| Content | Stereo Handheld Audio Recorder and USB Audio Interface
The DR-05X offers portable, high-quality stereo recording in MP3 or WAV format – including 96-kHz/24-bit high-resolution audio – using microSD, microSDHC or microSDXC media. A pair of omni-directional mics handles up to 125 dB SPL with the sensitivity to capture every detail. Users can also use their own microphone or line-level source through the mini-jack stereo input which includes plug-in power for microphones that need it.
The DR-05X is quick and easy to use with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding marks are only a button press away. Other features like low-cut filtering, Variable Speed Audition, chromatic tuner and others more can be chosen from the multilingual menu (English, Spanish, Portuguese, French, Italian, German, Russian, Chinese, Korean, Japanese). Three different auto level modes (Limiter, Peak Reduction, Auto Level) can help to prevent accidental distortion while recording. There is also a Level Align function that allows to smooth out any sudden volume jumps during playback, and a built-in speaker is provided for quick check-back. Users may apply one out of six reverb effects to the input or output signal, and an Overdub feature allows to record other parts such as a guitar solo over a recording previously made such as at a rehearsal studio. Overdubbing creates a new file, leaving the original file unaffected, making it easy to re-record.
The new Dictation Mode enables the user to jump back and forth in preselected increments while playing back a file. It can be combined with speed control and a special dictation EQ making it useful for transcribing minutes recordings, for example. The new tape-style Overwrite mode with one level of undo allows users to select a drop-in time and replace part of an existing recording.
Apart from handheld recording, the DR-05X can also be used as a USB audio interface with two inputs and outputs, making it a tool for voiceover work, live streaming, podcasting and songwriting with studio-quality audio.
Two AA batteries can power the recorder for more than 17 hours, even while recording at CD quality. Operation by USB bus power or an optional AC adapter (PS-P520E) is also possible.
Features at a glance
- High-quality handheld stereo recording
- Small size and easy operation
- Micro SD/SDHC/SDXC cards can be used as recording media (up to 128 GB)
- Supported audio formats:
- Linear PCM (WAV format) at 44.1 kHz / 16 bit (CD quality) or 44.1 kHz / 24 bit
- Linear PCM (WAV format), 48 kHz / 24 bit
- Linear PCM (WAV format), 96 kHz / 24 bit
- Compressed (MP3 format): 32–320 kbit/s at 44.1/48 kHz (VBR files can be played but not recorded)
- NEW: Can be used as a USB audio interface with Mac and Windows computers (two inputs, two outputs)
Recording
- Built-in omni-directional stereo condenser microphone for lively, high-quality sound and high-resolution recording
- Easy setup
- Proven high sound pressure design for capturing sounds of up to 125 dB SPL, making it ideal for loud band recordings
- Natural sound independent of the sound source’s position
- Ideal for live music recording or news gathering with atmo
- Switchable filter to minimize unwanted low-frequency noise (40 Hz, 80 Hz, 120 Hz)
- Manual recording level setting for music and field recording
- Three options of automatic level control during recording: Peak Reduction, Auto Level, Limiter
- Auto-recording function to automatically start recording based on input level
- Marks can be added automatically when using the automatic recording function
- NEW: Overwrite function for punch-in recording with one level of Undo
- NEW: Dictation mode designed for human voice recording and transcription
- Pre-recording buffer (2 seconds) allows a recording to start before the record key is pressed
- Self-timer allows a recording to start 5 or 10 seconds after pressing the RECORD button
- A new file can be created manually during recording or automatically when a certain file size is reached
- Set marks to quickly locate certain audio positions (up to 99 per file)
- Automatic tone generator convenient when editing with video on other equipment
- Stereo mic/line input with plug-in power to connect an external source or microphone
- File name format can be set to use a predefined word or the date
Playback
- Automatic level align prevents uneven playback levels
- Variable speed audition to change the playback tempo without affecting the key (50–200 %)
- Repeat/loop function (repeat one track, all tracks or a marked section, convenient for practicing music and studying languages
