Content | TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
- Record to SD/SDHC card (Up to 32GB)
- Simultaneously record up to 4 tracks
- Record Mode:MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
- Recording format:44.1/48/96kHz 16/24bit (WAV/BWF)
- TASCAM original HDDA microphone preamps
- Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
- Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
- 50mW/ch headphone output
- Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
- Handles protect the screen and can be used to attach a shoulder strap
- Soft-Touch Rubber Keys for silent operation
- HOLD switch to prevent accidental operation
- QUICK button feature for easy access to various functions
- 128x64 pixel LCD with backlight
- USB 2.0 connection for high-speed transferring of files
- Mini USB cable included
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Can extend battery life with BP-6AA battery pack (sold separately)
- Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
- Internal mixer: PAN and LEVEL controls
- Low cut filter(40/80/120Hz)
- Limiter (1/L and 2/R can be selected for link-operation)
- Delay function for microphone distance adjustment (up to 150ms)
- M-S decode function
- Slate tone generator (AUTO/MANUAL)
- Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
- Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
- File name format can be set to use a user-defined word or date
- Dual-recording function allows two files to be recorded simultaneously at different levels
- Auto-record function can automatically start and stop recording at set level
- Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
- Self-timer function for solo recording
- New file starts recording automatically without interruption when maximum file size is reached
- Track incrementing function allows a recording to be split by creating a new file when desired
- Jump back and play function
- Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
- Resume function to memorize the playback position before the unit is turned off
- MARK function up to 99 points per audio track
- DIVIDE function
SPECIFICATIONS
Recording media |
SD card(64MB to 2GB), SDHC card(4GB to 32GB) |
Recording format |
|
WAV |
44.1/48/96kHz, 16/24bit |
BWF |
44.1/48/96kHz, 16/24bit |
Number of channels |
4channel (stereo x2) |
Analog audio input |
|
1/L, 2/R connectors |
|
Connector |
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack |
Set to "MIC / MIC+PHANTOM“ |
|
Input impedance |
2k ohms |
Phantom power |
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH) |
Maximum input level |
0dBu |
Minimum input level |
-72dBu |
MIC input gain |
TRIM MAX |
LOW |
+11dB |
MID |
+36dB |
HIGH |
+52dB |
Set to "LINE“ |
|
Input impedance |
10k ohms or more |
Standard input level |
+4dBu |
Maximum input level |
+24dBu |
3-4 connector |
|
Connector |
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power) |
Input impedance |
10k ohms |
Maximum input level |
+10dBV |
Minimum input level |
-50dBV |
MIC input gain |
TRIM MAX |
LOW |
+3dB |
HIGH |
+26dB |
CAMERA IN connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Input impedance |
10k ohms |
Standard input level |
-10dBV |
Maximum input level |
+6dBV |
Analog audio output |
|
CAMERA OUT connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Output impedance |
200 ohms |
Standard output level |
-50dBV |
Maximum output level |
-30dBV |
LINE OUT connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Output impedance |
200 ohms |
Standard output level |
-10dBV |
Maximum output level |
+10dBV |
PHONES connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Maximum output level |
50mW + 50mW |
USB |
|
Connector |
Mini-B type |
Format |
USB2.0 HIGH SPEED mass storage class |
REMOTE |
|
Connector |
2.5mm TRS jack |
Power |
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
Power consumption |
5.4W |
Continuous operation time |
2ch WAV, 44.1kHz, 16bit rec |
DR-60D |
|
Alkaline batteries (EVOLTA) |
About 2:30 min (Phantom on)
About 4:30 min (Phantom off) |
NI-MH batteries (eneloop) |
About 3:15 min (Phantom on)
About 5:00 min (Phantom off) |
NI-MH batteries (eneloop pro) |
About 3:45 min (Phantom on)
About 6:00 min (Phantom off) |
DR-60D+BP-6AA |
|
Alkaline batteries (EVOLTA) |
About 5:30 min (Phantom on)
About 10:30 min (Phantom off) |
NI-MH batteries (eneloop) |
About 7:30 min (Phantom on)
About 12:00 min (Phantom off) |
NI-MH batteries (eneloop pro) |
About 9:30 min (Phantom on)
About 14:30 min (Phantom off) |
Dimensions |
133(W)×93.2(H)×78(D)mm (with the top adapter attached) |
Weight |
510g (not including batteries) |
Operating temperature |
0˚C to 40˚C |
Standard accessories |
USB cable, warranty card, Owner's manual |
Computer compatibility |
Windows |
OS |
Windows XP, Windows Vista, Windows 7, Windows 8 |
CPU |
Pentium 300MHz or more |
RAM |
128MB or more |
USB |
recommended: USB2.0 |
Macintosh |
OS |
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8) |
CPU |
Power PC, iMac, G3, G4 266MHz or more |
|
64MB or more |
USB |
recommended: USB2.0 |
Audio performance |
Frequency response |
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
Distortion |
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
S/N ratio |
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
Equivalent input noise |
