| Content | Stereo Handheld Audio Recorder and USB Audio Interface
The DR-05X offers portable, high-quality stereo recording in MP3 or WAV format – including 96-kHz/24-bit high-resolution audio – using microSD, microSDHC or microSDXC media. A pair of omni-directional mics handles up to 125 dB SPL with the sensitivity to capture every detail. Users can also use their own microphone or line-level source through the mini-jack stereo input which includes plug-in power for microphones that need it.
The DR-05X is quick and easy to use with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding marks are only a button press away. Other features like low-cut filtering, Variable Speed Audition, chromatic tuner and others more can be chosen from the multilingual menu (English, Spanish, Portuguese, French, Italian, German, Russian, Chinese, Korean, Japanese). Three different auto level modes (Limiter, Peak Reduction, Auto Level) can help to prevent accidental distortion while recording. There is also a Level Align function that allows to smooth out any sudden volume jumps during playback, and a built-in speaker is provided for quick check-back. Users may apply one out of six reverb effects to the input or output signal, and an Overdub feature allows to record other parts such as a guitar solo over a recording previously made such as at a rehearsal studio. Overdubbing creates a new file, leaving the original file unaffected, making it easy to re-record.
The new Dictation Mode enables the user to jump back and forth in preselected increments while playing back a file. It can be combined with speed control and a special dictation EQ making it useful for transcribing minutes recordings, for example. The new tape-style Overwrite mode with one level of undo allows users to select a drop-in time and replace part of an existing recording.
Apart from handheld recording, the DR-05X can also be used as a USB audio interface with two inputs and outputs, making it a tool for voiceover work, live streaming, podcasting and songwriting with studio-quality audio.
Two AA batteries can power the recorder for more than 17 hours, even while recording at CD quality. Operation by USB bus power or an optional AC adapter (PS-P520E) is also possible.
Features at a glance
- High-quality handheld stereo recording
- Small size and easy operation
- Micro SD/SDHC/SDXC cards can be used as recording media (up to 128 GB)
- Supported audio formats:
- Linear PCM (WAV format) at 44.1 kHz / 16 bit (CD quality) or 44.1 kHz / 24 bit
- Linear PCM (WAV format), 48 kHz / 24 bit
- Linear PCM (WAV format), 96 kHz / 24 bit
- Compressed (MP3 format): 32–320 kbit/s at 44.1/48 kHz (VBR files can be played but not recorded)
- NEW: Can be used as a USB audio interface with Mac and Windows computers (two inputs, two outputs)
Recording
- Built-in omni-directional stereo condenser microphone for lively, high-quality sound and high-resolution recording
- Easy setup
- Proven high sound pressure design for capturing sounds of up to 125 dB SPL, making it ideal for loud band recordings
- Natural sound independent of the sound source’s position
- Ideal for live music recording or news gathering with atmo
- Switchable filter to minimize unwanted low-frequency noise (40 Hz, 80 Hz, 120 Hz)
- Manual recording level setting for music and field recording
- Three options of automatic level control during recording: Peak Reduction, Auto Level, Limiter
- Auto-recording function to automatically start recording based on input level
- Marks can be added automatically when using the automatic recording function
- NEW: Overwrite function for punch-in recording with one level of Undo
- NEW: Dictation mode designed for human voice recording and transcription
- Pre-recording buffer (2 seconds) allows a recording to start before the record key is pressed
- Self-timer allows a recording to start 5 or 10 seconds after pressing the RECORD button
- A new file can be created manually during recording or automatically when a certain file size is reached
- Set marks to quickly locate certain audio positions (up to 99 per file)
- Automatic tone generator convenient when editing with video on other equipment
- Stereo mic/line input with plug-in power to connect an external source or microphone
- File name format can be set to use a predefined word or the date
Playback
- Automatic level align prevents uneven playback levels
