Content | Specifications:
- Recording media: SD card(64MB to 2GB), SDHC card(4GB to 32GB), SDXC card(48GB to 128GB)
- Recording format
• WAV: 44.1k / 48k / 96k Hz, 16bit / 24bit
• BWF: 44.1k / 48k / 96k Hz, 16bit / 24bit
- Number of channels: 4-channel (stereo × 2, mono × 4)
- Analog audio input
• Connector: XLR-3-31 (1:GND, 2:HOT, 3:COLD) / 6.3mm(1/4“)TRS standard jack
Set to "MIC / MIC+PHANTOM“
• Input impedance: 2k ohms
• Phantom power: 48V +/-4V(10mA/CH), 24V +/-4V(10mA/CH)
• Maximum input level: 0dBu
• Minimum input level: -72dBu
• MIC input gain: TRIM MAX
• LOW: +11dB
• HIGH: +51dB
• HI + PLUS: +63dB
• Input impedance: 10k ohms or more
• Standard input level: +4dBu
• Maximum input level: +20dBu
• Connector: 3.5mm(1/8“)stereo mini jack (this connector can be supplied plug-in power)
• Input impedance: 10k ohms
• Maximum input level: +10dBV
• Minimum input level: -50dBV
• MIC input gain: TRIM MAX
• LOW: +3dB
• HIGH: +26dB
• HI + PLUS: +38dB
• Connector: 3.5mm(1/8“)stereo mini jack
• Input impedance: 10k ohms
• Standard input level: -10dBV
• Maximum input level: +6dBV
Analog audio output
• Connector: 3.5mm(1/8“)stereo mini jack
• Output impedance: 200 ohms
• Standard output level: -10dBV
• Maximum output level: +6dBV
• Connector: 3.5mm(1/8“)stereo mini jack
• Output impedance: 200 ohms
• Standard output level: -40dBV
• Maximum output level: -24dBV
• Connector: 3.5mm(1/8“)stereo mini jack
• Maximum output level: 20mW + 20mW
USB
• Connector: Micro-B type
• Format: USB2.0 HIGH SPEED mass storage class
- REMOTE Connector: 2.5mm TRS jack
- Power: 4 AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
- Power consumption: 5.0W
- Continuous operation time: 2ch WAV, 44.1kHz, 16bit rec, Phantom power not used
- Dimensions: 169(W)×55.2(H)×106.5(D)mm (with the top adapter attached)
- Weight: 625g ( including batteries) / 530g (without batteries )
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The KORE 64™ ROM option represents a complete expansion and reimagining of the PC3 and PC3K's sonic potential (not for the PC3LE). Pushing the limits of V.A.S.T. synthesis for both realistic and experimental electronic sounds, KORE 64™ adds over 300 new programs, including stunning new Synths, Electric Guitars, Horns, Drums and Percussion. With KORE 64™ installed, the PC3/K built-in program library now totals over 1400 presets!
New Setups:
50 new setups featuring the KORE 64™ sounds.
Over 200 new drum grooves in multiple styles.
New Dance and Hip Hop setups for triggering and controlling beats in real time.
New Synths:
New samples modeled after the Oberheim SEM, ARP Chroma, TX802, CZ1, and dozens of legacy waveforms from the K series.
Over 100 new synth programs.
Sounds for popular electronic music styles like House, Trance, Dubstep, Drum&Bass, Glitch, Electro Hip Hop, and more.
More real time controls, beat-synced modulations and envelope control transform sounds without hitting the edit button.
Atmospheric and cycling pads voiced for performing, producing, and scoring.
New Guitars:
New samples modeled after the Gibson Les Paul and Fender Stratocaster.
Palm muted and sustained articulations playable in a picked or legato style.
Instant-shredder arpeggiator patterns, whammy bar effects, and realistic feedback emulations.
Preset sounds from Rock, Country, Rock-a-Billy, Metal, Funk, and more.
New Brass/Woodwinds:
New alto sax, tenor sax, baritone sax, trumpet, and trombone samples.
New programs include solo instruments and custom sections with many combinations of the different instruments.
Articulate with pressure on several new programs.
Sections cover styles from Big Band, Soul, Funk, Latin, R&B, Hip Hop, Rock and more.
New Drums
Drums from Yamaha, Ludwig, Pearl, DW, Rogers, and Gretsch recorded as full kits.
Full cymbal arrays recorded with Zildjian, Paiste, and Sabian cymbals.
72 new Drum Kits and 62 percussion instruments and templates.
10 times the samples and 30 times the data of the existing PC3/PC3K Drums.
All drum kits have mixer functioning on the sliders to change the level the kick, snare, toms, hats, and percussion independently.
Unsurpassed realism and playability for sampled drums.
Full complement of Electronic and Processed Drum samples.
Scratches, hits and Industrial Sounds.
Wide variety of traditional and processed Percussion sounds.
Download the full preset Objects List under the Downloads section
User Installable.
Requires: PC3K OS v2.20 or better
PC3 OS v2.20 or better
All specifications subject to change without notice.
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The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.
