kHz ± 1 dB@ Fs 88.2 kHz/96 kHz/176.4 kHz/ 192 kHz, 10 Hz ... 100 kHz (1-bit) S/N: 103 dB (typical) @ IHF-A THD+N: 0.005% (typical), 20 Hz ... 20 kHz A/D conversion: 2.8224 MHz/5.6448 MHz(1-bit), 24bit (PCM) D/A conversion: 2.8224 MHz/5.6448 MHz(1-bit), 24bit (PCM) Line In L/R XLR -Connector: XLR-3-31 type (balanced) -Input impedance: 22 k Ohms -Nominal level: + 4 dBu (REC LEVEL=0dB) -Maximum level: + 24 dBu RCA -Connector: RCA (Unbalanced) -Input impedance: 50k Ohms -Nominal level (– 12 dBFS – 12 dB-SACD): –6 dBV (REC LEVEL = 0 dB) -Maximum level: + 10 dBV Line Out L/R XLR -Connector: XLR-3-32 type (balanced) -Load impedance: 600 Ohms or greater -Nominal level: – 4dBu -Maximum level (0dBFS 0dB-SACD): – 16 dBu (Nominal level= –12dBFS), – 18 dBu (Nominal level= –14dBFS), – 20 dBu (Nominal level= –16dBFS), – 22 dBu (Nominal level= –18dBFS), – 24 dBu (Nominal level= –20dBFS) RCA -Connector: RCA (Unbalanced) -Load impedance: 47 k Ohms or greater/ -Nominal level (– 12 dBFS – 12 dB-SACD): – 6 dBV (REC LEVEL=0dB) -Maximum level (0 dBFS 0 dB-SACD): + 6dBV Phones -Connector: 1/4" stereo phone jack -Load impedance: 16 Ohms or greater -Maximum level: 170 mW + 170 mW @ 32 ohms S/P Dif In/Out (coaxial) -Connector: RCA pin -Format: IEC60958 Word Clock In/Out -Connector: BNC receptacle, 75 Ohms USB -Connector: Type B -Format: USB 2.0 compliant, -USB mass storage class -Supported operating systems: Windows 2000,or later Mac OS X 10.3.9 or later Included Items AC power cable, Install CD (“AudioGate" audio file conversion application) AudioGate ver,1.5 Operating Requirements Windows -Supported operating systems: Microsoft Windows XP Home Edition/Professional Edition Service Pack 1 or later, Microsoft Windows Vista -Supported computers: CPU: Intel Pentium III /1 GHz or better RAM: 256 MB or more A USB port that meets the operating requirements of Microsoft Windows XP/Vista Macintosh -Supported operating system: Mac OS X 10.3.9 or later -Supported computers: CPU: Apple G4/800 MHz or better, Intel Mac is supported RAM: 256 MB or more A USB port that meets the operating requirements of Mac OS X Demo Project All Most Blues The Wind and the Wheat performed by Phil Keaggy copyright Phil Keaggy 2006 http://www.philkeaggy.com/ *This product comes installed with the "ISC-MP3 BF532 d Korg" MP3 decoder which was developed by The Institute of Super Compression Technologies, Inc. (ISCT), Japan. *”DSD” is a registered trademark. *Logos, product names, and company names are their trademarks or registered trademarks. Specifications subject to change without notice
  • 2-channel field recorder in Stereo or Mono on Compact Flash or Micro drive cards
  • Light weight with rigid chassis
