TASCAM iM2X DIGITAL RECORDER

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The Tascam iM2X turns an Apple iPhone 4, iPad or iPod Touch 4G into a powerful PCM audio recorder for CD-quality recordings. It consists of a pair of condenser microphones and a high-quality preamp and plugs into the dock connector of the iOS device. The microphone elements are XY oriented for clear stereo definition and […]

 

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The Tascam iM2X turns an Apple iPhone 4, iPad or iPod Touch 4G into a powerful PCM audio recorder for CD-quality recordings. It consists of a pair of condenser microphones and a high-quality preamp and plugs into the dock connector of the iOS device. The microphone elements are XY oriented for clear stereo definition and minimal phase differences. Moreover, they are adjustable over 180 degrees for the best sound placement.

Unlike mics that use the iOS deviceʼs built-in preamp, the iM2X with its internal A/D converter ensures low noise and better linearity in frequency response. The microphone elements also used in Tascam DR series recorders can handle sound pressure levels up to 125 dB to capture the loudest concerts and instruments without distortion. Thanks to an input level control and a two-colour level meter, level adjustment is very simple. A switchable limiter also contributes to this by reducing sudden peaks and protecting against unforeseen overload.

The iM2X powered through the dock connector, so no battery is required. A USB input is provided to charge the iOS device for long recordings, either through a computer or a USB charger.

An appropriate 2-track recording application (Tascam PCM Recorder) for iOS devices can be downloaded from AppStore at no charge.

Main Features

Turns your Apple iPhone 4, iPad or iPod Touch 4G into a high-grade PCM audio recorder
Stereo condenser microphone in XY orientation for clear stereo definition and minimal phase differences
Accepts sound pressure level up to 125 dB SPL
Microphone can be swivelled by 180 degrees to capture sound sources in front or behind the unit
Allows recordings in CD quality (44.1kHz/16-bit)
Input level rotary control
Input level indicator (green/red)
Switchable limiter to avoid distorted recordings
Power supply via dock connector, no battery required
USB connector available for recharging the iOS device
Easy setup (attaches to the deviceʼs dock connector)
Tascam 2-track recording app can be downloaded from the Apple AppStore at no charge
Specifications

General
Microphone type        Cardioid condenser (stereo)
Maximum input level        125 dB SPL
Input level adjustment range        0–40 dB
Frequency range        10 Hz – 20 kHz
Sampling frequency        44.1 kHz
Bit rate        16 bit
iOS device recharging port        USB Mini-B connector
iOS device connector        30-pin dock connector
Device support        iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2, iPad or iPod touch (4th generation)
Power supply and other specifications
Power supply        Provided through the iOS device connector
Power consumption        90 mW
Dimensions (W x H x D)        56 mm x 57 mm x 22 mm (including connector)
Weight        30 g
Operating temperature range        5–35 °C
Design and specifications subject to change without notice.

Weight 0.10 kg

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Description
Content

The Tascam iM2X turns an Apple iPhone 4, iPad or iPod Touch 4G into a powerful PCM audio recorder for CD-quality recordings. It consists of a pair of condenser microphones and a high-quality preamp and plugs into the dock connector of the iOS device. The microphone elements are XY oriented for clear stereo definition and minimal phase differences. Moreover, they are adjustable over 180 degrees for the best sound placement.

Unlike mics that use the iOS deviceʼs built-in preamp, the iM2X with its internal A/D converter ensures low noise and better linearity in frequency response. The microphone elements also used in Tascam DR series recorders can handle sound pressure levels up to 125 dB to capture the loudest concerts and instruments without distortion. Thanks to an input level control and a two-colour level meter, level adjustment is very simple. A switchable limiter also contributes to this by reducing sudden peaks and protecting against unforeseen overload.

The iM2X powered through the dock connector, so no battery is required. A USB input is provided to charge the iOS device for long recordings, either through a computer or a USB charger.

An appropriate 2-track recording application (Tascam PCM Recorder) for iOS devices can be downloaded from AppStore at no charge.