The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal
•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal
•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently
Features - Support for PAL, NTSC and 60 Hz B&W standards
- One composite video input and three composite video outputs
- Can operate as a master black-burst generator
- Can operate as genlocking slave device
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The DP-24SD Digital Portastudio is a 24-track workstation, allowing eight tracks of simltaneous recording. The built-in mixer includes everything you need for a professional-sounding mix, from EQ and reverb to amp simulation and multi-band mastering effects. The Digital Portastudio series creates finished productions without the need for a computer, instead using a simple-to-use control surface to keep you creative.
For clear display of your mix, the DP-24SD has a large color LCD displaying tracks, meters, and effects parameters. A set of 12 encoders control EQ, effects sends, and panning. Built-in effects include compression, guitar amp modeling, delay, reverb, with a total of 10 effects processirs available during mixing.
Eight XLR mic/line inputs each provide phantom power for condenser microphones, switchable in banks of four. One input includes an instrument-level impedence switch for direct input recording of guitar or bass. Balanced monitor outputs and effects sends are also provided on the rear panel. A USB output allows tracks and mixes recorded to your SD card to be transferred to a computer for CD burning or sharing online.
For a complete music production on a desktop, there's no simpler choice than the DP-24SD.
DP-24SD SPECIFICATIONS Recording Media | SD (512MB – 2GB) / SDHC card (4GB – 32GB) | File System | SD card:FAT16 / SDHC card:FAT32 | INPUT A-H
| | XLR
| | Connector | XLR-3-31(1:GND, 2:HOT, 3:COLD), Balanced | Input impedance | 2.4k ohms | Nominal input level | -14dBu | Maximum input level | +2dBu | TRS
| | Connector | 6.3mm(1/4“)TRS phone jack, Balanced | Input impedance | 22k ohms or more
/ 1M ohms(when INPUT H, GUITAR selected) | Nominal input level | +4dBu | Maximum input level | +20dBu | STEREO OUT
| | Connector | RCA pin-jack, Unbalanced | Output impedance | 200 ohms | Nominal output level | -10dBV | Maximum output level | +6dBV | EFFECT SENDS | | Connector | 6.3mm(1/4“)TS phone jack, Unbalanced | Output impedance | 200 ohms | Nominal output level | -10dBV | Maximum output level | +6dBV | MONITOR OUT | | Connector | 6.3mm(1/4“)TRS phone jack, Balanced | Output impedance | 200 ohms | Nominal output level | -2dBu | Maximum output level | +14dBu | PHONES
| | Connector | 6.3mm(1/4“)stereo phone jack | Maximum output level | 70mW + 70mW (THD+N 0.1% or less, 32 ohms loaded) | USB | | Connector
| USB Mini-B type 4-pin | Format | USB2.0 High-Speed mass-storage class | REMOTE
| | Connector
| 2.5mm TRS jack | Power | Dedicated AC adapter (TASCAM GPE248-120200-Z, included) | Power consumption | 12W (when phantom power supplying) | Dimensions | 514(W)×100.4(H)×336.9(D)mm / 20.2“(W)×4.1“(H)×13.4""(D) | Weight | 6.2kg / 13.67 lb | Accessories | AC adapter, 4GB SD card, warranty card, owner's manual |
Audio performance | Frequency response | 20Hz to 20kHz (+/-1dB, INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) | S/N Ratio | 90dB or greater (INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) | THD | 0.01% or less (INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) |
Operating system requirements | Windows | | OS | Windows XP, Windows Vista, Windows 7, Windows 8 | CPU | Pentium 300MHz or more | Memory | 128MB or more | USB | USB2.0 | Macintosh | | OS | Mac OS X Snow Leopard(V10.6), OS X Lion(V10.7), OS X Mountain Lion(V10.8), OS X Mavericks(V10.9) | CPU | Power PC, iMAC, G3, G4 266MHz or more | Memory | 64MB or more | USB | USB2.0 |
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Specifications General | Recording media | | CompactFlash (CF) card | File system | | FAT32 | Recording format | | BWF (Monophonic, Polyphonic) | Number of channels | | 8 channels (44.1/48/88.2/96 kHz) 8 channels + stereo mix (44.1/48 kHz) 4 channels (176.4/192 kHz) | Quantization bit rate | | 16/24 bit | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | Reference clock | | Internal, Word In, Video In, Digital In (AES 1-8 IN, AES A-BIN, ADAT 1-8 IN) | Type of timecode frame | | 23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF | Limiter | | Attack time: 3 ms Release time: 300 ms Threshold: –5 dBFS Ratio: 32:1 | Analogue audio inputs and outputs | The error for nominal and maximum levels is ±1dB for all input and output jacks except the PHONES jack. | ANALOG INPUT (1-8) | | D-sub 25-pin | Input impedance | | 10 kOhm | Nominal input