-120dBu or more |
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format(recording setting) |
SD/SDHC card capacity(hours:mintes) |
1GB |
2GB |
4GB |
8GB |
WAV/BWF 16bit(STEREO) |
44.1kHz |
1:41 |
3:22 |
6:44 |
13:28 |
48kHz |
1:33 |
3:06 |
6:12 |
12:24 |
96kHz |
0:46 |
1:33 |
3:06 |
6:12 |
WAV/BWF 24bit(STEREO) |
44.1kHz |
1:07 |
2:15 |
4:30 |
9:00 |
48kHz |
1:02 |
2:04 |
4:08 |
8:16 |
96kHz |
0:31 |
1:02 |
2:04 |
4:08 |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
| 6-track Portable Multi-track Recorder
CD-Quality Recording (44.1kHz/16-bit)
Easy, Intuitive User interface
Built-in High-quality Stereo Condenser Microphone
Two Mic/Line inputs
Compact size and ultra light weight (360g/0.79lb without batteries)
Dedicated Level and Pan/Balance controls per track
Recording media: SD/SDHC card up to 32GB (2GB SD card included)
Recording: 2 tracks simultaneous
Playback: 6 tracks simultaneously
Power: Four AA batteries or optional AC adapter (PS-P520), optional external battery pack(BP-6AA)
Graphic LCD (128 x 64 dots)
Chromatic Tuner/Metronome
USB 2.0 Connection for Wav File import/export (Stereo and Mono)
Undo/Redo (includes Undo history)
Tripod socket hole
Auto punch in/out
Footswitch input
Dedicated stereo mix-down track
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Apogee makes the direct connection to Pro Tools | HD systems a reality. The Apogee X-HD option card allows for direct connectivity between Pro Tools HD™ systems and Apogee's X-Series or Rosetta 200 converters. The result is an incredibly powerful combination of Digidesign's™Ê¼ Pro Tools software and Apogee's superior conversion and clocking hardware. Features: - Primary HD port for connecting directly to HD Core or Accel cards.
- Expansion port for daisy-chaining multiple Apogee devices (AD-16X, DA-16X, Rosetta 800 & Rosetta 200)
- Compatible with the latest versions of ProTools
- May be used along side similar interfaces (such as Digidesign 96 I/O, 192 I/O, Prism Dream ADA-8)
- Please note: Not compatible with Pro Tools|HD Native
| Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner
Highlights:
- Tuner, metronome, and recorder can be used simultaneously or independently.
- Internal mic and speaker make it easy to record and play back your performance
- Loop Play function lets you repeat a desired region of a recorded track
- High-quality linear PCM recording/playback
- Record up to 100 tracks (approximately total 20 minutes)
- USB port lets you transfer recorded data and song files between the TMR-50 and your computer
- Newly designed highly responsive LCD needle-type meter
- Wide detection range from C1 to C8
- The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
- The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
- Calibration supports a range of concert pitches
- Marks indicate pure major and minor third intervals
- Wide tempo range of 30--252 beats per minute
- 15 rhythm variations let you practice with a broad range of musical styles
- Easy tempo settings with two types of tempo step patterns plus a tap tempo function
- Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
- Your choice of body color: black or pearl white
- Convenient key layout, and newly designed stand and battery cover
- Memory Backup and Auto Power Off
Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.
Specifications
Recording format:
PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit
Available recording time:
Maximum approx. 20 minutes (Internal Memory size is 120 MB)
Total number of tracks:
Up to 100 tracks
Tuning:
12 note equal temperament
Detection range:
C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.
Reference tone:
C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.
Tuning Mode:
Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)
Calibration range:
A4 = 410 ~ 480 Hz (1 Hz steps)
Detection accuracy:
+/- 1 cent
Sound precision:
+/-1 cent
Tempo range:
Quarter Note = 30 to 252 BPM
Tempo setting:
3 Types: Pendulum Step
Full Step
Tap Tempo
Beat range:
Total 10 beats: "0 to 9" as "Quarter-note" Rhythm
Rhythm pattern:
Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats
Tempo accuracy:
±0.3%
Terminals:
Input (f6.3mm, Mono-Standard Jack type)
Headphones (f3.5mm, Stereo-mini Jack type)
USB (mini-Type B)
Internal Speaker:
Dynamic Speaker (f28 mm)
Power (Battery):
AAA battery (3.0 V) x 2
Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride
Battery Life:
Recorder ... Approximately 16/13/11 hours
(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per
recording.)
Tuner ... Approximately 24/22/20 hours
(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)
Metronome ... Approximately 18/16/14 hours
(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)
Dimensions (W x D x H):
111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches
Weight:
119 g / 4.19 oz (Including battery)
Included items:
AAA battery (3.0 V) x 2 for verifying proper operation
USB Cable
Options:
Contact Mic = CM-100L
Computer Requirements
Windows:
A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port
Macintosh:
Mac OS X 10.5 or later |
Designed for Windows based Pro Tools systems, the affordable Digidesign Pro Tools Custom Keyboard WIN let users work faster in their Pro Tools environment by providing direct access to primary transport and editing functions.
