TASCAM DR-60D MKII Handheld Recorder

231.00 incl. GR VAT

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TASCAM’s award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR’s. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR’s. Now TASCAM has designed an answer that […]

 

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TASCAM’s award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR’s. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR’s. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.

The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM’s decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.

The DR-60D is incredibly easy to use, employing TASCAM’s very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM’s Dual Record “Safety Track” Mode make the DR-60D one of the most versatile recorders on the market.

  • Record to SD/SDHC card (Up to 32GB)
  • Simultaneously record up to 4 tracks
  • Record Mode:MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
  • Recording format:44.1/48/96kHz 16/24bit (WAV/BWF)
  • TASCAM original HDDA microphone preamps
  • Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
  • Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
  • Plug-in power and high-output mic input supported on inputs 3-4
  • CAMERA OUT connector for output from the DR-60D’s mixer (adjustable gain)
  • CAMERA IN connector for sound monitoring from the camera
  • Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
  • 50mW/ch headphone output
  • Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
  • Handles protect the screen and can be used to attach a shoulder strap
  • Soft-Touch Rubber Keys for silent operation
  • HOLD switch to prevent accidental operation
  • QUICK button feature for easy access to various functions
  • 128×64 pixel LCD with backlight
  • USB 2.0 connection for high-speed transferring of files
  • Mini USB cable included
  • Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
  • Can extend battery life with BP-6AA battery pack (sold separately)
  • Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
  • Internal mixer: PAN and LEVEL controls
  • Low cut filter(40/80/120Hz)
  • Limiter (1/L and 2/R can be selected for link-operation)
  • Delay function for microphone distance adjustment (up to 150ms)
  • M-S decode function
  • Slate tone generator (AUTO/MANUAL)
  • Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
  • Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
  • File name format can be set to use a user-defined word or date
  • Dual-recording function allows two files to be recorded simultaneously at different levels
  • Auto-record function can automatically start and stop recording at set level
  • Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
  • Self-timer function for solo recording
  • New file starts recording automatically without interruption when maximum file size is reached
  • Track incrementing function allows a recording to be split by creating a new file when desired
  • Jump back and play function
  • Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
  • Resume function to memorize the playback position before the unit is turned off
  • MARK function up to 99 points per audio track
  • DIVIDE function

SPECIFICATIONS

Recording media SD card(64MB to 2GB), SDHC card(4GB to 32GB)
Recording format
WAV 44.1/48/96kHz, 16/24bit
BWF 44.1/48/96kHz, 16/24bit
Number of channels 4channel (stereo x2)
Analog audio input
1/L, 2/R connectors
Connector XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack
Set to “MIC / MIC+PHANTOM“
Input impedance 2k ohms
Phantom power 48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH)
Maximum input level 0dBu
Minimum input level -72dBu
MIC input gain TRIM MAX
LOW +11dB
MID +36dB
HIGH +52dB
Set to “LINE“
Input impedance 10k ohms or more
Standard input level +4dBu
Maximum input level +24dBu
3-4 connector
Connector 3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power)
Input impedance 10k ohms
Maximum input level +10dBV
Minimum input level -50dBV
MIC input gain TRIM MAX
LOW +3dB
HIGH +26dB
CAMERA IN connector
Connector 3.5mm (1/8“) stereo mini jack
Input impedance 10k ohms
Standard input level -10dBV
Maximum input level +6dBV
Analog audio output
CAMERA OUT connector
Connector 3.5mm (1/8“) stereo mini jack
Output impedance 200 ohms
Standard output level -50dBV
Maximum output level -30dBV
LINE OUT connector
Connector 3.5mm (1/8“) stereo mini jack
Output impedance 200 ohms
Standard output level -10dBV
Maximum output level +10dBV
PHONES connector
Connector 3.5mm (1/8“) stereo mini jack
Maximum output level 50mW + 50mW
USB
Connector Mini-B type
Format USB2.0 HIGH SPEED mass storage class
REMOTE
Connector 2.5mm TRS jack
Power Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately)
Power consumption 5.4W
Continuous operation time 2ch WAV, 44.1kHz, 16bit rec
DR-60D
Alkaline batteries (EVOLTA) About 2:30 min (Phantom on)
About 4:30 min (Phantom off)
NI-MH batteries (eneloop) About 3:15 min (Phantom on)
About 5:00 min (Phantom off)
NI-MH batteries (eneloop pro) About 3:45 min (Phantom on)
About 6:00 min (Phantom off)
DR-60D+BP-6AA
Alkaline batteries (EVOLTA) About 5:30 min (Phantom on)
About 10:30 min (Phantom off)
NI-MH batteries (eneloop) About 7:30 min (Phantom on)
About 12:00 min (Phantom off)
NI-MH batteries (eneloop pro) About 9:30 min (Phantom on)
About 14:30 min (Phantom off)
Dimensions 133(W)×93.2(H)×78(D)mm (with the top adapter attached)
Weight 510g (not including batteries)
Operating temperature 0˚C to 40˚C
Standard accessories USB cable, warranty card, Owner’s manual
Computer compatibility
Windows
OS Windows XP, Windows Vista, Windows 7, Windows 8
CPU Pentium 300MHz or more
RAM 128MB or more
USB recommended: USB2.0
Macintosh
OS Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8)
CPU Power PC, iMac, G3, G4 266MHz or more
64MB or more
USB recommended: USB2.0
Audio performance
Frequency response 20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA)
Distortion 0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
S/N ratio 92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
Equivalent input noise -120dBu or more