level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG INPUT (L/A, R/B) | | XLR-3-31 (1: GND, 2: HOT, 3: COLD) | Input impedance | | 10 kOhm | Nominal input level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG OUTPUT (1-8) | | D-sub, 25-pin | Output impedance | | 100 Ohm | Nominal output level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG OUTPUT (A/B) | | XLR-3-32 (1: GND, 2: HOT, 3: COLD) | Output impedance | | 100 Ohm | Nominal output level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | PHONES connector | | 6.3-mm standard stereo jack | Maximum output power | | 45 mW + 45 mW or more (THD+N 0.1 % or less, into 32 Ohm) | Digital audio inputs and outputs | DIGITAL IN/OUT (AES/EBU) | | D-sub, 25-pin | Minimum input voltage | | 2 Vpp | Maximum input voltage | | 7 Vpp | Output voltage | | 2–5 Vpp | Format | | AES3-2003/IEC 60958-4 (AES/EBU) | DIGITAL I/O (ADAT) | | ADAT optical | Format | | ADAT | DIGITAL INPUT A-B | | XLR-3-31 | Input voltage | | 2–7 Vpp at 110 Ohm | Format | | AES3-2003 (AES/EBU) | DIGITAL OUTPUT L-R | | XLR-3-32 | Output voltage | | 2–5 Vpp at 110 Ohm | Format | | AES3-2003 (AES/EBU) | Other inputs and outputs | RS-422 | | D-sub, 9-pin | RS-232C | | D-sub, 9-pin | PARALLEL | | D-sub, 25-pin | CASCADE IN | | BNC | Input voltage | | TTL equivalent (5 V) | Input impedance | | 75 Ohm ±10 % Allowable frequency deviation of external synchronization: ± 100 ppm | CASCADE OUT | | BNC | Output voltage | | TTL equivalent (5 V) | Output impedance | | 75 Ohm ±10 % | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | TIME CODE IN | | BNC | Input voltage | | 0.5–5 Vpp | Input impedance | | 20 kOhm | TIME CODE OUT | | BNC | Output voltage | | 2–5 Vpp | Output impedance | | 600 Ohm ±10 | WORD/VIDEO IN | | BNC | Input voltage | | TTL equivalent (5 V) | Input impedance | | 75 Ohm ±10 % Allowable frequency deviation of external synchronization: ± 100 ppm | WORD/VIDEO THRU/OUT | | BNC OUT/THRU switch included (OUT is for WORD OUT only) | Output voltage | | TTL equivalent (5 V) | Output impedance | | 75 Ohm ±10 % | Sampling frequency (when using WORD) | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | ETHERNET | | RJ45 | Keyboard | | Mini-DIN (PS/2) | USB | | USB A-type, 4-pin | Protocol | | USB2.0 HIGH SPEED (480 Mbit/s) | Audio performance (analogue input to analogue outp | Frequency response | | | 20 Hz - 20 kHz | | ±0,5 dB (all sampling rates) | at 40 kHz | | +0,5 dB/–2 dB (Fs = 88.2/96 kHz) | at 80 kHz | | +0,5 dB/–5 dB (Fs = 176.4/192 kHz) | Distortion | | ≤0.005% (Reference level: –20 dB, input level: +23 dBu, 1 kHz, AES-17LPF) | S/N ratio | | ≥100 dB(A) (22 kHz LPF) | Power requirements and other specifications | Power requirements | | 100–240 V AC, 50–60 Hz | Power consumption | | 26 W | Dimensions (W x H x D) | | 483 mm x 88 mm x 288 mm | Weight | | 4.8 kg | Operating temperature range | | 5–35 °C |
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The D-2012C is a 6U rack mountable Remote Console Unit designed for exclusive use with the D-2008SP Digital Mixing Processor Unit. Assigned to any desired channels inside the D-2008SP by the dedicated software, the D-2012C's 12 motorized faders and 8 rotary encoders can remotely adjust their volumes. Desired preset memories can be recalled using 8 function keys. It is equipped with 1 channel line input (stereo), which allows the audio signal to be transmitted to the D-2008SP via monitor bus. Audio signals inside the D-2008SP can be monitored via monitor bus through headphones connected to a stereo headphone output. The D-2012C can be installed on a desk with the additional use of an optional D-2012AS Console Case.
* 0 dB = 0.775 V Power Source | 220 - 240 V AC | Power Consumption | 18 W | Volume Adjustment | 100 mm motorized fader x 12
Rotary encoder x 8 | Line Input | 1 channel (stereo) | Headphone Output | Stereo 100 mW + 100 mW (32 Ω load) | Monitor Bus | 1 stereo input
Connector: RJ45 connector
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable (2 pairs of data lines)
Maximum cable distance: 100 m (109.36 yd) (between D-2012C and D-2008SP) | LAN | Network I/F: 10BASE-T/100BASE-TX (Automatic-Negotiation)
RJ45 connector
Network protocol: TCP/IP
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable
Maximum cable distance: 100 m (109.36 yd) (between D-2008SP and switching hub) | Control | RS-232C: D-sub connector (9 pins) for maintenance use | Finish | Panel: Surface-treated steel plate
Rack mounting bracket: Surface-treated steel plate | Dimensions | 482 (W) × 266 (H) × 138 (D) mm (18.98 × 10.47" × 5.43) | Weight | 6.6 kg (14.55 lb) | Accessory | Power cord (2 m (6.5 ft)) ……1
Fader knob (yellow) ……3 | Option | Console case: D-2012AS |
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