TASCAMʼs TM-80 is a condenser microphone designed and priced for home recording. The condenser mic features an 18mm aluminum diaphragm with a cardioid pickup pattern that sounds great on anything from vocals to acoustic instruments. Internal circuitry is optimized to reduce noise and distortion while retaining rich, full sound quality. Included with the TM-80 are […]
TASCAMʼs TM-80 is a condenser microphone designed and priced for home recording. The condenser mic features an 18mm aluminum diaphragm with a cardioid pickup pattern that sounds great on anything from vocals to acoustic instruments. Internal circuitry is optimized to reduce noise and distortion while retaining rich, full sound quality.
Included with the TM-80 are a tabletop stand, six-foot XLR cable, and a elastic shockmount to reduce rumble and noise during recording. Priced less than many dynamic microphones, the TM-80 is a must-have for any size studio.
Microphone capsule assembly features an 18mm pure aluminum diaphragm
Cardioid polar pattern
Frequency response: 20Hz to 20kHz
Sensitivity : -38dB +/-2dB (0dB=1V/Pa at 1kHz)
Phantom power requirement: 9 – 48V DC
Output impedance : 200ohm +/-30% (at 1kHz)
Load impedance : >1k ohm
Max SPL : 136dB (at 1kHz=1% THD)
S/N ratio : 77dB
Housing : Die cast zinc
Dimensions (W×H×D): 48mm×165mm×48mm / 1.9 inch×6.5 inch×1.9 inch
Includes : shockmount, mini desk stand, mic cable (1.8m XLRM – XLRF)
TM-80 SPECIFICATIONS
Microphone capsule assembly features an 18mm pure aluminum diaphragm
Cardioid polar pattern
Frequency response: 20Hz to 20kHz
Sensitivity : -38dB +/-2dB (0dB=1V/Pa at 1kHz)
Phantom power requirement: 9 – 48V DC
Output impedance : 200ohm +/-30% (at 1kHz)
Load impedance : >1k ohm
Max SPL : 136dB (at 1kHz=1% THD)
S/N ratio : 77dB
Housing : Die cast zinc
Dimensions (W×H×D): 48mm×165mm×48mm / 1.9 inch×6.5 inch×1.9 inch
Includes : shockmount, mini desk stand, mic cable (1.8m XLRM – XLRF)
Weight
2.50 kg
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TASCAMʼs TM-80 is a condenser microphone designed and priced for home recording. The condenser mic features an 18mm aluminum diaphragm with a cardioid pickup pattern that sounds great on anything from vocals to acoustic instruments. Internal circuitry is optimized to reduce noise and distortion while retaining rich, full sound quality.
Included with the TM-80 are a tabletop stand, six-foot XLR cable, and a elastic shockmount to reduce rumble and noise during recording. Priced less than many dynamic microphones, the TM-80 is a must-have for any size studio.
Microphone capsule assembly features an 18mm pure aluminum diaphragm
Cardioid polar pattern
Frequency response: 20Hz to 20kHz
Sensitivity : -38dB +/-2dB (0dB=1V/Pa at 1kHz)
Phantom power requirement: 9 - 48V DC
Output impedance : 200ohm +/-30% (at 1kHz)
Load impedance : >1k ohm
Max SPL : 136dB (at 1kHz=1% THD)
S/N ratio : 77dB
Housing : Die cast zinc
Dimensions (W×H×D): 48mm×165mm×48mm / 1.9 inch×6.5 inch×1.9 inch
Includes : shockmount, mini desk stand, mic cable (1.8m XLRM – XLRF)
TM-80 SPECIFICATIONS
Microphone capsule assembly features an 18mm pure aluminum diaphragm
Cardioid polar pattern
Frequency response: 20Hz to 20kHz
Sensitivity : -38dB +/-2dB (0dB=1V/Pa at 1kHz)
Phantom power requirement: 9 - 48V DC
Output impedance : 200ohm +/-30% (at 1kHz)
Load impedance : >1k ohm
Max SPL : 136dB (at 1kHz=1% THD)
S/N ratio : 77dB
Housing : Die cast zinc
Dimensions (W×H×D): 48mm×165mm×48mm / 1.9 inch×6.5 inch×1.9 inch
Includes : shockmount, mini desk stand, mic cable (1.8m XLRM – XLRF)
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
Cardioid polar pattern for multiplicity of vocal and instrument applications
The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost.
Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B\'s SPL capability by a true 10 dB. Loud sound sources are therefore no problem.
An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
25 mV/Pa (-32 dBV)
Max. SPL
140/150 dB (k=0,5%)
Equivalent noise level (CCIR 468-3)
25 dB
Equivalent noise level
14 dB-A
Signal/noise ratio (A-weighted)
80 dB
Preattenuation pad
10 dB, switchable
Bass filter
6 dB/octave below 500 Hz
Impedance
200 ohms
Recommended load impedance
>1000 ohms
Supply voltage
9 to 52 V phantom power to DIN 45596
Current consumption
Connector
3-pin XLR
Finish
silver gray
Net weight
320 g / 11.3 oz.
Shipping weight
950 g / 2.1 lbs.
Patent(s)
Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488)
NT1000 - ?Pure Performance? Ultra Versatile 1? Studio Condenser Microphone.
With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the
R?DE NT1000 exhibits exceptional performance when recording both vocals
and instruments in the studio.
Voiced for ?application versatility?, the NT1000 has been hailed by many as the
ultimate drum over-head and grand piano mic selection. The NT1000 is also
equally at home as a first call vocal mic. With its Australian made 1? HF-2 capsule
incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range,
and 140 dBA SPL capabilities and a 20 Hz ? 20 kHz frequency response.
Built of a heavy-duty cast metal satin nickel body, the NT1000 incorporates a
high-strength, heat-treated mesh head, and comes supplied in a zip pouch with a
stand mount.
SPECIFICATIONS:
Acoustic principle:
Externally polarised 1? (25mm) pressure-gradient condenser
Directional pattern: Cardioid
Frequency range: 20Hz - 20kHz
Output impedance: 100?
Signal noise ratio din iec 651:
> 88dB (A-weighted, per IEC268-15)
Equvalent noise:
6dB SPL (A-weighted per IEC268-15) +/-1dB
Maximum spl:
> 140dB SPL (@ 1kHz, 1% THD into 1k( load)
Sensitivity:
-36dB re 1V/Pa (16mV @ 94dB SPL) +/-1dB
Dynamic range din iec 651: > 134dB (A-weighted, per IEC268-15)
Power supply voltage: P48 (35V - 53V)
Current consumption: 6mA
Weight without battery: 682 gm
Weight with battery: 882 gm
Behringer C-2 2 Matched Studio Condenser Microphones
2 Matched Studio Condenser Microphones
2 matched condenser microphones for stereo studio recording and live applications
Ideal as main and support microphones for studio and live applications
Cardioid pickup pattern for effective feedback elimination
Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
Switchable low-frequency roll-off and input attenuation
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Sound That Astounds
Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity.
Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response.
Excellent Source Isolation
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
You Are Covered
We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world.
As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program.
Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone
The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.
Professional true condenser microphone for studio and live applications
2 interchangeable capsules with cardioid and omnidirectional pickup patterns
Low-mass gold sputtered diaphragm for ultimate sound reproduction
Perfect for acoustic instruments, voice and overhead etc.
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Smooth, super-wide frequency response and incredible musicality
Switchable low-frequency roll-off and -10 dB input attenuation
Gold-plated 3-pin XLR output connector
Rugged construction with satin nickel-plated brass body
Custom microphone stand adapter, windscreen and transport case included
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