TASCAM DR-40 digital portable MP3 recorder

Main Features


    * Portable, high-quality handheld recording
    * Compact size and easy operation
    * Uses a SD/SDHC card as recording medium (2 GB included)
    * Supported audio formats:
          o Linear PCM (WAV format) at 44.1/48/96 kHz and 16/24-bit
          o Compressed (MP3 format): 32–320 kbit/s at 44.1/48 kHz (VBR files can be played but not recorded)

Recording features

    * Built-in cardioid stereo condenser microphone
          o Accepts high sound pressure level
          o Easy setup (AB and XY configuration supported)
          o XY configuration allows mono compatible recordings and high sound localization acuity (lively interviews or field recordings with ambience)
          o Good directivity and channel separation
          o Ideal for live music and field recording, news gathering, music training etc.
    * Stereo XLR/TRS mic/line input with phantom power (supports +4 dB line level input)
    * 4-track recording
          o Create two stereo recordings from the built-in microphones and the external mic/line input at the same time
          o Create two stereo recordings with different level settings from the built-in microphones or external mic/line input at the same time
          o Non-destructive overdub: Record a mix of one or two stereo playback files and a stereo input signal to a new stereo file or record only the input signal while playing back one stereo file
          o Mixdown feature with level, pan and effect controls for each track (creates a stereo track from a 4-track recording)
    * MS decoder for recordings created with mid/side microphone configuration
    * Switchable low-cut filter (40 Hz, 80 Hz, 120 Hz)
    * Manual or automatic recording level setting
    * Three Options of automatic level control during recording: Peak Reduction, Auto Level, Limiter
    * Pre-recording buffer (2 seconds) allows a recording to start before the record key is pressed
    * Auto recording start and stop by input level
    * Self-timer allows a recording to start 5 or 10 seconds after pressing the RECORD button

    * Create a new file during recording (manually or by file size)
    * Mark function (manual or automatic, up to 99 marks for each file)

Playback features

    * Automatic level align allows to increase the perceived overall sound pressure during playback
    * Variable speed audition to change the playback tempo without affecting the key (50–150 %)
    * Repeat function (repeat one track or all tracks)
    * Loop function (repeat a marked section)
    * Playlist feature to play files in a certain order
    * Resume function (start playback from the audio position where the unit was last stopped)
    * Flash back function to instantly review playback (1–10, 20, 30 seconds)
    * EQ for tone control during playback
    * MP3 ID3 tag display (up to version 2.4)
    * Built-in monitor loudspeaker
    * Headphones/Line output

Other features

    * Built-in reverb effect (6 presets, can be applied to input or output signal)
    * Chromatic tuner function to tune your instrument
    * File divide function to cut unwanted noise or to extract parts from long recordings (WAV format only)
    * Folder management to organize your files
    * Hold function to avoid inadvertent operation
    * Clear, backlit LC display
    * USB 2.0 port for file transfer to/from computer
    * Power supply by 3 AA size Alkaline or NiMH batteries (up to 15 hours continuous operation with phantom power off), USB bus power or optional AC adapter (Tascam PS-P515U)
    * Stand adapter (¼ inch) on bottom side to attach the unit to a tripod or microphone stand
    * Optional footswitch (RC-3F) and wired remote control (RC-10)

Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner

Highlights:

• Tuner, metronome, and recorder can be used simultaneously or independently.
  
• Internal mic and speaker make it easy to record and play back your performance
  
• Loop Play function lets you repeat a desired region of a recorded track
  
• High-quality linear PCM recording/playback
  
• Record up to 100 tracks (approximately total 20 minutes)
  
• USB port lets you transfer recorded data and song files between the TMR-50 and your computer
  
• Newly designed highly responsive LCD needle-type meter
  
• Wide detection range from C1 to C8
  
• The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
  
• The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
  
• Calibration supports a range of concert pitches
  
• Marks indicate pure major and minor third intervals
  
• Wide tempo range of 30--252 beats per minute
  
• 15 rhythm variations let you practice with a broad range of musical styles
  
• Easy tempo settings with two types of tempo step patterns plus a tap tempo function
  
• Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
  
• Your choice of body color: black or pearl white
  
• Convenient key layout, and newly designed stand and battery cover
  
• Memory Backup and Auto Power Off
  

Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.