  • FAT32 file system & BWF Stereo file format + MP3 recording/playback
  • Built-in Stereo microphone for quick memo recording
  • 2 x XLR mic inputs with phantom power to accept professional microphones
  • High resolution recording at 24bit 96kHz
  • Mic Trim for accurate recording level adjustment
  • Automatic Level Control (ALC - OFF/ALC/LIMITER)
  • Hi-Pass Filter
  • Backlit 132 x 64 dot matrix LCD display
  • Two-hour capacity on 4GB CF card with Stereo 24 Bit/96 kHz resolution  
  • Pre-record buffer (2 secs) ensures full-take recording with no inadvertent loss
  • Auto File Closing (the recording file auto-closes every minute to secure recorded data)
  • Auto Shut-off function when the input power becomes abnormally low to save data
  • Convenient file naming mode: DATE or TAKE
  • 4 hours operation on 4 x AA Alkaline / Ni-MH batteries
  • 8 hours operation possible with optional rechargeable NiMH battery pack
  • Wired remote controller with microphone attachment belt
  • USB 2.0 data transfer to Mac or PC computers for further editing and post-production
  • Comes with 128MB CF card, AC adapter, dedicated shoulder belt and carrying pouch
• Recording / Playback / General
Recording Medium: Compact Flash Card
Recording Times: see chart above
File Formats: BWF (Broadcast Wave Format), MP3 (MPEG Layer-3)
Sampling Frequency: 44.1 / 48 / 88.2 / 96 kHz
Quantization: 16-bit linear (44.1 / 48 kHz);
24-bit linear (44.1 / 48 / 88.2 / 96);
MP3 192kbps (stereo)
Recording Tracks: 2 tracks (stereo)
Simultaneous Recording: 2 tracks (stereo)
Rec/Play Frequency: 20Hz-20kHz ±2dB (FS 44.1/48kHz); 20Hz-40 kHz ±3dB (FS 88.2/96kHz)
S/N: (ADC-DAC, 24bit, 48kHz) - Line: (Input Gain: +4dBu) 95dB (typical) - Mic: (Input Gain: -60dBu) 85dB (typical)
Dynamic Range: 95dB (typical) (ADC-DAC, 24bit, 48kHz)
THD: (ADC-DAC, 24it, 48kHz) - Line: Channel Separation: more than 90dB (at 1kHz 0dB) (24bit, -20BFS, 48kHz)
Reference Level: -12dBFS
Locate Memory: 99 Cue points per file
Battery Operation Time: approx. 4 hours (4 x AA Alkaline / Ni-MH AA cells); approx. 8 hours (optional Ni-MH battery pack)
• Input / Output
Analogue In (L/R) Connector: XLR-Jack (1/4“) Combo Type
Mic In Connector: XLR (balanced, 2-pin hot)
Line In Connector: Jack (1/4“) (unbalanced)
Input Impedance: > 10k ohm
Reference Input Level: -10dBV
Maximum Input Level: +2dBV
Input Impedance: > 6k ohm
Reference Input Level: -50dBu to -10dBu
Maximum Input Level: +2dBu
Phantom: P48
Monitor Out Connector: RCA Phono (unbalanced)
Load Impedance: > 10k ohm
Reference Output Level: -10dBV
Phones Connector: Stereo Mini Jack (3.5mm)
Load Impedance: > 32 ohm
Maximum Output Level: 15 + 15mW (32 ohm)
USB 2.0 (for PC) Connector: Series "B” Receptacle
Built-in Speaker
Maximum Output: 300mW
 
