TASCAM DR-05X Portable digital recorder

124.00 incl. GR VAT

Only 2 left in stock (can be backordered)

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Stereo Handheld Audio Recorder and USB Audio Interface The DR-05X offers portable, high-quality stereo recording in MP3 or WAV format – including 96-kHz/24-bit high-resolution audio – using microSD, microSDHC or microSDXC media. A pair of omni-directional mics handles up to 125 dB SPL with the sensitivity to capture every detail. Users can also use their […]

 

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Stereo Handheld Audio Recorder and USB Audio Interface

The DR-05X offers portable, high-quality stereo recording in MP3 or WAV format – including 96-kHz/24-bit high-resolution audio – using microSD, microSDHC or microSDXC media. A pair of omni-directional mics handles up to 125 dB SPL with the sensitivity to capture every detail. Users can also use their own microphone or line-level source through the mini-jack stereo input which includes plug-in power for microphones that need it.

The DR-05X is quick and easy to use with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding marks are only a button press away. Other features like low-cut filtering, Variable Speed Audition, chromatic tuner and others more can be chosen from the multilingual menu (English, Spanish, Portuguese, French, Italian, German, Russian, Chinese, Korean, Japanese). Three different auto level modes (Limiter, Peak Reduction, Auto Level) can help to prevent accidental distortion while recording. There is also a Level Align function that allows to smooth out any sudden volume jumps during playback, and a built-in speaker is provided for quick check-back. Users may apply one out of six reverb effects to the input or output signal, and an Overdub feature allows to record other parts such as a guitar solo over a recording previously made such as at a rehearsal studio. Overdubbing creates a new file, leaving the original file unaffected, making it easy to re-record.

The new Dictation Mode enables the user to jump back and forth in preselected increments while playing back a file. It can be combined with speed control and a special dictation EQ making it useful for transcribing minutes recordings, for example. The new tape-style Overwrite mode with one level of undo allows users to select a drop-in time and replace part of an existing recording.

Apart from handheld recording, the DR-05X can also be used as a USB audio interface with two inputs and outputs, making it a tool for voiceover work, live streaming, podcasting and songwriting with studio-quality audio.

Two AA batteries can power the recorder for more than 17 hours, even while recording at CD quality. Operation by USB bus power or an optional AC adapter (PS-P520E) is also possible.

Features at a glance

  • High-quality handheld stereo recording
  • Small size and easy operation
  • Micro SD/SDHC/SDXC cards can be used as recording media (up to 128 GB)
  • Supported audio formats:
    • Linear PCM (WAV format) at 44.1 kHz / 16 bit (CD quality) or 44.1 kHz / 24 bit
    • Linear PCM (WAV format), 48 kHz / 24 bit
    • Linear PCM (WAV format), 96 kHz / 24 bit
    • Compressed (MP3 format): 32–320 kbit/s at 44.1/48 kHz (VBR files can be played but not recorded)
  • NEW: Can be used as a USB audio interface with Mac and Windows computers (two inputs, two outputs)

Recording

  • Built-in omni-directional stereo condenser microphone for lively, high-quality sound and high-resolution recording
    • Easy setup
    • Proven high sound pressure design for capturing sounds of up to 125 dB SPL, making it ideal for loud band recordings
    • Natural sound independent of the sound source’s position
    • Ideal for live music recording or news gathering with atmo
  • Switchable filter to minimize unwanted low-frequency noise (40 Hz, 80 Hz, 120 Hz)
  • Manual recording level setting for music and field recording
  • Three options of automatic level control during recording: Peak Reduction, Auto Level, Limiter
  • Auto-recording function to automatically start recording based on input level
  • Marks can be added automatically when using the automatic recording function
  • NEW: Overwrite function for punch-in recording with one level of Undo
  • NEW: Dictation mode designed for human voice recording and transcription
  • Pre-recording buffer (2 seconds) allows a recording to start before the record key is pressed
  • Self-timer allows a recording to start 5 or 10 seconds after pressing the RECORD button
  • A new file can be created manually during recording or automatically when a certain file size is reached
  • Set marks to quickly locate certain audio positions (up to 99 per file)
  • Automatic tone generator convenient when editing with video on other equipment
  • Stereo mic/line input with plug-in power to connect an external source or microphone
  • File name format can be set to use a predefined word or the date