- Variable speed audition to change the playback tempo without affecting the key (50–200 %)
- Repeat/loop function (repeat one track, all tracks or a marked section, convenient for practicing music and studying languages
- Playlist feature to play files in a certain order
- Resume function retains the last stop position and starts playback from that position when power is turned back on
- Jump back function to instantly review playback (1–10, 20, 30 seconds)
- Equalizer for tone control during playback
- MP3 ID3 tag display (up to version 2.4)
- Built-in loudspeaker
- Headphones/Line output
Other features
- QUICK menu button for easy access to various functions
- Chromatic tuner function to tune your instrument
- File divide function to cut unwanted noise or to extract parts from long recordings
- Folder management to organize your files
- Hold function to avoid inadvertent operation
- Menu language can be selected between English, German, French, Italian, Spanish, Portuguese, Russian, Korean, Japanese, Chinese
- Clear, backlit LC display
- USB 2.0 port for file transfer to/from computer
- Power supply by 2 AA size Alkaline or NiMH batteries, USB bus power or optional AC adapter (Tascam PS-P520E)
- Stand adapter (¼ inch) on bottom side to attach the unit to a tripod or microphone stand
| Power supply and other specifications |
| Power requirements |
|
2 AA batteries (alkaline or NiMH)
USB bus power from a computer
AC adapter (Tascam PS-P520E, sold separately) |
| Power consumption |
|
1.7 W (maximum) |
| Dimensions (W × H × D) |
|
61 mm × 141 mm × 26 mm |
| Weight |
|
119 g (without batteries)
165 g (with batteries) |
| Permissible operating temperature range |
|
0–40 °C |
|
The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.
The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal
•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal
•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently
Features - Support for PAL, NTSC and 60 Hz B&W standards
- One composite video input and three composite video outputs
- Can operate as a master black-burst generator
- Can operate as genlocking slave device
|
The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.
Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).
To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).
And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.
* 1U Rack-mount Solid-State Recorder
* Compact Flash Card
* USB host interface for USB Flash Cards
* Audio data formats: PCM (16/24 bit), MP3
* Sampling rates supported: 44.1, 48, 88.2, 96kHz
* Mic/Line XLR (with 20dB pad) balanced I/O
* Phantom Power (rear panel switch and front LED indicator)
* Euroblock terminal (Input and Output)
* Unbalanced RCA (Input and Output)
* Front panel rotary input level controls
* RS-232 interface for control
* RJ45 100Mbit/s Ethernet interface for file transfer and control
* 25-pin parallel remote control interface
* 16 Direct Play via D=SUb25 pin parallel interface
* Power on play (front panel selectable)
* S/PDIF Digital In/Out (Coaxial and Optical)
* Headphone Jack w/level control
* Input through and Auto Fade function
* Input monitoring / mixing of live stereo input along with playback
* Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...
|
Stereo Rack Memory Recorder
The UR-2 is a 1 U rack size stereo audio recorder using SD card and USB storage device that is flexibly adapting to the wide variety of playback requirements.
The UR-2 is a new generation stereo memory recorder from Fostex that uses 2 SD cards (SDHC compatible) and USB storage device as the recording media. The recording/ playback file format is BWF (WAV). Its ample playback functions will adapt to the wide variety of playback requirements. It offers high quality recording of up to 24bit/96kHz (in BWF format). Employing FAT 32 disc format, it is easy to process the file transfer to a PC based DAW.
The analog input and output are balanced XLR/+4dBu and un-balanced RCA/-10dBV, the digital input and output complies to AES/EBU and S/P DIF digital signal. It is flexible to be used in the available audio system. The playback function includes Chain Play and Timer Play, it is suitable for live stage performance and sound installation. In addition to the external control via parallel remote with D-Sub 25pin and RS-232C serial remote, a USB keyboard and 10-key keyboard can trigger the instant playback start, which is very useful at a live event, theater and broadcast environments.