• Physical

Dimensions: 57(H) x 206(W) x 132(D) mm
Weight: 0.8kgs (w/o battery)
Included Accessories: CF card (128MB), AC Adaptor, shoulder strap, remote control and carry pouch
Pedigree Portable Field Recorder

The FR-2LE is a compact field memory recorder for professional use offering 24bit 96kHz recording in the industry standard BWF file format. It has a good pedigree given Fostex's previous success with their DAT portables (PD2 & PD4) and latterly with their solid state FR-2 and its optional full timecode facility.

Now with their latest FR-2LE, they have an even more compact offering for high quality field recording, interview recording (MP3 mode also available), or simple film/broadcast audio recording.

The FR-2LE is equipped with two professional phantom powered XLR microphone inputs (XLR-Jack combo) complete with precise control over the recording level. It features a 1 take = 1 file recording system which eliminates overwrites and its 2 second ʽpre-recordʼ buffer means there should never be a missed take or lost soundbite. Thereʼs also an MP3 mode and built-in stereo microphone.

Feature rich, elegant in operation, good pedigree - the new FR-2LE looks assured of success.

MAIN FEATURES

• Long Battery Life

The FR-2LE can run for up to 4 hours on 4 x AA Alkaline batteries and up to 8 hours with the optional NiMH BATPACK battery pack. A choice of two BATPACK chargers are also available - one for the mains and one that also charges your pack from a 12V car outlet.

• Extended recording times

Over 6 hours @ 16bit 44.1kHz recording on an 4Gb CompactFlash card.

• Professional inputs

Dual XLR inputs (XLR-Jack combo) with top quality microphone pre-amps, trim control and phantom power. Analogue out is provided on phono (RCA) connectors.

• BWF or MP3 recording

Record up to 24bit 96kHz audio.

• Tough construction

Manufactured from high-grade materials and specifically designed for professional location recording.

• Fail Safe Recording

In addition to a 1 take = 1 file system to eliminate overwrites, the FR-2LE also features Auto File Closing which closes files at one minute intervals, thus preserving the data in the event of a power failure.

• USB 2.0

The USB 2.0 port allows direct connection to PC and MAC for easy file transfer.

 