Recording duration

The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.

File format(recording setting) SD/SDHC card capacity(hours:mintes)
1GB 2GB 4GB 8GB
WAV/BWF 16bit(STEREO) 44.1kHz 1:41 3:22 6:44 13:28
48kHz 1:33 3:06 6:12 12:24
96kHz 0:46 1:33 3:06 6:12
WAV/BWF 24bit(STEREO) 44.1kHz 1:07 2:15 4:30 9:00
48kHz 1:02 2:04 4:08 8:16
96kHz 0:31 1:02 2:04 4:08
  • The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
  • The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
  • If recorded in mono in WAV files, the maximum recording time will be double the figures above.
  • For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
Weight 1.00 kg

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TASCAM DR-60D MKII Handheld Recorder removeAPOGEE X-VID EXPANSION CARD FOR Video I/O for Big Ben removeKORG TMR-50 PW Digital metronome, tuner and recorder removeDIGIDESIGN Pro Tools Custom Keyboard — Mac removeTASCAM RC-HS2OPD Remote Control for HS-8 removeFOCUSRITE LIQUID MIX HD Plugin for Pro Tools HD remove
NameTASCAM DR-60D MKII Handheld Recorder removeAPOGEE X-VID EXPANSION CARD FOR Video I/O for Big Ben removeKORG TMR-50 PW Digital metronome, tuner and recorder removeDIGIDESIGN Pro Tools Custom Keyboard — Mac removeTASCAM RC-HS2OPD Remote Control for HS-8 removeFOCUSRITE LIQUID MIX HD Plugin for Pro Tools HD remove
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Description
ContentTASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for. The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage. The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
  • Record to SD/SDHC card (Up to 32GB)
  • Simultaneously record up to 4 tracks
  • Record Mode:MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
  • Recording format:44.1/48/96kHz 16/24bit (WAV/BWF)
  • TASCAM original HDDA microphone preamps
  • Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
  • Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
  • Plug-in power and high-output mic input supported on inputs 3-4
  • CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
  • CAMERA IN connector for sound monitoring from the camera
  • Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
  • 50mW/ch headphone output
  • Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
  • Handles protect the screen and can be used to attach a shoulder strap
  • Soft-Touch Rubber Keys for silent operation
  • HOLD switch to prevent accidental operation
  • QUICK button feature for easy access to various functions
  • 128x64 pixel LCD with backlight
  • USB 2.0 connection for high-speed transferring of files
  • Mini USB cable included
  • Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
  • Can extend battery life with BP-6AA battery pack (sold separately)
  • Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
  • Internal mixer: PAN and LEVEL controls
  • Low cut filter(40/80/120Hz)
  • Limiter (1/L and 2/R can be selected for link-operation)
  • Delay function for microphone distance adjustment (up to 150ms)
  • M-S decode function
  • Slate tone generator (AUTO/MANUAL)
  • Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
  • Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
  • File name format can be set to use a user-defined word or date
  • Dual-recording function allows two files to be recorded simultaneously at different levels
  • Auto-record function can automatically start and stop recording at set level
  • Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
  • Self-timer function for solo recording
  • New file starts recording automatically without interruption when maximum file size is reached
  • Track incrementing function allows a recording to be split by creating a new file when desired
  • Jump back and play function
  • Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