Main Features

Turns your Apple iPhone 4, iPad or iPod Touch 4G into a high-grade PCM audio recorder
Stereo condenser microphone in XY orientation for clear stereo definition and minimal phase differences
Accepts sound pressure level up to 125 dB SPL
Microphone can be swivelled by 180 degrees to capture sound sources in front or behind the unit
Allows recordings in CD quality (44.1kHz/16-bit)
Input level rotary control
Input level indicator (green/red)
Switchable limiter to avoid distorted recordings
Power supply via dock connector, no battery required
USB connector available for recharging the iOS device
Easy setup (attaches to the deviceʼs dock connector)
Tascam 2-track recording app can be downloaded from the Apple AppStore at no charge
Specifications

General
Microphone type        Cardioid condenser (stereo)
Maximum input level        125 dB SPL
Input level adjustment range        0–40 dB
Frequency range        10 Hz – 20 kHz
Sampling frequency        44.1 kHz
Bit rate        16 bit
iOS device recharging port        USB Mini-B connector
iOS device connector        30-pin dock connector
Device support        iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2, iPad or iPod touch (4th generation)
Power supply and other specifications
Power supply        Provided through the iOS device connector
Power consumption        90 mW
Dimensions (W x H x D)        56 mm x 57 mm x 22 mm (including connector)
Weight        30 g
Operating temperature range        5–35 °C
Design and specifications subject to change without notice.

When inspiration hits, the last thing you need is a user interface that gets in the way. Slows you down. Turns you off. No fear of that. 25 knobs and 13 sliders get you immediate access to where the action is.

Unique to the MR16HD are 33 stellar EQ presets available to each input and 2 AUX sends for connecting to external gear. Add to this the convenience of WAV file recording, digital effects, mastering effects, analog guitar distortion and mic simulation and youʼve got just about the slickest, highest quality and downright easiest to use 16 track available on the market.

Features:
16 recording tracks to hard drive 16-bit resolution at 44.1 kHz -- no compression

4 track simultaneous recording -- great for capturing multiple instruments/vocal parts

4 XLR inputs With phantom power and trim control

Extended recording time -- more than 7.5 hours of 16-track recording at CD quality

Full 16-track bouncing Mix-down -- all tracks in stereo

FAT32 Disc Format and WAV Recording Plus USB port for easy transfer of recordings to PC

2 x AUX For connection to outboard gear

S/P DIF Digital Out For digital mastering to external CD recorder, MD etc.

Input EQ Library 33 sound shaping presets available for all inputs

Fantastic Built-In Digital FX Reverbs, guitar amp simulations etc. (see MR-8HD)

Analog Guitar Distortion Awesome distortion (see MR-8HD)

Direct CD-RW Connection via USB Master direct to USB CD-RW (no PC required)

MR16HD/CD model Features as above with in-built CD-RW

WavManager(Windows) ver 2.01 WAV Manager is a utility software application that enables you to import each audio track from a song created using the MR-8, MR-8mk2, MR-8HD, and MR16HD (hereinafter called MR-8/HD) Multitrackers into your PC as a standard mono WAV file (eight files for an 8-track song). In addtion, WAV file data created and edited on the PC can be exported to MR-8/HD.

The New Version 2.01 Now Features:
CD Writing function (now you can burn a CD from your MR-8/HD using the CD-R/RW drive in your computer

A-B part Import Function

New Song Creating Function.

WavManager (Mac OS) ver 2.0 WAV Manager for Mac is a utility software application that enables you to import each audio track from a song created by the MR-8 and MR-8HD (hereinafter called MR-8/HD) into the Mac as a standard mono WAV file (eight files for an 8-track song). Also, WAV file data created and edited in the Mac can be exported to MR-8/HD.