SPECIFICATIONS [Recorder] ●Physical Tracks : 24 ●Simultaneous Recording Tracks : 8 ●Simultaneous Playback Tracks : 24 ●Recording Data Format : 44.1/48kHz, 16/24bit WAV ●Maximum Recordable Time : 200 minutes / GB (44.1kHz 16-bit, mono tracks) ●Projects : 1,000 ●Markers : 100 / Project ●Locator : Hours / Min. / Sec. / msec or Bars / Beats / Ticks ●File Editing : Divide, Trim ●Other Functions : Punch-In / Out (Manual, Automatic), Bounce, A-B Repeat, Undo / Redo, Metronome [Audio interface] ●Input Channels : 8 ●Output Channels : 2 ●Quantization : 24bit ●Sampling Frequency : 44.1, 48, 88.2, 96kHz [Mixer] ●Faders : 9 ●Level Meters : 4-Segment LED ●Track Parameters : 3-Band Equalizer, Pan (Balance), Effect Send x 2, Invert ●Stereo Links Track pairs : 1/2 to 23/24 selectable [Effects] ●Algorithms : 9 (CLEAN, DISTORTION, ACO / BASS SIM, BASS, MIC, DUAL MIC, STEREO, 8 x COMP EQ, MASTERING) ●Types : 150 ●Modules : 7 for Insert, 2 for Send / Return ●Patches : 330 for Insert, 60 for Send / Return ●Tuner : Chromatic, Guitar, Bass, Open A/D/E/G, D modal [Sampler] ●Playback Data Format: 44.1/48kHz, 16/24bit WAV ●Voices: 24 ●Editing Functions: Trim, Time-stretch [Rhythm] ●Voices: 8 ●Sound Format: 16-bit Linear PCM ●Drum Kits : 10 ●Pads : 8 (velocity-sensitive) ●Precision : 48 PPQN ●Rhythm Patterns : 511/project ●Patterns : 511 (472 factory, 39 blank) / Project ●Beat : 1/4 - 8/4 ●Tempo : 40.0 - 250.0 BPM [Hardware] ●Recording Media : SD Card (16MB-2GB), SDHC Card (4-32GB) ●A/D Conversion : 96kHz 24bit delta-sigma ADC ●D/A Conversion : 96kHz 24bit delta-sigma DAC ●Display : 128 x 64 pixel LCD (with backlight) ●Inputs : 8 x XLR-1/4''Phone Combo Jack / Input Impedance: (Balanced input) 1kΩ balanced, 2nd hot, (Unbalanced input) 50kΩ unbalanced, (Hi-Z Input) 470kΩ / Input Level: -50dBm to +4dBm continuously variable ●Built-in microphones : Omnidirectional condenser microphones Gain: -50dBm to +4dBm continuously variable ●Phantom Power Supply : 48V / 24V ●Master Output : 1/4“TRS Phone (balanced) / Output Impedance: 1kΩ / Rated Output Level: +4dBm ●Headphones Output : 1/4''Stereo Phone Jack, 20mW x 2 (at 32Ω load) ●USB : [B type (USB2.0 High-Speed compatible)] Audio Interface / Control Surface or Mass Storage Class operation [A type (USB2.0 High-Speed compatible)] USB Host capability ●Power Requirements : AC adaptor (DC5V/1A/center positive) or AA size (LR6) battery x6 ●Battery Life : 4.5 hours (with backlight on and phantom power off) ●Dimensions : 376(W) x 237.1(D) x 52.2(H) mm ●Weight : 1.3kg (without batteries) *0dBm=0.775Vrms R24 USB Audio Interface System Requirments Windows®    Windows® XP SP2 or later / Vista SP1 or later / 7 Intel® Pentium® 4 1.8GHz or better 1GB RAM or more USB 2.0 compatible port Intel® Mac    OS X 10.4.11 or later / 10.5 / 10.6 / 10.7 Intel® Core Duo processor 1.83GHz or better 1GB RAM or more USB 2.0 compatible port. * USB hub is not supported. * Intel® Chipset is recommended.TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for. The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage. The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
  • Record to SD/SDHC card (Up to 32GB)
  • Simultaneously record up to 4 tracks
  • Record Mode:MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
  • Recording format:44.1/48/96kHz 16/24bit (WAV/BWF)
  • TASCAM original HDDA microphone preamps
  • Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
  • Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
  • Plug-in power and high-output mic input supported on inputs 3-4
  • CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
  • CAMERA IN connector for sound monitoring from the camera
  • Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
  • 50mW/ch headphone output
  • Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
  • Handles protect the screen and can be used to attach a shoulder strap
  • Soft-Touch Rubber Keys for silent operation
  • HOLD switch to prevent accidental operation
  • QUICK button feature for easy access to various functions
  • 128x64 pixel LCD with backlight
  • USB 2.0 connection for high-speed transferring of files
  • Mini USB cable included
  • Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
  • Can extend battery life with BP-6AA battery pack (sold separately)
  • Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
  • Internal mixer: PAN and LEVEL controls
  • Low cut filter(40/80/120Hz)
  • Limiter (1/L and 2/R can be selected for link-operation)
  • Delay function for microphone distance adjustment (up to 150ms)
  • M-S decode function
  • Slate tone generator (AUTO/MANUAL)
  • Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
  • Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
  • File name format can be set to use a user-defined word or date
  • Dual-recording function allows two files to be recorded simultaneously at different levels
  • Auto-record function can automatically start and stop recording at set level
  • Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
  • Self-timer function for solo recording
  • New file starts recording automatically without interruption when maximum file size is reached
  • Track incrementing function allows a recording to be split by creating a new file when desired
  • Jump back and play function
  • Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
  • Resume function to memorize the playback position before the unit is turned off
  • MARK function up to 99 points per audio track
  • DIVIDE function
SPECIFICATIONS
Recording media SD card(64MB to 2GB), SDHC card(4GB to 32GB)
Recording format
WAV 44.1/48/96kHz, 16/24bit
BWF 44.1/48/96kHz, 16/24bit
Number of channels 4channel (stereo x2)
Analog audio input
1/L, 2/R connectors
Connector XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack
Set to "MIC / MIC+PHANTOM“
Input impedance 2k ohms
Phantom power 48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH)
Maximum input level 0dBu
Minimum input level -72dBu
MIC input gain TRIM MAX
LOW +11dB
MID +36dB
HIGH +52dB
Set to "LINE“
Input impedance 10k ohms or more
Standard input level +4dBu
Maximum input level +24dBu
3-4 connector
Connector 3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power)
Input impedance 10k ohms
Maximum input level +10dBV
Minimum input level -50dBV
MIC input gain TRIM MAX
LOW +3dB
HIGH +26dB
CAMERA IN connector
Connector 3.5mm (1/8“) stereo mini jack
Input impedance 10k ohms
Standard input level -10dBV
Maximum input level +6dBV
Analog audio output
CAMERA OUT connector
Connector 3.5mm (1/8“) stereo mini jack
Output impedance 200 ohms
Standard output level -50dBV
Maximum output level -30dBV
LINE OUT connector
Connector 3.5mm (1/8“) stereo mini jack
Output impedance 200 ohms
Standard output level -10dBV
Maximum output level +10dBV
PHONES connector
Connector 3.5mm (1/8“) stereo mini jack
Maximum output level 50mW + 50mW
USB
Connector Mini-B type
Format USB2.0 HIGH SPEED mass storage class
REMOTE
Connector 2.5mm TRS jack
Power Four AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
Power consumption 5.4W
Continuous operation time 2ch WAV, 44.1kHz, 16bit rec
DR-60D
Alkaline batteries (EVOLTA) About 2:30 min (Phantom on) About 4:30 min (Phantom off)
NI-MH batteries (eneloop) About 3:15 min (Phantom on) About 5:00 min (Phantom off)
NI-MH batteries (eneloop pro) About 3:45 min (Phantom on) About 6:00 min (Phantom off)
DR-60D+BP-6AA
Alkaline batteries (EVOLTA) About 5:30 min (Phantom on) About 10:30 min (Phantom off)
NI-MH batteries (eneloop) About 7:30 min (Phantom on) About 12:00 min (Phantom off)
NI-MH batteries (eneloop pro) About 9:30 min (Phantom on) About 14:30 min (Phantom off)
Dimensions 133(W)×93.2(H)×78(D)mm (with the top adapter attached)
Weight 510g (not including batteries)
Operating temperature 0˚C to 40˚C
Standard accessories USB cable, warranty card, Owner's manual
Computer compatibility
Windows
OS Windows XP, Windows Vista, Windows 7, Windows 8
CPU Pentium 300MHz or more
RAM 128MB or more
USB recommended: USB2.0
Macintosh
OS Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4), Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7), OS X Mountain Lion(V10.8)
CPU Power PC, iMac, G3, G4 266MHz or more
64MB or more
USB recommended: USB2.0
Audio performance
Frequency response 20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA) 20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA)
Distortion 0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
S/N ratio 92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
Equivalent input noise -120dBu or more
Recording duration The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format(recording setting) SD/SDHC card capacity(hours:mintes)
1GB 2GB 4GB 8GB
WAV/BWF 16bit(STEREO) 44.1kHz 1:41 3:22 6:44 13:28
48kHz 1:33 3:06 6:12 12:24
96kHz 0:46 1:33 3:06 6:12
WAV/BWF 24bit(STEREO) 44.1kHz 1:07 2:15 4:30 9:00
48kHz 1:02 2:04 4:08 8:16
96kHz 0:31 1:02 2:04 4:08
  • The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
  • The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
  • If recorded in mono in WAV files, the maximum recording time will be double the figures above.
  • For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.

