Content |
Features At A Glance
Functions common to both the US-1x2
- Ultra-HDDA (High Definition Discrete Architecture) mic preamp with −125dBu EIN
- NE5532 op-amps used at the audio input and output stages
- Up to 96kHz/24-bit recording
- Support for Windows and Mac OS X operating systems
- USB 2.0 computer connection
- USB bus-powered for mobile recording
- Optional AC adaptor available for use with iOS devices
- Connect with iPads and other iOS devices
- +48V phantom power on microphone input
- Switchable 1/4" high-impedance input
- Microphone preamp gain range of 57 dB
- Direct monitoring function for zero-latency monitoring
- Tough all-metal casing for durability
- Angled design provides excellent usability on a desktop
- RCA output jacks suitable for connection to powered monitors
- Standard TRS headphones output jack
- Separate controls for line and headphones output volumes
- MIDI input and output via USB
- Input sound monitoring can be set to stereo or mono
- USB class compliant 2.0 support
- Confirmed operation with major DAW software (SONAR, ProTools, Cubase, Live, Studio One, Garage Band)
US-1X2 SPECIFICATIONS
|
US-1x2 |
Sampling frequency |
44.1k/48k/88.2k/96kHz |
Quantization bit rate |
16/24bit |
Analog audio inputs |
|
MIC IN |
IN 1 |
Connector |
XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED |
Input impedance |
2.4k ohms |
Nominal input level |
|
GAIN:MAX |
-65dBu (0.0004Vrms) |
GAIN:MIN |
-8dBu (0.3090Vrms) |
Maximum input level (GAIN:MIN ) |
+8dBu (1.9467Vrms) |
Gain |
57dB |
INST IN |
IN 1 |
Connector |
6.3mm(1/4“)TS-jack(T:HOT, S:GND), UNBALANCED (When set to "INST" at MIC/LINE.INST switch) |
Input impedance |
10k ohms |
Nominal input level |
|
GAIN:MAX |
-41dBV(0.0004Vrms) |
GAIN:MIN |
-8dBV(1.9467Vrms) |
Maximum input level (GAIN:MIN ) |
+10dBV(3.162Vrms) |
Gain |
57dB |
LINE IN |
|
Connector |
6.3mm(1/4“)TRS-jack(T:HOT, R:COLD, S:GND), BALANCED (When set to "MIC/LINE" at MIC/LINE.INST switch) |
Input impedance |
10k ohms |
Nominal input level |
|
GAIN:MAX |
-41dBu(0.0069Vrms) |
GAIN:MIN |
+4dBu(1.228Vrms) |
Maximum input level (GAIN:MIN ) |
+20dBu(7.75Vrms) |
Gain |
57dB |
Analog audio outputs |
|
LINE OUT |
|
Connector |
RCA pin-jack Unbalanced |
Output impedance |
100ohms |
Maximum output level |
+6dBu (7.75Vrms) |
PHONES |
|
Connector |
6.3mm(1/4“) stereo phone jack |
Maximum output level |
18mW+18mW or more (THD+N 0.1% or less, 32ohms loaded) |
MIDI IN / OUT |
|
Connector |
Via USB |
Format |
Standard MIDI format |
USB |
|
Connector |
USB B type 4-pin |
Format |
USB2.0 HIGH SPEED |
Power |
|
When connected PC |
USB bus powered |
When connected iOS |
AC Adapter (TASCAM PS-P520, sold separately) |
Power consumption |
2.5W |
Dimensions |
146mm W x 55mm H x 120mm D
|
Weight |
1.37lb (623g) |
Operating temperature |
5 to 35˚C |
Bundled software |
Steinberg Cubase LE Steinberg Cubasis LE |
Accessories |
USB cable, User\'s manual, warranty card |
Audio performance |
Frequency response |
|
LINE OUT(BALANCED) |
|
44.1k/48k Hz |
20Hz to 20kHz, +0dB/-0.5dB |
88.2k/96k Hz |
20Hz to 40kHz, +0dB/-01.0dB |
PHONES |
|
44.1k/48k Hz |
20Hz to 20kHz, +0dB/-1.0dB |
88.2k/96k Hz |
20Hz to 40kHz, +0dB/-3.0dB |
THD |
0.006% or less |
S/N ratio |
100dB or more |
Crosstalk |
95dB or more |
EIN |
-127dBu or less |
Computer system requirements |
Windows |
OS |
Windows 7(32-bit SP1, 64-bit SP1), Windows 8.0(32-bit, 64-bit), Windows 8.1(32-bit, 64-bit) * For further information of the latest OS version, please click here. |
Compatible computers |
Windows-compatible computer with a USB 2.0 port |
CPU type/speed |
Dual core/2 GHz or faster (x86) |
Memory |
2GB or more |
DRIVER |
ASIO2.0, WDM(MME) |
Macintosh |
OS |
OS X Mountain Lion(10.8), OS X Mavericks(10.9) * For further information of the latest OS version, please click here. |
Compatible computers |
Apple Macintosh computer with a USB 2.0 port |
CPU type/speed |
Dual core/2 GHz or faster |
Memory |
2GB or more |
DRIVER |
Core Audio, Core MIDI |
iOS |
OS |
iOS 7
* For more information about the OS compatibility on each models, please here. |
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System Requirements
Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One FireWire port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One FireWire port
Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers
Mbox Pro Hardware
Pro Tools Mbox Pro
Mbox® Pro is the ultimate high-definition recording interface, packing a wide range of analog and digital I/O connections into a desktop audio workstation.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* FireWire connection
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 192 kHz sample rates*
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Connect up to three pairs of monitors or do 5.1 surround mixing**
* Hardware configuration:
o 8 x 8 simultaneous channels of I/O
o 4 mic inputs with 48 V phantom power and high pass filter (2 XLR/DI combo, 2 XLR)
o 4 1/4" TRS line inputs
o 2 unbalanced Alt line inputs (2 RCA, 1 mini 1/8”)
o 6 1/4" TRS balanced line outputs
o 2 discrete 1/4” stereo headphone outputs with separate volume controls
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Word clock I/O
o Monitor control section with Mono, Mute, Dim, Alt Source, and Speaker A/B/C switching controls
o Dedicated monitor volume knob
* Up to 96 kHz sample rates supported with Pro Tools LE software.
** Mixing 5.1 surround sound in Pro Tools LE requires Complete Production Toolkit
Pro Tools LE Software
Pro Tools 8 Software
The Pro Tools software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers
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Features:
USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out
Technical Specifications
Microphone Inputs: Female XLR Pin 2 Hot
Input Impedance: 3kΩ balanced
Phantom Power: +48 Volts
Maximum gain: +58 dB
E.I.N. (at max gain): -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level: +21 dBu at minimum gain
Frequency Response: +0/-1 dB, 20Hz - 20kHz
THD+N: +18 dBu maximum
Impedance: 32Ω Balanced, 16Ω Unbalanced
Headphone Output: 1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface: 5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate: 44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range: A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements: 12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU
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The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of input and output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power, all in a durable compact case.
* 6-in/6-out 24-bit/96kHz simultaneous performance
* 4-in/4-out 24-bit/192kHz simultaneous performance
* 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps
* +4 dB balanced input and output
* S/PDIF optical input & output ports with Sync LED indicator
* MIDI in/out ports
* Built-in analog limiter and indicator
* FireWire bus powered
* AC adaptor included
* Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support
* Zero-latency Direct Monitoring
* 6-pin and 4-pin IEEE1394 ports
* Compact, solid-metal construction |
MINIMUM SYSTEM REQUIREMENTS - Mac
* OS X Leopard 10.5.8 or Snow Leopard 10.6.3
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One native USB port
MINIMUM SYSTEM REQUIREMENTS - PC
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit Native, or Windows 7 64-bit Native
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One native USB port
What's in the Box?
* Mbox Mini interface
* Pro Tools LE 8 software DVD-ROM installer (includes electronic versions of user guides, plus software plug-in bundle)
* Mbox user guide
* Registration information card
* USB cable
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The Traveler-mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
Engineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.
The Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch "combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
Connect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.
Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.
The Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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