TASCAM DR-05 V2 DIGITAL PORTABLE RECORDER

TASCAMʼs DR-05 brings high-quality stereo recording to an easy-to-use portable powerhouse with a size and price that anyone can handle. The DR-05 records in MP3 or WAV format – including 96kHz/24-bit high-resolution audio – to microSD or microSDHC media. A pair of all-new microphones handles up to 125dB SPL with the sensitivity to capture every detail. With new recording features like Peak Reduction and Quick Menu, the DR-05 puts album-quality recording in the palm of your hand.
Premium-quality Sound

Everything about the DR-05 is designed to get the best quality recordings of your music. A new pair of built-in microphones withstands up to 125dB SPL – the volume of a jet plane from 200 feet away – yet still have the sensitivity to capture every detail of a performance. You can add your own microphone or line-level source through the 1/8” stereo input, including plug-in power for microphones that need it.

Internally, the DR-05ʼs digital and analog circuit boards are built separately to increase noise performance, with a low-impedance design to further decrease hiss. A separate power supply is sent to the A/D and D/A converter for even better audio performance. The result is clean sound quality – over 92dB signal to noise ratio, under 0.05% total harmonic distortion and 20Hz to 40kHz response (-1/+3dB) at 96kHz/24-bit resolution.
Simple to Operate

The layout of the DR-05 has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away. Dig deeper to find features like limiting, low cut filtering, a built-in chromatic tuner and more.

One new feature that makes the DR-05 easy to operate is the new Peak Reduction feature. This setting automatically sets your recording level by listening to the input and adjusting for the best level. Unlike Auto Gain settings, this one only goes down to prevent accidental distortion after a period of low level like a break. Peak Recording works in rehearsal mode or in record, so if the performance is louder than the soundcheck youʼre still safe. Used with the built-in limiter, itʼs unlikely youʼll distort your career-making live recording.

Other classic TASCAM features are included, like Variable Speed Audition to loop and slow down music without changing the pitch – perfect for transcribing or learning new music. A Level Align function can be switched on for playback, to smooth out any sudden volume jumps, and a built-in speaker is also provided. The two AA batteries are enough to power the recorder for 17 1/2 hours, even while recording at CD quality.

    * Handheld Portable Recorder
    * Built-in Stereo Condenser Omnidirectional Microphones with sensitivity up to 125dB SPL
    * Up to 96kHz/24-bit WAV (BWF) linear PCM recording
    * Stereo MP3 recording from 32-320 kbps bit rate
    * Peak Reduction function, optimized for music recording, automatically sets the gain of while recording
    * Limiter and low-cut filter to help prevent distortion
    * Automatic or manual level setting
    * Self timer recording starts recording 5 or 10 sec. after pressing the record button for waiting until you are ready
    * Auto and manual track increment
    * Variable speed playback (50%-150%) without changing the pitch
    * Loop and repeat playback
    * Level Align feature prevents uneven volume levels during playback
    * Playback EQ setting
    * Editing function (Divide and delete)
    * Up to 99 mark points on each file
    * Chromatic tuner
    * 1/8” stereo mic/line input
    * USB 2.0 port for transfer to PC and external power
    * Up to 2-second pre recording buffer
    * Jump back function returns to previous point with one action (1-10, 20, 30 sec.)
    * 1/8” headphone/line output
    * Built-in speaker
    * microSD (64MB – 2GB)/microSDHC (4GB – 32GB) card slot (2GB card included)
    * Powered by 2 AA batteries, AC adapter (optional: PS-P515U), or USB bus power
    * Tripod socket hole
    * Dimensions: 2 3/8” W x 5 9/16” H x 1” D
    * Weight: 4 1/16 oz
 

The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required.
With excellent quality (up to 24-bit / 192KHz recording - a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features.