The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required.
With excellent quality (up to 24-bit / 192KHz recording - a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features.

  • Recording industry standard, PC-compatible BWF files (stereo/mono) on a FAT32 media format
  • Up to 24-bit/192kHz uncompressed recording
  • Includes a unique 22.05kHz sampling frequency setting for extended recording
  • Records to both Type I & II CompactFlash cards and PCMCIA 1.8” hard disk drives*1
  • Fostexʼs "File per Take” system with auto scene & take naming/increment
  • Two balanced XLR microphone inputs with switchable phantom power and top quality, high headroom mic pre-amps
  • 132 x 64 dot matrix LCD screen for ease of use & high visibility in the field
  • Uses AA-sized rechargeable NiMH batteries which are widely available due to the popularity of digital cameras. 8 AA cells will provide approximately 2.5 hours operation when recording to a CF card
  • Easy file transfer to PC/Mac via PCMCIA, CF adaptor or standard on-board USB connection for data editing and/or backup*2
  • Quick and easy on-board file naming or via external keyboard through standard USB keyboard port
  • “Pre-record” loop buffer of approximately 10 seconds*3
  • Easy software update via CF or PCMCIA card with downloads from the internet
  • Optional timecode generator / reader card

    Notes
    *1 May require software update for PCMCIA HD operation
    *2 Complies with Windows ME/2000/XP, Mac OS 10.2 or higher
    *3 Varies depending on sampling frequency“

  • GENERAL
    Recording Media CompactFlash card, PCMCIA HD
    Recording Format BWF
    Number of Channels Stereo / Mono
    Sampling Frequency 22.05 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
    Quantization 16 bit (22.05 - 48kHz), 24 bit (44.1 - 192kHz)
  • PHYSICAL
    Power Requirement 8 x AA type dry cell (NiMH recommended)
    AC adaptor (optional)
    DC 12V
    Power Consumption approx. 5W
    Dimension 250(W) x 77(H) x 220(D) mm
    Weight 1.5kg (w/out battery)
  • PERFORMANCE
    R/P Frequency Response 20Hz to 10kHz +/-1dB (fs: 22.05kHz)
    20Hz to 20kHz +/-1dB (fs: 44.1 / 48kHz)
    20Hz to 40kHz +/-2dB (fs: 88.2 / 96kHz)
    20Hz to 80kHz +/-3dB (fs: 176.4 / 192kHz)
    S/N (ADC-DAC, 24-bit, ref: -20dB, fs:48kHz)
    Line (input gain: +4dBu): 100dB (typical)
    Mic: (input gain: -60dBu): 87dB (typical)
    Dynamic Range 100dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical
    T.H.D. (ADC-DAC, 24-bit, ref:-20dB, fs:48kHz)
    Line (input gain: +4dBu): Less than 0.005% (at 1kHz, -1dB typical)
    Mic (input gain: -60dBu): Less than 0.008% (at 1kHz, -1dB typical)
    Power Life approx. 2 hours 30 min. (8 x AA NiMH type/2300mAH)
  • INPUT / OUTPUT CONNECTORS
    ANALOG AUDIO INPUT L/R
    Connector XLR-3-31 type (Pin2: Hot)
    Line Input Impedance : More than 6k ohm
    Reference Input Level +4dBu
    Maximum Input Level +24dBu (Trim: +4dBu, at the prefader stage)
    MIC
    Input Impedance More than 6k ohm
    Input Level -60dBu
    Maximum Input Level -40dBu (Trim: +4dBu, at the prefader stage)
    Phantom Power P48
    ANALOG AUDIO OUTPUT L(Mono)/R
    Connector RCA pin type
    Output Load Impedance more than 10k ohm
    Nominal Output Level +4dBu
    HEADPHONE OUTPUT 50 + 50mW (32 ohm)
    Max Speaker Output Level 1W
    DIGITAL INPUT/OUTPUT (except for 176.4, 192kHz)
    Connector XLR
    Input Format S/P DIF / AES/EBU automatic
    Output Format S/P DIF / AES/EBU switchable
    USB x 2 (keyboard / PC only)
    TIMECODE CARD (OPTIONAL, T.B.A.)
    LTC Input/Output LEMO
    Frame Rate 23.976/24/25/29.97DF/29.97ND/30DF/30ND
    Gen Mode 24H RUN / REC RUN / FREE RUN / EXT RUN

 

Weight1.00 kg6.00 kg0.80 kg1.30 kg1.00 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 6.00 kg
Weight 0.80 kg
Weight 1.30 kg
Weight 1.00 kg
Weight 3.00 kg