Content | 6-track Portable Multi-track Recorder
CD-Quality Recording (44.1kHz/16-bit)
Easy, Intuitive User interface
Built-in High-quality Stereo Condenser Microphone
Two Mic/Line inputs
Compact size and ultra light weight (360g/0.79lb without batteries)
Dedicated Level and Pan/Balance controls per track
Recording media: SD/SDHC card up to 32GB (2GB SD card included)
Recording: 2 tracks simultaneous
Playback: 6 tracks simultaneously
Power: Four AA batteries or optional AC adapter (PS-P520), optional external battery pack(BP-6AA)
Graphic LCD (128 x 64 dots)
Chromatic Tuner/Metronome
USB 2.0 Connection for Wav File import/export (Stereo and Mono)
Undo/Redo (includes Undo history)
Tripod socket hole
Auto punch in/out
Footswitch input
Dedicated stereo mix-down track
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The APH-2n optional accessory pack includes seven tools for use with the H2n. The remote control can be used to start, stop and pause recordings as well as to add marks. The other accessories in the pack are a windscreen that reduces wind and breath noise, a mic clip adapter for use with a mic stand, a tabletop tripod with extendable legs, a padded-shell case, an AC adapter and a USB cable. |
The DNRP-WRC provides two button record control and visual status indication of a connected Denon® DN-F450R/F650R recorder.
The mouse sized unit, once connecte to the recorder using its integral 5 metre lead, can be placed in a convenient location on a board/ meeting room table to allow the recording of conferences and discussions. Visual indication of recorder status is provided by high brightness red and green indicators located around the RECORD button, which show STOP, PLAY, PLAY PAUSE, PLAY F.FWD, PLAY F.REV, CARD ERROR, RECORD and RECORD PAUSE. The two button control allows the recorder to be placed into record mode, create a new record mark and stop the recording process.
The DNRP-WRC is primarily for the simple control of audio recording in areas where conversations, discussions or conferences are taking place. The unit allows the DNF450R/F650R recorder to be placed out of sight to prevent media tampering or access to all the recorder controls.
- Simple unobtrusive controller for the recording of audio in board/meeting rooms
- Easy connection to Denon DN-F450R/F650R recorder serial (RS232) port
- Provides bright visual indication of STOP, PLAY, PLAY PAUSE, PLAY F.FWD, PLAY F.REV, CARD ERROR, RECORD and RECORD PAUSE
- RECORD and STOP buttons allow simple control without the need to access the recorder
- Ergonomic visually pleasing design with internal weight to prevent table slip
- Ultra low power consumption, no need for additional power adaptor
- Fully sealed label provides protection against drink spills
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For users of just about any TASCAM multitrack, the RC-30P is a wonderful timesaver. Punching in on recordings by hand means you're not ready to play right away. The RC-30P lets you play straight through. While automated punch-ins available on some recorders are also helpful, most punches can be done with the simple and efficient precision of the RC-30P, saving you time.
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Specifications General | Recording media | | CompactFlash (CF) card | File system | | FAT32 | Recording format | | BWF (Monophonic, Polyphonic) | Number of channels | | 8 channels (44.1/48/88.2/96 kHz) 8 channels + stereo mix (44.1/48 kHz) 4 channels (176.4/192 kHz) | Quantization bit rate | | 16/24 bit | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | Reference clock | | Internal, Word In, Video In, Digital In (AES 1-8 IN, AES A-BIN, ADAT 1-8 IN) | Type of timecode frame | | 23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF | Limiter | | Attack time: 3 ms Release time: 300 ms Threshold: –5 dBFS Ratio: 32:1 | Analogue audio inputs and outputs | The error for nominal and maximum levels is ±1dB for all input and output jacks except the PHONES jack. | ANALOG INPUT (1-8) | | D-sub 25-pin | Input impedance | | 10 kOhm | Nominal input level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG INPUT (L/A, R/B) | | XLR-3-31 (1: GND, 2: HOT, 3: COLD) | Input impedance | | 10 kOhm | Nominal input level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG OUTPUT (1-8) | | D-sub, 25-pin | Output impedance | | 100 Ohm | Nominal output level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG OUTPUT (A/B) | | XLR-3-32 (1: GND, 2: HOT, 3: COLD) | Output impedance | | 100 Ohm | Nominal output level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | PHONES connector | | 6.3-mm standard stereo jack | Maximum output power | | 45 mW + 45 mW or more (THD+N 0.1 % or less, into 32 Ohm) | Digital audio inputs and outputs | DIGITAL IN/OUT (AES/EBU) | | D-sub, 25-pin | Minimum input voltage | | 2 Vpp | Maximum input voltage | | 7 Vpp | Output voltage | | 2–5 Vpp | Format | | AES3-2003/IEC 60958-4 (AES/EBU) | DIGITAL I/O (ADAT) | | ADAT optical | Format | | ADAT | DIGITAL INPUT A-B | | XLR-3-31 | Input voltage | | 2–7 Vpp at 110 Ohm | Format | | AES3-2003 (AES/EBU) | DIGITAL OUTPUT L-R | | XLR-3-32 | Output voltage | | 2–5 Vpp at 110 Ohm | Format | | AES3-2003 (AES/EBU) | Other inputs and outputs | RS-422 | | D-sub, 9-pin | RS-232C | | D-sub, 9-pin | PARALLEL | | D-sub, 25-pin | CASCADE IN | | BNC | Input voltage | | TTL equivalent (5 V) | Input impedance | | 75 Ohm ±10 % Allowable frequency deviation of external synchronization: ± 100 ppm | CASCADE OUT | | BNC | Output voltage | | TTL equivalent (5 V) | Output impedance | | 75 Ohm ±10 % | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | TIME CODE IN | | BNC | Input voltage | | 0.5–5 Vpp | Input impedance | | 20 kOhm | TIME CODE OUT | | BNC | Output voltage | | 2–5 Vpp | Output impedance | | 600 Ohm ±10 | WORD/VIDEO IN | | BNC | Input voltage | | TTL equivalent (5 V) | Input impedance | | 75 Ohm ±10 % Allowable frequency deviation of external synchronization: ± 100 ppm | WORD/VIDEO THRU/OUT | | BNC OUT/THRU switch included (OUT is for WORD OUT only) | Output voltage | | TTL equivalent (5 V) | Output impedance | | 75 Ohm ±10 % | Sampling frequency (when using WORD) | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | ETHERNET | | RJ45 | Keyboard | | Mini-DIN (PS/2) | USB | | USB A-type, 4-pin | Protocol | | USB2.0 HIGH SPEED (480 Mbit/s) | Audio performance (analogue input to analogue outp | Frequency response | | | 20 Hz - 20 kHz | | ±0,5 dB (all sampling rates) | at 40 kHz | | +0,5 dB/–2 dB (Fs = 88.2/96 kHz) | at 80 kHz | | +0,5 dB/–5 dB (Fs = 176.4/192 kHz) | Distortion | | ≤0.005% (Reference level: –20 dB, input level: +23 dBu, 1 kHz, AES-17LPF) | S/N ratio | | ≥100 dB(A) (22 kHz LPF) | Power requirements and other specifications | Power requirements | | 100–240 V AC, 50–60 Hz | Power consumption | | 26 W | Dimensions (W x H x D) | | 483 mm x 88 mm x 288 mm | Weight | | 4.8 kg | Operating temperature range | | 5–35 °C |
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Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner
Highlights:
- Tuner, metronome, and recorder can be used simultaneously or independently.
- Internal mic and speaker make it easy to record and play back your performance
- Loop Play function lets you repeat a desired region of a recorded track
- High-quality linear PCM recording/playback
- Record up to 100 tracks (approximately total 20 minutes)
- USB port lets you transfer recorded data and song files between the TMR-50 and your computer
- Newly designed highly responsive LCD needle-type meter
- Wide detection range from C1 to C8
- The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
- The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
- Calibration supports a range of concert pitches
- Marks indicate pure major and minor third intervals
- Wide tempo range of 30--252 beats per minute
- 15 rhythm variations let you practice with a broad range of musical styles
- Easy tempo settings with two types of tempo step patterns plus a tap tempo function
- Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
- Your choice of body color: black or pearl white
- Convenient key layout, and newly designed stand and battery cover
- Memory Backup and Auto Power Off
Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.
Specifications
Recording format:
PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit
Available recording time:
Maximum approx. 20 minutes (Internal Memory size is 120 MB)
Total number of tracks:
Up to 100 tracks
Tuning:
12 note equal temperament
Detection range:
C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.
Reference tone:
C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.
Tuning Mode:
Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)
Calibration range:
A4 = 410 ~ 480 Hz (1 Hz steps)
Detection accuracy:
+/- 1 cent
Sound precision:
+/-1 cent
Tempo range:
Quarter Note = 30 to 252 BPM
Tempo setting:
3 Types: Pendulum Step
Full Step
Tap Tempo
Beat range:
Total 10 beats: "0 to 9" as "Quarter-note" Rhythm
Rhythm pattern:
Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats
Tempo accuracy:
±0.3%
Terminals:
Input (f6.3mm, Mono-Standard Jack type)
Headphones (f3.5mm, Stereo-mini Jack type)
USB (mini-Type B)
Internal Speaker:
Dynamic Speaker (f28 mm)
Power (Battery):
AAA battery (3.0 V) x 2
Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride
Battery Life:
Recorder ... Approximately 16/13/11 hours
(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per
recording.)
Tuner ... Approximately 24/22/20 hours
(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)
Metronome ... Approximately 18/16/14 hours
(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)
Dimensions (W x D x H):
111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches
Weight:
119 g / 4.19 oz (Including battery)
Included items:
AAA battery (3.0 V) x 2 for verifying proper operation
USB Cable
Options:
Contact Mic = CM-100L
Computer Requirements
Windows:
A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port
Macintosh:
Mac OS X 10.5 or later
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