TASCAM DR-10L Digital recorder with lavalier microphone

• 44.1kHz/48kHz, 16/24-bit linear PCM mono/poly recording
• Support WAV format (compatible with BWF format)
• Media: microSD/SDHC cards (supports 32GBcapacities)
• Lavalier microphone with microphone clip and windscreen included (cable length: 160cm)
• Sliding record switch and hold function to prevent misoperation during recording
• Dual recording function
• automatic file closing function to prevent the loss of already recorded data
• Low/Mid Low/Mid/High/High plus recording level settings
• Low-cut filter
• Limiter
• Automatic level function
• With a built-in clock function, supports BWF files that can have time information added - convenient for editing and searching
• Time track incrementing function can create new files at regular intervals (about every 15 minutes) during recording
• Playback function allows recorded data to be checked immediately
• Headphone output
• Easy-to-read organic EL display
• micro USB B port enables easy data exchange with computers
• Records at least 10 hours on a single AAA battery * using alkaline batteries (EVOLTA)
• Unit settings can be created as a computer text file
• Firmware can be updated using a microSD card
• Belt clip included
• Custom case for storing the unit and accessories included
• RoHS-compliant product

• Support for MP3 recording at both 128kbps and 192kbps
• Level meters are now active during both recording and playback
• Independent level settings are now supported within the dual recording function
• POLY file dual recording is now possible
• Overall performance enhanced

Liquid Mix HDLiquid Mix HD | TDM Plugin for Pro Tools HD

Key Features
Variety of Classic Emulations
40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
Dynamic Convolution Technology
The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations.
Ultra-Low Latency for Recording
With the ultra-low latency of Liquid Mix HD (just 12 samples), it can now be used for recording and live sound applications
Optimised for Pro Tools HD
Over one hundred simultaneous mono instances can be run at 44.1/48kHz on an HD3 system.
Full Control Surface Mapping
Pro Tools TDM format ensures full control mapping on all major Pro Tools control surfaces, including ICON and VENUE.
Unique Hybrid Super EQ
Create your own totally unique 7-band super EQ, built out of separate classic EQ bands.
Compressor 'Free' Mode
Vintage compressors with limited controls can now be set to provide fully variable Attack, Release and Ratio.
Automation and Full Recall
Perfect integration with Pro Tools HD allows for automation of parameters and full recall within your session.