  • Resume function to memorize the playback position before the unit is turned off
  • MARK function up to 99 points per audio track
  • DIVIDE function
SPECIFICATIONS
Recording media SD card(64MB to 2GB), SDHC card(4GB to 32GB)
Recording format
WAV 44.1/48/96kHz, 16/24bit
BWF 44.1/48/96kHz, 16/24bit
Number of channels 4channel (stereo x2)
Analog audio input
1/L, 2/R connectors
Connector XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack
Set to "MIC / MIC+PHANTOM“
Input impedance 2k ohms
Phantom power 48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH)
Maximum input level 0dBu
Minimum input level -72dBu
MIC input gain TRIM MAX
LOW +11dB
MID +36dB
HIGH +52dB
Set to "LINE“
Input impedance 10k ohms or more
Standard input level +4dBu
Maximum input level +24dBu
3-4 connector
Connector 3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power)
Input impedance 10k ohms
Maximum input level +10dBV
Minimum input level -50dBV
MIC input gain TRIM MAX
LOW +3dB
HIGH +26dB
CAMERA IN connector
Connector 3.5mm (1/8“) stereo mini jack
Input impedance 10k ohms
Standard input level -10dBV
Maximum input level +6dBV
Analog audio output
CAMERA OUT connector
Connector 3.5mm (1/8“) stereo mini jack
Output impedance 200 ohms
Standard output level -50dBV
Maximum output level -30dBV
LINE OUT connector
Connector 3.5mm (1/8“) stereo mini jack
Output impedance 200 ohms
Standard output level -10dBV
Maximum output level +10dBV
PHONES connector
Connector 3.5mm (1/8“) stereo mini jack
Maximum output level 50mW + 50mW
USB
Connector Mini-B type
Format USB2.0 HIGH SPEED mass storage class
REMOTE
Connector 2.5mm TRS jack
Power Four AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
Power consumption 5.4W
Continuous operation time 2ch WAV, 44.1kHz, 16bit rec
DR-60D
Alkaline batteries (EVOLTA) About 2:30 min (Phantom on) About 4:30 min (Phantom off)
NI-MH batteries (eneloop) About 3:15 min (Phantom on) About 5:00 min (Phantom off)
NI-MH batteries (eneloop pro) About 3:45 min (Phantom on) About 6:00 min (Phantom off)
DR-60D+BP-6AA
Alkaline batteries (EVOLTA) About 5:30 min (Phantom on) About 10:30 min (Phantom off)
NI-MH batteries (eneloop) About 7:30 min (Phantom on) About 12:00 min (Phantom off)
NI-MH batteries (eneloop pro) About 9:30 min (Phantom on) About 14:30 min (Phantom off)
Dimensions 133(W)×93.2(H)×78(D)mm (with the top adapter attached)
Weight 510g (not including batteries)
Operating temperature 0˚C to 40˚C
Standard accessories USB cable, warranty card, Owner's manual
Computer compatibility
Windows
OS Windows XP, Windows Vista, Windows 7, Windows 8
CPU Pentium 300MHz or more
RAM 128MB or more
USB recommended: USB2.0
Macintosh
OS Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4), Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7), OS X Mountain Lion(V10.8)
CPU Power PC, iMac, G3, G4 266MHz or more
64MB or more
USB recommended: USB2.0
Audio performance
Frequency response 20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA) 20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA)
Distortion 0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
S/N ratio 92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
Equivalent input noise -120dBu or more
Recording duration The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format(recording setting) SD/SDHC card capacity(hours:mintes)
1GB 2GB 4GB 8GB
WAV/BWF 16bit(STEREO) 44.1kHz 1:41 3:22 6:44 13:28
48kHz 1:33 3:06 6:12 12:24
96kHz 0:46 1:33 3:06 6:12
WAV/BWF 24bit(STEREO) 44.1kHz 1:07 2:15 4:30 9:00
48kHz 1:02 2:04 4:08 8:16
96kHz 0:31 1:02 2:04 4:08
  • The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
  • The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
  • If recorded in mono in WAV files, the maximum recording time will be double the figures above.
  • For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.

The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.