Playback

  • Automatic level align prevents uneven playback levels
  • Variable speed audition to change the playback tempo without affecting the key (50–200 %)
  • Repeat/loop function (repeat one track, all tracks or a marked section, convenient for practicing music and studying languages
  • Playlist feature to play files in a certain order
  • Resume function retains the last stop position and starts playback from that position when power is turned back on
  • Jump back function to instantly review playback (1–10, 20, 30 seconds)
  • Equalizer for tone control during playback
  • MP3 ID3 tag display (up to version 2.4)
  • Built-in loudspeaker
  • Headphones/Line output

Other features

  • QUICK menu button for easy access to various functions
  • Chromatic tuner function to tune your instrument
  • File divide function to cut unwanted noise or to extract parts from long recordings
  • Folder management to organize your files
  • Hold function to avoid inadvertent operation
  • Menu language can be selected between English, German, French, Italian, Spanish, Portuguese, Russian, Korean, Japanese, Chinese
  • Clear, backlit LC display
  • USB 2.0 port for file transfer to/from computer
  • Power supply by 2 AA size Alkaline or NiMH batteries, USB bus power or optional AC adapter (Tascam PS-P520E)
  • Stand adapter (¼ inch) on bottom side to attach the unit to a tripod or microphone stand
Power supply and other specifications
Power requirements 2 AA batteries (alkaline or NiMH)
USB bus power from a computer
AC adapter (Tascam PS-P520E, sold separately)
Power consumption 1.7 W (maximum)
Dimensions (W × H × D) 61 mm × 141 mm × 26 mm
Weight 119 g (without batteries)
165 g (with batteries)
Permissible operating temperature range 0–40 °C
Weight 0.50 kg