Specifications
General
Recording media         CompactFlash card
  Tested media         SanDisk Extreme IV 4 GB, 8 GB, 16 GB
SanDisk Extreme 4 GB, 8 GB, 16 GB
File system         FAT32
File format         BWF (single-channel, multi-channel)
Number of audio channels         8 channels at 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
8 channels + stereo mix at 44.1 kHZ, 48 kHz
4 channels at 176.4 kHz, 192 kHz
Quantization bit rates         16 bit/24 bit
Sampling frequencies         44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1% pull-up/pull-down)
Reference clock         Internal, Word in, Video in,
Digital in (CH 1-2, CH 3-4, CH 5-6, CH 7-8)
Timecode frame rates         23.976, 24, 25, 29.97 DF, 29.97 NDF, 30 DF, 30 NDF
Built-in mic         Omni directional, monaural
Low cut filter         Cut-off frequency: 40/80/120 Hz
Slope: –12/–18 dB/oct
Analogue audio inputs and outputs
MIC IN/LINE IN connectors (1–8)         XLR-3-31 (1: GND, 2: HOT, 3: COLD)
  Input impedance (LINE)         10 kOhm
  Nominal input level (LINE)         + 6 dBu (Ref. level: –9 dB)
+ 4 dBu (Ref. level: Other than –9 dB)
  Maximum input level (LINE)         Selectable: +15 dBu, +18 dBu, +20 dBu, + 22 dBu, +24 dBu
  Input impedance (MIC –25)         2.4 kOhm
  Minimum input level (MIC –25)         –45 dBu
  Maximum iput level (MIC –25)         +11 dBu
  Input impedance (MIC 0)         2.4 kOhm
  Minimum input level (MIC 0)         –70 dBu
  Maximum input level (MIC 0)         –14 dBu
LINE OUT connectors (L/R)         XLR-3-32 (1: GND, 2: HOT, 3: COLD)
  Output impedance         100 Ohm or less
  Nominal output level         +6 dBu (Ref. level: –9 dB)
  Nominal output level         +4 dBu (Ref. level: Other than –9 dB)
  Maximum output level         Selectable: +15 dBu, +18 dBu, +20 dBu, +22 dBu, +24 dBu
PHONES connector         6.3-mm stereo phone jack
  Maximum output power         100 mW + 100 mW or more (THD+N: 1 % or less, at 32 Ohm)
Digital audio inputs and outputs
DIGITAL I/O connector         D-Sub, 25-pin connector
  Format         AES3-2003/IEC60958-4 (AES/EBU)
  Minimum input voltage         200 mVpp
  Maximum input voltage         7 Vpp
  Output voltage         3.5 Vpp
DIGITAL OUT connectors         BNC
  Format         AES3-2003/AES-3id-2001 (AES/EBU)
  Output voltage         1 Vpp at 75 Ohm
Control inputs and outputs
EXT DC IN connector         XLR-4-32 (1: –, 2: NC, 3: NC, 4: +)
  Input voltage         11–16 V (2 A)
CASCADE/WORD/VIDEO IN connector         BNC
  Input voltage         5 V TTL equivalent
  Input impedance         75 Ohm ±10 %
  Allowable frequency deviation of external sync         ±100 ppm
CASCADE/WORD OUT connector         BNC
  Output voltage         5 V TTL equivalent
  Output impedance         75 Ohm ±10 %
  Sampling frequencies         44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1 % pull-up/pull-down)
TIME CODE IN connector         BNC
  Input voltage         0.5–5 Vpp
  Input impedance         10 kOhm
TIME CODE OUT connector         BNC
  Output voltage         2.0 Vpp
  Output impedance         600 Ohm
USB port         USB B-type, 4-pin
  Format         USB2.0 HIGH SPEED (480 MBit/s)
KEYBOARD connector         Mini-DIN connector (PS/2)
Audio performance
Frequency response (MIC/LINE IN to LINE OUT)          
  All sample rates         20 Hz – 20 kHz, 0 dB (±0.5 dB)
  88.2/96 kHz sample rates         at 40 kHz –1 dB (±1.0 dB)
  176.4/192 kHz sample rates         at 80 kHz –3 dB (+1/–2 dB)
Distortion          
  LINE IN to LINE OUT         0.003 % or less (–20 dB reference level, +23 dBu input, 1 kHz, AES-17 LPF)
  MIC IN (MIC –25) to LINE OUT         0.02 % or less (–20 dB reference level, –10 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
  MIC IN (MIC 0) to LINE OUT         0.02 % or less (–20 dB reference level, –35 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
S/N ratio          
  LINE IN to LINE OUT         110 dB(A) or more (22 kHz LPF)
  MIC IN (MIC –25 or MIC 0) to LINE OUT         100 dB(A) or more (22 kHz LPF)
Computer compatibility
Windows         Windows XP, Windows Vista, Windows 7
  CPU         Pentium 300 MHz or faster
  Memory         128 MB or more
  USB         USB 2.0 port
Macintosh         Macintosh Mac OS X 10.2 or later
  CPU         Power PC G3, G4, Intel Mac 266 MHz or faster
  Memory         64 MB or more
  USB         USB 2.0 port
Recommended USB host controller         Intel chipset
Power supply and other specifications
Power requirements         100–240 V AC, 50–60 Hz (AC adaptor PS-1225L)
10 AA batteries (Alkaline or NiMH)
External DC battery (DC 11–16 V, 2 A or more)
Battery operation time (continuous operation)         Measured according to JEITA standard at 48 kHz, 24-bit, 8 ch playback or recording, phantom power off. Varies with operating conditions.
  NP type battery (Li-Ion: 14.8 V/4.6 Ah)         About 5 hours
  AA type batteries (NiMH)         About 2 hours
Power consumption         18 W
Dimensions (W x H x D)         270 mm x 100 mm x 260 mm (excluding protrusions)
Weight         3.65 kg (excluding batteries)
Operating temperature range         0–40 ºC

The D-2012C is a 6U rack mountable Remote Console Unit designed for exclusive use with the D-2008SP Digital Mixing Processor Unit. Assigned to any desired channels inside the D-2008SP by the dedicated software, the D-2012C's 12 motorized faders and 8 rotary encoders can remotely adjust their volumes. Desired preset memories can be recalled using 8 function keys. It is equipped with 1 channel line input (stereo), which allows the audio signal to be transmitted to the D-2008SP via monitor bus. Audio signals inside the D-2008SP can be monitored via monitor bus through headphones connected to a stereo headphone output. The D-2012C can be installed on a desk with the additional use of an optional D-2012AS Console Case.