The Mic input located on the front panel offers 48V phantom power, it can be used not only for recording but also for speech to be mixed with playback source. Last but not least, its newly employed organic EL display gives an extremely clear visibility. This combined with DC power operation, it serves for outdoor use very well.
MAIN FEATURES
• 2 sets SD card slots and a USB host connector for alternate recording/playback among the different media.
• Stereo or Mono WAV (BWF) recording to SD card (also SDHC) and USB storage device
• Fs: 44.1/48/88.2/96kHz, Quantization: 16/24bit
• High speed file transfer with PC via USB 2.0 (bi-directional)
• Employing FAT32 format, it allows to directly mount the recorded files to PC.
• It adapts to a wide variety of use environment by offering Chain Play and Memory Play.
• Timer Play and Power ON Play enable automatic playback start for such as chime and repetitive announcement, which are convenient in the installation audio industry.
• The play mode list employs CSV file format so that it is easy to edit by a text editor or spread sheet program software on PC.
• 99 Cue points with locate function. Waveform display under Scrub mode offers easy and visual Cue point setting
• Microphone input with P48V available on the front panel. Not only for recording but for speech to be mixed with playback source.
• Analog I/O with balanced XLR and un-balanced RCA pin jacks, Digital I/O with XLR connectors
• An organic EL display offers high visibility.
• Remote transport control via Foot SW, Parallel remote pot (Dsub 25pin) and RS-232C (D-sub 9pin)
• External USB keyboard can be used not only for file name editing but for transport control such as REC and PLAY.
|
Korg D-4 Digital Recording Studio
High-performance recording studio in a
friendly, compact package
Welcome a new member to Korg?s lineup of D-series recorders - acclaimed for their superb audio quality and intuitive ease-of-use. About the same size as a VHS video tape, the D4 Digital Recorder contains built-in effects, rhythms, and a tuner, everything needed to plug in a guitar or mic and start recording right away. Five real-time knobs provide immediate control over numerous functions, including a full array of Korg?s proprietary ?REMS? modeling effects. These same knobs perform double duty as Pan knobs and Record Select buttons; an informative backlit LCD screen keeps it all together. Inside, you?ll find powerful recording and sophisticated editing functions that rival high level models. There?s even a USB connector that makes it easy to transfer song data to a computer. With enormous potential packed into its small size, the D4 is the ideal partner for your creative music life.
Main features
? 4-Track digital recorder features 8 virtual tracks per track, for a total of 32 tracks.
? Two tracks of simultaneous recording.
? High audio quality with extended recording times using MPEG1 Layer 2 compressed recording format.
? XLR and 1/4 inch inputs accommodate both a microphone and/or guitar.
? Intuitive user interface provides plenty of knobs for easy operation.
? Instantly recall frequently-used effect settings, including custom-tailored settings, using the Favorites knob.
? Five knobs (with push-button function) allow for easy effect editing and pan control.
? Full suite of non-destructive editing tools includes punch-in/out, bounce, copy/paste, delete ? even pro-level functions such as time compression/expansion are provided.
? Korg?s proprietary ?REMS? modeling technology delivers 93 effect types that can be used for guitar, insert, master, or final effect processing. There are 100 preset effect programs ready for immediate use, and 100 user program locations.
? High-capacity CompactFlash data storage.
? Transfer data to a computer quickly and easily via the USB connector.
? Built-in mic allows immediate recording on the go.
? 87 Rhythm / metronome patterns and a chromatic tuner are built-in.
? The custom LCD display is backlit for easy visibility - even in dark locations.
? AC adaptor and 64 MB CompactFlash media are included.
A studio that?s just the right size
The D4 is a complete four-track recording studio, providing multi-effects based on Korg?s proprietary ?REMS? modeling technology, and an array of rhythm and metronome patterns to compliment any musical style. Just plug a guitar or microphone into the D-4 and you can begin creating your own song a track at a time. Eight virtual tracks are provided for each track, so you can choose the best take as you build your song. The D4 records directly to CompactFlash using one of three modes ?High Quality, Standard or Economy ? providing extended recording time with great audio quality. CompactFlash cards of up to 2 GB* may be used and each one can store up to 99 songs, recorded and saved in MP2 (MPEG-1 Layer-2) format. A built-in mic lets you make quick musical memos as inspiration comes to you. There?s also a built-in tuner, ensuring that you?ll be in tune whenever you record.