• Recording industry standard, PC-compatible BWF files (stereo/mono) on a FAT32 media format
• Up to 24-bit/192kHz uncompressed recording
• Includes a unique 22.05kHz sampling frequency setting for extended recording
• Records to both Type I & II CompactFlash cards and PCMCIA 1.8” hard disk drives*1
• Fostexʼs "File per Take” system with auto scene & take naming/increment
• Two balanced XLR microphone inputs with switchable phantom power and top quality, high headroom mic pre-amps
• 132 x 64 dot matrix LCD screen for ease of use & high visibility in the field
• Uses AA-sized rechargeable NiMH batteries which are widely available due to the popularity of digital cameras. 8 AA cells will provide approximately 2.5 hours operation when recording to a CF card
• Easy file transfer to PC/Mac via PCMCIA, CF adaptor or standard on-board USB connection for data editing and/or backup*2
• Quick and easy on-board file naming or via external keyboard through standard USB keyboard port
• “Pre-record” loop buffer of approximately 10 seconds*3
• Easy software update via CF or PCMCIA card with downloads from the internet
• Optional timecode generator / reader card
  
  Notes
  *1 May require software update for PCMCIA HD operation
  *2 Complies with Windows ME/2000/XP, Mac OS 10.2 or higher
  *3 Varies depending on sampling frequency“

• GENERAL
  Recording Media CompactFlash card, PCMCIA HD
  Recording Format BWF
  Number of Channels Stereo / Mono
  Sampling Frequency 22.05 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
  Quantization 16 bit (22.05 - 48kHz), 24 bit (44.1 - 192kHz)
  
• PHYSICAL
  Power Requirement 8 x AA type dry cell (NiMH recommended)
  AC adaptor (optional)
  DC 12V
  Power Consumption approx. 5W
  Dimension 250(W) x 77(H) x 220(D) mm
  Weight 1.5kg (w/out battery)
  
• PERFORMANCE
  R/P Frequency Response 20Hz to 10kHz +/-1dB (fs: 22.05kHz)
  20Hz to 20kHz +/-1dB (fs: 44.1 / 48kHz)
  20Hz to 40kHz +/-2dB (fs: 88.2 / 96kHz)
  20Hz to 80kHz +/-3dB (fs: 176.4 / 192kHz)
  S/N (ADC-DAC, 24-bit, ref: -20dB, fs:48kHz)
  Line (input gain: +4dBu): 100dB (typical)
  Mic: (input gain: -60dBu): 87dB (typical)
  Dynamic Range 100dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical
  T.H.D. (ADC-DAC, 24-bit, ref:-20dB, fs:48kHz)
  Line (input gain: +4dBu): Less than 0.005% (at 1kHz, -1dB typical)
  Mic (input gain: -60dBu): Less than 0.008% (at 1kHz, -1dB typical)
  Power Life approx. 2 hours 30 min. (8 x AA NiMH type/2300mAH)
  
• INPUT / OUTPUT CONNECTORS
  ANALOG AUDIO INPUT L/R
  Connector XLR-3-31 type (Pin2: Hot)
  Line Input Impedance : More than 6k ohm
  Reference Input Level +4dBu
  Maximum Input Level +24dBu (Trim: +4dBu, at the prefader stage)
  MIC
  Input Impedance More than 6k ohm
  Input Level -60dBu
  Maximum Input Level -40dBu (Trim: +4dBu, at the prefader stage)
  Phantom Power P48
  ANALOG AUDIO OUTPUT L(Mono)/R
  Connector RCA pin type
  Output Load Impedance more than 10k ohm
  Nominal Output Level +4dBu
  HEADPHONE OUTPUT 50 + 50mW (32 ohm)
  Max Speaker Output Level 1W
  DIGITAL INPUT/OUTPUT (except for 176.4, 192kHz)
  Connector XLR
  Input Format S/P DIF / AES/EBU automatic
  Output Format S/P DIF / AES/EBU switchable
  USB x 2 (keyboard / PC only)
  TIMECODE CARD (OPTIONAL, T.B.A.)
  LTC Input/Output LEMO
  Frame Rate 23.976/24/25/29.97DF/29.97ND/30DF/30ND
  Gen Mode 24H RUN / REC RUN / FREE RUN / EXT RUN