• Record to SD/SDHC card (Up to 32GB)
• Simultaneously record up to 4 tracks
• Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
• Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
• TASCAM original HDDA microphone preamps
• Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
• Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
• Plug-in power and high-output mic input supported on inputs 3-4
• CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
• CAMERA IN connector for sound monitoring from the camera
• Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
• 50mW/ch headphone output
• Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
• Handles protect the screen and can be used to attach a shoulder strap
• Soft-Touch Rubber Keys for silent operation
• HOLD switch to prevent accidental operation
• QUICK button feature for easy access to various functions
• 128x64 pixel LCD with backlight
• USB 2.0 connection for high-speed transferring of files
• Mini USB cable included
• Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
• Can extend battery life with BP-6AA battery pack (sold separately)
• Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
• Internal mixer: PAN and LEVEL controls
• Low cut filter(40/80/120Hz)
• Limiter (1/L and 2/R can be selected for link-operation)
• Delay function for microphone distance adjustment (up to 150ms)
• M-S decode function
• Slate tone generator (AUTO/MANUAL)
• Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
• Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
• File name format can be set to use a user-defined word or date
• Dual-recording function allows two files to be recorded simultaneously at different levels
• Auto-record function can automatically start and stop recording at set level
• Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
• Self-timer function for solo recording
• New file starts recording automatically without interruption when maximum file size is reached
• Track incrementing function allows a recording to be split by creating a new file when desired
• Jump back and play function
• Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
• Resume function to memorize the playback position before the unit is turned off
• MARK function up to 99 points per audio track
• DIVIDE function

• The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
• The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
• If recorded in mono in WAV files, the maximum recording time will be double the figures above.
• For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.

Korg D-4 Digital Recording Studio

High-performance recording studio in a
friendly, compact package

Welcome a new member to Korg?s lineup of D-series recorders - acclaimed for their superb audio quality and intuitive ease-of-use. About the same size as a VHS video tape, the D4 Digital Recorder contains built-in effects, rhythms, and a tuner, everything needed to plug in a guitar or mic and start recording right away. Five real-time knobs provide immediate control over numerous functions, including a full array of Korg?s proprietary ?REMS? modeling effects. These same knobs perform double duty as Pan knobs and Record Select buttons; an informative backlit LCD screen keeps it all together. Inside, you?ll find powerful recording and sophisticated editing functions that rival high level models. There?s even a USB connector that makes it easy to transfer song data to a computer. With enormous potential packed into its small size, the D4 is the ideal partner for your creative music life.

Main features
? 4-Track digital recorder features 8 virtual tracks per track, for a total of 32 tracks.
? Two tracks of simultaneous recording.
? High audio quality with extended recording times using MPEG1 Layer 2 compressed recording format.
? XLR and 1/4 inch inputs accommodate both a microphone and/or guitar.
? Intuitive user interface provides plenty of knobs for easy operation.
? Instantly recall frequently-used effect settings, including custom-tailored settings, using the Favorites knob.
? Five knobs (with push-button function) allow for easy effect editing and pan control.
? Full suite of non-destructive editing tools includes punch-in/out, bounce, copy/paste, delete ? even pro-level functions such as time compression/expansion are provided.
? Korg?s proprietary ?REMS? modeling technology delivers 93 effect types that can be used for guitar, insert, master, or final effect processing. There are 100 preset effect programs ready for immediate use, and 100 user program locations.
? High-capacity CompactFlash data storage.
? Transfer data to a computer quickly and easily via the USB connector.
? Built-in mic allows immediate recording on the go.
? 87 Rhythm / metronome patterns and a chromatic tuner are built-in.
? The custom LCD display is backlit for easy visibility - even in dark locations.
? AC adaptor and 64 MB CompactFlash media are included.

A studio that?s just the right size
The D4 is a complete four-track recording studio, providing multi-effects based on Korg?s proprietary ?REMS? modeling technology, and an array of rhythm and metronome patterns to compliment any musical style. Just plug a guitar or microphone into the D-4 and you can begin creating your own song a track at a time. Eight virtual tracks are provided for each track, so you can choose the best take as you build your song. The D4 records directly to CompactFlash using one of three modes ?High Quality, Standard or Economy ? providing extended recording time with great audio quality. CompactFlash cards of up to 2 GB* may be used and each one can store up to 99 songs, recorded and saved in MP2 (MPEG-1 Layer-2) format. A built-in mic lets you make quick musical memos as inspiration comes to you. There?s also a built-in tuner, ensuring that you?ll be in tune whenever you record.

*maximum recording time = 72 hours, single track using Economy mode with a 2 GB CompactFlash.