*maximum recording time = 72 hours, single track using Economy mode with a 2 GB CompactFlash.
Simple, easy-to-use controls, including
new ?turn and push? knobs
Despite its compact size, the D4 offers quick and convenient control of its many professional features and rich functionality. A single knob takes you from mode to mode. Five dedicated knobs provide real-time editing of the onboard REMS effects. By pushing down on these same knobs you can select recording status of each track and turn effects on and off. There?s also a ?favorites knob? that lets you instantly recall eleven of your favorite effects. The Value Dial provides a quick way to change settings and select various options. With trim knobs on both inputs (XLR and 1/4" are provided for Input 2, 1/4" only on Input 1), you?ll be able to get the optimum level in any recording situation.
A full suite of editing tools
bring a final polish to your song
The D4 provides the functionality and flexibility you?ve come to expect from Korg digital recorders, including copy, delete, punch-in recording and more. Bounce recording combines multiple tracks into one ? with no loss of fidelity ? and frees up tracks for additional recording. You can also use professional time compression/expansion editing functions to alter previously-recorded phrases so they match the tempo of your song.
“REMS" modeling effect technology
KORG?s proprietary "REMS" (Resonant structure and Electronic circuit Modeling System) modeling technology simulates the audio characteristics of many classic guitar amps, legendary recording microphones and numerous effects with startling realism, adding depth and character to your original recordings. The AMP effect faithfully recreates a range of amps; from classics such as the VOX AC30TB through today?s latest guitar amps. The CABINET effect accurately simulates a wide variety of speaker cabinets that match the various AMP types. The 4-BAND EQ allows you to make detailed adjustments to the tonal character and you can also apply chorus, phaser, and flanger type MODULATION effects. For recording bass parts, the BASS DRIVE and BASS CABINET effects provide a broad spectrum of bass sounds that perfectly simulate the character of various bass rigs. When it comes time to add vocals ? or another acoustic instrument ? the mic simulator recreates the ideal tonality for various recording applications.
What is REMS?
REMS (Resonant structure and Electronic circuit Modeling System) is Korg?s proprietary modeling technology that digitally simulates a wide range of factors that affect sound, including the sound-producing mechanism of acoustic and electric/electronic instruments, the body and cabinet resonances that affect the tone, the spatial character of the sound field in which the sound is heard, the electrical and acoustical response of the mics and speakers that are in the sound-transmission path, and the way in which electrical circuits such as vacuum tubes and transistors affect the tone.
Create multi-effect ?chains? using up to five simultaneous effects
The D4 digital recorder provides four types of effect chains, in which up to five effects can be connected in a specified order. This makes it easy to create multi-effects that are suitable for the material you?re recording. These effect chains are stored as programs, with 100 user and 100 preset locations for easy access. The presets contain programs created by professional musicians and studio engineers and are ready to use. You can edit the effects in a program and store it in the user program area. Four chain types are provided. [GUITAR/MIC] is used when applying effects to a mono input, such as guitar or vocal; [INSERT/GTR+VO] is for use with a stereo input, or when applying separate effects to a vocal track and a guitar track that are being recorded simultaneously; [MASTER] makes the overall sound more consistent; and [FINAL], which applies overall adjustments to the final output stage. A dedicated switch is provided to select each chain type. No complicated operations are required, letting you concentrate on your recording.