Optional MR16HDCD Recording Studio Pack Contents:
1 x Stoppit Microphone Pop Filter/Popper Stopper

2 x CBI American-Made Instrument Cable GA-1 (10 foot)

1 x On Stage 7701B Tripod Boom Mic Stand

1 x Audio-Technica AT2020 Side Address Studio Microphone

1 x Memorex CDR80 50-Pack Spindle (52x, 700MB)

1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)

1 x CBI MLC20 Mic Cable (20 Foot)

Optional MR16HD Recording Studio Pack Contents:
1 x Hosa CPP203 Dual 1/4 in. To Dual 1.4 in. Cable (9.75 Foot)

1 x RaXXess Stoppit Microphone Pop Filter/Popper Stopper

1 x OnStage 7701B Tripod Boom Mic Stand

1 x Whirlwind MC20 XLR Microphone Cable (20 Foot)

1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)

1 x Audio-Technica AT2020 Side Address Studio Microphone

1 x Memorex CDR80 50-Pack Spindle (52x, 700MB)

The ultimate record-anywhere multitrack.
Capture inspiration whenever and wherever you are.
The new MR-8 Mk II is the easiest to use digital multitrack ever. If you can operate a tape recorder, you'll be recording and multitracking within minutes of opening the box.

By putting all the major controls and functions right there on the top panel instead of buried in a confusing menu system, the MR-8 Mk II, unlike some other recorders, actually aids you in capturing your musical ideas. In addition there's great sounding built-in digital effects, guitar amp and mic simulators, handy mix-down effects, plus the ability to hook up to a PC for data editing, and backing up your songs.
You create. Fostex records.

New for the Mk II is the USB host feature which allows for the easy connection of an 'off-the-shelf' CD-R burner via USB. Making CD masters has never been more simple.

Recording time
Recording time in normal mode (16bit/44.1kHz) is approx. 25 track-minutes on the supplied 128MB CF card and 50 track-minutes on a 256MB card. Extended mode (16bit/22.05kHz) doubles the recording time. Note that recording time varies depending on recorded source, punch in/out, undo/redo status, etc.

Features
8 tracks of recording and playback using CompactFlash cards

2 track simultaneous recording

Superb in-built digital effects inc Mic and Amp simulations

USB Host function for CD burning with 'off-the-shelf' CD burner

2 mic inputs with +48V Phantom Power

Details
8-track recording onto CompactFlash Card.

High quality sound recording and playback with uncompressed linear 16-bit/44.1 kHz digital audio (normal mode) with 2 track simultaneous recording and 8 track playback.

LP Mode (16-bit/22.05 kHz) doubles the recording time.

Physical knobs and buttons for intuitive operations. A new dial knob for menu selection.

Newly added +48V Phantom Power on all two Mic Inputs for wider choice of microphones.

USB Host function ready for CD burning on an off-the-shelf external CD-R drive.

Improved 132 x 64 dot-matrix LCD and self illuminating keys visually show the current status.

Improved built-in digital effects including Reverb, Delay as well as Guitar Amp and Microphone simulations

Black colored top panel design

Analog guitar distortion with the dedicated knob on Input A.

Full-track (8-track) bouncing to a "New Song (track 7/8) for PC transfer and CD burning.

Mastering effects for stereo buss.

USB port for stereo WAV file transfer to and from PC

AC and Battery (6 x AA alkaline cells) operation. Approx. 4 hours maximum operation time with batteries. Includes AC adapter.

Built-in microphone for handy song memo.

Two headphones outputs.

Free "WAV Manager" software available for multiple mono files transfer to and from PCTechnical InfoRecording / Playback
Recording medium CompactFlash

Recording time approx. 6 minutes (8-track on 256MB CF) normal mode

Recording format FAT16

Sampling frequency 44.1 kHz (Normal Mode), 22.05 kHz (LP Mode)

Quantization 16-bit linear (non-compression)

A/D converter 24-bit Delta-Sigma

D/A converter 24-bit Delta-Sigma

No. of recording track 8 tracks maximum

No. of simultaneous rec. 2 tracks

Recording/reproduction frequency 20 Hz - 20 kHz (Normal Mode)

Dynamic range 87dB or more (typical) (Normal Mode)

T.H.D. 0.05% or less (typical) (Normal Mode)

Inputs / Outputs
Analog in (input A/B)

Connector XLR-3-31 type (Pin2:hot) and 6mm TRS phone

Input level -48dBV (MIC) - +4dBV (LINE)

Input impedance 1.5k ohm or more 400k ohm or more (GUITAR on INPUT A)

Phantom power P48V (on/off selectable)

Stereo out (L, R)

Connector 6mm stereo phone

Output level -10dBV (unbalance)