The Digidesign Pro Tools Custom Keyboard use the same symbols and color coding system built into the keyboards on the ICON D-Control worksurface and the other Digidesign control surfaces while retaining all the conventional alphanumeric labels that appear on standard computer keyboards. The Digidesign Pro Tools Custom Keyboard provides plug-and-play USB connectivity and offers a fresh new look at a lower price than ever before. The keyboard also supports a PS-2 connection for maximum compatibility.
Digidesign Pro Tools Custom Keyboard WIN Features
- Text and icons for main Pro Tools custom key commands, in addition to standard keyboard alphanumeric lettering
- Windows - PS-2 connection cord and USB adapter for easy connection with either method
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Specifications General | Recording media | | CompactFlash (CF) card | File system | | FAT32 | Recording format | | BWF (Monophonic, Polyphonic) | Number of channels | | 8 channels (44.1/48/88.2/96 kHz) 8 channels + stereo mix (44.1/48 kHz) 4 channels (176.4/192 kHz) | Quantization bit rate | | 16/24 bit | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | Reference clock | | Internal, Word In, Video In, Digital In (AES 1-8 IN, AES A-BIN, ADAT 1-8 IN) | Type of timecode frame | | 23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF | Limiter | | Attack time: 3 ms Release time: 300 ms Threshold: –5 dBFS Ratio: 32:1 | Analogue audio inputs and outputs | The error for nominal and maximum levels is ±1dB for all input and output jacks except the PHONES jack. | ANALOG INPUT (1-8) | | D-sub 25-pin | Input impedance | | 10 kOhm | Nominal input level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG INPUT (L/A, R/B) | | XLR-3-31 (1: GND, 2: HOT, 3: COLD) | Input impedance | | 10 kOhm | Nominal input level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG OUTPUT (1-8) | | D-sub, 25-pin | Output impedance | | 100 Ohm | Nominal output level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG OUTPUT (A/B) | | XLR-3-32 (1: GND, 2: HOT, 3: COLD) | Output impedance | | 100 Ohm | Nominal output level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | PHONES connector | | 6.3-mm standard stereo jack | Maximum output power | | 45 mW + 45 mW or more (THD+N 0.1 % or less, into 32 Ohm) | Digital audio inputs and outputs | DIGITAL IN/OUT (AES/EBU) | | D-sub, 25-pin | Minimum input voltage | | 2 Vpp | Maximum input voltage | | 7 Vpp | Output voltage | | 2–5 Vpp | Format | | AES3-2003/IEC 60958-4 (AES/EBU) | DIGITAL I/O (ADAT) | | ADAT optical | Format | | ADAT | DIGITAL INPUT A-B | | XLR-3-31 | Input voltage | | 2–7 Vpp at 110 Ohm | Format | | AES3-2003 (AES/EBU) | DIGITAL OUTPUT L-R | | XLR-3-32 | Output voltage | | 2–5 Vpp at 110 Ohm | Format | | AES3-2003 (AES/EBU) | Other inputs and outputs | RS-422 | | D-sub, 9-pin | RS-232C | | D-sub, 9-pin | PARALLEL | | D-sub, 25-pin | CASCADE IN | | BNC | Input voltage | | TTL equivalent (5 V) | Input impedance | | 75 Ohm ±10 % Allowable frequency deviation of external synchronization: ± 100 ppm | CASCADE OUT | | BNC | Output voltage | | TTL equivalent (5 V) | Output impedance | | 75 Ohm ±10 % | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | TIME CODE IN | | BNC | Input voltage | | 0.5–5 Vpp | Input impedance | | 20 kOhm | TIME CODE OUT | | BNC | Output voltage | | 2–5 Vpp | Output impedance | | 600 Ohm ±10 | WORD/VIDEO IN | | BNC | Input voltage | | TTL equivalent (5 V) | Input impedance | | 75 Ohm ±10 % Allowable frequency deviation of external synchronization: ± 100 ppm | WORD/VIDEO THRU/OUT | | BNC OUT/THRU switch included (OUT is for WORD OUT only) | Output voltage | | TTL equivalent (5 V) | Output impedance | | 75 Ohm ±10 % | Sampling frequency (when using WORD) | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | ETHERNET | | RJ45 | Keyboard | | Mini-DIN (PS/2) | USB | | USB A-type, 4-pin | Protocol | | USB2.0 HIGH SPEED (480 Mbit/s) | Audio performance (analogue input to analogue outp | Frequency response | | | 20 Hz - 20 kHz | | ±0,5 dB (all sampling rates) | at 40 kHz | | +0,5 dB/–2 dB (Fs = 88.2/96 kHz) | at 80 kHz | | +0,5 dB/–5 dB (Fs = 176.4/192 kHz) | Distortion | | ≤0.005% (Reference level: –20 dB, input level: +23 dBu, 1 kHz, AES-17LPF) | S/N ratio | | ≥100 dB(A) (22 kHz LPF) | Power requirements and other specifications | Power requirements | | 100–240 V AC, 50–60 Hz | Power consumption | | 26 W | Dimensions (W x H x D) | | 483 mm x 88 mm x 288 mm | Weight | | 4.8 kg | Operating temperature range | | 5–35 °C |
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