High-quality PCM rhythms
Inside the D4 is a PCM sound generator that can produce 87 different rhythm patterns (32 metronome patterns and 55 rhythm patterns). The rich array of patterns include 8 beat, 16 beat, Rock, Funk, Big Beat, House, Reggae, Hip-Hop, R&B, Disco, Dance, Jazz, 3/4, 6/8, 5/4, and 7/4, covering a broad range from simple beats to highly distinctive styles. These rhythm patterns may be used as recording guides, or as an easy way to create tracks.
Reliable, convenient CompactFlash storage
CompactFlash capacities of 16 MB ? 2 GB are supported for data storage.*1*2 The data is written automatically when you?ve finished recording or editing. The D4 also provides a USB connector, so it?s easy to transfer song data and user effect data to your computer for backup.*3 Completed songs created within the D4 as stereo MPEG format*4 song files, can be played back as stereo MPEG files on your computer.*5 This also makes it easy to distribute or exchange data on the Internet.
*1 One (1) 64 MB CompactFlash card containing demo song data is included.
*2 CF TYPE I cards only. CF TYPE II cards are not supported.
*3 USB connection requires Windows 2000/Me or later, or Mac OS 9.0.4 or later. If your computer does not have a USB connector, you can still use a card reader/writer to backup data that?s stored on the card.
*4 MPEG1 Layer2 format.
*5 Windows Me, Windows 2000, Mac OS 9.0.4, or later systems are supported - when using a PC with an audio card that supports 32 kHz.
| Recorder Section: |
| |
Number of Tracks: |
| |
4 tracks x 8 virtual tracks; 4 tracks simultaneous playback /2 tracks simultaneous recording
|
| |
Recording Format: |
| |
16 bit MPEG 1 Layer 2 compression, 32 kHz
|
| |
Recording Time: |
| |
Hi Quality = approx. 44 minutes /1 track
Standard = approx. 64 minutes /1 tracks
Economy = approx. 132 minutes /1 track
(when using 64 MB CompactFlash), maximum of approx. 4200 minutes /1 track (Economy, when using 2 GB CompactFlash)
* Recording time may vary slightly depending on conditions of use.
|
| |
Number of Songs: |
| |
99 songs per card
|
| |
Tempo: |
| |
40 ~ 240
|
| |
Metronome Patterns: |
| |
32
|
| |
Rhythm Patterns: |
| |
55
|
| |
Track Editing: |
| |
Copy, Insert, Erase, Delete, Time Expansion/Compression
|
| |
Song Editing: |
| |
Rename, Copy, Delete
|
| |
Counter: |
| |
Min/Sec/Msec, Meas/Beat/Tick
|
Mixer Section: |
| |
Structure: |
| |
4 ch + 2 ch (when using sub-input function)
|
Effect Section: |
| |
Structure: |
| |
Guitar/Mic, Insert/Guitar+Vocal, Master, Final;
One of the above effects can be selected for use.
|
| |
Effects: |
| |
100 presets / 100 users
|
Tuner: |
| |
Detection Range: |
| |
27.5 Hz ~ 2093 Hz
|
| |
Calibration: |
| |
fixed at A=440 Hz
|
Card: |
| |
Usable Type: |
| |
16 MB ~ 2 GB CompactFlash
|
General: |
| |
Power Supply: |
| |
Included AC adapter
|
| |
Dimensions: |
| |
7.52? (W) x 5.71? (D) x 1.61? (H)
191 (W) x 145 (D) x 41 (H) mm
|
| |
Weight: |
| |
0.91 lbs./415 g
|
Analog/Digital Input/Output Specifications: |
| |
A/D, D/A Conversion: |
| |
20 bit
|
| |
Sampling Frequency: |
| |
32 kHz
|
INPUT 1, 2: |
| |
Connector: |
| |
ψ6.3 mm phone jacks (unbalanced), XLR-3-31 type (balanced); when selecting INPUT 2 MIC
|
LINE: |
| |
Input Impedance: |
| |
22 kOhm
|
| |
Rated Level: |
| |
-32 dBu (INPUT LEVEL = Max),
+4 dBu (INPUT LEVEL = min)
|
| |
Maximum Level: |
| |
-18 dBu (INPUT LEVEL = Max),
+16 dBu (INPUT LEVEL = min)
|
| |
Source Impedance: |
| |
600 Ohm
|
MIC: |
| |
Input Impedance: |
| |
10 kOhm: ψ6.3 mm phone jack (unbalanced),
10 kOhm: XLR-3-31 type (balanced)