Load impedance 10k ohm or more

Headphones (phone 1, 2)

Connector 2 x 6mm stereo phone

Max. output 30mW or more (at 32 ohm)

Load impedance 16 ohm or more

MIDI out

Connector DIN 5 pin

Format MIDI standard

Foot switch

Connector 6mm phone

Level TTL level

USB 2.0 HI-SPEED

Connector B type

USB 1.1

Connector A type

General
Dimensions 286(W) x 220(D) x 65(H) mm

Weight approx. approx. 1.6kgs

Power requirement DC12V, 400mA

TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for. The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage. The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
  • Record to SD/SDHC card (Up to 32GB)
  • Simultaneously record up to 4 tracks
  • Record Mode:MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
  • Recording format:44.1/48/96kHz 16/24bit (WAV/BWF)
  • TASCAM original HDDA microphone preamps
  • Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
  • Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
  • Plug-in power and high-output mic input supported on inputs 3-4
  • CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
  • CAMERA IN connector for sound monitoring from the camera
  • Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
  • 50mW/ch headphone output
  • Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
  • Handles protect the screen and can be used to attach a shoulder strap
  • Soft-Touch Rubber Keys for silent operation
  • HOLD switch to prevent accidental operation
  • QUICK button feature for easy access to various functions
  • 128x64 pixel LCD with backlight
  • USB 2.0 connection for high-speed transferring of files
  • Mini USB cable included
  • Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
  • Can extend battery life with BP-6AA battery pack (sold separately)
  • Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
  • Internal mixer: PAN and LEVEL controls
  • Low cut filter(40/80/120Hz)
  • Limiter (1/L and 2/R can be selected for link-operation)
  • Delay function for microphone distance adjustment (up to 150ms)
  • M-S decode function
  • Slate tone generator (AUTO/MANUAL)
  • Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
  • Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
  • File name format can be set to use a user-defined word or date
  • Dual-recording function allows two files to be recorded simultaneously at different levels
  • Auto-record function can automatically start and stop recording at set level
  • Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
  • Self-timer function for solo recording
  • New file starts recording automatically without interruption when maximum file size is reached
  • Track incrementing function allows a recording to be split by creating a new file when desired
  • Jump back and play function
  • Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
  • Resume function to memorize the playback position before the unit is turned off
  • MARK function up to 99 points per audio track
  • DIVIDE function
SPECIFICATIONS
Recording media SD card(64MB to 2GB), SDHC card(4GB to 32GB)
Recording format
WAV 44.1/48/96kHz, 16/24bit
BWF 44.1/48/96kHz, 16/24bit
Number of channels 4channel (stereo x2)
Analog audio input
1/L, 2/R connectors
Connector XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack
Set to "MIC / MIC+PHANTOM“
Input impedance 2k ohms
Phantom power 48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH)
Maximum input level 0dBu
Minimum input level -72dBu
MIC input gain TRIM MAX
LOW +11dB
MID +36dB
HIGH +52dB
Set to "LINE“
Input impedance 10k ohms or more
Standard input level +4dBu
Maximum input level +24dBu
3-4 connector
Connector 3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power)
Input impedance 10k ohms
Maximum input level +10dBV
Minimum input level -50dBV
MIC input gain TRIM MAX
LOW +3dB
HIGH +26dB
CAMERA IN connector
Connector 3.5mm (1/8“) stereo mini jack
Input impedance 10k ohms
Standard input level -10dBV
Maximum input level +6dBV
Analog audio output
CAMERA OUT connector
Connector 3.5mm (1/8“) stereo mini jack
Output impedance 200 ohms
Standard output level -50dBV
Maximum output level -30dBV
LINE OUT connector