The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal


•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal

•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently

 

Features
  • Support for PAL, NTSC and 60 Hz B&W standards
  • One composite video input and three composite video outputs
  • Can operate as a master black-burst generator
  • Can operate as genlocking slave device

 

Tuner + Metronome + Recorder - All in One Unit! The TMR-50 - Your Ideal Practice Partner Highlights:
  • Tuner, metronome, and recorder can be used simultaneously or independently.
  • Internal mic and speaker make it easy to record and play back your performance
  • Loop Play function lets you repeat a desired region of a recorded track
  • High-quality linear PCM recording/playback
  • Record up to 100 tracks (approximately total 20 minutes)
  • USB port lets you transfer recorded data and song files between the TMR-50 and your computer
  • Newly designed highly responsive LCD needle-type meter
  • Wide detection range from C1 to C8
  • The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
  • The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
  • Calibration supports a range of concert pitches
  • Marks indicate pure major and minor third intervals
  • Wide tempo range of 30--252 beats per minute
  • 15 rhythm variations let you practice with a broad range of musical styles
  • Easy tempo settings with two types of tempo step patterns plus a tap tempo function
  • Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
  • Your choice of body color: black or pearl white
  • Convenient key layout, and newly designed stand and battery cover
  • Memory Backup and Auto Power Off
Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing. Specifications Recording format: PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit Available recording time: Maximum approx. 20 minutes (Internal Memory size is 120 MB) Total number of tracks: Up to 100 tracks Tuning: 12 note equal temperament Detection range: C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave. Reference tone: C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave. Tuning Mode: Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO) Calibration range: A4 = 410 ~ 480 Hz (1 Hz steps) Detection accuracy: +/- 1 cent Sound precision: +/-1 cent Tempo range: Quarter Note = 30 to 252 BPM Tempo setting: 3 Types:       Pendulum Step Full Step Tap Tempo Beat range: Total 10 beats: "0 to 9" as "Quarter-note" Rhythm Rhythm pattern: Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats Tempo accuracy: ±0.3% Terminals: Input (f6.3mm, Mono-Standard Jack type) Headphones (f3.5mm, Stereo-mini Jack type) USB (mini-Type B) Internal Speaker: Dynamic Speaker (f28 mm) Power (Battery): AAA battery (3.0 V) x 2 Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride Battery Life: Recorder ... Approximately 16/13/11 hours (Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per recording.) Tuner ... Approximately 24/22/20 hours (Backlight: off/soft/auto, A4 continuous input, using alkaline batteries) Metronome ... Approximately 18/16/14 hours (Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries) Dimensions (W x D x H): 111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches Weight: 119 g / 4.19 oz (Including battery) Included items: AAA battery (3.0 V) x 2 for verifying proper operation USB Cable Options: Contact Mic = CM-100L Computer Requirements Windows: A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port Macintosh: Mac OS X 10.5 or later

Work faster in your Pro Tools® environment with direct access to primary transport and editing functions. This affordable Digidesign® Pro Tools Custom Keyboard uses the same symbols and color coding system built into the ICON D-Control™ worksurface and other Digidesign control surfaces while retaining all the conventional alphanumeric labels that appear on standard computer keyboards.

With functionality specific to Mac systems, the keyboard features plug-and-play USB connectivity.

Features

  • Text and icons for main Pro Tools custom key commands, in addition to standard keyboard alphanumeric lettering
  • Based on Apple Mac G5 Pro Keyboard
  • Two USB ports and USB connection cord

System Requirements
  • Digidesign-qualified Mac-based Pro Tools|HD®, Pro Tools LE™, or Pro Tools M-Powered™ system. (Note that some key commands are available only with Pro Tools HD software or with the DV Toolkit™ 2 option for Pro Tools LE.)

Main Features

    * Colour TFT touch screen interface
    * 20 illuminated flash start keys

    * Up to 100 tracks available for flash start through touch screen
    * Transport and Online buttons recessed to prevent accidental operation
    * 100-mm fader with fader start capability and 0-dB lock
    * Monitor speaker and headphones output for monitoring
    * CAT6 connection to HS-2 and HS-8


Liquid Mix HDLiquid Mix HD | TDM Plugin for Pro Tools HD

Key Features
Variety of Classic Emulations
40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
Dynamic Convolution Technology
The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations.
Ultra-Low Latency for Recording
With the ultra-low latency of Liquid Mix HD (just 12 samples), it can now be used for recording and live sound applications
Optimised for Pro Tools HD
Over one hundred simultaneous mono instances can be run at 44.1/48kHz on an HD3 system.
Full Control Surface Mapping
Pro Tools TDM format ensures full control mapping on all major Pro Tools control surfaces, including ICON and VENUE.
Unique Hybrid Super EQ
Create your own totally unique 7-band super EQ, built out of separate classic EQ bands.
Compressor 'Free' Mode
Vintage compressors with limited controls can now be set to provide fully variable Attack, Release and Ratio.
Automation and Full Recall
Perfect integration with Pro Tools HD allows for automation of parameters and full recall within your session.

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Weight 1.00 kg
Weight 1.00 kg