TASCAMʼs TM-80 is a condenser microphone designed and priced for home recording. The condenser mic features an 18mm aluminum diaphragm with a cardioid pickup pattern that sounds great on anything from vocals to acoustic instruments. Internal circuitry is optimized to reduce noise and distortion while retaining rich, full sound quality. Included with the TM-80 are […]
TASCAMʼs TM-80 is a condenser microphone designed and priced for home recording. The condenser mic features an 18mm aluminum diaphragm with a cardioid pickup pattern that sounds great on anything from vocals to acoustic instruments. Internal circuitry is optimized to reduce noise and distortion while retaining rich, full sound quality.
Included with the TM-80 are a tabletop stand, six-foot XLR cable, and a elastic shockmount to reduce rumble and noise during recording. Priced less than many dynamic microphones, the TM-80 is a must-have for any size studio.
Microphone capsule assembly features an 18mm pure aluminum diaphragm
Cardioid polar pattern
Frequency response: 20Hz to 20kHz
Sensitivity : -38dB +/-2dB (0dB=1V/Pa at 1kHz)
Phantom power requirement: 9 – 48V DC
Output impedance : 200ohm +/-30% (at 1kHz)
Load impedance : >1k ohm
Max SPL : 136dB (at 1kHz=1% THD)
S/N ratio : 77dB
Housing : Die cast zinc
Dimensions (W×H×D): 48mm×165mm×48mm / 1.9 inch×6.5 inch×1.9 inch
Includes : shockmount, mini desk stand, mic cable (1.8m XLRM – XLRF)
Weight
0.42 kg
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TASCAMʼs TM-80 is a condenser microphone designed and priced for home recording. The condenser mic features an 18mm aluminum diaphragm with a cardioid pickup pattern that sounds great on anything from vocals to acoustic instruments. Internal circuitry is optimized to reduce noise and distortion while retaining rich, full sound quality.
Included with the TM-80 are a tabletop stand, six-foot XLR cable, and a elastic shockmount to reduce rumble and noise during recording. Priced less than many dynamic microphones, the TM-80 is a must-have for any size studio.
Microphone capsule assembly features an 18mm pure aluminum diaphragm
Cardioid polar pattern
Frequency response: 20Hz to 20kHz
Sensitivity : -38dB +/-2dB (0dB=1V/Pa at 1kHz)
Phantom power requirement: 9 - 48V DC
Output impedance : 200ohm +/-30% (at 1kHz)
Load impedance : >1k ohm
Max SPL : 136dB (at 1kHz=1% THD)
S/N ratio : 77dB
Housing : Die cast zinc
Dimensions (W×H×D): 48mm×165mm×48mm / 1.9 inch×6.5 inch×1.9 inch
Includes : shockmount, mini desk stand, mic cable (1.8m XLRM – XLRF)
A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg)
Rode's new NTK has the quality and warmth demanded from a tube mic.
With the large 1 in. capsule gold-plated membrane and twin triode tubes
(hand graded and selected), Rode is again setting the standard for value.
This is a tube mic designed exclusively for recording professionals who
want what only the best can offer.
Features:
Dynamic range of 47dB
Ultra low noise of only 12dB
Internal capsule shock mounting
Cardioid polar pattern
20Hz - 20kHz frequency response
Includes a power supply, 30 ft. cable, and stand adapter
Technical Description:
Capsule: Externally polarised 1 in. pressure-gradient condenser
Active Electronics: Unity-gain closed-loop impedance converter;
vacuum-tube input with bipolar buffering
Pickup Pattern: Cardioid
Frequency Response: 20Hz - 20kHz (+/-6dB)
Output Impedance: 200 ohms (100 ohms per leg)
Sensitivity: -38dB re 1V/Pa (12mV @ 94dB SPL) +/-1dB
Equivalent Noise: 12dB SPL (A-weighted per IEC268-15) +/-2dB
Maximum Output: > +29dBu (@ 1kHz, 5% THD into 1k (load)
Dynamic Range: > 147dB (A-weighted, per IEC268-15)
Maximum SPL: > 158dB SPL (@ 1kHz, 5% THD into 1k (load)
Signal/Noise Ratio: > 82dB (A-weighted, per IEC268-15)
External power supply: 100-120V/200-240V AC (user selectable)
50Hz/60Hz, 25VA maximum
Packed Weight: 4.53 kg (Mic only 760 gm)
Accessories included:
Power Supply
30 ft (10 m) Multicore Cable
M2 Standmount plus 3/8-5/8 in. Thread Adapter
Optional Extras: SM2 Shockmount
KSM44A Multi-Pattern Dual Diaphragm Microphone
Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).
Features
Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.
Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
Premium electronic components and gold-plated internal and external connectors
Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
Integrated three-stage "pop” protection grille reduces plosives and other breath noise
Type
Condenser (externally biased)
Frequency Response
20 to 20,000 Hz
Polar Pattern
Cardioid, Omnidirectional, Bidirectional
lmpedance
50 ohms
Phantom power required?
11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum
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