|
| |
When using phone jack (unbalanced): |
| |
Rated Level: -52 dBu (INPUT LEVEL = max)
-16 dBu (INPUT LEVEL = min)
Maximum Level: -40 dBu (INPUT LEVEL = max)
-4 dBu (INPUT LEVEL = min)
|
| |
When using INPUT 2 XLR (balanced): |
| |
Rated Level: -60 dBu (INPUT LEVEL = max)
-28 dBu (INPUT LEVEL = min)
Maximum Level: -48 dBu (INPUT LEVEL = max)
-16 dBu (INPUT LEVEL = min)
Source Impedance: 600 Ohm
|
GTR: |
| |
Input Impedance: |
| |
890 kOhm
|
| |
Rated Level: |
| |
-30 dBu (INPUT LEVEL = max)
+4 dBu (INPUT LEVEL = min)
|
| |
Maximum Level: |
| |
-18 dBu (INPUT LEVEL = max)
+16 dBu (INPUT LEVEL = min)
|
| |
Source Impedance: |
| |
600 Ohm
|
OUTPUT: |
| |
Connector: |
| |
RCA phono jacks
|
| |
Output Impedance: |
| |
1 kOhm
|
| |
Maximum Level: |
| |
+2 dBu
|
| |
Rated Level: |
| |
-10 dBu
|
| |
Load Impedance: |
| |
Greater than 10 kOhm
|
Phones Output: |
| |
Connector: |
| |
Mini-stereo phone jack
|
| |
Output Impedance: |
| |
10 Ohm
|
| |
Maximum Level: |
| |
15 mW @ 33 Ohm
|
Foot Switch: |
| |
Connector: |
| |
ψ6.3 mm phone jack (use separately sold
PS-1 foot switch)
|
USB: |
| |
Connector: |
| |
Type B
|
| |
Supported OS: |
| |
Windows Me/2000 or later, Mac OS 9.0.4 or later
|
Included Items: |
| |
CompactFlash, AC adapter
|
D4 Options: |
| |
PS-1 Foot Switch |
| TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
- Record to SD/SDHC card (Up to 32GB)
- Simultaneously record up to 4 tracks
- Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
- Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
- TASCAM original HDDA microphone preamps
- Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
- Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
- 50mW/ch headphone output
- Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
- Handles protect the screen and can be used to attach a shoulder strap
- Soft-Touch Rubber Keys for silent operation
- HOLD switch to prevent accidental operation
- QUICK button feature for easy access to various functions
- 128x64 pixel LCD with backlight
- USB 2.0 connection for high-speed transferring of files
- Mini USB cable included
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Can extend battery life with BP-6AA battery pack (sold separately)
- Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
- Internal mixer: PAN and LEVEL controls
- Low cut filter(40/80/120Hz)
- Limiter (1/L and 2/R can be selected for link-operation)
- Delay function for microphone distance adjustment (up to 150ms)
- M-S decode function
- Slate tone generator (AUTO/MANUAL)
- Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
- Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
- File name format can be set to use a user-defined word or date
- Dual-recording function allows two files to be recorded simultaneously at different levels
- Auto-record function can automatically start and stop recording at set level
- Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
- Self-timer function for solo recording
- New file starts recording automatically without interruption when maximum file size is reached
- Track incrementing function allows a recording to be split by creating a new file when desired
- Jump back and play function
- Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
- Resume function to memorize the playback position before the unit is turned off
- MARK function up to 99 points per audio track
- DIVIDE function
SPECIFICATIONS
| Recording media |
SD card(64MB to 2GB), SDHC card(4GB to 32GB) |
| Recording format |
|
| WAV |
44.1/48/96kHz, 16/24bit |
| BWF |