Simple, easy-to-use controls, including
new ?turn and push? knobs
Despite its compact size, the D4 offers quick and convenient control of its many professional features and rich functionality. A single knob takes you from mode to mode. Five dedicated knobs provide real-time editing of the onboard REMS effects. By pushing down on these same knobs you can select recording status of each track and turn effects on and off. There?s also a ?favorites knob? that lets you instantly recall eleven of your favorite effects. The Value Dial provides a quick way to change settings and select various options. With trim knobs on both inputs (XLR and 1/4" are provided for Input 2, 1/4" only on Input 1), you?ll be able to get the optimum level in any recording situation.

A full suite of editing tools
bring a final polish to your song
The D4 provides the functionality and flexibility you?ve come to expect from Korg digital recorders, including copy, delete, punch-in recording and more. Bounce recording combines multiple tracks into one ? with no loss of fidelity ? and frees up tracks for additional recording. You can also use professional time compression/expansion editing functions to alter previously-recorded phrases so they match the tempo of your song.

“REMS" modeling effect technology
KORG?s proprietary "REMS" (Resonant structure and Electronic circuit Modeling System) modeling technology simulates the audio characteristics of many classic guitar amps, legendary recording microphones and numerous effects with startling realism, adding depth and character to your original recordings. The AMP effect faithfully recreates a range of amps; from classics such as the VOX AC30TB through today?s latest guitar amps. The CABINET effect accurately simulates a wide variety of speaker cabinets that match the various AMP types. The 4-BAND EQ allows you to make detailed adjustments to the tonal character and you can also apply chorus, phaser, and flanger type MODULATION effects. For recording bass parts, the BASS DRIVE and BASS CABINET effects provide a broad spectrum of bass sounds that perfectly simulate the character of various bass rigs. When it comes time to add vocals ? or another acoustic instrument ? the mic simulator recreates the ideal tonality for various recording applications.

What is REMS?
REMS (Resonant structure and Electronic circuit Modeling System) is Korg?s proprietary modeling technology that digitally simulates a wide range of factors that affect sound, including the sound-producing mechanism of acoustic and electric/electronic instruments, the body and cabinet resonances that affect the tone, the spatial character of the sound field in which the sound is heard, the electrical and acoustical response of the mics and speakers that are in the sound-transmission path, and the way in which electrical circuits such as vacuum tubes and transistors affect the tone.

Create multi-effect ?chains? using up to five simultaneous effects
The D4 digital recorder provides four types of effect chains, in which up to five effects can be connected in a specified order. This makes it easy to create multi-effects that are suitable for the material you?re recording. These effect chains are stored as programs, with 100 user and 100 preset locations for easy access. The presets contain programs created by professional musicians and studio engineers and are ready to use. You can edit the effects in a program and store it in the user program area. Four chain types are provided. [GUITAR/MIC] is used when applying effects to a mono input, such as guitar or vocal; [INSERT/GTR+VO] is for use with a stereo input, or when applying separate effects to a vocal track and a guitar track that are being recorded simultaneously; [MASTER] makes the overall sound more consistent; and [FINAL], which applies overall adjustments to the final output stage. A dedicated switch is provided to select each chain type. No complicated operations are required, letting you concentrate on your recording.

High-quality PCM rhythms
Inside the D4 is a PCM sound generator that can produce 87 different rhythm patterns (32 metronome patterns and 55 rhythm patterns). The rich array of patterns include 8 beat, 16 beat, Rock, Funk, Big Beat, House, Reggae, Hip-Hop, R&B, Disco, Dance, Jazz, 3/4, 6/8, 5/4, and 7/4, covering a broad range from simple beats to highly distinctive styles. These rhythm patterns may be used as recording guides, or as an easy way to create tracks.

Reliable, convenient CompactFlash storage
CompactFlash capacities of 16 MB ? 2 GB are supported for data storage.*1*2 The data is written automatically when you?ve finished recording or editing. The D4 also provides a USB connector, so it?s easy to transfer song data and user effect data to your computer for backup.*3 Completed songs created within the D4 as stereo MPEG format*4 song files, can be played back as stereo MPEG files on your computer.*5 This also makes it easy to distribute or exchange data on the Internet.

*1 One (1) 64 MB CompactFlash card containing demo song data is included.
*2 CF TYPE I cards only. CF TYPE II cards are not supported.
*3 USB connection requires Windows 2000/Me or later, or Mac OS 9.0.4 or later. If your computer does not have a USB connector, you can still use a card reader/writer to backup data that?s stored on the card.
*4 MPEG1 Layer2 format.
*5 Windows Me, Windows 2000, Mac OS 9.0.4, or later systems are supported - when using a PC with an audio card that supports 32 kHz.