• Record to SD/SDHC card (Up to 32GB)
• Simultaneously record up to 4 tracks
• Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
• Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
• TASCAM original HDDA microphone preamps
• Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
• Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
• Plug-in power and high-output mic input supported on inputs 3-4
• CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
• CAMERA IN connector for sound monitoring from the camera
• Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
• 50mW/ch headphone output
• Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
• Handles protect the screen and can be used to attach a shoulder strap
• Soft-Touch Rubber Keys for silent operation
• HOLD switch to prevent accidental operation
• QUICK button feature for easy access to various functions
• 128x64 pixel LCD with backlight
• USB 2.0 connection for high-speed transferring of files
• Mini USB cable included
• Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
• Can extend battery life with BP-6AA battery pack (sold separately)
• Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
• Internal mixer: PAN and LEVEL controls
• Low cut filter(40/80/120Hz)
• Limiter (1/L and 2/R can be selected for link-operation)
• Delay function for microphone distance adjustment (up to 150ms)
• M-S decode function
• Slate tone generator (AUTO/MANUAL)
• Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
• Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
• File name format can be set to use a user-defined word or date
• Dual-recording function allows two files to be recorded simultaneously at different levels
• Auto-record function can automatically start and stop recording at set level
• Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
• Self-timer function for solo recording
• New file starts recording automatically without interruption when maximum file size is reached
• Track incrementing function allows a recording to be split by creating a new file when desired
• Jump back and play function
• Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
• Resume function to memorize the playback position before the unit is turned off
• MARK function up to 99 points per audio track
• DIVIDE function

• The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
• The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
• If recorded in mono in WAV files, the maximum recording time will be double the figures above.
• For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.

The TASCAM SS-200 Solid State Recorder - designed for the Broadcast and Contractor markets - record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O.  It supports the RC-20 direct play remote for up to 20 tracks of flash start.

• Solid state recoding to any available Media (CF, SD/SDHC, USB Memory)
• One-rack-space compact design
• Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
• PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
• RS-232C and Parallel Control I/O
• Multiple playback modes for situations requiring continuous, single, programmed and random playback
• Playback speed control without pitch change
• XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
• Dimensions (W x H x D): 19 x 1.8 x 11.9 (in)  482.6 x 44.5 x 301 (mm)
• Weight:  7.50 (lbs)  3.4(kg)

Why are 4-channels of audio better than 2-channels?

• Capture more ambient sound at any shoot for an overall more convincing soundscape.
• Place mics on each participant in conferences, panels, reporters, etc.
• Redundancy or backup in case of camera mic noise or drop out.
• Simplify wedding shoots with a mic on the bride, groom, officiator and a mic for ambient sound.
• Video editing environments now support multi-channel audio as standard.

• Main Features

  The R-4 brings you a new generation of portable recording. Enjoy superb sound quality. Use the 40GB hard disk drive for extended recording. Record up to four channels at once. Edit waveforms on the recorder itself. All this plus a compact size and light weight that assure outstanding mobility in the field. The Edirol R-4. Gear up for the new generation of portable recording.

  Extended Recording with 40GB Hard Disk Drive
  Equipped with a 40GB hard disk drive, the R-4 can record up to 17 hours at maximum sound quality or up to 58 hours at CD quality.

  Superior 24-bit/96-kHz Linear Recording
  Totally uncompressed recording assures outstanding sound quality. Choose 16-bit or 24-bit quantization and a sampling rate of 44.1 kHz, 48 kHz, or 96 kHz. Save data as WAV files.

  Simultaneous 4-Channel Recording
  The 4 XLR/Phone combo jacks come with switchable phantom power and give you a choice of MONO, STEREO, STEREO X2, or 4CH recording. Digital input/output is also provided.
  Four-channel recording gives you exceptional flexibility. For example, you can use mics to capture the ambience of a performance hall while using line input to record the performance itself. Or you can record at several different level settings simultaneously.

• Five High-Quality Effects
  The R-4 lets you tailor the sound during both recording and playback.

• L Terminal for Linking a Digital Video Camera
  The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.

  Waveform Editing Using Only the R-4
  The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.

  Index Any Point Instantly
  Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.

  Easy Playback with the Jog Dial
  Use the jog dial to fast-forward or rewind at any of seven speed levels.

  Built-In Stereo Speakers
  The R-4's built-in speakers make it easy to monitor recorded sound without headphones.

• L Terminal for Linking a Digital Video Camera
  The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.

  Waveform Editing Using Only the R-4
  The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.

  Index Any Point Instantly
  Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.

  Easy Playback with the Jog Dial
  Use the jog dial to fast-forward or rewind at any of seven speed levels.

  Built-In Stereo Speakers
  The R-4's built-in speakers make it easy to monitor recorded sound without headphones.