Connector 3.5mm (1/8“) stereo mini jack
Output impedance 200 ohms
Standard output level -10dBV
Maximum output level +10dBV
PHONES connector
Connector 3.5mm (1/8“) stereo mini jack
Maximum output level 50mW + 50mW
USB
Connector Mini-B type
Format USB2.0 HIGH SPEED mass storage class
REMOTE
Connector 2.5mm TRS jack
Power Four AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
Power consumption 5.4W
Continuous operation time 2ch WAV, 44.1kHz, 16bit rec
DR-60D
Alkaline batteries (EVOLTA) About 2:30 min (Phantom on) About 4:30 min (Phantom off)
NI-MH batteries (eneloop) About 3:15 min (Phantom on) About 5:00 min (Phantom off)
NI-MH batteries (eneloop pro) About 3:45 min (Phantom on) About 6:00 min (Phantom off)
DR-60D+BP-6AA
Alkaline batteries (EVOLTA) About 5:30 min (Phantom on) About 10:30 min (Phantom off)
NI-MH batteries (eneloop) About 7:30 min (Phantom on) About 12:00 min (Phantom off)
NI-MH batteries (eneloop pro) About 9:30 min (Phantom on) About 14:30 min (Phantom off)
Dimensions 133(W)×93.2(H)×78(D)mm (with the top adapter attached)
Weight 510g (not including batteries)
Operating temperature 0˚C to 40˚C
Standard accessories USB cable, warranty card, Owner's manual
Computer compatibility
Windows
OS Windows XP, Windows Vista, Windows 7, Windows 8
CPU Pentium 300MHz or more
RAM 128MB or more
USB recommended: USB2.0
Macintosh
OS Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4), Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7), OS X Mountain Lion(V10.8)
CPU Power PC, iMac, G3, G4 266MHz or more
64MB or more
USB recommended: USB2.0
Audio performance
Frequency response 20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA) 20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA)
Distortion 0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
S/N ratio 92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
Equivalent input noise -120dBu or more
Recording duration The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format(recording setting) SD/SDHC card capacity(hours:mintes)
1GB 2GB 4GB 8GB
WAV/BWF 16bit(STEREO) 44.1kHz 1:41 3:22 6:44 13:28
48kHz 1:33 3:06 6:12 12:24
96kHz 0:46 1:33 3:06 6:12
WAV/BWF 24bit(STEREO) 44.1kHz 1:07 2:15 4:30 9:00
48kHz 1:02 2:04 4:08 8:16
96kHz 0:31 1:02 2:04 4:08
  • The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
  • The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
  • If recorded in mono in WAV files, the maximum recording time will be double the figures above.
  • For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
Recording Media     SD/SDHC card (up to 32GB) Built-in Mic     MS stereo & 90-degree XY stereo Maximum Sound Pressure Level     120dB SPL Recording Format     《STEREO MODE》 PCM (Quantization : 16/24bit, Sampling Frequency : 44.1/48/96kHz), MP3 (Bit Rate : 48 to 320kbps, Sampling Frequency : 44.1kHz) 《4CH MODE》 PCM (Quantization: 16/24bit, Sampling Frequency: 44.1/48kHz) A/D Conversion     24bit, 128times oversampling D/A Conversion     24bit, 128times oversampling Signal Processing     32bit Functions     Lo-cut Filter, Compressor/Limiter, Auto Gain, Pre-Rec, Auto-Rec, Tuner,Metronome, Variable Speed Playback, Key Control, A-B Repeat,File Dividing, Normalize, MP3 Post-Encode, Marker, Surround Mixer Display     128 x 64 pixel, backlit LCD Input Gain     0 to +39dB Mic / Line Input     1/8" stereo phone jack (Plug-in power supported) Input impedance     2kΩ (Input level: 0 to -39dBm) Phones / Line Output     1/8" stereo phone jack Rated Output Level     -10dBm Output Load Impedance     10kΩ or more Phones Output Level     20mW + 20mW into 32Ω load Built-in Speaker     400mW 8Ω USB     Mini-B type, Mass Storage Class operation (USB2.0 High Speed compatible), Audio Interface operation (16bit, 44.1kHz/48kHz) Power Requirements     AA/LR6 battery x 2, or AC adapter AD-17 (DC5V/1A/center positive) Battery Life     20 hours (16bit/44.1kHz WAV recording) Dimensions     67.6 (W) x 113.8 (D) x 42.7 (H) mm Weight     130g (without batteries)
Weight0.10 kg8.00 kg1.60 kg0.10 kg1.00 kg0.13 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.10 kg
Weight 8.00 kg
Weight 1.60 kg
Weight 0.10 kg
Weight 1.00 kg
Weight 0.13 kg