Recording format:

PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit

Available recording time:

Maximum approx. 20 minutes (Internal Memory size is 120 MB)

Total number of tracks:

Up to 100 tracks

Tuning:

12 note equal temperament

Detection range:

C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.

Reference tone:

            C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.

Tuning Mode:

            Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)

Calibration range:

A4 = 410 ~ 480 Hz (1 Hz steps)

Detection accuracy:

+/- 1 cent

Sound precision:

+/-1 cent

Tempo range:

Quarter Note = 30 to 252 BPM

Tempo setting:

3 Types:       Pendulum Step

Full Step

Tap Tempo

Beat range:

            Total 10 beats: "0 to 9" as "Quarter-note" Rhythm

Rhythm pattern:

Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats

Tempo accuracy:

±0.3%

Terminals:

            Input (f6.3mm, Mono-Standard Jack type)

            Headphones (f3.5mm, Stereo-mini Jack type)           

            USB (mini-Type B)      

Internal Speaker:

            Dynamic Speaker (f28 mm)                                                             

Power (Battery):

AAA battery (3.0 V) x 2

Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride

Battery Life:

Recorder ... Approximately 16/13/11 hours

(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per

recording.)

Tuner ... Approximately 24/22/20 hours

(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)

Metronome ... Approximately 18/16/14 hours

(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)

Dimensions (W x D x H):

111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches

Weight:

119 g / 4.19 oz (Including battery)

Included items:

AAA battery (3.0 V) x 2 for verifying proper operation

USB Cable

Options:

            Contact Mic = CM-100L

Computer Requirements

Windows:

A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port

Macintosh:

The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required.
With excellent quality (up to 24-bit / 192KHz recording - a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features.

• Recording industry standard, PC-compatible BWF files (stereo/mono) on a FAT32 media format
• Up to 24-bit/192kHz uncompressed recording
• Includes a unique 22.05kHz sampling frequency setting for extended recording
• Records to both Type I & II CompactFlash cards and PCMCIA 1.8” hard disk drives*1
• Fostexʼs "File per Take” system with auto scene & take naming/increment
• Two balanced XLR microphone inputs with switchable phantom power and top quality, high headroom mic pre-amps
• 132 x 64 dot matrix LCD screen for ease of use & high visibility in the field
• Uses AA-sized rechargeable NiMH batteries which are widely available due to the popularity of digital cameras. 8 AA cells will provide approximately 2.5 hours operation when recording to a CF card
• Easy file transfer to PC/Mac via PCMCIA, CF adaptor or standard on-board USB connection for data editing and/or backup*2
• Quick and easy on-board file naming or via external keyboard through standard USB keyboard port
• “Pre-record” loop buffer of approximately 10 seconds*3
• Easy software update via CF or PCMCIA card with downloads from the internet
• Optional timecode generator / reader card
  
  Notes
  *1 May require software update for PCMCIA HD operation
  *2 Complies with Windows ME/2000/XP, Mac OS 10.2 or higher
  *3 Varies depending on sampling frequency“

• GENERAL
  Recording Media CompactFlash card, PCMCIA HD
  Recording Format BWF
  Number of Channels Stereo / Mono
  Sampling Frequency 22.05 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
  Quantization 16 bit (22.05 - 48kHz), 24 bit (44.1 - 192kHz)
  
• PHYSICAL
  Power Requirement 8 x AA type dry cell (NiMH recommended)
  AC adaptor (optional)
  DC 12V
  Power Consumption approx. 5W
  Dimension 250(W) x 77(H) x 220(D) mm
  Weight 1.5kg (w/out battery)
  