44.1/48/96kHz, 16/24bit |
| Number of channels |
4channel (stereo x2) |
| Analog audio input |
|
| 1/L, 2/R connectors |
|
| Connector |
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack |
| Set to "MIC / MIC+PHANTOM“ |
|
| Input impedance |
2k ohms |
| Phantom power |
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH) |
| Maximum input level |
0dBu |
| Minimum input level |
-72dBu |
| MIC input gain |
TRIM MAX |
| LOW |
+11dB |
| MID |
+36dB |
| HIGH |
+52dB |
| Set to "LINE“ |
|
| Input impedance |
10k ohms or more |
| Standard input level |
+4dBu |
| Maximum input level |
+24dBu |
| 3-4 connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power) |
| Input impedance |
10k ohms |
| Maximum input level |
+10dBV |
| Minimum input level |
-50dBV |
| MIC input gain |
TRIM MAX |
| LOW |
+3dB |
| HIGH |
+26dB |
| CAMERA IN connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Input impedance |
10k ohms |
| Standard input level |
-10dBV |
| Maximum input level |
+6dBV |
| Analog audio output |
|
| CAMERA OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-50dBV |
| Maximum output level |
-30dBV |
| LINE OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-10dBV |
| Maximum output level |
+10dBV |
| PHONES connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Maximum output level |
50mW + 50mW |
| USB |
|
| Connector |
Mini-B type |
| Format |
USB2.0 HIGH SPEED mass storage class |
| REMOTE |
|
| Connector |
2.5mm TRS jack |
| Power |
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
| Power consumption |
5.4W |
| Continuous operation time |
2ch WAV, 44.1kHz, 16bit rec |
| DR-60D |
|
| Alkaline batteries (EVOLTA) |
About 2:30 min (Phantom on)
About 4:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 3:15 min (Phantom on)
About 5:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 3:45 min (Phantom on)
About 6:00 min (Phantom off) |
| DR-60D+BP-6AA |
|
| Alkaline batteries (EVOLTA) |
About 5:30 min (Phantom on)
About 10:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 7:30 min (Phantom on)
About 12:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 9:30 min (Phantom on)
About 14:30 min (Phantom off) |
| Dimensions |
133(W)×93.2(H)×78(D)mm (with the top adapter attached) |
| Weight |
510g (not including batteries) |
| Operating temperature |
0˚C to 40˚C |
| Standard accessories |
USB cable, warranty card, Owner's manual |
| Computer compatibility |
| Windows |
| OS |
Windows XP, Windows Vista, Windows 7, Windows 8 |
| CPU |
Pentium 300MHz or more |
| RAM |
128MB or more |
| USB |
recommended: USB2.0 |
| Macintosh |
| OS |
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8) |
| CPU |
Power PC, iMac, G3, G4 266MHz or more |
|
64MB or more |
| USB |
recommended: USB2.0 |
| Audio performance |
| Frequency response |
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
| Distortion |
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| S/N ratio |
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| Equivalent input noise |
-120dBu or more |
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
| File format(recording setting) |
SD/SDHC card capacity(hours:mintes) |
| 1GB |
2GB |
4GB |
8GB |
| WAV/BWF 16bit(STEREO) |
44.1kHz |
1:41 |
3:22 |
6:44 |
13:28 |
| 48kHz |
1:33 |
3:06 |
6:12 |
12:24 |
| 96kHz |
0:46 |
1:33 |
3:06 |
6:12 |
| WAV/BWF 24bit(STEREO) |
44.1kHz |
1:07 |
2:15 |
4:30 |
9:00 |
| 48kHz |
1:02 |
2:04 |
4:08 |
8:16 |
| 96kHz |
0:31 |
1:02 |
2:04 |
4:08 |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
|
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