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Quick Comparison

TASCAM DR-05X Portable digital recorder removeTASCAM P2/MMC RS-422 PROTOCOL CONVERTER removeTASCAM HD-R1 Professional CF-Card Recorder: Rackmounted removeKORG TMR-50 PW Digital metronome, tuner and recorder removeTASCAM DR-70D Digital portable recorder removeFOCUSRITE LIQUID MIX HD Plugin for Pro Tools HD remove
NameTASCAM DR-05X Portable digital recorder removeTASCAM P2/MMC RS-422 PROTOCOL CONVERTER removeTASCAM HD-R1 Professional CF-Card Recorder: Rackmounted removeKORG TMR-50 PW Digital metronome, tuner and recorder removeTASCAM DR-70D Digital portable recorder removeFOCUSRITE LIQUID MIX HD Plugin for Pro Tools HD remove
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SKUTAEM000536P2/MMCHD-R1TMR-50-PWTAEM000574LIQUID MIX HD
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Description
ContentStereo Handheld Audio Recorder and USB Audio Interface The DR-05X offers portable, high-quality stereo recording in MP3 or WAV format – including 96-kHz/24-bit high-resolution audio – using microSD, microSDHC or microSDXC media. A pair of omni-directional mics handles up to 125 dB SPL with the sensitivity to capture every detail. Users can also use their own microphone or line-level source through the mini-jack stereo input which includes plug-in power for microphones that need it. The DR-05X is quick and easy to use with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding marks are only a button press away. Other features like low-cut filtering, Variable Speed Audition, chromatic tuner and others more can be chosen from the multilingual menu (English, Spanish, Portuguese, French, Italian, German, Russian, Chinese, Korean, Japanese). Three different auto level modes (Limiter, Peak Reduction, Auto Level) can help to prevent accidental distortion while recording. There is also a Level Align function that allows to smooth out any sudden volume jumps during playback, and a built-in speaker is provided for quick check-back. Users may apply one out of six reverb effects to the input or output signal, and an Overdub feature allows to record other parts such as a guitar solo over a recording previously made such as at a rehearsal studio. Overdubbing creates a new file, leaving the original file unaffected, making it easy to re-record. The new Dictation Mode enables the user to jump back and forth in preselected increments while playing back a file. It can be combined with speed control and a special dictation EQ making it useful for transcribing minutes recordings, for example. The new tape-style Overwrite mode with one level of undo allows users to select a drop-in time and replace part of an existing recording. Apart from handheld recording, the DR-05X can also be used as a USB audio interface with two inputs and outputs, making it a tool for voiceover work, live streaming, podcasting and songwriting with studio-quality audio. Two AA batteries can power the recorder for more than 17 hours, even while recording at CD quality. Operation by USB bus power or an optional AC adapter (PS-P520E) is also possible. Features at a glance
  • High-quality handheld stereo recording
  • Small size and easy operation
  • Micro SD/SDHC/SDXC cards can be used as recording media (up to 128 GB)
  • Supported audio formats:
    • Linear PCM (WAV format) at 44.1 kHz / 16 bit (CD quality) or 44.1 kHz / 24 bit
    • Linear PCM (WAV format), 48 kHz / 24 bit
    • Linear PCM (WAV format), 96 kHz / 24 bit
    • Compressed (MP3 format): 32–320 kbit/s at 44.1/48 kHz (VBR files can be played but not recorded)
  • NEW: Can be used as a USB audio interface with Mac and Windows computers (two inputs, two outputs)
Recording
  • Built-in omni-directional stereo condenser microphone for lively, high-quality sound and high-resolution recording
    • Easy setup
    • Proven high sound pressure design for capturing sounds of up to 125 dB SPL, making it ideal for loud band recordings
    • Natural sound independent of the sound source’s position
    • Ideal for live music recording or news gathering with atmo
  • Switchable filter to minimize unwanted low-frequency noise (40 Hz, 80 Hz, 120 Hz)
  • Manual recording level setting for music and field recording
  • Three options of automatic level control during recording: Peak Reduction, Auto Level, Limiter
  • Auto-recording function to automatically start recording based on input level
  • Marks can be added automatically when using the automatic recording function
  • NEW: Overwrite function for punch-in recording with one level of Undo
  • NEW: Dictation mode designed for human voice recording and transcription
  • Pre-recording buffer (2 seconds) allows a recording to start before the record key is pressed
  • Self-timer allows a recording to start 5 or 10 seconds after pressing the RECORD button
  • A new file can be created manually during recording or automatically when a certain file size is reached
  • Set marks to quickly locate certain audio positions (up to 99 per file)
  • Automatic tone generator convenient when editing with video on other equipment
  • Stereo mic/line input with plug-in power to connect an external source or microphone
  • File name format can be set to use a predefined word or the date
Playback
  • Automatic level align prevents uneven playback levels
  • Variable speed audition to change the playback tempo without affecting the key (50–200 %)
  • Repeat/loop function (repeat one track, all tracks or a marked section, convenient for practicing music and studying languages
  • Playlist feature to play files in a certain order
  • Resume function retains the last stop position and starts playback from that position when power is turned back on
  • Jump back function to instantly review playback (1–10, 20, 30 seconds)
  • Equalizer for tone control during playback
  • MP3 ID3 tag display (up to version 2.4)
  • Built-in loudspeaker
  • Headphones/Line output
Other features
  • QUICK menu button for easy access to various functions
  • Chromatic tuner function to tune your instrument
  • File divide function to cut unwanted noise or to extract parts from long recordings
  • Folder management to organize your files
  • Hold function to avoid inadvertent operation
  • Menu language can be selected between English, German, French, Italian, Spanish, Portuguese, Russian, Korean, Japanese, Chinese
  • Clear, backlit LC display
  • USB 2.0 port for file transfer to/from computer
  • Power supply by 2 AA size Alkaline or NiMH batteries, USB bus power or optional AC adapter (Tascam PS-P520E)
  • Stand adapter (¼ inch) on bottom side to attach the unit to a tripod or microphone stand
Power supply and other specifications
Power requirements 2 AA batteries (alkaline or NiMH) USB bus power from a computer AC adapter (Tascam PS-P520E, sold separately)
Power consumption 1.7 W (maximum)
Dimensions (W × H × D) 61 mm × 141 mm × 26 mm
Weight 119 g (without batteries) 165 g (with batteries)
Permissible operating temperature range 0–40 °C

RS-422 PROTOCOL CONVERTER


The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.

Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).

To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).

And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.

    * 1U Rack-mount Solid-State Recorder
    * Compact Flash Card
    * USB host interface for USB Flash Cards
    * Audio data formats: PCM (16/24 bit), MP3
    * Sampling rates supported: 44.1, 48, 88.2, 96kHz
    * Mic/Line XLR (with 20dB pad) balanced I/O
    * Phantom Power (rear panel switch and front LED indicator)
    * Euroblock terminal (Input and Output)
    * Unbalanced RCA (Input and Output)
    * Front panel rotary input level controls
    * RS-232 interface for control

    * RJ45 100Mbit/s Ethernet interface for file transfer and control
    * 25-pin parallel remote control interface
    * 16 Direct Play via D=SUb25 pin parallel interface
    * Power on play (front panel selectable)
    * S/PDIF Digital In/Out (Coaxial and Optical)
    * Headphone Jack w/level control
    * Input through and Auto Fade function
    * Input monitoring / mixing of live stereo input along with playback
    * Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...

Tuner + Metronome + Recorder - All in One Unit! The TMR-50 - Your Ideal Practice Partner Highlights:
  • Tuner, metronome, and recorder can be used simultaneously or independently.
  • Internal mic and speaker make it easy to record and play back your performance
  • Loop Play function lets you repeat a desired region of a recorded track
  • High-quality linear PCM recording/playback
  • Record up to 100 tracks (approximately total 20 minutes)
  • USB port lets you transfer recorded data and song files between the TMR-50 and your computer
  • Newly designed highly responsive LCD needle-type meter
  • Wide detection range from C1 to C8
  • The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
  • The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
  • Calibration supports a range of concert pitches
  • Marks indicate pure major and minor third intervals
  • Wide tempo range of 30--252 beats per minute
  • 15 rhythm variations let you practice with a broad range of musical styles
  • Easy tempo settings with two types of tempo step patterns plus a tap tempo function
  • Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
  • Your choice of body color: black or pearl white
  • Convenient key layout, and newly designed stand and battery cover
  • Memory Backup and Auto Power Off
Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing. Specifications Recording format: PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit Available recording time: Maximum approx. 20 minutes (Internal Memory size is 120 MB) Total number of tracks: Up to 100 tracks Tuning: 12 note equal temperament Detection range: C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave. Reference tone: C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave. Tuning Mode: Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO) Calibration range: A4 = 410 ~ 480 Hz (1 Hz steps) Detection accuracy: +/- 1 cent Sound precision: +/-1 cent Tempo range: Quarter Note = 30 to 252 BPM Tempo setting: 3 Types:       Pendulum Step Full Step Tap Tempo Beat range: Total 10 beats: "0 to 9" as "Quarter-note" Rhythm Rhythm pattern: Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats Tempo accuracy: ±0.3% Terminals: Input (f6.3mm, Mono-Standard Jack type) Headphones (f3.5mm, Stereo-mini Jack type) USB (mini-Type B) Internal Speaker: Dynamic Speaker (f28 mm) Power (Battery): AAA battery (3.0 V) x 2 Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride Battery Life: Recorder ... Approximately 16/13/11 hours (Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per recording.) Tuner ... Approximately 24/22/20 hours (Backlight: off/soft/auto, A4 continuous input, using alkaline batteries) Metronome ... Approximately 18/16/14 hours (Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries) Dimensions (W x D x H): 111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches Weight: 119 g / 4.19 oz (Including battery) Included items: AAA battery (3.0 V) x 2 for verifying proper operation USB Cable Options: Contact Mic = CM-100L Computer Requirements Windows: A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port Macintosh: Mac OS X 10.5 or later