- Playlist feature to play files in a certain order
- Resume function retains the last stop position and starts playback from that position when power is turned back on
- Jump back function to instantly review playback (1–10, 20, 30 seconds)
- Equalizer for tone control during playback
- MP3 ID3 tag display (up to version 2.4)
- Built-in loudspeaker
- Headphones/Line output
Other features
- QUICK menu button for easy access to various functions
- Chromatic tuner function to tune your instrument
- File divide function to cut unwanted noise or to extract parts from long recordings
- Folder management to organize your files
- Hold function to avoid inadvertent operation
- Menu language can be selected between English, German, French, Italian, Spanish, Portuguese, Russian, Korean, Japanese, Chinese
- Clear, backlit LC display
- USB 2.0 port for file transfer to/from computer
- Power supply by 2 AA size Alkaline or NiMH batteries, USB bus power or optional AC adapter (Tascam PS-P520E)
- Stand adapter (¼ inch) on bottom side to attach the unit to a tripod or microphone stand
| Power supply and other specifications |
| Power requirements |
|
2 AA batteries (alkaline or NiMH)
USB bus power from a computer
AC adapter (Tascam PS-P520E, sold separately) |
| Power consumption |
|
1.7 W (maximum) |
| Dimensions (W × H × D) |
|
61 mm × 141 mm × 26 mm |
| Weight |
|
119 g (without batteries)
165 g (with batteries) |
| Permissible operating temperature range |
|
0–40 °C |
|
Liquid Mix HDLiquid Mix HD | TDM Plugin for Pro Tools HD
Key Features
Variety of Classic Emulations
40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
Dynamic Convolution Technology
The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations.
Ultra-Low Latency for Recording
With the ultra-low latency of Liquid Mix HD (just 12 samples), it can now be used for recording and live sound applications
Optimised for Pro Tools HD
Over one hundred simultaneous mono instances can be run at 44.1/48kHz on an HD3 system.
Full Control Surface Mapping
Pro Tools TDM format ensures full control mapping on all major Pro Tools control surfaces, including ICON and VENUE.
Unique Hybrid Super EQ
Create your own totally unique 7-band super EQ, built out of separate classic EQ bands.
Compressor 'Free' Mode
Vintage compressors with limited controls can now be set to provide fully variable Attack, Release and Ratio.
Automation and Full Recall
Perfect integration with Pro Tools HD allows for automation of parameters and full recall within your session.
|
UR-80: 24 Bit/96 kHz USB Recording System
Features
- Over forty assignable controls
- Up to 24-bit/96KHz recording
- 2x XLR/TRS combo jack with qualified microphone preamp & phantom power
- Included HQ-GM2, HyperCanvas software synthesizer
- ASIO2.0/WDM, MacOS X compatible drivers, low-latency support.
- UR-80 Editor Software Included
- V-Link support
Knob8Fader9Rotary Encoder1Button25LED10Number of Memory SetsPreset1User7Number of Audio Record/Playback Channels (Full duplex (except for 96 kHz setting))Record2 channels (stereo)Playback2 channels (stereo)Signal ProcessingAD/DA Conversion24 bits (linear)PC interface24 bitsSampling Frequency24 bitsDigital output44.1/48/96 kHzDigital input32/44.1/48/96 kHz* Built-in realtime sample rate converterAD/DA Conversion44.1/48/96 kHzFrequency Response96.0 kHz20 Hz to 40 kHz (+0 dB/-2 dB)48.0 kHz20 Hz to 22 kHz (+0 dB/-2 dB)44.1 kHz20 Hz to 20 kHz (+0 dB/-2 dB)Nominal Input Level (variable)Input Jack 1, 2 (XLR type)-50 to -10 dBuInput Jack 1, 2 (1/4 inch TRS phone type)-35 to +4 dBuInput ImpedanceInput Jack 1, 2 (XLR type)5 k ohmsInput Jack 1, 2 (1/4 inch TRS phone type, Lo-Z)32 k ohmsInput Jack 2 (Hi-Z)1 M ohmsNominal Output LevelOutput Jack0 dBuOutput ImpedanceOutput Jack1 k ohmsHeadphones160 ohmsResidual Noise LevelOutput Jack-90 dBu or less
(input terminated with 1 k ohms, OUTPUT VOLUME: max., INPUT SENS = min., INPUT MONITOR = min., IHF-A, typ.)InterfaceUSB
Digital input/output Coaxial type
Optical type(conforms to S/P DIF)ConnectorsInput Jack 1, 2 (XLR type (phantom power)
1/4 inch TRS phone type)
Digital In Connectors (Coaxial type, Optical type)
Digital Out Connectors (Coaxial type, Optical type)
Headphones Jack (Stereo 1/4 inch phone type)
Output Jack L/R (RCA phone type)OthersPower SupplyAC adaptorCurrent Draw1000 mAAccessoriesInstallation Guide
Owner's Manual
USB cable
AC adaptor
CD-ROM
Overlay Sheets with Application LabelsSize and WeightWidth379 mm14-15/16 inchesDepth239 mm9-7/16 inchesHeight84 mm3-5/16 inchesWeight1.7 kg3 lbs. 11 oz.
|
The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.
Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).
To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).
And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.
* 1U Rack-mount Solid-State Recorder
* Compact Flash Card
* USB host interface for USB Flash Cards
* Audio data formats: PCM (16/24 bit), MP3
* Sampling rates supported: 44.1, 48, 88.2, 96kHz
* Mic/Line XLR (with 20dB pad) balanced I/O
* Phantom Power (rear panel switch and front LED indicator)
* Euroblock terminal (Input and Output)
* Unbalanced RCA (Input and Output)
* Front panel rotary input level controls
* RS-232 interface for control
* RJ45 100Mbit/s Ethernet interface for file transfer and control
* 25-pin parallel remote control interface
* 16 Direct Play via D=SUb25 pin parallel interface
* Power on play (front panel selectable)
* S/PDIF Digital In/Out (Coaxial and Optical)
* Headphone Jack w/level control
* Input through and Auto Fade function
* Input monitoring / mixing of live stereo input along with playback
* Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...
|
The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.
The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal
•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal
•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently
Features - Support for PAL, NTSC and 60 Hz B&W standards
- One composite video input and three composite video outputs
- Can operate as a master black-burst generator
- Can operate as genlocking slave device
|
Stereo Rack Memory Recorder
The UR-2 is a 1 U rack size stereo audio recorder using SD card and USB storage device that is flexibly adapting to the wide variety of playback requirements.
The UR-2 is a new generation stereo memory recorder from Fostex that uses 2 SD cards (SDHC compatible) and USB storage device as the recording media. The recording/ playback file format is BWF (WAV). Its ample playback functions will adapt to the wide variety of playback requirements. It offers high quality recording of up to 24bit/96kHz (in BWF format). Employing FAT 32 disc format, it is easy to process the file transfer to a PC based DAW.
The analog input and output are balanced XLR/+4dBu and un-balanced RCA/-10dBV, the digital input and output complies to AES/EBU and S/P DIF digital signal. It is flexible to be used in the available audio system. The playback function includes Chain Play and Timer Play, it is suitable for live stage performance and sound installation. In addition to the external control via parallel remote with D-Sub 25pin and RS-232C serial remote, a USB keyboard and 10-key keyboard can trigger the instant playback start, which is very useful at a live event, theater and broadcast environments.
The Mic input located on the front panel offers 48V phantom power, it can be used not only for recording but also for speech to be mixed with playback source. Last but not least, its newly employed organic EL display gives an extremely clear visibility. This combined with DC power operation, it serves for outdoor use very well.
MAIN FEATURES
• 2 sets SD card slots and a USB host connector for alternate recording/playback among the different media.
• Stereo or Mono WAV (BWF) recording to SD card (also SDHC) and USB storage device
• Fs: 44.1/48/88.2/96kHz, Quantization: 16/24bit
• High speed file transfer with PC via USB 2.0 (bi-directional)
• Employing FAT32 format, it allows to directly mount the recorded files to PC.
• It adapts to a wide variety of use environment by offering Chain Play and Memory Play.
• Timer Play and Power ON Play enable automatic playback start for such as chime and repetitive announcement, which are convenient in the installation audio industry.
• The play mode list employs CSV file format so that it is easy to edit by a text editor or spread sheet program software on PC.
• 99 Cue points with locate function. Waveform display under Scrub mode offers easy and visual Cue point setting
• Microphone input with P48V available on the front panel. Not only for recording but for speech to be mixed with playback source.
• Analog I/O with balanced XLR and un-balanced RCA pin jacks, Digital I/O with XLR connectors
• An organic EL display offers high visibility.
• Remote transport control via Foot SW, Parallel remote pot (Dsub 25pin) and RS-232C (D-sub 9pin)
• External USB keyboard can be used not only for file name editing but for transport control such as REC and PLAY.
|
Reviews
There are no reviews yet.