• PERFORMANCE
  R/P Frequency Response 20Hz to 10kHz +/-1dB (fs: 22.05kHz)
  20Hz to 20kHz +/-1dB (fs: 44.1 / 48kHz)
  20Hz to 40kHz +/-2dB (fs: 88.2 / 96kHz)
  20Hz to 80kHz +/-3dB (fs: 176.4 / 192kHz)
  S/N (ADC-DAC, 24-bit, ref: -20dB, fs:48kHz)
  Line (input gain: +4dBu): 100dB (typical)
  Mic: (input gain: -60dBu): 87dB (typical)
  Dynamic Range 100dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical
  T.H.D. (ADC-DAC, 24-bit, ref:-20dB, fs:48kHz)
  Line (input gain: +4dBu): Less than 0.005% (at 1kHz, -1dB typical)
  Mic (input gain: -60dBu): Less than 0.008% (at 1kHz, -1dB typical)
  Power Life approx. 2 hours 30 min. (8 x AA NiMH type/2300mAH)
  
• INPUT / OUTPUT CONNECTORS
  ANALOG AUDIO INPUT L/R
  Connector XLR-3-31 type (Pin2: Hot)
  Line Input Impedance : More than 6k ohm
  Reference Input Level +4dBu
  Maximum Input Level +24dBu (Trim: +4dBu, at the prefader stage)
  MIC
  Input Impedance More than 6k ohm
  Input Level -60dBu
  Maximum Input Level -40dBu (Trim: +4dBu, at the prefader stage)
  Phantom Power P48
  ANALOG AUDIO OUTPUT L(Mono)/R
  Connector RCA pin type
  Output Load Impedance more than 10k ohm
  Nominal Output Level +4dBu
  HEADPHONE OUTPUT 50 + 50mW (32 ohm)
  Max Speaker Output Level 1W
  DIGITAL INPUT/OUTPUT (except for 176.4, 192kHz)
  Connector XLR
  Input Format S/P DIF / AES/EBU automatic
  Output Format S/P DIF / AES/EBU switchable
  USB x 2 (keyboard / PC only)
  TIMECODE CARD (OPTIONAL, T.B.A.)
  LTC Input/Output LEMO
  Frame Rate 23.976/24/25/29.97DF/29.97ND/30DF/30ND
  Gen Mode 24H RUN / REC RUN / FREE RUN / EXT RUN

The TASCAM SS-200 Solid State Recorder - designed for the Broadcast and Contractor markets - record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O.  It supports the RC-20 direct play remote for up to 20 tracks of flash start.

• Solid state recoding to any available Media (CF, SD/SDHC, USB Memory)
• One-rack-space compact design
• Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
• PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
• RS-232C and Parallel Control I/O
• Multiple playback modes for situations requiring continuous, single, programmed and random playback
• Playback speed control without pitch change
• XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
• Dimensions (W x H x D): 19 x 1.8 x 11.9 (in)  482.6 x 44.5 x 301 (mm)
• Weight:  7.50 (lbs)  3.4(kg)

Connect

Multiple units can be daisy-chained over the FireWire bus, or kept in sync using the DIN connectors when recording on multiple USB devices, making iCE-16 the perfect companion for both small and large analogue consoles such as our acclaimed ZED, MixWizard and GL mixers. Plug into your desk Direct Outs or use a mix of Groups and Aux sends to save on channels.

Record

The USB DRIVE is automatically detected and checked by the system. Starting the recording is as simple as pushing a button. Remove and plug the key into a computer to access or transfer the WAV files to any DAW.

Interface

Removing the USB stick or powering up the unit without one enables the USB / FireWire interface. Signals present at the inputs will be sent to the Mac or PC on channels 1-16. WDM/ASIO drivers and USB2.0 class compliance ensure full compatibility with most DAWs, including Logic, Sonar, Cubase and Pro Tools.
Play

Fancy a ʽvirtual soundcheckʼ or just need to play cues during a live gig? Tracks can be played back directly from the USB drive and full multichannel audio can be sent from the computer to the ICE-16 analogue Outputs.