Specifications:
  • Recording media: SD card(64MB to 2GB), SDHC card(4GB to 32GB), SDXC card(48GB to 128GB)
  • Recording format
•    WAV: 44.1k / 48k / 96k Hz, 16bit / 24bit •    BWF: 44.1k / 48k / 96k Hz, 16bit / 24bit
  • Number of channels: 4-channel (stereo × 2, mono × 4)
  • Analog audio input
•    Connector: XLR-3-31 (1:GND, 2:HOT, 3:COLD) / 6.3mm(1/4“)TRS standard jack Set to "MIC / MIC+PHANTOM“ •    Input impedance: 2k ohms •    Phantom power: 48V +/-4V(10mA/CH), 24V +/-4V(10mA/CH) •    Maximum input level: 0dBu •    Minimum input level: -72dBu •    MIC input gain: TRIM MAX •    LOW: +11dB •    HIGH: +51dB •    HI + PLUS:  +63dB
  • Set to "LINE“
•    Input impedance: 10k ohms or more •    Standard input level: +4dBu •    Maximum input level: +20dBu
  • 1/2 connector
•    Connector: 3.5mm(1/8“)stereo mini jack  (this connector can be supplied plug-in power) •    Input impedance: 10k ohms •    Maximum input level: +10dBV •    Minimum input level: -50dBV •    MIC input gain: TRIM MAX •    LOW: +3dB •    HIGH: +26dB •    HI + PLUS: +38dB
  • CAMERA IN connector
•    Connector: 3.5mm(1/8“)stereo mini jack •    Input impedance: 10k ohms •    Standard input level: -10dBV •    Maximum input level: +6dBV Analog audio output
  • LINE OUT connector
•    Connector: 3.5mm(1/8“)stereo mini jack •    Output impedance: 200 ohms •    Standard output level: -10dBV •    Maximum output level: +6dBV
  • CAMERA OUT connector
•    Connector: 3.5mm(1/8“)stereo mini jack •    Output impedance: 200 ohms •    Standard output level: -40dBV •    Maximum output level: -24dBV
  • PHONES connector
•    Connector: 3.5mm(1/8“)stereo mini jack •    Maximum output level: 20mW + 20mW USB •    Connector: Micro-B type •    Format: USB2.0 HIGH SPEED mass storage class
  • REMOTE Connector: 2.5mm TRS jack
  • Power: 4 AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
  • Power consumption: 5.0W
  • Continuous operation time: 2ch WAV, 44.1kHz, 16bit rec, Phantom power not used
  • Dimensions: 169(W)×55.2(H)×106.5(D)mm (with the top adapter attached)
  • Weight: 625g ( including batteries) / 530g (without batteries )

Liquid Mix HDLiquid Mix HD | TDM Plugin for Pro Tools HD

Key Features
Variety of Classic Emulations
40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
Dynamic Convolution Technology
The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations.
Ultra-Low Latency for Recording
With the ultra-low latency of Liquid Mix HD (just 12 samples), it can now be used for recording and live sound applications
Optimised for Pro Tools HD
Over one hundred simultaneous mono instances can be run at 44.1/48kHz on an HD3 system.
Full Control Surface Mapping
Pro Tools TDM format ensures full control mapping on all major Pro Tools control surfaces, including ICON and VENUE.
Unique Hybrid Super EQ
Create your own totally unique 7-band super EQ, built out of separate classic EQ bands.
Compressor 'Free' Mode
Vintage compressors with limited controls can now be set to provide fully variable Attack, Release and Ratio.
Automation and Full Recall
Perfect integration with Pro Tools HD allows for automation of parameters and full recall within your session.

Weight0.50 kg2.00 kg4.00 kg0.30 kg0.60 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 2.00 kg
Weight 4.00 kg
Weight 0.30 kg
Weight 0.60 kg
Weight 1.00 kg